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Syllabus for Post Graduate Programme in Music
1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur. -
Bhagavad Gita – the Timeless Science
Bhagavad Gita – The Timeless Science exactly like a big reservoir of water that Section 1 explains the essence of all Vedic literature and indeed there is no need to resort to any other literature in order to understand the science of Setting the Scene for the Course: Why should I study The Bhagavad Gita? Bhagavad Gita - The Timeless Science Bhagavad Gita is the most quintessential literature among all Vedic compositions. This composition as compiled by the great sage Vyasadeva has been endearing to all those who seek Truth, who look for perfection, who are interested in a complete science of everything irrespective of caste, creed, religion self-realization. and nationality. This holy book presents the ● Whom is Bhagavad Gita endearing to? science of life, as it is, which was originally ● In how many languages has Bhagavad Gita spoken to Arjun by Lord Krishna, the Supreme been translated? Personality of Godhead in the battlefield of ● Why is Bhagavad Gita timeless? Mahabharata approximately 5000 years ago. ● Give an analogy to compare Bhagavad Gita Through the ages, Srimad Bhagavad Gita has with other Vedic literature. inspired and guided hosts of philosophers and scientists. Its influence is not limited to India. Bhagavad Gita - The Torch-light There is not a single language in the world in of Wisdom which Bhagavad Gita has not been translated. Arjuna in the battlefield got confused about his Just like the Quran and Bible are known all duty. Like Arjuna, we are all confused about over the world, Bhagavad Gita is also known our duty. This world is a battlefield. -
Govardhana Lila (Part-2)
Çré Utpannä Ekädaçé Issue no: 26 7th December 2015 Govardhana Lila (part-2) Features INDRA'S FURY TOWARDS KRISHNA LIFTING GOVARDHANA HIll THE RESIDENTS OF GOkulA His Divine Grace Srila Sukadeva Goswami A .C. Bhaktivedanta Swami Prabhupada WHY DID KRISHNA USE THE PASTIMES UNDERNEATH GOVARDHANA GOVARDHANA TO PROTECT VRAJVASIS? Sripad Vallabhacharya Srila Vishvanatha Chakravarti Thakura ÇRÉ GOVARDHANÄÇRAYA-DAÇAKA TEN APPEALS FOR SHELTER AT GOVARDHANA HILL Srila Raghunatha Das Goswami Issue no 26, Page — 2 nityaà bhägavata-sevayä calves with their own bodies, the cows approached the lotus feet of the Supreme Personality of Godhead. — Çrémad-Bhägavatam (Bhägavata Puräëa) » Canto 10: The Summum Bonum » 25. Lord Kåñëa Lifts Govardhana Hill» Verses: 1-12 · WHY DID KRISHNA USE GOVARDHANA TO PROTECT VRAJVASIS? INDRA'S FURY TOWARDS Sripad Vallabhacharya THE RESIDENTS OF GOkulA Srila Sukadeva Goswami On hearing the pleading prayer of the Gopas, Lord Krishna thought in His own mind, as to whether, He When Indra understood that his sacrifice had been put should destroy Indra fully or remove the clouds, or stop aside, he became furious with Nanda Maharaja and the the rains or bless all the Gopas with the supernatural other cowherd men, who were accepting Krishna as capacity, or take all of them away to a different place? viz. their Lord. Angry Indra sent forth the clouds of universal can I take all of these people in Gokula and make them destruction, known as Samvartaka. Imagining himself merge in My own Divine self? Or should I have another the supreme controller, he spoke as follows. strategy to protect this Gokula? Indra said: Just see how these cowherd men living Due to the constant rain of hailstones from the in the forest have become so greatly intoxicated by sky, Lord Krishna saw the entire Gokula in great sorrow their prosperity! They have surrendered to an ordinary and pain and He understood this danger, as having been human being, Krishna, and thus they have offended caused by the angry Indra. -
1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
A Thesis Submitted for the Award of the Ph.D. Degree of UNIVERSITY of KOTA in the Faculty of Arts by TANU RAJPAL Under the Supe
