My Fair Lady Original Broadway Cast 1956

Total Page:16

File Type:pdf, Size:1020Kb

My Fair Lady Original Broadway Cast 1956 120876bk My Fair Lady:MASTER 3+3 15/4/08 10:27 AM Page 2 My Fair Lady 11. You Did It 4:23 Lyrics By Lerner 22. There But For You Go I 2:20 Rex Harrison, Robert Coote, From Brigadoon Original Broadway Cast 1956 19. A Jug Of Wine 4:00 Philippa Bevans, Servants Alan Jay Lerner 1. Overture 3:01 From The Day Before Spring 12. Show Me 2:12 Kaye Ballard 23. Love Of My Life 3:15 Orchestra Julie Andrews, John Michael King From Brigadoon 20. Almost Like Being In Love 1:54 2. Why Can’t The English 2:41 13. Get Me To The Church On Time 2:43 Kaye Ballard Rex Harrison, Robert Coote, Julie Andrews From Brigadoon Stanley Holloway, Gordon Dilworth, Kaye Ballard Tracks 19–23: Heritage H 0060 3. Wouldn’t It Be Loverly 3:58 Rod McLennan, Chorus Billy Taylor, piano; Allen Hanlon, guitar; 21. The Heather On The Hill 3:07 Julie Andrews, Reid Shelton, Glenn Kezer, Milt Hinton or Clyde Lombardi, bass; 14. A Hymn To Him 3:30 From Brigadoon James Morris, Herb Surface Herb Harris or Percy Brice, drums Rex Harrison Kaye Ballard 4. With A Little Bit Of Luck 4:08 15. Without You 2:03 Recorded 1955 Stanley Holloway, Gordon Dilworth, Julie Andrews Rod McLennan, Chorus More ‘Lyrics By Lerner’ will be found with the cast recording of Paint Your Wagon (8.120877) 16. I’ve Grown Accustomed To Her Face All lyrics by Alan Jay Lerner • All music by Frederick Loewe 5. I’m An Ordinary Man 4:39 4:04 All selections recorded in New York Rex Harrison Rex Harrison Transfers & Production: David Lennick • Digital Restoration: Graham Newton 6. Just You Wait 2:43 17. Finale 1:10 Julie Andrews Cover image: Mrs Patrick Campbell as Eliza in Shaw’s Pygmalion, by Kate Carew, 1914 Orchestra (Mary Evans Picture Library) 7. The Rain In Spain 2:41 Rex Harrison, Julie Andrews, Robert Coote, Orchestra Conducted by Franz Allers Servants Columbia OL 5090, mx XLP 37804/5 Recorded 26 March 1956 Also available in the Naxos Broadway Musicals series ... 8. I Could Have Danced All Night 3:30 Julie Andrews, Philippa Bevans, Maids 18. The Embassy Waltz 2:44 9. Ascot Gavotte 3:15 Percy Faith & His Orchestra Ensemble Columbia CL 895, mx CO 55848 10. On The Street Where You Live 2:57 Recorded 17 April 1956 John Michael King C M 8.120791 8.120847 8.120848 These titles are not for retail sale in the USA Y 5 8.120876 6 8.120876 K 120876bk My Fair Lady:MASTER 3+3 15/4/08 10:27 AM Page 1 ‘I realized,’ said Lerner, ‘that all I had to do several years later.) The first was a saucy comedy about hero, Tommy, There But For You Go I, Lerner Original Broadway Cast 1956 was write the things that Shaw said were When the show opened in New York on college swains returning to the stomping makes us evaluate his entire romantic life, past My Fair Lady happening offstage.’ 15 March 1956, it was hailed as one of the grounds of their youth to rediscover the truth and present. Lyrics by Alan Jay Lerner • Music by Frederick Loewe From that moment on, the writing flowed grandest hits of all time. about romance and from it, the marsala-voiced It’s one of those revealing moments when swimmingly, but it was still no cakewalk to get Seats became so hard to get that stories such Kaye Ballard offers us the rueful truths behind an author allows himself to put his feelings on Lyrics By Lerner the show onto the stage. In perhaps the as the following one were accepted as gospel. A Jug Of Wine. the line and let us understand what he was Music by Loewe • Kaye Ballard & Alan Jay Lerner, vocals 1955 smartest move anyone ever made, they hired A woman was at My Fair Lady with an Brigadoon is something else, a major hit really thinking all along. Moss Hart as the director, one of the few men empty seat next to her. Everyone wondered show at the time which has slipped into quaint Anyone interested in the life of Alan Jay who could move equally between West End how it could happen. She explained that her period piece status ever since. A new New Lerner and how it impacted on the shows he Alan Jay Lerner had eight wives; Frederick embraced it all and loved it all. elegance and Broadway glitz. husband had recently died. Other theatergoers York production with a strong anti-war message wrote, ought to listen to There But For You Loewe had almost as many yachts. Together Perhaps nowhere did the cultural marriage Noel Coward, the first choice for Henry wondered if one of her closer personal friends is being planned as we speak, but in the mean- Go I and listen carefully. they wrote some of the most glorious musicals of these two odd men out come to such perfect Higgins, declined rapidly and it was only after could have accompanied her. time, we have to content ourselves with the The line that runs straight through to My of the 20th century. fruition as in My Fair Lady, their 1956 musical months of searching and pleading that Rex ‘Oh no,’ she demurred, ‘They’re at the funeral.’ original and its more subtle links to the past. Fair Lady’s I’ve Grown Accustomed To Her One would have thought that the man with which still stands as the perfect piece of Harrison took on the role. The original My Fair Lady ran for six and a On this recording, Ballard takes the major Face is straight and clear and undeniable. the wives was the romantic and the one with musical theatre composition. As Eliza Doolittle, Hart insisted that a fresh half years on Broadway, a record for its time. female solos such us The Heather On The These men knew how to write from the the yachts was the realist, but in truth, it The amazing thing was how close it came new talent was needed and he convinced The quality and excitement of the performances Hill and Love Of My Life, but the astonishing heart, about the heart. worked the other way around. to not happening, and how hairpin-sharp were everyone that 19 year old Julie Andrews, who from Andrews, Harrison, Stanley Holloway and single job of autobiographical reclamation goes Loewe, whose personal affairs were always the turnings of fate that allowed it to continue. had just dazzled Manhattan in The Boy Friend the rest of the cast are easily audible on this to Lerner. Singing the revelatory solo of his Richard Ouzounian kept shadowy at best, was the one who Shortly after George Bernard Shaw died in was the perfect choice. recording, one of the best recorded shows of all provided the rich, emotional music that allowed 1950, Hungarian impresario Gabriel Pascal, who But one of the many problems was that time. their shows to sail off to Nirvana, while Lerner, had acquired the film and theatre rights to Andrews’ fresh-faced innocence couldn’t stand An extra bonus on this recording is Percy the one who seemed to keep Cupid in his vest many of the bearded genius’s works, started up to the decades of Harrison’s stage and Faith and his Orchestra playing The Embassy pocket, wrote the tart, worldly lyrics that made trying to generate a stage musical version of My screen experience, Waltz, which brings down the Act I curtain. their songs such a perfect match. Fair Lady. In what has now become a legendary saga, Due to problems of how much could be fitted Lerner grew up in a world of Eastern Rodgers and Hammerstein laboured long Hart and Andrews spent a weekend alone in the on a standard LP disc in those days, it wasn't American wealth and privilege, with a and hard, only to finally throw in the towel, but theatre, working on Eliza Doolittle night and day. included in either of the original cast recordings philandering father who used to pretend he when Lerner and Loewe picked up the torch, When she emerged, the result was – Broadway or London – but it makes a fine and was at the boxing matches when he was they found it scorching their fingers as well. triumphant. complete addition to the score. visiting his mistress. One morning, Lerner’s Three songs they auditioned for Mary Despite some technical glitches at the New The joys of lesser Lerner are also available mother asked who won the match. Lerner Sr Martin caused her to lament that ‘the poor boys Haven opening, and the complaint of on this CD in the selection “Lyrics by Lerner”, guessed wrong and moved out that day. have lost their talent’ and they were about to overlength, the show was clearly a hit. which includes the composer and Kaye Ballard Loewe, on the other hand came from a give the whole project up when Lerner (One of the casualties of the show’s performing numbers from earlier shows such as background of music, both highbrow suddenly came up with a brilliant solution for running time, a lovely ballad called “Say a Prayer The Day Before Spring (1945) and Brigadoon symphonic and lowbrow coffee house. He musicalizing Shaw’s work. for Me Tonight” wound up in the score of Gigi, (1947). 2 8.120876 3 8.120876 4 8.120876 120876bk My Fair Lady:MASTER 3+3 15/4/08 10:27 AM Page 1 ‘I realized,’ said Lerner, ‘that all I had to do several years later.) The first was a saucy comedy about hero, Tommy, There But For You Go I, Lerner Original Broadway Cast 1956 was write the things that Shaw said were When the show opened in New York on college swains returning to the stomping makes us evaluate his entire romantic life, past My Fair Lady happening offstage.’ 15 March 1956, it was hailed as one of the grounds of their youth to rediscover the truth and present.
