The Last Days of Pompeii: Decadence, Apocalypse, Resurrection
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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
Il Crociato in Egitto ORC 10
MEYERBEER Il Crociato in Egitto ORC 10 in association with Box cover and CD inlays Set design by Alessandro Sanquirico for 1826 production at La Scala, Milan. Arrival of the crusader into the Port of Damiette (akg-images/Pietro Baguzzi) Booklet cover Velluti as Armando, London 1825, watercolour by Chalon (Opera Rara archive) Opposite Giacomo Meyerbeer (Opera Rara archive) –1– GIACOMO MEYERBEER IL CROCIATO IN EGITTO Heroic melodrama in two acts Libretto by Gaetano Rossi Aladino, Sultan of Damietta................................................................Ian Platt Adriano di Montfort, Grand Master of the Knights of Rhodes.............Bruce Ford Armando D’Orville, a Knight of Rhodes..................................Diana Montague Palmide, daughter of the Sultan...................................................Yvonne Kenny Felicia, in the attire of a Knight........................................................Della Jones Alma, confidante of Palmide........................................................Linda Kitchen Osmino, the Grand Vizier..............................................................Ugo Benelli Geoffrey Mitchell Choir Chorus master: Geoffrey Mitchell Royal Philharmonic Orchestra Conductor: David Parry –2– Managing Director: Stephen Revell Producer: Patric Schmid Performing edition for this recording prepared by Robert Roberts Assistant conductors: Paul McGrath, Peter Lipari Répétiteur and recitatives: Rosemary Barnes Italian coach: Gabriella Bullock English libretto: Gwyn Morris Article: Don White Recording engineer: -
Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
Gaskell Society Newsletters Contents
GASKELL SOCIETY NEWSLETTERS CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L. -
The Last Days of Pompeii: Decadence, Apocalypse, Resurrection - Libguides at University of Southern California
Home - Visions & Voices: The Last Days of Pompeii: Decadence, Apocalypse, Resurrection - LibGuides at University of Southern California research support & tools libraries, collections, partners library services about usc libraries Ask a Librarian USC Libraries » LibGuides » Visions & Voices: The Last Days of Pompeii: Decadence, [email protected] « Guide Admin « Dashboard « Sign Out Apocalypse, Resurrection Visions & Voices: The Last Days of Pompeii: Decadence, Apocalypse, Resurrection Tags: ancient archaeology, ancient art; Exhibition at the Getty Villa September 12, 2012–January 7, 2013 Last Updated: Aug 20, 2013 URL: http://libguides.usc.edu/pompeii Print Guide Email Alerts Home Books on Pompeii Pompeii and Ancient Rome in Movies Getty Villa Videos, Street View and More Information Home Comments(0) Print Page Search: ThisThis Guide Guide Search Introduction Exhibition Catalog Head, Crocker Business Library and Accounting While certainly a disaster for its Library inhabitants, the volcanic destruction and burial of the ancient Roman city of Pompeii and its surroundings in 79 AD has been a boon for archaeologists who have found it to be a window into a long-vanished world. Since its rediscovery in the 18th century, the fate of Pompeii and the surroundings have captured the imagination of writers, artists and John E. Juricek more. For more information on Pompeii, the Contact Info Roman Empire and its place in our Crocker Business Library culture and imagination, please USC Marshall School of Business explore the tabs at the top of this Hoffman Hall 201 guide. (213) 740-7621 [email protected] Send Email Comments (0) Links: Website / Blog Profile & Guides AIA Description of the Exhibition Subjects: Business, Economics, Accounting From the Archaeological Institute of America: Pompeii and the other ancient cities Director, Collection destroyed and paradoxically Development preserved by the eruption of Mount Vesuvius in A.D. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed. -
Official Town Guide 2019-21
