Position Description: Global Job Title: Creative Director CEMA/WE

Total Page:16

File Type:pdf, Size:1020Kb

Position Description: Global Job Title: Creative Director CEMA/WE Position Description: Global Job Title: Creative Director CEMA/WE Reporting to: Executive Creative Director Purpose of the role The Creative Director is responsible for creatively overseeing the channel brands and short form content across Western Europe and CEMA Regions. They will be an expert in strategic thinking and devising strong propositions and creative responses that work across a variety of touch points – on air, print, digital and experiential. Working to the Executive Creative Director this role will continuously raise the creative bar and act as a guardian for the BBC Worldwide Brand and Channel Brands including BRIT, EARTH, FIRST, CBEEBIES, LIFESTYLE, ENTERTAINMENT, KNOWLEDGE AND HD. The ideal candidate will have excellent experience in creating campaigns within a Broadcasting environment. They will be obsessed with clarity of briefs and have a track record of working with planners, programmers and marketers to ensure that the briefs provide clear direction to the creative teams. They will excel in providing inspiration and motivation and have a variety of techniques and strategies to produce award winning creative responses and executions. They will lead from the front, demonstrating best practice in ideation, writing and creative delivery. The right candidate will have worked within an EMEA environment and understand the cultural sensibilities required to both create and reversion content for a local market. They will be skilled in producing well edited and reversioned trails as well as 360 campaigns - scaling the creative ambition and budget according to the priority and promotional currency. They will be used to running busy in house promotional teams and able to work with the Head of Production in promoting and ensuring a tightly managed, efficient operation. The right person will be an effective leader, capable of managing teams and clearly defining expectations with strong communication skills and robust interpersonal skills in order to foster lasting relationships both within the team and the wider BBCW community. Accountabilities Line management of the WE/CEMA creative team. Providing leadership and inspiration this role will assemble teams and lead the creative process with exceptional results. They will also be responsible for mentoring staff across the department to elevate the creative output. Support channel programming and marketing teams by overseeing the creation and adaptation of on and off air assets to promote the channels and priority content, ultimately driving ratings to the channels. Working in partnership with Heads of Marketing, ECD and Design Director to deliver brand and creative excellence across the channels. Working closely with the Central Brand teams, be the guardian of the brands across WE and CEMA, ensuring consistent brand messages are delivered to audiences and affiliates. Working closely with the Head of Production ensure smooth processes and workflow so creative requests are managed efficiently, that work is divided amongst the team equitably and that the team delivers all marketing materials required to support the channels in a timely manner. Ensure that reversions are made to the highest standard and that process around reversioning are maintained, considering use of all pre-existing assets from Global Markets or Public Service. When working on Global Campaigns, oversee all aspects of the creative process from response, scripting to execution ensuring that the creative idea will work across a variety of media – on air, digital, print, experiential and trade. Responsible for identifying and hiring the best freelance talent in the industry. Have an in depth knowledge of the legacy and new brands, overseeing all new channel launches and rebrands from creating bespoke launch spots to the application of new branding and on screen packages, ensuring that the creative requirements during rebrands are adequately met. Working with media planning, oversee the cohesion and flow of the junction breaks, monitoring the brand and creative effectiveness of presentation elements including continuity, menus, end credit squeezes and brand architecture. Understand the local markets, digesting research, monitoring trends and local events and always look for ways to make materials locally relevant. Be aware of differing cultural sensibilities and their creative consequences as well as practical localisation considerations in Graphics and Voice. Understand promo allocation and currencies, always seeking to create content relevant to strategy and priority. Manage bespoke filming, working with external creative and design agencies and high end post production, where relevant. Hold excellent relationships with agencies, able to secure high quality creative product at great value to the BBC. Develop creative briefs for ideation sessions, lead creative ideation and brainstorm sessions, develop and vet ideas. Work closely with the Executive Creative Director, Central Creative Director and regional Creative Directors to ensure that a Global creative community is fostered and campaign production can be shared where appropriate. Ensure that ideas, knowledges and best practice is shared within regional creative teams. Scope & Impact The Creative Director of CEMA/WE will be the main point of Creative contact for the marketing and business managers in region. Whilst supported creatively by the Executive Creative Director they will work independently in receiving briefs and allocating the creative