DOCSLIB.ORG

Dirkneefs' GLASSTALEN

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dirkneefs' GLASSTALEN dirkneefs’ GLASSTALEN dirkneefs’ Mondgeblazen glasstalen GLASSTALEN Eigenschap: doorzichtig, lichte wemeling en luchtbellen JUNGLE GREEN MINT GREEN DUTCH BEIGE PERSIAN OR. G1Jmg G6Mmg B4Dmg O2Pmg FERN GREEN PERSIAN GREEN DESIRE RED CARMINE RED G2Fmg G7Pmg R1Dmg R4Cmg RAINFOREST SILK GREEN PERSIMMON IMPERIAL RED G3Rmg G1Smg R2Pmg R5Img LAUREL GREEN NAVAJO BEIGE INDIAN RED SCARLET RED G4Lmg B2Nmg R3Img R6Smg MANTIS GREEN BONE BEIGE BURNT ORANGE DARK ORANGE G5Mmg B3Bmg O1Bmg O3Dmg dirkneefs’ Mondgeblazen glasstalen GLASSTALEN Eigenschap: doorzichtig, lichte wemeling en luchtbellen ROYAL YELLOW CATALINA BL. POWDER BLUE QUEEN PINK Y1Rmg B1Cmg B6Pmg P1Qmg ATOMIC OR. EGYPTIAN BL. AZUR BLUE SILVER PINK O4Amg B2Emg B7Amg P2Smg GOLD LAVENDER BL. LIGHT BLUE AUTUMN GR. O5Gmg B3Lmg B8Lmg G2Amg PAPAYA OR. LIBERTY BLUE ROSE QUARTZ DESERT BROWN O6Pmg B4Lmg R1Qmg B1Dmg MELLOW YEL. BABY BLUE ROCKET GRAY TAN BROWN Y2Mmg B5Bmg G1Rmg B2Tmg dirkneefs’ GLASSTALEN dirkneefs’ Kathedraalglas GLASSTALEN Eigenschap: transparant niet volledig doorzichtig, huid van het glas is gewolkt van structuur BLUE GRAY ETON BLUE PERIWINKLE BL. BRANDEIS BL. B11Gcg B5Ecg B1Pcg B12Bcg TEAL BLUE CAROLINA BL. AZUR BLUE SCARLET RED B10Tcg B6Ccg B7Acg R1Scg TURQUOISE BL. AZURE BLUE MAUVE FLAME RED B7Tcg B3Acg P2Mcg R2Fcg CAMBRIDGE BL. BONDI BLUE ROSE QUARTZ TERRA COTTA R. B9Ccg B4Lcg R1Qcg R3Tcg VIRIDIAN BL. ALICE BLUE ROCKET GRAY TURKEY RED B8Vcg B2Acg G1Rcg R4Tcg dirkneefs’ Kathedraalglas GLASSTALEN Eigenschap: transparant niet volledig doorzichtig, huid van het glas is gewolkt van structuur CARMINE RED MERIGOLD OR. THISTLE PURPLE SANDCASTLE GR. R5Ccg O3Mcg P1Tcg G1Scg CIDER ORANGE CAMBOGE OR. DARK PASTEL GR. GLAUCOUS BL. O1Ccg O4Ccg G3Dcg B15Gcg COQUELICOT R. MAHOGANY R. STEEL BLUE R6Ccg R7Mcg B14Scg BRONZE ORANGE MOSS GREEN MAYA BLUE O2Bcg G1Mcg B13Mcg HONEY OR. ASPARGUS GR. HAZELNUT GR. O3Hcg G2Acg G1Hcg dirkneefs’ GLASSTALEN dirkneefs’ Klaar (clear) glas GLASSTALEN verkrijgbaar in kathedraalglas, mondgeblazen- en getrokken glas ABURA FREIJO IROKO NIOVE A1Aclear F6Oclear I11Oclear N16Eclear BERLINIA GMELINA JARRAH ODOKO B2Aclear G7Aclear J12Hclear O17Oclear CELTIS GUAREA KARRI PAU C3Sclear G8Aclear K13Iclear P18Uclear CORDIA HYEDUA LOURO RAULI C4Aclear H9Aclear L11Oclear R19Iclear DENYA IDIGBO MORA SEPETIR D5Aclear I10Oclear M15Aclear S20Rclear dirkneefs’ GLASSTALEN VIROLA CATALINA BL. V21Aclear B1C EGYPTIAN BL. B2E LAVENDER BL. Glas is een uiterst fragiel materiaal – moeilijk B3L te verwerken, maar o zo dankbaar! Als een ware glaskunstenaar creëert Dirk Neefs pure magie met glas. Dat doet hij met eeuwen- oude methodes die hij nieuw leven inblaast, met opperste concentratie en een feilloze techniek. Dirk is zowel ambachtsman als kunstenaar: zijn werk vereist een harmonieuze balans tussen techniek en kunstzinnigheid. Hij LIBERTY BLUE houdt rekening met kleur, compositie en B4L licht. En maakt ontwerpen van een schoon- heid die de historische pareltjes van weleer evenaren. Dirk gebruikt glasstalen bij het ontwerp- proces om de kleur en structuur van het glas vooraf te beschouwen en beoordelen. U kiest uit een gigantische waaier van tin- ten en texturen die tot leven komen in uw interieur. Zo treedt het glas uit zijn transpa- BABY BLUE rante anonimiteit en vertelt het een uniek en B5B kleurrijk verhaal..