FREE KNUTSFORD OFFICIAL TOWN GUIDE 2019-21 DISCOVER • ENJOY • EXPLORE EEL Knutsford Town Guide Ad2 2019.qxp_A5 14/03/2019 18:10 Page 1 Back to the future boarding.pdf 1 17/01/2019 08:14 The UK’s market leading supplier of electrical products to trade and industry. C 2019 M SEP Y CM MY CY CMY B0B0 ARDARD 1NG1NGk K 77 days daysdaysdadaysys per per peperpper weekrweekweeweek weekweweekek o.uk • Over 350 branches nationwide • Over 120,000 unique items in stock ssignsignign uupupp a ataatt [email protected]@[email protected] .u • Same day delivery service • Professional, friendly and expert advice Terra Nova School in Holmes Chapel now Edmundson Electrical Ltd offers day, flexi and full boarding for pupils. Tatton Street • Knutsford • Cheshire • WA16 6AY Tel: 01565 700100 • Fax: 01565 652649 www.edmundson-electrical.co.uk Date: 23.01.19 Proof level: Acc. Ref: 200194 1 Proof level: Date: 27.03.19 Publication: KNUTSFORD TG 2019 APPROVED 1Size: FLL BLEED* 148mm w x 210mm h Acc. Ref: 200196 AMENDMENTS Position: Facing Inside Front cover REQUIRED Publication: KNUTSFORD TG 2019 Please check this proof carefully APPROVED Size: Full page - trim 148 x 210mm We make every eort to ensure that your proofs are correct. It is your responsibility to ensure errors are spotted before publication. Examples of items your should check are contact details, spelling, grammar, design and layout. AMENDMENTS Inside front cover PDF proofs are for content verication only. Images have been downsampled to allow for transmission via email. PDF proofs are not to be considered as Position: REQUIRED colour-accurate, even on colour-managed screens. -
EJ Full Draft**
Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy By Edward Lee Jacobson A dissertation submitted in partial satisfacation of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Ann Smart, Chair Professor James Q. Davies Professor Ian Duncan Professor Nicholas Mathew Summer 2020 Abstract Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy by Edward Lee Jacobson Doctor of Philosophy in Music University of California, Berkeley Professor Mary Ann Smart, Chair This dissertation emerged out of an archival study of Italian opera libretti published between 1800 and 1835. Many of these libretti, in contrast to their eighteenth- century counterparts, contain lengthy historical introductions, extended scenic descriptions, anthropological footnotes, and even bibliographies, all of which suggest that many operas depended on the absorption of a printed text to inflect or supplement the spectacle onstage. This dissertation thus explores how literature— and, specifically, the act of reading—shaped the composition and early reception of works by Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti, and their contemporaries. Rather than offering a straightforward comparative study between literary and musical texts, the various chapters track the often elusive ways that literature and music commingle in the consumption of opera by exploring a series of modes through which Italians engaged with their national past. In doing so, the dissertation follows recent, anthropologically inspired studies that have focused on spectatorship, embodiment, and attention. But while these chapters attempt to reconstruct the perceptive filters that educated classes would have brought to the opera, they also reject the historicist fantasy that spectator experience can ever be recovered, arguing instead that great rewards can be found in a sympathetic hearing of music as it appears to us today. -
Your Wedding at the TABLEY HOUSE TABLEY HOUSE COLLECTION WELCOME
Your Wedding at THE TABLEY HOUSE TABLEY HOUSE COLLECTION WELCOME Tabley House is a unique and beautiful venue for your wedding or civil partnership ceremony. Set in delightful parkland, this stunning Palladian mansion offers a historical yet intimate setting for your special day. Tabley House was built in 1767 by John Carr of York and owned by the Leicester family up until 1975. copyright Joanna Eardley The elegant, light Georgian rooms still display important paintings and furniture collected by the family over the centuries. Art works include those by Turner, Lawrence and Reynolds, while furniture is by Gillow, Bullock and Chippendale. “ We