MYTHOLOGICAL AND FOLK ELEMENTS: A CRITICAL STUDY OF THE SELECTED NOVELS OF RAJA RAO AND R.K.NARAYAN A Thesis Submitted for the Award of the Ph.D. degree of UNIVERSITY OF KOTA in the Faculty of Arts By TANU RAJPAL Under the supervision of Dr. (Mrs.) Jatinder Kohli Department of English Government College Kota, Kota. UNIVERSITY OF KOTA, KOTA 2017 (i) Dedicated to my Father & Mother, For their ceaseless Love and Inspiration. (ii) DECLARATION I, Ms. Tanu Rajpal D/o Sh. Anil Rajpal resident of Vigyan Nagar, Kota, hereby, declare that the research work incorporated in the present thesis entitled Mythological and Folk Elements: A Critical Study of Selected Novels of Raja Rao and R. K. Narayan is my own work and is original. This work (in part or in full) has not been submitted to any University for the award of a Degree or a Diploma. I have properly acknowledged the material collected from secondary sources wherever required. I solely own the responsibility for the originality of the entire content. Date: Signature of the Candidate Place: Kota (iii) SUPERVISOR'S CERTIFICATE I feel great pleasure in certifying that the thesis entitled Mythological and Folk Elements: A Critical Study of Selected Novels of Raja Rao and R. K. Narayan embodies a record of the results of investigations carried out by Ms Tanu Rajpal for the degree of Doctor of Philosophy in the Department of English, Govt. College, Kota, Kota (Rajasthan) under my guidance. I am satisfied with the analysis of data, interpretation of results and the conclusions drawn. It is an original piece of research carried out by the candidate under my supervision. -
Lessons from Mother Yashoda - Part 1
Lessons from Mother Yashoda - Part 1 Date: 2012-11-21 Author: Sajjanapriya Krishna das Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances. All glories to Srila Prabhupada and Srila Gurudev. Few days ago the festival of Deepavali was celebrated. It is the day wherein Lord Sri Krishna was tied in the wooden mortar by Yashoda mata. Also this is the day of victorious entry of Lord Rama into Ayodhya after the war with Ravana. Also this month is called 'Damodar'. Damo means rope and udara means stomach. One who is tied around the stomach is called Lord Damodara. This month is like season offer Krishna has given as He knows the mentality of people in Kaliyuga. With all these concessions, we are not taking up to lovingly chant His Names and therefore He has to give lot of discount sales on devotional service and take away the sins of performers. This pastime of the Lord being tied to a mortar by His mother is a very fascinating pastime and year after year we hear the same pastime but it is always fresh and enlivening. Yashoda mata particularly teaches us how to attract the mercy of Krishna quickly by unflinching devotional service. There are specifically 3 verses which gives the very easy way to attract the mercy of the Lord. Srimad Bhagavatam Canto 10, Chapter 9 describes this pastime very wonderfully and Srila Prabhupada summarizes this chapter as follows. "While mother Yashoda was allowing Krishna to drink her breast milk, she was forced to stop because she saw the milk pan boiling over on the oven. -
University of Kerala Ba Music Faculty of Fine Arts Choice
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABUS FOR BACHELOR OF ARTS DEGREE IN MUSIC BA MUSIC UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) Outcome Based Teaching, Learning and Evaluation (2021 Admission onwards) 1 Revised Scheme & Syllabus – 2021 First Degree Programme in Music Scheme of the courses Sem Course No. Course title Inst. Hrs Credit Total Total per week hours credits I EN 1111 Language course I (English I) 5 4 25 17 1111 Language course II (Additional 4 3 Language I) 1121 Foundation course I (English) 4 2 MU 1141 Core course I (Theory I) 6 4 Introduction to Indian Music MU 1131 Complementary I 3 2 (Veena) SK 1131.3 Complementary course II 3 2 II EN 1211 Language course III 5 4 25 20 (English III) EN1212 Language course IV 4 3 (English III) 1211 Language course V 4 3 (Additional Language II) MU1241 Core course II (Practical I) 6 4 Abhyasaganam & Sabhaganam MU1231 Complementary III 3 3 (Veena) SK1231.3 Complementary course IV 3 3 III EN 1311 Language course VI 5 4 25 21 (English IV) 1311 Language course VII 5 4 (Additional language III ) MU1321 Foundation course II 4 3 MU1341 Core course III (Theory II) 2 2 Ragam MU1342 Core course IV (Practical II) 3 2 Varnams and Kritis I MU1331 Complementary course V 3 3 (Veena) SK1331.3 Complementary course VI 3 3 IV EN 1411 Language course VIII 5 4 25 21 (English V) 1411 Language course IX 5 4 (Additional language IV) MU1441 Core course V (Theory III) 5 3 Ragam, Talam and Vaggeyakaras 2 MU1442 Core course VI (Practical III) 4 4 Varnams and Kritis II MU1431 Complementary -
Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS, -
JETIR Research Journal