Recommended publications
  • Camelot the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival Camelot The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Anne Newhall (left) as Billie Dawn and Craig Spidle as Harry Brock in Born Yesterday, 2003. Contents InformationCamelot on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Pygmalion Tale, but So Much More 8 Well in Advance of Its Time 10 Utah Shakespeare Festival 3 8FTU$FOUFS4USFFUr $FEBS$JUZ 6UBIr Synopsis: Camelot On a frosty morning centuries ago in the magical kingdom of Camelot, King Arthur prepares to greet his promised bride, Guenevere. Merlyn the magician, the king’s lifelong mentor, finds Arthur, a reluctant king and even a more reluctant suitor, hiding in a tree.
    [Show full text]
  • My Fair Lady
    The Lincoln Center Theater Production of TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Characters . 2 The Story . 2 The Writers, Alan Jay Lerner and Frederick Loewe . 5 The Adaptation of Pygmalion . 6 Classroom Activities . 7 THE BACKDROP . 9 Historical Context . 9 Glossary of Terms . 9 Language and Dialects in Musical Theater . 10 Classroom Activities…………… . 10 THE FORM . 13 Glossary of Musical Theater Terms . 13 Types of Songs in My Fair Lady . 14 The Structure of a Standard Verse-Chorus Song . 15 Classroom Activities . 17 EXPLORING THE THEMES . 18 BEHIND THE SCENES . 20 Interview with Jordan Donica . 20 Classroom Activities . 21 Resources . 22 INTRODUCTION Welcome to the teacher resource guide for My Fair Lady, a musical play in two acts with book and lyrics by Alan Jay Lerner and music by Frederick Loewe, directed by Bartlett Sher. My Fair Lady is a musical adaptation of George Bernard Shaw’s play Pygmalion, itself an adaptation of an ancient Greek myth. My Fair Lady is the story of Eliza Doolittle, a penniless flower girl living in London in 1912. Eliza becomes the unwitting object of a bet between two upper-class men, phonetics professor Henry Higgins and linguist Colonel Pickering. Higgins bets that he can pass Eliza off as a lady at an upcoming high-society social event, but their relationship quickly becomes more complicated. In My Fair Lady, Lerner and Loewe explore topics of class discrimination, sexism, linguistic profiling, and social identity; issues that are still very much present in our world today.
