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Tiny Creatures, Trophic Pyramids and Hardy's <I>The Dynasts</I>
STUDENT ESSAY COMPETITION TINY CREATURES, TROPHIC PYRAMIDS AND HARDY’S THE DYNASTS ELLE EVERHART Thomas Hardy has a tendency to focus on the small. Occasionally stopping narr- ative, he will pay detailed attention to the physical environment and the small, often unnoticed, creatures that populate it. This connection to the natural stretches across Hardy’s fiction and his poetry, including his epic verse drama The Dynasts, published in the early years of the twentieth century. Through the surrounding prose, dialogue, and the characters themselves, The Dynasts demonstrates Hardy’s assertion that the natural world is inseparable from the humans that exist within it. In this piece, I address these creatures and argue that we can read Hardy’s narratives through the ecological concept of the trophic pyramid, a hierarchy that attempts to structure energy flow through a particular ecological system. Reading Hardy’s narratives in this way allows us to envision the theoretical orientation of these creatures in relation to their human counterparts and further imagine their position in the overall structure of the narrative environment. Keywords: The Dynasts, Animal Studies, Ecology, Trophic Pyramids, Ecocriticism NSECTS AND OTHER small nonhuman animals rarely receive any critical attention. Creeping and crawling their way through any number of literary texts, I these tiny creatures remain untouched, unnoticed, and unloved. Their presence, though, reminds us of the physical earth we inhabit and the living beings we are related to, including the little animals that we (more often than not) tend to forget. Thomas Hardy’s work often pays close attention to such tiny creatures, pulling the focus away from the central human characters to examine the impact of these humans (and “the human” more generally) upon the lives of the animals that make their home in his narrative universe. -
Of Desperate Remedies
Colby Quarterly Volume 15 Issue 3 September Article 6 September 1979 Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies Lawrence Jones Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 15, no.3, September 1979, p.194-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Jones: Tess of the d'Urbervilles and the "New Edition" of Desperate Reme Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies by LAWRENCE JONES N THE autumn of 1884, Thomas Hardy was approached by the re I cently established publishing firm of Ward and Downey concerning the republication of his first novel, Desperate Remedies. Although it had been published in America by Henry Holt in his Leisure Hour series in 1874, the novel had not appeared in England since the first, anony mous publication by Tinsley Brothers in 1871. That first edition, in three volumes, had consisted of a printing of 500 (only 280 of which had been sold at list price). 1 Since that time Hardy had published eight more novels and had established himself to the extent that Charles Kegan Paul could refer to him in the British Quarterly Review in 1881 as the true "successor of George Eliot," 2 and Havelock Ellis could open a survey article in the Westminster Review in 1883 with the remark that "The high position which the author of Far from the Madding Crowd holds among contemporary English novelists is now generally recognized." 3 As his reputation grew, his earlier novels were republished in England in one-volume editions: Far from the Madding Crowd, A Pair of Blue Eyes, and The Hand ofEthelberta in 1877, Under the Greenwood Tree in 1878, The Return of the Native in 1880, A Laodicean in 1882, and Two on a Tower in 1883. -
Thomas Hardy and His Funerals
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020) LW&D132–LW&D150 Till Death Did Him Part: Thomas Hardy and His Funerals Charles Lock University of Copenhagen [J.M. Barrie] was especially tickled by Hardy’s preoccupation with plans for his own burial—plans, continuously changed. ‘One day Hardy took me . to see the place where he’s to be buried, and the next day he took me to see the place where he would like next best to be buried. Usually he says he is to be buried between his wives; but sometimes, so many inches nearer the first; sometimes, so many inches nearer to the second.’ Cynthia Asquith, Portrait of Barrie (London: James Barrie, 1954), p. 107 The wrongness of two funerals and the wretchedness of Florence’s later years bring a sombre end to any account of Hardy. Claire Tomalin, Thomas Hardy: The Time-Torn Man (London: Penguin, 2006), p. 377 ABSTRACT This essay considers Hardy’s two funerals—for his ashes at Poets’ Corner, for his heart at Stinsford—in the light of their consequences for life-writing: the absence of a single resting-place, and the narrative demands of synchronicity in telling of two funerals. This division of the body was the consequence of an extraordinary lack of precision in Hardy’s own will, the composition, wording and interpretation of which are examined here in some detail. Attention is also paid to the single grave at Stinsford that holds the remains of Hardy and both his wives in diverse modalities of the invisible. Keywords: Thomas Hardy, wills and testaments, ashes, funerals, heart-burials European Journal of Life Writing, Vol IX, 132–150 2020. -