were struck by the charm of Tabley House as soon as we came to view it and knew instantly that this was where we wanted to exchange our vows.” Donna and Scott copyright Juno Photography The Tabley team looks forward to welcoming you to Tabley House, and ensuring your celebration is as individual as you. CELEBRATE YOUR SPECIAL DAY WITH FAMILY AND FRIENDS; BE IT YOUR WEDDING OR CIVIL CEREMONY; IN THE TIMELESS GALLERY FOLLOWED BY A CHAMPAGNE RECEPTION IN THE AIRY PORTICO ROOM. WEDDINGS CIVIL CEREMONIES & PARTNERSHIPS Tabley House is licensed for Civil Weddings and Civil Partnerships. Ceremonies are normally conducted in our magnificent Gallery, often considered one of the finest rooms in Cheshire, or in the Portico Room. The Portico Room is also a splendid setting for a champagne reception. Drinks and canapés can be served whilst your guests enjoy the views across the park to Tabley Mere. The Gallery and the Portico Room can both accommodate up to 100 guests. -
A History of the University of Manchester Since 1951
Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press. -
I Costumi Per Le Opere Di Gioachino Rossini Nelle Collezioni Milanesi
Corso di Laurea in Storia delle arti e conservazione dei beni artistici ordinamento ex D.M. 270/2004 Tesi di Laurea I costumi per le opere di Gioachino Rossini nelle collezioni milanesi Relatore Ch.ma Prof. Maria Ida Biggi Correlatore Ch.ma Prof. Adriana Guarnieri Laureando Beatrice Carrer Matricola 836283 Anno Accademico 2016 / 2017 1. SOMMARIO 2. INTRODUZIONE 3 3. LA CULTURA EUROPEA DI INIZIO OTTOCENTO: TRA NEOCLASSICISMO E ROMANTICISMO 5 4. CENNI BIOGRAFICI DI GIOACHINO ROSSINI 9 5. LE OPERE 17 5.1 LA FARSA 17 5.2 L’OPERA BUFFA 20 5.3 L’OPERA SEMISERIA 28 3.4 L’OPERA SERIA 32 3.5 L’OPERA FRANCESE 52 6. LA SCENOGRAFIA E IL COSTUME A MILANO 57 6.1 LA CRITICA SETTECENTESCA 58 6.2 LA SCENOGRAFIA 61 6.3 I COSTUMI 65 7. BIBLIOTECA NAZIONALE BRAIDENSE 69 7.1 RICCIARDO E ZORAIDE 70 7.2 OTELLO, OSSIA IL MORO DI VENEZIA 74 7.3 L’ITALIANA IN ALGERI 81 7.4 TANCREDI 82 7.5 SEMIRAMIDE 85 7.6 LA DONNA DEL LAGO 87 7.7 MATILDE DI SHABRAN 90 8. BIBLIOTECA DEL MUSEO TEATRALE ALLA SCALA 93 8.1 IL TURCO IN ITALIA 93 8.2 IL BARBIERE DI SIVIGLIA 93 8.3 OTELLO, OSSIA IL MORO DI VENEZIA 95 8.4 MATILDE DI SHABRAN 97 8.5 SEMIRAMIDE 97 8.6 LE SIEGE DE CORINTHE 100 8.7 MOSÈ 103 8.8 GUILLAUME TELL 107 9. CIVICA RACCOLTA DELLE STAMPE ACHILLE BERTARELLI 113 1 9.1 STAMPE DI ATTORI 113 9.2 RACCOLTA DI FIGURINI AD USO DEI TEATRI, GIUSTA IL COSTUME DI TUTTI I TEMPI E TUTTE LE NAZIONI 115 9.3 FIGURINI TEATRALI DI FAUSTO, BARBIERE DI SIVIGLIA, TUTTI IN MASCHERA 117 10. -
A Dark and Stormy Night
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard A Dark and Stormy Night A lonely pebble swaddled in excelsior: take it home and give it your love. Only $3.95! The Pet Rock fad lasted only about six months in the mid 1970s but it made Gary Dahl, a California advertising man, a millionaire. What other challenges awaited this man whose arsenal of words had the power to persuade? Twenty-five years later, like Carl Sandburg on steroids, Dahl penned these lines: “The heather-encrusted Headlands, veiled in fog as thick as smoke in a crowded pub, hunched precariously over the moors, their rocky elbows slipping off land’s end. Their bulbous, craggy noses thrust into the thick foam of the North Sea like bearded old men falling asleep in their pints.” This entry landed him the grand prize in the annual Bulwer-Lytton Fiction Contest, named for the Victorian novelist Edward George Bulwer-Lytton, 1st Baron Lytton (1803 - 1873), whose overblown purple prose often went over the top. Extremely popular in his day, modern readers find his florid style the epitome of bad writing. Thousands of applicants compete each year in crafting an overly embellished opening sentence to the worst possible (imaginary) novel. The contest was inspired by Lord Lytton’s words at the beginning of his novel, “Paul Clifford”: “It was a dark and stormy night; the rain fell in torrents …” This passage could have described the onset of a hurricane, but a different natural disaster is the basis for the novel for which Baron Lytton is probably best known.