    [Show full text]
  • KURT WEILL NEWSLETTER Volume 5, Number 2 Fall 1987
    KURT WEILL NEWSLETTER Volume 5, Number 2 Fall 1987 AMTF Receives Federal Grant for university production is reviewed in this Love Life issue). The grant represents part of the The American Music Theater Festival NEA's six-million dollar effort to assist recently received an $80,000 grant from opera and musical theater companies the National Endowment for the Arts to throughout the United States. Other support its 1988 planned production of recipients include the Metropolitan and l Love Life and to assist in rehearsals of New York City Operas (in support of Revelation of the Courthouse Park, by the their free summer programs), the Hous­ pioneering microtonal composer, Harry ton Grand Opera, the Lyric Opera of Partch. The AMTF production of the Chicago, the Opera Guild of Greater Weill-Lerner collaboration will mark the Miami, and the Washington, DC, Na­ first professional revival of the work (a tional Institute for Music Theater. IN THIS ISSUE Say No to Mediocrity: The Crisis of Musical Interpretation by 6 Kurt Weill Love Life Begins at Forty by Terry Millei· 8 The Seven Deadly Sins at Brighton by Jane P1itchard 10 Columns Letters: David Drew Answers Richard Taruskin 3 Around the World: Kurt Weill Festival in New York 4 I Remember: Your Place, Or Mine?: An "un-German" Affair by 5 David Drew's Handbook Published Felix Jackson New Publications in UK and US 12 Selected Performances 23 Kurt Weill: A Handbook by David Drew was published in September by Reviews Faber and Faber in the United Kingdom Kurt Weill Festival in New York Allan Kozinn 13 and the University of California Press in Seven Deadly Sins in London Paul Meecham 16 the United States.
    [Show full text]
  • To Revel in God's Sunshine
    To Revel in God’s Sunshine The Story of RSM J C Lord MVO MBE Compiled by Richard Alford and Colleagues of RSM J C Lord © R ALFORD 1981 First Edition Published in 1981 Second Edition Published Electronically in 2013 Cover Pictures Front - Regimental Sergeant Major J C Lord in front of the Grand Entrance to the Old Building, Royal Military Academy Sandhurst. Rear - Army Core Values To Revel in God’s Sunshine The Story of the Army Career of the late Academy Sergeant Major J.C. Lord MVO MBE As related by former Recruits, Cadets, Comrades and Friends Compiled by Richard Alford (2nd Edition - Edited by Maj P.E. Fensome R IRISH and Lt Col (Retd) A.M.F. Jelf) John Lord firmly believed the words of Emerson: “Trust men and they will be true to you. Treat them greatly and they will show themselves great.” Dedicated to SOLDIERS SOLDIERS WHO TRAIN SOLDIERS SOLDIERS WHO LEAD SOLDIERS The circumstances of many contributors to this book will have changed during the course of research and publication, and apologies are extended for any out of date information given in relation to rank and appointment. i John Lord when Regimental Sergeant Major The Parachute Regiment Infantry Training Centre ii CONTENTS 2ND EDITION Introduction General Sir Peter Wall KCB CBE ADC Gen – CGS v Foreword WO1 A.J. Stokes COLDM GDS – AcSM R M A Sandhurst vi Editor’s Note Major P.E Fensome R IRISH vii To Revel in God’s Sunshine Introduction The Royal British Legion Annual Parade at R.M.A Sandhurst viii Chapter 1 The Grenadier Guards, Brighton Police Force 1 Chapter 2 Royal Military College, Sandhurst.
    [Show full text]
  • Critchon's the Lavender Hill
    1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period.
    [Show full text]
  • The Grapevine
    THE GRAPEVINE WHAT SOUTHERNERS ARE BUZZING ABOUT What We’re Sipping and Savoring House Cocktails Score a taste of the Caribbean on your own front porch with a jigger of Nashville-based Campesino rum, which is distilled in SPOTLIGHT Barbados, Panama, and the Dominican Republic. Island Outpost campesinorum.com A U.S. Virgin Islands restaurant comes to South Carolina The food scene on Sullivan’s Island, South restaurant, The Easterly, in St. Thomas), the Carolina, is about to get a bit more tropical. new eatery’s aesthetic is just as fresh as its The Longboard, a “coastal Caribbean inspired” menu. Think craft cocktails and locally restaurant in Cruz Bay, St. John, is planning sourced seafood dishes by chef Will Fincher, to open a Lowcountry location this summer. who helmed the kitchen for more than six With thoughtful digs by Charleston-based years at The Obstinate Daughter, another interior designer Cortney Bishop (who also great Sullivan’s Island spot. Follow along on decorated the St. John original and its sister Instagram: @longboard_sullivans. New Music Jennifer Nettles may be best known for the powerful twang she brings to the country music duo A Greener Cooler Sugarland, but this summer, the Georgia- born songbird is Warm-Weather Essential Our favorite singing a diff erent tune. Her Texas-made cooler just got an earth- album Always Like New drops friendly upgrade. Igloo’s new Ecocool on June 25 and features high- line is crafted from recycled plastics, energy takes on Broadway and their fi rst production run kept favorites both contemporary more than 116,000 pounds of yogurt (“Wait for It” from Hamilton) cups and milk jugs from being tossed and classic (“Oh, What a into landfi lls.