Music Inspired by the Works of Thomas Hardy
This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime. -
Thomas Hardy: Scripting the Irrational
1 Thomas Hardy: Scripting the Irrational Alan Gordon Smith Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds York St John University School of Humanities, Religion and Philosophy April 2019 2 3 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Alan Gordon Smith to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 4 5 Acknowledgements I am extremely grateful to have been in receipt of the valuable support, creative inspiration and patience of my principal supervisor Rob Edgar throughout my period of study. This has been aided by Jo Waugh’s meticulous attention to detail and vast knowledge of nineteenth-century literature and the early assistance of big Zimmerman fan JT. I am grateful to the NHS for still being on this planet, long may its existence also continue. Much thought and thanks must also go to my late, great Mother, who in the early stages of my life pushed me onwards, initially arguing with the education department of Birmingham City Council when they said that I was not promising enough to do ‘O’ levels. Tim Moore, stepson and good friend must also be thanked for his digital wizardry. Finally, I am immensely grateful to my wife Joyce for her valued help in checking all my final drafts and the manner in which she has encouraged me along the years of my research; standing right beside me as she has always done when I have faced other challenging issues. -
A Return to Nature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives A Return to Nature A Critique of the Pastoral in Thomas Hardy’s The Return of the Native By Hege Christine Sørensen Isaksen Master’s Thesis Department of Foreign Languages University of Bergen May 2015 Summary in Norwegian Denne avhandlingen er en økokritisk studie av hvordan Thomas Hardys verk The Return of the Native (1878) fungerer som en kritikk av den pastorale sjangeren. Analysen baserer seg på en tolkning der Return er skrevet innenfor den pastorale sjangerens rammeverk, og der Hardys kritikk er skjult i selve sjangeren den kritiserer. Min påstand er at denne kritikken retter seg mot romantiseringen av den kultiverende bonden, som utnytter naturen til sin egen fordel, heller enn mot den oftere kritiserte mangelfulle evnen til å erkjenne den hardtarbeidende bondens evinnelige slit. Tilnærmingen til analysen baserer seg på en retning innenfor økokritikken kalt dypøkologi (deep ecology), slik den ble introdusert av Arne Næss. Næss vektlegger spesielt at ”[t]he flourishing of human and non-human life on Earth has intrinsic value”, og ”that the value of non-human life forms is independent of the usefulness these may have for narrow human purposes” (Naess, 1989). Som et annet element i analysen tar jeg utgangspunkt i at Hardys landskap Egdon Heath er en egen karakter og aktør, som gis aktørrettigheter til å handle for både seg selv og på vegne av sine menneskelige motstykker. Forholdene og sammenhengen mellom landskapet og Hardys menneskelige karakterer er videre analysert i detalj, der karakterene Clym Yeobright, Diggory Venn og Eustacia Vye vies ekstra oppmerksomhet. -
Thomas Hardy
Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule. -
Prelims- 1..26
THE CAMBRIDGE COMPANION TO THOMAS HARDY EDITED BY DALE KRAMER published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb21rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia # Cambridge University Press 1999 This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1999 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/13 pt. [ce] A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data The Cambridge companion to Thomas Hardy / edited by Dale Kramer. p. cm. Includes bibliographical references and index. isbn 0 521 56202 3 ± isbn 0 521 56692 4 (paperback) 1. Hardy, Thomas, 1840±1928 ± Criticism and interpretation. I. Kramer, Dale, 1936± . pr4754.c23 1999 823'.8±dc21 98±38088 cip isbn 0 521 56202 3 hardback isbn 0 521 56692 4 paperback CONTENTS Notes on contributors page xi Preface xv A chronology of Hardy's life and Publications xviii List of abbreviations and texts xxiii 1 Thomas Hardy: the biographical sources 1 MICHAEL MILLGATE 2 Wessex 19 SIMON GATRELL 3 Art and aesthetics 38 NORMAN PAGE 4 The in¯uence of religion, science, and philosophy on Hardy's writings 54 ROBERT SCHWEIK 5 Hardy and critical theory 73 PETER WIDDOWSON 6 Thomas Hardy and matters of gender 93 KRISTIN BRADY 7 Variants on genre: The Return of the Native, The Mayor of Casterbridge, The Hand of Ethelberta 112 JAKOB LOTHE 8 The patriarchy of class: Under the Greenwood Tree, Far from the Madding Crowd, The Woodlanders 130 PENNY BOUMELHA ix contents 9 The radical aesthetic of Tess of the d'Urbervilles 145 LINDA M. -