Load more

Recommended publications
  • Chapter 2 20Th Century
    THE SPORT OF ROWING To the readers of www.Rowperfect.co.uk This is the second installment on All my contact info is at my website. I www.Rowperfect.co.uk of the latest draft of will also be at the World Championships the beginning of my coming new book. next month on Lake Karapiro, and I hope to Many thanks again to Rebecca Caroe for be at the FISA Coaches’ Conference in making this possible. London in January. Or you can email me anytime at [email protected]. Details about me and my book project are available at www.rowingevolution.com. For a short time you can still access the For six years I have been researching and first installment. Additional chapters for writing a four volume comprehensive histo- your review will continue to appear at regu- ry of the sport of rowing with particular em- lar intervals on www.Rowperfect.co.uk. As phasis on the evolution of technique. In you would expect, the first part of the book these last months before publication, I am deals with rowing in England where the inviting all of you visitors to the British sport began, and that has presented a special Rowperfect website to review the near-final challenge for me, a colonial writing at a dis- draft. Your comments, suggestions, correc- tance of 8,000 miles from the Mother Coun- tions, agreements, disagreements, additional try. That is why your various perspectives sources and illustrations, etc. will be an es- will make such a difference, so let me thank sential contribution to what has always been you all again for your contributions to this intended to be a joint project of the rowing book project.
    [Show full text]
  • 8.11.15 Hied K12 3PP Price List
    Apple Inc. K-12 and Higher Education Institution US Only Third-Party Products: Software Licensing and Hardware Price List August 11, 2015 Table Of Contents Page • How to Order 1 • Revisions to the Price List 1-3 SECTION A: THIRD-PARTY HARDWARE 3-20 • Bags & Cases 3-6 • Cables 6-7 • Carts, Mounts & Stands 7-9 • Digital Cameras 9 • Headphones 9-10 15-16 • Input Devices 10-11 • iPad Accessories 11-12 • iPad Cases 12-13 • iPhone/iPod Accessories 13-14 • iPhone Cases 14-16 • iPod Cases 16 • Music Creation 16 -17 • Networking 17 • Printers 17 • Printer Supplies Note: Printer supplies are no longer offered through Apple 17 • Projectors & Presentation 17 • Scanners 17 • Security & More 17-18 • Server Accessories 18-19 • Speakers & Audio 19 • Storage 19-20 SECTION B: THIRD-PARTY SOFTWARE LICENSING 20-29 • Creativity & Productivity Tools 20-21 • IT Infrastructure & Learning Services 21-26 • IT Infrastructure & Wireless Networking Products 26-31 SECTION C: FOR MORE INFORMATION 28-29 • Apple Store for Education 29 • Third-Party Websites 29 • Third-Party Sales Policies 29 • Third-Party Products and Ship-Complete Orders 29 HOW TO ORDER Many of the products on this price list are available to order online from the Apple Store for Education: www.apple.com/education/store or 800-800-2775 Purchase orders for all products may be submitted to: Apple Inc. Attn: Apple Education Sales Support 12545 Riata Vista Circle Mail Stop: 198-3ED Austin, TX 78727-6524 Phone: 1-800-800-2775 Fax: (800) 590-0063 IMPORTANT INFORMATION REGARDING ORDERING THIRD PARTY SOFTWARE LICENSING Contact Information: End-user (or, tech coordinator) contact information is required in order to fulfill orders for third party software licensing.
    [Show full text]
  • Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
    AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.