    [Show full text]
  • My Fair Lady
    TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.
    [Show full text]
  • Frederick Loewe Collection [Finding Aid]. Library of Congress. [PDF
    Frederick Loewe Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2004 Revised 2017 June Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012019 LC Online Catalog record: http://lccn.loc.gov/2012563808 Processed by the Music Division of the Library of Congress Collection Summary Title: Frederick Loewe Collection Span Dates: 1923-1988 Bulk Dates: (bulk 1945-1975) Call No.: ML31.L58 Creator: Frederick Loewe, 1901-1988 Extent: 1,000 items ; 13 containers ; 5 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Frederick Loewe was a German-born composer who wrote, with lyricist Alan Jay Lerner, the scores for such musicals as My Fair Lady, Camelot, Gigi, and Brigadoon. The collection contains music manuscripts from Loewe's stage and screen musicals, as well as individual songs not associated with a particular show. In addition, the collection contains photographs, a small amount of correspondence, clippings, business papers, writings, and programs. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Lerner, Alan Jay, 1918-1986. Lerner, Alan Jay, 1918-1986. Loewe, Frederick, 1901-1988--Correspondence. Loewe, Frederick, 1901-1988--Manuscripts. Loewe, Frederick, 1901-1988--Photographs. Loewe, Frederick, 1901-1988. Loewe, Frederick, 1901-1988.
    [Show full text]
  • Municipal Auditorium New Orleans, La
    MUNICIPAL AUDITORIUM NEW ORLEANS, LA. DECEMBER 14th 26th, 1959 (Matinees, 16th, 19th, 20th, 23rd and 26th) Cameras and flash bulbs not allowed in Theatre. Photographing any part of this production is prohibited by law. ® "Columbia" ® <t? Marc8s ReR'. A dlvialoD DC Columbia Broadcasting System. inc. PROUDLY OFFERS IN BOTH REGULAR HI - FI AND STEREO THE ALL TIME BEST SELLING ORIGINAL CAST RECORDING OF MY FAIR LADY STARRING REX HARRISON, JULIE ANDREWS AND STANLEY HOLLOWAY Also available on Columbia are the original cast albums from Gypsy, Porgy and Bess, Flower Drum Song, Lil' Abner, West Side Story, South Pacific, The Most Happy Pella, Kismet, and many others AND NOW JUST IN TIME FOR HOLIDAY ENJOYMENT COLUMBIA PROUDLY PRESENTS THE NEW ROGERS AND HAMMERSTEIN SHOW THE SOUND OF MUSIC STARRING MARY MARTIN All of these albums are available at a discount of $1.00 off the regular list prices (Monaural or Stereo) at the store that brought low record prices to New Orleans . • SMITH'S RECORD CENTER 2019 ST. CHARLES AVE. Open Weekdays 10 to 9 Sundays 1-5 p.M. -2- Who~ Who in the Cast Buy Me a Bow-wow." Because she sr, a flair for singing and dancing, she d MICHAEL EVANS (HENRY HIGGINS) was reputation at the local theatres. born in Kent, England, and educated at Win- Miss Todd has a large TV following in chester College in Hampshire and also at the London and has many of the best programmes Sorbonne in Paris. His first brush with the to her credit, including: "Dixon of Dock theatre was at a dramatic school, the London Green" and "O.S.S." Others are "Tonight," Theatre Studio, which was run by Michel Saint "Tele-Club," 'Whirligig," and "In Town To- Denis.
