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Solo & Ensemble 2017-2018.Pdf COMPLETE CATALOG OF SOLO AND ENSEMBLE MUSIC 2 0 1 7 - 2 0 1 8 TABLE OF CONTENTS PUBLISHER CODES & ASTA GRADINGS .................................................................... 137 STANDARD SOLO & ENSEMBLE REPERTOIRE ..................................................138-175 Violin: (Solo; w/Piano; Duets; Duets w/Piano; Trios; Trios w/Piano; Quartets; Quartets w/Piano) ................... 138-147 Viola: (Solo; w/Piano; Duets; Duets w/Piano; Trios; Trios w/Piano; Quartets; Quartets w/Piano) .................... 148-152 Cello: (Solo; w/Piano; Duets; Duets w/Piano; Trios; Trios w/Piano; Quartets; Quartets w/Piano) .................... 152-159 Bass: (Solo; w/Piano; Duets; Duets w/Piano; Trios; Trios w/Piano; Quartets; Quartets w/Piano) .................... 159-160 String Duet: (Mixed) ...........................................................................................161-162 String Trios: (Mixed) ...........................................................................................162-163 String Quartets: (Mixed) .....................................................................................163-168 String Quintets: (Mixed) ......................................................................................168-169 String Sextets, Octets and Nonets: (Mixed) .......................................................169-170 Piano Trios: (Mixed) ...........................................................................................170-172 Piano Quartets: (Mixed) ............................................................................................ 172 Piano Quintets and Sextets: (Mixed) ..................................................................172-173 Mixed Ensembles ...........................................................................................173-175 POPS, COLLECTIONS AND OTHER SOLO & ENSEMBLE FAVORITES ............. 175-184 Violin: (Solo; w/Piano; Duets; Duets w/Piano; Trios; Quartets; Quartets w/Piano) .................................. 176-178 Viola: (Solo; w/Piano; Duets; Trios; Four or More) ..................................................................178-179 Cello: (Solo; w/Piano; Duets; Trios; Quartets; Cello Orchestra) .....................................................179-181 Bass: (Solo; w/Piano; Duets; Trios; Quartets; ) ............................................................................ 181 String Duet: (Mixed) .................................................................................................. 181 String Trios: (Mixed) ...........................................................................................181-182 String Quartets: (Mixed) .....................................................................................182-184 String Quintets: (Mixed) ............................................................................................. 184 Piano Trios: (Mixed) .................................................................................................. 184 Piano Quintets: (Mixed) ............................................................................................. 184 Mixed Ensembles .................................................................................................. 184 ASTA Grading -- Included in our Solo & Ensemble listings!! Publisher Codes Many of the titles in the ASTA String Syllabus are denoted in this catalog using symbols BD Broude Bros. corresponding to the grades. Look for the numerical symbol in front of each graded music BH Boosey & Hawkes title. Below is an explaination of how each is defined. BL Belmont Music BM Belwin-Mills GradeuMaterials are designed to develop the most basic skills, those that produce a pure BR Barenreiter Verlag sound of correct pitch. The left hand usually remains in the first position with few alterations of BT Breitkopf & Hartel finger placement. The keys of G, D, A and C are most commonly employed; most chromatic CA C. Alan changes are made with the second or third finger. Simple rhythmic patterns are played with CF Carl Fischer detached strokes or short slurs. CH Chester Music CV Carus Verlag GradevAll the notes of first position may be used but rapid changes of finger placement DB Doblinger are avoided. Passages in third position are possible. Shifting is rare. More varied rhythmic DR Durand and Cie patterns may include dotted notes and other irregular groupings. There is more emphasis DV Dover Publications on legato bowing and on dynamic changes. Longer bow strokes and slurs are common EA European American Music and may include slurred string crossings. EC E. C. Schirmer EL Edition Eulenberg GradewRepertoire and exercises at this level build fluency in shifting and playing in the first ES Edition Eschig three positions, with some use