team. Their remit will include all channels and territories within CEMA and WE, supporting on air, affiliate, sales and any revenue streams specific to their territories. Although they will not have budgetary management this role is expected to operate commercially and present solutions that work within regional expectations. Strategic Planning & Decision Making The Creative Director of CEMA/WE will be part of the media planning and channel planning process and will work closely with programming and marketing to support regional campaigns. They will be expected to understand the commercial environment within which the channels operate and tailor creative responses accordingly. They will also be expected to join the regional senior management teams in understanding the competitive environment and to keep abreast of ratings and local events and the impact on the creative output. In addition to providing robust creative solutions, the Creative Director will also support the Head of Production in their operational remit and is expected to have a good understanding of on air collateral and technical delivery. Relationships LINE MANAGEMENT: EXECUTIVE CREATIVE DIRECTOR TEAM MANAGEMENT: SENIOR CREATIVES, CREATIVES, JUNIOR CREATIVES STAKEHOLDERS: SVP CONTENT MARKETING & CREATIVE REGIONAL HEAD (S) OF MARKETING REGIONAL EVPS AND GENERAL MANAGERS REGIONAL PROGRAMMING DIRECTOR OF OPERATIONS PEERS: HEAD OF PRODUCTION CREATIVE DIRECTOR CENTRAL DESIGN DIRECTOR CENTRAL HEAD OF MEDIA PLANNING REGIONAL HEADS OF CREATIVE Knowledge & Skills Help formulate creative campaigns, with a demonstrable understanding of media planning, and communications strategy. Experience in producing content with localised sensibilities, understanding regional variations and practical considerations when producing Global materials. Experience of leading creative teams in development of Global Campaigns including TV, Digital, Press and PR, Print and Experiential. Demonstrate track record of solving complex brand challenges; strong balance of traditional, innovative, experiential and social/digital experience; ability to creatively problem solve. Exceptional oral and written communications skills, captivating presenter and great listener, strong negotiation, persuasion and diplomacy skills Skilled at influencing and creating a collaborative approach across all departments and teams. Experiencing of running and facilitating idea session and bringing motivational management to the creative teams. Experience of working with Art Directors and designers with the ability to direct design projects including rebrands and on screen packages. Experience of managing multi language teams and delivery of a high volume of materials each month. A good technical understanding of broadcast operations including play out technology, able to petition for the uptake in technology in order to improve efficiency of systems. Competent self-operating skills including a working knowledge of Avid, Final Cut or Premier. A creative and operational understanding of online, versioning, directing voiceovers and localisation. Able to manage post production staff if required. Awareness of the BBC Brand and editorial framework and its relevance to content creation. Experience working with Creative agencies and Facilities houses with a network of relationships and able to procure great value for BBC Worldwide. Experience of working with planning teams and translating insights into targeted creative. The person Strong agency, marketing consultancy experience. Track record of managing and motivating teams to deliver excellent creative in challenging environments. Proactive approach, a self-starter. Must work well under pressure and keep to deadlines. Exceptional communication and people skills. Strong at relationship building. Strong leadership skills. Strong negotiation and conflict resolution skills. Ability to monitor changes in the creative and marketing world in order to stay informed about latest thinking and new technologies in order to strive
Recommended publications
  • The Creative Talents of the Lvmh Group VIRGIL ABLOH
    The creative talents of the lvmh group VIRGIL ABLOH MEN’S ARTISTIC DIRECTOR LOUIS VUITTON Born in rockford, illinois in 1980, Virgil Abloh is an artist, architect, engineer, creative director, and designer. After earning a degree in Civil Engineering from the University of Wisconsin Madison, he completed a Master´s Degree in Architecture at the Illinois Institute of Technology in a curriculum founded by Mies van der Rohe. It was here that he learned not only about modernist design principles but also about the concept of multi‐ disciplinary working. Virgil Abloh’s brand Off‐White c/o Virgil Abloh™ was started in 2012 as an artwork titled "PYREX VISION." In 2013, the brand premiered a seasonal men's and women's fashion label showing runway collections during Paris Fashion Week since 2015. Abloh has also presented his work at major design institutions around the globe by the likes of Harvard Graduate School of Design, Columbia Graduate School of Architecture, Planning and Preservation and the Rhode Island School of Design. In 2019 he will have a major exhibition of past and current work at the Museum of Contemporary Art of Chicago, Illinois. In 2015, Virgil Abloh for Off‐White c/o Virgil Abloh™ is among the finalists of the LVMH Prize. He has been awarded various prizes, most recently winning the British Fashion Awards Urban Luxe award and International Designer of the Year at the GQ Men of the Year Awards in 2017. © Louis Vuitton JONATHAN ANDERSON CREATIVE DIRECTOR LOEWE Born in 1984 in Northern Ireland, lives in London, Madrid and Paris.