    [Show full text]
  • My Fair Lady – Pp
    SEASON Book and Lyrics by ALAN JAY LERNER Music by FREDERICK LOEWE Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE My Fair Lady – pp. 23-43 6 From the General Director 12 2017/18 – Season of Delight, 32 Musical Notes and Chairman Season of Discovery 35 Director’s Note 8 17 Board of Directors Tonight’s Performance 36 After the Curtain Falls 9 19 Women’s Board/Guild Board/Chapters’ Cast 38 Aria Society Executive Board/Young Professionals/ 20 Synopsis Ryan Opera Center Board 47 Breaking New Ground 21 Musical Numbers/Orchestra 10 Administration/Administrative Staff/ 48 Look to the Future 22 Production and Technical Staff Artist Profiles 49 Major Contributors – Special Events and Project Support ALL ABOUT LYRIC’S 2017-18 SEASON pp. 14-20 51 Lyric Unlimited Contributors 53 Ryan Opera Center Contributors 54 Planned Giving: The Overture Society 55 Commemorative Gifts 56 Corporate Partnerships 57 Matching Gifts, Special Thanks and Acknowledgements REED HUMMEL/NASHVILLE OPERA 58 Annual Individual and Foundation Support 64 Facilities and Services/Theater Staff 2 | April - May, 2017 LYRIC OPERA OF CHICAGO www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Executive Editor Account Managers Lisa Middleton Rand Brichta - Arnie Hoffman - Greg Pigott Southeast Michael Hedge 847-770-4643 Editor Southwest Betsy Gugick & Associates 972-387-1347 Roger Pines East Coast Manzo Media Group 610-527-7047 Associate Editor Marketing and Sales Consultant David L.
    [Show full text]
  • My Fair Lady": a Comparison of the Vision of Two Authors and What Each Play Says to Women
    UNLV Retrospective Theses & Dissertations 1-1-1999 "Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women Jessica Lynn Raymer University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Raymer, Jessica Lynn, ""Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women" (1999). UNLV Retrospective Theses & Dissertations. 980. http://dx.doi.org/10.25669/fa7r-6qdw This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Camelot Musical Notes.Pdf
    GOODSPEED MUSICALS Teachers’ Instructional Guide A Guide to the Goodspeed Musicals production of Musical Notes is made possible through the generosity of: The Max Showalter Center for Education in the Musical Theater presents Book and Lyrics by ALAN JAY LErNEr Music by FrEdErICK LOEWE with BrANdON ANdrUS rONN CArrOLL CHArLES EvErETT CrOCCO ErIN dAvIE MAXIME de TOLEdO BrAdLEY dEAN MICHAEL dELEGET MATT FAUCHEr STEvE FrENCH ANdrEW HUBACHEr MArISSA McGOWAN rACHEL ALEXA NOrMAN SHAWN PENNINGTON HErMAN PETrAS rEBECCA PITCHEr rACHEL rINCIONE AMANdA SALvATOrE AdAM SHONKWILEr ALLAN SNYdEr BEN SWIMMEr MATTHEW C. THOMPSON MOLLIE vOGT-WELCH Scenery Design by Costume Design by Lighting Design by MICHAEL SCHWEIKArdT ALEJO vIETTI JOHN LASITEr Sound by Hair & Wig Design by JAY HILTON CHArLES LaPOINTE Orchestrations by Assistant Music Director dAN deLANGE F. WAdE rUSSO Production Manager Production Stage Manager Casting by r. GLEN GrUSMArK BrAdLEY G. SPACHMAN STUArT HOWArd, AMY SCHECTEr, & PAUL HArdT, CSA Associate Producer Line Producer BOB ALWINE dONNA LYNN COOPEr HILTON Music Director MICHAEL O’FLAHErTY Choreographed by rALPH PErKINS Directed by rOB rUGGIErO Produced for Goodspeed Musicals by MICHAEL P. PrICE First Performance: July 10, 2009 Goodspeed Musicals is dedicated to the heritage of the musical and the development of new works to add to the repertoire. Marquee Sponsors: LUCILLE ANd dAvE vIOLA, Sr. Sponsored by: 4 GOODSPEED MUSICALS | 2009 SEASON GOODSPEED MUSICALS | 2009 SEASON 5 Cast of Characters Musical Numbers (In order of appearance) Synopsis
    [Show full text]