© 2019 JETIR May 2019, Volume 6, Issue 5 www.jetir.org (ISSN-2349-5162) Pithukkuli Murugadas’s Bhani of rendering Oothukadu Venkata Kavi’s ‘Krishna Ganam’ RasigaDeviprasadh Vocalist, 7/9, 3rd Street, Azad Nagar, Trichy, Tamilnadu, India Abstract :. ‘Krishna Ganam’ is one among the prominent operas composed by Oothukadu Venkata Kavi. Compositions like Taye Yashoda (Todi), Pal Vadiyum (Nattakurinji), AdathuAsangathu (Madhyamavathi), Madhura Madhura (Athana), Nada Murali (Hamir Kalyani) and so on are a part of this. PithukkuliMurugadas had his own Bhani (style) of rendering these compositions. The aim of this paper is to explore the uniqueness of his sangatis and other musical aspects in rendering these Krisha Ganams. We do this by studying the recordings of his Pal vadiyummukham (Nattakurinji) and AdathuAsangathu (Madhyamavathi). Index Terms–Krishna Ganam, Sangatis, Nattakurinji, Madyamavathi. I. INTRODUCTION Oothukadu Venkata Subbaiyyer (1700-c.1765) also known as Oothukadu Venkata Kavi was born in Tamilnadu and has composed Kritis, Tillanas, Javalis and Operas in Sanskrit and Tamil on almost all the Hindu deities. He was a pioneer to the Carnatic Music trinity. His Krishna Ganam was popularized by Needamangalam Krishna Murthy Bhagavathar, Pithukuli Murugadas and many artists of the 20th century. Among these artists Pithukkuli Murugadas had his own unique bhani or style of singing the songs of Krishna Ganam. The distinctive feature of his bhani is the clear pronunciation of the sahitya and the rendering of sangatis or improvisations or ornamentations to enhance the bhava of the composition. An analysis of his rendering of the following 2 compositions from Krishna Ganam is taken up to explain this. -
Bpa Music (Veena)
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABI FOR BACHELOR OF PERFORMING ARTS DEGREE IN MUSIC (VEENA) BPA MUSIC (VEENA) Career related First Degree Programme UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) As per Schedule 2(a) of the CBCS Regulations Outcome Based Teaching, Learning and Evaluation (2021 Admissions onwards) Programme Outcome The scheme and syllabus covered will lead the learner to the essence of the subject in graduate level and also help them to acquire knowledge with the up- to-date demands of the field of music. This curriculum ensures the continuous training in the practical as well as the theoretical aspects of music. It also aims a strong foundation of music to the learners which enable them to apply it in the advanced mode of learning. After transacting various modules of the programme, the learner will be able to- Identify the outcome-oriented approach in the curriculum Observe the theoretical as well as practical areas of music which were included in the curriculum Adapt multi-cultural competence Acquire disciplinary knowledge in music Interpret music and musicology Apply the theoretical aspect in practical music Identify the structure of the musical forms Demonstrate ragas, talas and musical forms Differentiate ragas and apply improvisation Perform music with accompaniments 2 General Structure for the Career related Degree Programme of Bachelor of Performing Arts in Music – BPA Music (VEENA) BPA Music-Work and Credit Distribution Sem Course title Instructional Credit Ety. Evaluation Total . No hours/week Exam (in Marks) credit duration Internal Uty. P L Marks exam EN:1111.3 Eng Lang –I 5 3 3 hours 20 80 SK:1111.3 Additional Language – I (Sanskrit) 5 3 3 hours 20 80 VE:1121 Foundation Course-I (Core) (Theory) 5 3 3 hours 20 80 16 I VE:1171 Vocational Course-I 1hr/Can 5 3 80 (Practical) d 20 MU:1131. -
Calicut University MA Music Old Syllabus.Pdf
Y1 n Y1 ustc TTqIYBPSHTY CIF' CALICUT (Abstraci) Choice Based Credit Semester Svstem - MA I\4usic -syllabus - Irriplenrented . oi'drr.: i ssued. GENBRAL AND ACADEMIC BRANCH - I No.GAL4El /98t/03 Dated, Calicut University p.O, 22112/2OGg. il.;;, ; a,; r;o;i;;;i.;;;,;;;; ,;;;;;; 2 \{inutes of tlre meeting of Board of Studies in Music held on 5lg/200g. \linute.s -l' o1'the r\cadenric Councii meeting held on 7ll0/2008ltem No.I (i3). ORDER zis per Univers;ity Orcler read first above. Choice Based Credit Semester System ura; irnplentented ili Lhe i'eaching Departments/Schools oithe University from the academic;7rrar 2C08-0c onrr,ard:;. i'ire Boaril ot'studies irt l'vlusic at its rneeting held on 5/91200g has recommendei t. implemi:r.tt thc Schenre and Syilabus of IVA Mr-rsic rnd., choice Based credit Semester in Uriiversity Teaching systeir; Depaitnrent rvith effect "rom 200g-09 academic year. pei paper tltttd 'A's aboYe, the Acaden,ic council approveci the above decision o1'Studres. of Boarri Sa.r,.ction is thrreftirc accordeo for implementing the syllabus of MA Music trn.der Clroict: Based Credii Serncsie-,r S,,sfelr in University Teaching Department with effect 2008-09 onwards. from orders are issued accorciingiv and the s1'[abus appended herewith. sd/_ DEPUTY REGISTRAR (GAA_I) FOR REGISTRAR To 'fhe Director Schooi of Drama and Fine Arts fhrissur. Copy'to: i Ddan. Facultv of ljine Al,+q. 2. -ihe (lh:rirpersorr I}_iarcl olStudies in Music 3. SFiFC I.'orwarded,,By Orcier EC'IION OFFICER \i,:leBi0-l i::',iri(i,'r i'il Sl:('i'li)N\Or ()i Joc I I t t.