    [Show full text]
  • The World's Finest Range of Baker's Twine Solid
    The world’s finest range of Baker’s Twine Solid - Original - Two Tone - Tri-Colour Metallic - Sparkle - Braids - Ropes in soft luxurious cotton We have put colour into Baker’s Twine since 1856 Baker’s Twine Solid Colours Available 20m Spool 10 Per case 50m Spool 10 Per case 100m Spool 10 Per case 200m Spool 10 Per case 1 Kilo Bulk Spools Cut Lengths 20m Flat Pack Spools Blonde Solid Brown Solid Burgundy Solid Cherry Blossom Solid Lemon Solid Emerald Solid Eton Blue Solid Lakeland Slate Solid Daffodil Solid Lime Solid Moss Solid Navy Solid Olive Solid Tangerine Solid Oxford Blue Solid Rose Pink Solid Saffron Solid Baker’s Twine Solid Colours Available 20m Spool 10 Per case 50m Spool 10 Per case 100m Spool 10 Per case 200m Spool 10 Per case 1 Kilo Bulk Spools Cut Lengths 20m Flat Pack Spools Saraha Sand Solid Beefeater Red Solid Sky Blue Solid Silver Solid Snow White Solid Strawberry Solid Orange Solid Terracotta Solid Violet Solid York Gold Solid Black Solid Also Available in ‘Finest’ & ‘Chunky’ Ranges Solid is also available in the Finest Baker’s Twines Range & Chunky Range. Finest is a narrower diameter twine, at approx Spring Green Solid Highland Heather 1mm thick it is approx half the diameter of its original cousin. Chunky - Our widest diameter Baker’s Twine, approx 4-5mm it is approx twice the diameter of the ‘Original’ range Apricot Fushia Baker’s Twine Original White & Coloured Available 20m Spool 10 Per case 50m Spool 10 Per case 100m Spool 10 Per case 200m Spool 10 Per case 1 Kilo Bulk Spools Cut Lengths 20m Flat Pack Spools Beefeater
    [Show full text]
  • Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth
    GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE
    [Show full text]
  • Origins of the Cambridge Blue
    ORIGINS OF THE CAMBRIDGE BLUE Improved communications in the early years of the 19th century made possible sporting competitions between such as Oxford and Cambridge, which led in turn to the adoption of different colours, if only to allow the umpire to recognise them. The first sporting competition between the universities was on June 4th 1827 in a cricket match at Lord’s. Both teams wore white with no distinguishing colour. The second competition was the first Boat Race at Henley-on-Thames on 10th June 1829 when Oxford wore dark blue and white striped shirts. The colour was in honour of Christ Church, Head of the River at the time, who provided no fewer than five members of the crew. It is well documented that this race is the origin of the Oxford dark blue. Cambridge wore white shirts with hunting pink ties or sashes in honour of Snow, the Captain of Cambridge and of the Lady Margaret (St John’s College) Boat Club. For the second race in 1836, according to contemporary accounts (e.g. Bell’s Life), Cambridge wore white with no adornment. In 1837 and 1838 there were no intervarsity boat races but Cambridge raced against Leander Club and in both races they wore light blue and white striped shirts. For the third Boat Race in 1839 they adopted light blue, thereby establishing the accepted CUBC colour, and serially the Cambridge colour as each new sport has entered the intervarsity competitive programme. The story behind the adoption of light blue did not appear in print until 1881, almost half a century after the event.
