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CBC Times 500507.PDF
Miss Verna E. Weber, BERGEN, Alta. PRAIRIE REGION SCHEDULE May 7·13, 1950 Issued Each Week by the Canadian Broadcasting Corporation VOLUME III No. 19 ISSUED AT WINNIPEG. APRrt 28 !Ie PER COPY SI.OO PER YEAR This Week: Land Of Supposing (Page 2) * Edmund Hockridge (Page 3) * Variety Time (Page 4) * English Composers (Page 5) * Sir Basil Brooke (Page 6) * PEECII anu dr;lmatirs ha"e been BETH S LocIU:l\DII::'!> (."()n~llll1in~ intf.'TE"SlS since her girl. hood days in Regina. and she wa~n't far into her teens when she ht>gan applying her skill to radio work in Calgary and \Vinnipcg. SIlt' went to Toronto in 1946 and h currently heard as "~Iom" in Alan and .\le. and IIdl'n ~Ianning in Bract' \'oljage. * * * Beth Lockerbie. on our ('O\er this wt.'ck, has onf' of tIle wannl'St voit.'t's in Canadian mdio. a thor· ough Unin''TSity training in speech :md dramatics, and a \Va)' with chiJdH'n. So it is not surprising that her current acth·ities should inc,.'luul:' the widely contrasting roles of "Mmll" in thE' wt"t"kly family drama series Alan and Me, and thl' young heroine of the ~10nda)--to-Frid:lY Jaytimf' drama BrULe \ ·oyage. She also appcl.lrs frequently ill the Stage series, Bllckingham 1'1lealre und Forel Theatre, and Toronto theatre-gm'rs have seen her in the sta~{(' productions of various drama grullps. Beth Lockerbie She has been interested in all phases of dramatics sinec her childhood in I\egiua, enrolling Thert~ she clividt'd lll:'r time hctwL"{'n l!ipeech classes, nipeg chool of Radio" Dramatics-~hrough which in the drama :\nd speech COurse at Regina College, stage work with amateur groups, and organizing she produc(.'d student.;' radio features for three and continuing at Emerson College in Boston, n and directing one of the first radio schools in the ye-ars. -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59427 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THESIS INTRODUCTION The picture of themselves which the Victorians have handed down to us is of a people who valued morality and respectability, and, perhaps, valued the appearance of it as much as the reality. Perhaps the pursuit of the latter furthered the achievement of the former. They also valued the technological achievements and the revolution in mobility that they witnessed and substantially brought about. Not least did they value the imperial power, formal and informal, that they came to wield over vast tracts of the globe. The intention of the following study is to take these three broad themes which, in the national consciousness, are synonymous with the Victorian age, and examine their applicability to the contemporary theatre, its practitioners, and its audiences. Any capacity to undertake such an investigation rests on the reading for a Bachelor’s degree in History at Warwick, obtained when the University was still abuilding, and an innate if undisciplined attachment to things theatrical, fostered by an elder brother and sister. Such an attachment, to those who share it, will require no elaboration. My special interest will lie in observing how a given theme operated at a particular or local level. -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. -
Whats in It for Blackpool
__________________________________________________________________________ Lancashire Record Office: What’s in it for Blackpool? Contents Lancashire Record Office Who we are and what we do……………………… 2 Information for planning a ………………………... 3-4 Online access and contact details……………...... 5 Introduction to this guide ……………............................ 6 Maps …………………….…………..…………………….... 7-9 Aerial photographs ………………………………………. 9 Photographs and illustrations ..………………………… 10 Blackpool archive collections Blackpool Collections…………………………..... 11 Blackpool Library Collection ……………………... 12 Smaller collections………………………………… 11 Local Businesses and Organisations Business records …………..…..………………...... 16 Clubs and Societies .………………..…………….. 17 Trade Unions …………..…..…………………….... 18 Official Records Local Government Lancashire County Council ……………………... 19 Blackpool County Borough Council ..………….. 20-22 Urban District Councils …………………………... 23 Rural District Councils …………………………... 23 Parish and Town Councils ……………………… . 23 Electoral registers .………………………………………... 24-25 Courts Quarter Sessions ……………………………….... 26-27 Petty Sessions and Magistrates ………………... 28 Coroners ………………………………………….. 28 Police …………………………………………………….... 29 Water Board ……………………………………………..... 29 Probate …………………………………..………………... 30 Education ………………………………………………..... 31-34 Hospitals……. ……….………………………………….... 35-36 Poor Law ………….………………………………………. 37 1910 Finance Act records.............................................. 38 Insurance Committees.................................................. -
Hampshire Industrial Archaeology Society, Journal No. 21, 2013, Part 1