16 May 2019. Dorchester Civic Society
16 May 2019. Dorchester Civic Society Dorchester and the boundary of the proposed Dorset and East Devon National Park: why Dorchester and its landscape setting should be included within the proposed National Park. 1. Introduction. 1.1. ‘’Dorchester Civic Society exists to stimulate people’s interest in the town and its setting; promote high standards of architecture, urban design and planning; safeguard buildings and areas of historic interest; and promote civic pride.’’ The Society, therefore, has a considerable interest in safeguarding the town and its landscape setting both now and for future generations. 1.2. The Dorset and Devon National Park Team submitted its bid to the Glover Review of Designated Landscapes in December 2018. The Team has presented a good in-principle case for designation without, at this stage, specifying a boundary [other than showing the original 1945 proposal comprising the current AONB and the area termed ‘Egdon Heath’ – which was not included in the designated AONB]. Dorchester is not within the present AONB boundary [although part of Poundbury is included]. The Society would argue that National Park boundaries should be drawn wider than AONBs as their purposes are different – National Parks are larger areas suited to tourism and public recreation, whereas AONBs are designated more specifically to protect their natural beauty. 1.3. Should the principle of designation be accepted, the Dorchester Civic Society would wish to see Dorchester and its surrounding landscape setting included within the proposed area. This note sets out the way in which Dorchester lies – historically, culturally and geographically – at the heart of the proposed National Park. -
Wessex Tales
COMPLETE CLASSICS UNABRIDGED Thomas Hardy Wessex Tales Read by Neville Jason 1 Preface 4:04 2 An Imaginative Woman 7:51 3 The Marchmill family accordingly took possession of the house… 7:06 4 She thoughtfully rose from her chair… 6:37 5 One day the children had been playing hide-and-seek… 7:27 6 Just then a telegram was brought up. 5:31 7 While she was dreaming the minutes away thus… 6:10 8 On Saturday morning the remaining members… 5:30 9 It was about five in the afternoon when she heard a ring… 4:36 10 The painter had been gone only a day or two… 4:39 11 She wrote to the landlady at Solentsea… 6:26 12 The months passed… 5:12 13 The Three Strangers 7:58 14 The fiddler was a boy of those parts… 5:57 15 At last the notes of the serpent ceased… 6:19 16 Meanwhile the general body of guests had been taking… 5:13 17 Now the old mead of those days… 5:21 18 No observation being offered by anybody… 6:13 19 All this time the third stranger had been standing… 5:31 20 Thus aroused, the men prepared to give chase. 8:01 21 It was eleven o’clock by the time they arrived. 7:57 2 22 The Withered Arm Chapter 1: A Lorn Milkmaid 5:22 23 Chapter 2: The Young Wife 8:55 24 Chapter 3: A Vision 6:13 25 At these proofs of a kindly feeling towards her… 3:52 26 Chapter 4: A Suggestion 4:34 27 She mused on the matter the greater part of the night… 4:42 28 Chapter 5: Conjuror Trendle 6:53 29 Chapter 6: A Second Attempt 6:47 30 Chapter 7: A Ride 7:27 31 And then the pretty palpitating Gertrude Lodge… 5:02 32 Chapter 8: A Waterside Hermit 7:30 33 Chapter 9: A Rencounter 8:06 34 Fellow Townsmen Chapter 1 5:26 35 Talking thus they drove into the town. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Miroslav Kohut Gender Relations in the Narrative Organization of Four Short Stories by Thomas Hardy Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 I would like to thank Stephen Paul Hardy, Ph.D. for his valuable advice during writing of this thesis. 3 Table of Contents 1. Introduction ................................................................................................................... 5 1.1 Thomas Hardy as an author ..................................................................................... 7 1.2 The clash of two worlds in Hardy‘s fiction ............................................................. 9 1.3 Thomas Hardy and the issues of gender ............................................................... 11 1.4 Hardy‘s short stories ............................................................................................. 14 2. The Distracted Preacher .............................................................................................. 16 3. An Imaginative Woman .............................................................................................. 25 4. The Waiting Supper .................................................................................................... 32 5. A Mere Interlude