    [Show full text]
  • Made in America
    Made in America www.bobbincentral.com Color SKU 1000m 5000m White 8 10000 Super White 10002 German Granite 8 10401 Medium Grey 8 10424 Battleship 10430 Titanium 8 10431 Flint 10435 Silver 10536 Mercury 10643 Sterling 10877 Cool Grey 3 8 10CG3 Fog 10CG6 Cool Grey 7 8 10CG7 Cool Grey 9 10CG9 Linen 8 10WG1 Warm Grey 4 8 10WG4 Warm Grey 6 10WG6 Black 8 11001 Slate 15285 Anchor 15295 Nickel 15497 Bone 17443 Light Grey 8 17543 Shadow 1BLK3 Storm 1BLK7 Lead Grey 8 1CG11 Warm Grey 11 1WG11 Cream 8 20001 Pearl 20005 Leather 8 20140 Mahogany 8 20160 Medium Brown 8 20464 Sand 8 20466 Caramel 20467 Biscotti 20468 Chocolate 20469 Hazel 20470 Apricot Blush 20474 Dark Brown 8 20476 Rust Brown 8 20478 MoCha 8 20727 Light Copper 20730 Vegas Gold 20872 Dijon 21245 Antique 21255 Sienna 21615 Sepia 21685 Cleopatra 8 24515 Khaki 8 24525 Shell 24535 Brunette 8 24625 Bark 24635 Light Tan 8 24655 Camel 24665 Cork 24675 Cocoa 24705 Military Gold 8 27407 Wheat 27500 Sand Dune 27501 Coffee 27504 Butterscotch 27508 Coffee Bean 27518 Chestnut 8 27521 Auburn 27523 Brownie 27596 Latte 29181 Rock Navy 30001 Blueberry 8 30281 Azure 30283 Hawaiian Blue 8 30284 Empire 30286 Bombay 30287 Bright Blue 8 30288 Baby Blue 30290 Midnight Navy 30296 Cerulean 30308 Magic Mint 30317 Eclipse 30532 Denim 30534 Robin Egg 8 30632 Graphite 30644 Sky 30646 Cobalt 30647 Admiral 30654 Captain Navy 30655 Royal 30661 Lagoon 32237 Air ForCe Blue 32382 Federal 32757 Deep Sea 32767 Navy 8 32965 Light Turquoise 8 32975 Electric 33015 Zaffre 35405 Cloud 8 37457 Ocean 37468 Aquamarine 37474 Steel
    [Show full text]
  • Opaque Colors
    When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray .
    [Show full text]
  • Paint Pigments— Yellow
    » TECHNICAL INFORMATION ON BUILDING MATERIALS TIBM - 32 FOR UfSE IN THE DESIGN OF LOW-COST HOUSING ***** THE NATIONAL BUREAU OF STANDARDS UNITED STATES DEPARTMENT OF COMMERCE WASHINGTON, D. C. August 29, 1936 PAINT PIGMENTS— YELLOW, . BROWN, BLUE, GREEN, AND BRONZE This is urimarily^a digest of the sections of Bureau of Standards Circular No, o9> "Paint and Varnish", (November 17, 1917),'*' and Tech- nologic Paper No. 274, "Use of United States Government Suecif ication Paints and Faint Materials", (December 15, 1924), ^ Ly p, H. Walker and E. F. Hickson, dealing with general composition , characteristics, and uses of yellow, brown, blue, green, and bronze pigments. The following papers contain additional information relative to paint pigments, oil paints, and water paints: TIBM - 30 "Paint Pigments—White" TIBM - 31 "Paint Pigments—Black, Red, and Lakes" TIBM - 33 "Federal Specification . Paint Pigments and Mixing Formulas" TIM - 3U "Federal Specification Ready-Mixed Paints, Semi- paste Paints and Mixing Formulas’"' TIBM - 35 "Preparation of Paints from Paste and Dry Pigments" TIBM - 36 "Preparation of Paints from Semipaste Paints, Thinning Ready-Mixed Paints, and Preparation of Water Paints" TIBM - 43 "Aluminum Paints" Pigments are "the fine solid warticles used in the preparation of paint, and substantially insoluble in the vehicle, "3 In general, it may be ^Out of print. May be consulted in Government depositor}*- libraries. p Available from Superintendent of Documents, Government Printing Office, Washington, D. C. .(Price 10 cents). ^Qpioted from "Standard Definitions of Terms Relating to Paint 'Specifications", American Society for Testing Materials ( 1 93 3 ) ’ • • -• •• PP. 735-73 9 . 031736-C - 1 - assumed that pigments composed of very fine particles, having high re- fractive indices, provide the greatest covering power and opacity.