ISSN 2043-0663 Hampshire Industrial Archaeology Society Journal No. 21 (2013) www.hias.org.uk from Downloaded www.hias.org.uk from Front cover picture: The restored auditorium of the Kings Theatre, Southsea. (Ron Hasker) [see page 3] Back cover pictures: Top: Postcard view of Netley Hospital from the pier, with the dome of the chapel (still extant) dominating the centre. (Jeff Pain) [see page 9] Downloaded Bottom right: The lantern of J. E. Webb’s patent sewer gas destructor lamp in The Square, Winchester. (J. M. Gregory) [see page 14] Bottom left: 22 000 lb (10 tonne) Grand Slam bomb case on display at the Yorkshire Air Museum, Elvington. (Richard Hall) [see page 24] 1 Hampshire Industrial Archaeology Society (formerly Southampton University Industrial Archaeology Group) Journal No. 21, 2013 _________________________________________________________________ Contents Editorial ………………………..……………………………………………………………..1 The Contributors and Acknowledgements……………………………………………………2 The Kings Theatre, Southsea Ron Hasker .. …………………………….………………………………………….3 Netley Hospital 1855-1915 Jeff Pain …………………………………………………………………………. 8 Winchester’s Gas supply Martin Gregory ………………………………………………………………..…...13 Ashley Walk Bombing Range Richard Hall .…………………………………………………………………… …21 Editorial Welcome to Issue 21 of our Journal as we set out on our third decade. As usual, we have tried to include articles on a variety of subject areas in Industrial Archaeologywww.hias.org.uk in Hampshire. Our first article is on the Kings Theatre Southsea. Many of our provincial theatres have been lost in the last fifty years. Ron Hasker has provided a short history of the theatre and its construction and has chronicled its rebirth under the management of a local Trust. The restoration has retained most of the original features. -
TB Vol 25 No 04B December 2008
Volume 25 Issue 4b TORCH BEARER THE 1948 OLYMPIC GAMES, LONDON 999 ELPO. SOCIETY of OLYMPIC C OLLECTORS SOCIETY of OLYMPIC COLLECTORS The representative of F.I.P.O. in Great Britain YOUR COMMITTEE CHAIRMAN Bob Farley, 3 Wain Green, Long Meadow, AND EDITOR : Worcester, WR4 OHP, Great Britain. [email protected] VICE CHAIRMAN : Bob Wilcock, 24 Hamilton Crescent, Brentwood, Essex, CM14 5 ES, Great Britain. [email protected] SECRETARY : Miss Paula Burger, 19 Hanbury Path, Sheerwater, Woking, Surrey, GU21 5RB Great Britain. TREASURER AND David Buxton, 88 Bucknell Road, Bicester, ADVERTISING : Oxon, OX26 2DR, Great Britain. [email protected] AUCTION MANAGER : John Crowther, 3 Hill Drive, Handforth, Wilmslow, Cheshire, SK9 3AP, Great Britain. [email protected] DISTRIBUTION MANAGER, Ken Cook, 31 Thorn Lane, Rainham, Essex, BACK ISSUES and RM13 9SJ, Great Britain. LIBRARIAN : [email protected] PACKET MANAGER Brian Hammond, 6 Lanark Road, Ipswich, IP4 3EH new email to be advised WEB MANAGER Mike Pagnamenos [email protected] P. R. 0. Andy Potter [email protected] BACK ISSUES: At present, most issues of TORCH BEARER are still available to Volume 1, Issue 1, (March 1984), although some are now exhausted. As stocks of each issue run out, they will not be reprinted. It is Society policy to ensure that new members will be able to purchase back issues for a four year period, but we do not guarantee stocks for longer than this. Back issues cost £2.00 each, or £8.00 for a year's issues to Volume 24, and £2.50 per issue, or £10 for a year's issues from Volume 25, including postage by surface mail. -
CBC Program Schedule 470928.PDF