of positions (violins up to 5th; violas up to 3rd; cello & tenor FB Faber Music cleff up to 7th.) Students should have or be developing vibrato. Pieces require greater skill FP Fountain Park in string crossing, a variety of bow strokes including martele, and greater control of dynamics GL Galaxy Music on both long and short bow strokes. GS G. Schirmer GW Great Works GradexThe first five positions are used freely; (cello includes thumb pos.) a few higher notes HL Hal Leonard Corporation may be added. Double stops and chords appear more frequently. Hemiola and polyrhythm HN G. Henle may be introduced. Passages may be written for various forms of spiccato. sautille and HU Hug and Company staccato bowings. IN International Music KJ Neil A. Kjos Music GradeyLeft-hand skills require the ability to play in the higher postions on all four strings, KL Kalmus Publications to make large leaps and to execute extended passages in double stops. Music at this level KZ Edition Kunzelmann demands greater control of sustained tones, long bow strokes, rapid detached and staccato LM Luck’s Music Library strokes, and those bowings employed for special effects such as flautando, ponticello and LT Latham Music, Ltd. col legno. LW Ludwig Music MB Mel Bay Publications GradezOnce essential techniques have been mastered, a vast repertoire becomes MM Masters Music accessible. The following list is intended to be representative of the variety and breadth of MP Musicians Publications string literature, not definitive. NV Novello and Company OX Oxford University Press String Syllabus Volume One (2009 Edition) PR Theodore Presser PS Peer-Southern Music Edited by David Littrell PT C. F. Peters # E42025 $40.00 RC G. Ricordi SC Schott Editions SK Hans Sikorski Verlag This follows the popular ASTA SM N. Simrock String Syllabus, Vol. One: 2003 SP Supraphon ST Southern Music Company - Edition, which has been ASTA’s Texas top seller and most requested SZ Suzuki Talent Education TP Tempo Press publication for the past five years. UE Universal Editions The new version was carefully VW Viola World and thoroughly updated and WB Warner Brothers Publications revised by David Littrell, ASTA ZZ Miscellaneous Publishers past president. Members will also appreciate that new material was added for Alternative Styles. 140 pages. 137 Call Toll Free 1-800-348-8749 Standard Solo & Ensemble Repertoire LOCATELLI, P.A. (1695-1764) Spanish Dances: Cordoba; Sevilla; Serenade espagnole Ventiquattro Capricciper Violino Solo, Op. 3 ..................................................111-6202 10.95 MM VIOLIN ..................................................110-5815 47.50 SC Spanish Dances: Mallorca; Zambra granadina; Puerta de tierra .............................................................111-6203 9.95 MM MASSART, J. (1811-1892) The Art of Studying the Celebrated Exercises by R. Kreutzer ALBINONI, T. (1671-1751) ................................................... 110-5300 3.50 LM CONCERTO, OP.5 VIOLIN SOLO No. 1 in B flat ..............................10026 22.00 KZ MAXWELL-DAVIES, P. (1934- ) No. 2 in F (Kolneder) ....................00476 23.00 KZ Sonata for Violin Alone ...............110-5821 18.00 SC No. 3 in D ....................................00311 22.00 KZ ALBENIZ, I. (1860-1909) No. 4 in G (Kolneder) ...................00517 22.00 KZ ESPANA: Prelude, Op.165, No.1; SUITE ESPAGNOLE: Leyenda, PAGANINI, N. (1782-1840) No. 5 in a (Kolneder) ...................00498 17.00 KZ Op.47, No.5 (Trans. by Kuperman) ....110-4600 13.95 PR Nel cor piu non mi sento (Francescatti) 110-5504 9.00 IN No. 6 in C (Kolneder) ...................00497 22.00 KZ 24 CAPRICES, OP. 1 No. 7 in d (Kolneder) ...................00475 24.00 KZ ARENSKY, A. (1861-1906) z ................................................110-3000 9.95 LM No. 8 in F (Kolneder) ...................00477 18.50 KZ Violin Concerto, Op. 54 .................00519 8.00 LM z(DeBarbieri) (Urtext) ................110-6301 48.95 HN No. 9 in e .....................................00312 15.00 KZ z(Galamian) ..............................110-5501 20.50 IN No. 10 in D ..................................00313 17.00 KZ BACH, J. S. (1685-1750) (Hossen)......................................110-6004 34.25 DB No. 11 in g ...................................00314 22.00 KZ 6 SONATAS AND PARTITAS 24 Contradanze Inglesi (Macchione) 110-6005 29.75 BR No. 12 in C (Kolneder) ................00478 24.50 KZ (Joachim-Moser) .........................110-5500 20.00 IN Concerto in A .................................00448 16.75 SC (Hermann) ...................................110-5700 9.00 GS PENDERECKI, K. (1933- ) Concerto in B flat, Op. 9, No. 1 (Kolneder) y z (Galamian) ..........................110-5505 30.00 IN Tanz ...............................................110-5820
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