    [Show full text]
  • Watercolor Substitution Cheat Sheet * = Lindsay Recommended Color
    Watercolor Substitution Cheat Sheet * = Lindsay Recommended color *Phthalo Blue (Strong cool-green leaning-blue) Prussian Blue (also look for that pigment) AKA Pthalo blue GS Cyan Blue or green shade. Cerulean Blue (if it looks dark: Mission Gold) Helio Cerulean **This colors is great for mixing green when Winsor Blue (Winsor & Newton) paired with a cool yellow. Intense Blue (Winsor & Newton/Cotman) Azure (Yarka/White Nights) Turquoise Indigo (deep cool blue grey) Indanthrone Blue Payne's Grey+Prussian Blue *Ultramarine Blue (warm, purple bias red) Colbalt Blue Pthalo blue Red Shade (not my fave substitute) **This color is good for mixing violet with a cool Poland Blue red or gray with burnt sienna. ***This color granulates for textured washes. Cerulean Blue (Less intense cool blue) Manganese Blue Phthalo blue + white Cinerous Blue (Sennelier) *Quinacridone Rose (Cool red with violet Alizarian Crimson undertones) Carmine **This color makes lovely purples and mauve Crimson lake with blues. Rose Madder (weaker than AZ) *Cadmium Red or Cadmium red light Vermilion (Warm red with orange undertones) Scarlet Napthol Red **This color makes beautiful oranges when mixed Bright Red/ Brilliant Red with warm yellows. Pyrrole Red Permanent Rose Magenta *Cadmium Yellow (warm yellow) Gamboge Cadmium yellow medium/Cadmium yellow deep Indian Yellow Permanent yellow deep **This color makes beautiful oranges when mixed with warm reds or peach with cool reds *Hansa Yellow Light (cool yellow) Lemon Yellow (cool yellow) Cadmium yellow light, pale or Cadmium
    [Show full text]
  • The Collections
    The Collections 1 Welcome to the world of Where traditional English design, luxurious styling and deep seated comfort are at the heart of everything we do. Discover the beauty of Duresta sofas and chairs as you browse through our latest collections. Delve into our design studio, experience modern classic design and choose your new luxurious Duresta piece. Visit our world and book a visit to the Duresta showroom, see page 145. 25 YEAR FRAME GUARANTEE 01 Crafted by Hand in England All Duresta furniture ranges are handcrafted by our highly skilled craftspeople using the finest materials. We have mastered and refined traditional furniture-making methods to ensure that every piece of upholstery we produce is perfect in every detail. WELCOME TO THE WORLD OF DURESTA | 03 Contents 06 A Heritage of Luxury 08 Fabric Collections 10 Design Studio 12 Modern Classics Collection 64 English Luxury Collection 108 Contemporary Living Collection 128 Footstools 130 Model Specifications 142 Fillings, Finishes & Trimmings 144 Index 145 The Duresta Showroom 25 YEAR FRAME GUARANTEE At Duresta, we have been handcrafting the finest luxury furniture in Nottingham since 1938. Since then, Duresta has become the brand of choice for high end, luxurious designs; creating modern classics and celebrating heritage English furniture. We have been champions of artisan furniture making for over 80 A Heritage of Luxury years, and are committed to preserving this legacy as we refine our collections, creating luxurious sofas and chairs. A HERITAGE OF LUXURY | 07 Fabric Collections All of our fabrics are chosen from the most prestigious and innovative mills sourced from around the world.
    [Show full text]
  • Echocloud Flat Circles Color #101
    EchoCloud Flat Circles Color #101 ECHOCLOUD ACOUSTIC DESIGN ELEMENT EchoCloud acoustic clouds help absorb sound within an open space, reducing reverberation and helping quiet noisy spaces, no matter the ceiling type. Design aesthetically and acoustically winning interior spaces with the infinitely customizable and ecologically sound EchoPanel acoustic panels and tiles. Take the next step in functional, beautiful, sustainable design. ECHOCLOUD EchoPanel R Customizable Acoustic System 3D CLOUDS DEEP CLOUDS 3D Clouds provide sound absorption, diffusion and maxi- Deep Clouds provide visual depth and sound absorption. mum visual impact. Panels are 2.5” thick. STYLES STYLES Square Rectangle Hex Hex 36” x 31” x 5” D Small 18” x 18” Small 41” x 18” 36” x 31” Large 41” x 41” Large 88” x 41” FLAT CLOUDS PERFORATED FLAT CLOUDS 12mm thick clouds available in all 20 EchoPanel colors Perforated Flat Clouds (PFC) add sound absorption while pro- with standard and custom shapes up to 46” x 94”. viding visual movement and allowing light to shine through the panels. STYLES STYLES Rectangle Square Oval Rectangle Square Circle Oval Small 46” x 23” Small 23” x 23” 94” x 46” Small 46” x 23” 46” x 46” Diameter 46” 94” x 46” Large 94” x 46” Large 46” x 46” Large 94” x 46” Circle Hex PFC DESIGNS Grad Hourglass (shown) (Diameter) 36” x 31” Small 23” Medium 33” Large 46” ECHOCLOUD HARDWARE EchoPanel R Installation options include direct mount, cable suspension, or threaded rod. Installation can be custom designed to accommodate lighting and sprinkler systems. PENTA
    [Show full text]