NEWS BROADCASTS CBK DAILY WATROUS Trans·Canada Network: (Trans·Canlda Network) 8:00,9:00 a.m. 1:00,6:30, 9:00 p.m. 12:00 p.m. 540 KC8. CBC Dominion Network: Prairie Region 10:00 p.m. Transmitter .r':: :;Times given in this Schedule are Central Standard DATE OF IsSUE, OCTOBER 10, 1947 PRAIRIE REGION W..k 01 Octobor 19th, 1947 612 Telephone Bldg., Winnipeg, Canada The Winnipeg Symphony More than 8,000 music lovers gathered in Winnipeg's million-dollar Civic Auditorium on October 2nd, when two 'Preliminary concerts designed to sttmulate interest in the proposed Winnipeg Symphony Orchestra joundatton were given by an orchestra of 65 pieces CQnductect by ERIC WTLn oj Winnipeg and HENRY DENECKE 01 MinneapOlis. An afternoon concert tOT children brought out lour thousand happy youngsters from the Winnipeg schools, and in the evening the great Auditorium was again packed when a mare elaborate program for adult listeners was performed, and a hall. hour of the concert, conducted by Mr. Wild, with Mr. Denecke as guest conductor for one number, was broculcast by the CSC. Left, above, Mr. Wild is seen conducting the charming "Man FrOm The Sea," from Eric Coates' Three Men Suite. On the right is a portion of the vast evening audience, and Mr. Denecke conducting. The CBe Emblem is seen above the stage. from 1941 to 1943, and since 1943 has "One of the holiest and purest out The play will be produced on CBC Beethoven's inth held the same position with the pourings of exultation in the whole by Archie MacCorkindale with a cast Montreal Orchestra Opens Season Chicago Symphony, though retain domain of mystical music," is the of Winnipeg actors. -
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous What’s Your City’s Claim to Fame? By Jeff Coy, ISHC Paris was the world’s most-visited city in 2010 with 15.1 million international arrivals, according to the World Tourism Organization, followed by London and New York City. What’s Paris got that your city hasn’t got? Is it the nickname the City of Love? Is it the slogan Liberty Started Here or the idea that Life is an Art with images of famous artists like Monet, Modigliani, Dali, da Vinci, Picasso, Braque and Klee? Is it the Cole Porter song, I Love Paris, sung by Frank Sinatra? Is it the movie American in Paris? Is it the fact that Paris has numerous architectural icons that sum up the city’s identity and image --- the Eiffel Tower, Arch of Triumph, Notre Dame Cathedral, Moulin Rouge and Palace of Versailles? Do cities need icons, songs, slogans and nicknames to become famous? Or do famous cities simply attract more attention from architects, artists, wordsmiths and ad agencies? Certainly, having an architectural icon, such as the Eiffel Tower, built in 1889, put Paris on the world map. But all these other things were added to make the identity and image. As a result, international tourists spent $46.3 billion in France in 2010. What’s your city’s claim to fame? Does it have an architectural icon? World’s Most Famous City Icons Beyond nicknames, slogans and songs, some cities are fortunate to have an architectural icon that is immediately recognized by almost everyone worldwide. -
YORKSHIRE EVENING POST 1890 to 1900
YORKSHIRE EVENING POST 1890 to 1900 1 3 December 1890 An inquest was held yesterday on the body of Sarah Jackson, 37, the wife of a canal boatman. Deceased had only arrived in Salford with her husband, when she went ashore with him. On returning to the flat some little time before him, the deceased, it is believed, missed her footing in the darkness and fell into the canal at Oldfield Road. Search was made for the body, which was found near the shore side. A verdict of “Found drowned” was returned. 2 26 December 1890 CHRISTMASTIDE IN LEEDS Of all the holidays in the year, Christmastide is perhaps looked forward to with the most interest, inasmuch as to many people it means their annual visit to the best and oldest friends they have got, and to a reuniting of old ties. Then, of all times in the year, is it that the family circle is met together, old differences are healed, and the occasion is made one of festivity. This Christmas has been no exception to the rule, in the latter respect, at any rate ; but, unfortunately, the weather has not been so auspicious as it might have been. In the early part of the week, it appeared probable that we should have a real old fashioned Christmas, with real frost and snow. A thaw, however, set in on Wednesday, and on Christmas Eve, the streets of the town were in A VERY DISAGREEABLE CONDITION rendering “sight seeing” and “shopping” less popular than they would have been. On the same night, and early on Christmas morning too, it is said that the principal streets from time to time were the scene of rowdyism of the most disgraceful kind.