    [Show full text]
  • THE MM&M AWARDS 2012 Judges
    DREAMhile entries to the MM&M Awards are now closed, for the judges, the fun—and the hours of hard work—are just Wbeginning. The 2012 panel is in place and our judges are poised to start por- ing over hundreds of submissions. As in previous years, the panel features a wide range of esteemed leaders and thinkers representing a variety of industry disciplines across, pharma, biotech, device and diagnostic companies, as well as agency and media creatives and execs. However, this year there is one major difference: The panel has more than doubled in size. We took the decision to increase the number of judges from around 40 to more than 100 for several reasons. Not only will each entry be reviewed by a larger and more varied group, we will have THE MM&M AWARDS 2012 JUDGES Bill Abernethy, Vice President, Global Market Development, Prosensa Therapeutics Stephanie Feldt, Dir., Market Insight, ZymoGenetics, A Wholly Owned Subsidiary of BMS Manuel Alvarado, Sr. Prod. Mgr. Inmunology (HUMIRA) Global Marketing, Abbott Labs Derek Fetzer, Director, Johnson & Johnson Elizabeth Apelles, CEO, Greater Than One David Fink, President, Compass Associates Irene Aquino, Associate Director, Marketing, Shire HGT Lisa Flaiz, VP Strategic Growth & Innovation, imc2 health & wellness Lisa Bair, CEO, Hobart Group Holdings Adam Fletcher, Senior Brand Manager, Teva Women’s Health Jack Barrette, CEO, WEGO Health Chris Freeman, Director, Cardiopulmonary Marketing, Gilead Sciences Matt Beebe, President, PROPEL Medical Marketing Matt Giegerich, Chairman & CEO, Ogilvy CommonHealth
    [Show full text]
  • Strategic Design Leader with a Proven Track Record of Creating Chicago, IL Innovative Digital Solutions That Maximize Business Objectives
    Hello. My name is Lucian Slatineanu and this is my story. Strategic design leader with a proven track record of creating Chicago, IL innovative digital solutions that maximize business objectives. emblematiq.com Multifaceted and imaginative project manager bringing experience emblematiq.dribbble.com in planning, directing, and executing product, branding, and [email protected] marketing initiatives. A passionate visionary with a gift for +1 (815) 315.0545 identifying patterns and applying customer-driven research to current and anticipated business needs. Curious, ambitious, and confident with a strong sense of ownership. Competencies • User Interface Design • User Experience Design • User Research • Art Direction • Branding • Web Development • Digital Strategy • Graphic Design • Project Management • Design Thinking Experience EMBLEMATIQ, McHenry IL 2004 - PRESENT Chief Design Officer & Founder • Running a small design studio that partners with ambitious startups and established companies to create digital products that change the world. Clients include: • American Academy of Pediatrics, Atlas Obscura, Boston Consulting Group, Chevron, CNET, Humana, LiveText, ModX, Motorola, Redbubble, Squarespace, Stack Exchange, and many more. CHROME RIVER, Los Angeles CA 2011 - PRESENT Creative Director • Led marketing design from the start-up stage to one of the top expense management software companies worldwide. • Managed successful rebranding projects, website redesigns, print and trade show materials. HOBSONS, Arlington VA 2015 - 2019 Senior Interactive Designer • Led the redesign of the company’s websites, resulting in 3 to 10 times improvement on all KPIs. • Improved digital strategies and processes. • Managed projects as well as internal and external design teams. RAND MCNALLY, Skokie IL 2014 - 2015 Lead UX Designer • Led the user research and user experience design for the OverDryve connected car device.
    [Show full text]
  • Letter from the President 5 Legacy Award Winner 7 Jurors 8 Sponsors
    LETTER FROM THE PRESIDENT 5 LEGACY AWARD WINNER 7 JURORS 8 SPONSORS 11 BROADCAST ADVERTISING 13 BROADCAST/MOTION/ANIMATION 19 IMMERSIVE/ENVIRONMENTAL 23 3-D PACKAGING/PRODUCT 27 SELF PROMOTION 32 PRINT ADVERTISING 37 DIGITAL ADVERTISING 43 CROSS PLATFORM CAMPAIGN 49 WEBSITES 54 2-D PRINT/DIGITAL DESIGN 59 LOGO AND BRAND IDENTITY SYSTEMS 65 APPS/DIGITAL EXPERIENCE 70 ILLUSTRATION 74 WRITING 75 PHOTOGRAPHY 77 TYPOGRAPHY 81 BRANDED ENTERTAINMENT & FILM 83 PRINT PRODUCTION & PAPER CRAFT 88 PUBLIC SERVICE 91 BECOMING ONE As the Annual Show marks its 60th anniversary, recognizing excellence within Colorado’s creative community, we find ourselves celebrating many achievements. This year has been a remarkable ONE for our club. In July 2017, the Art Directors Club Denver became The One Club for Creativity - Denver, an authorized chapter of The One Club for Creativity. This new partnership connects club members and community alike, to a global network of advertising, media, and design industry elites. It has been my distinct honor and privilege to lead ADCD through this transition. I am eager to see Colorado-made creative work make even greater impact, and gain even greater notoriety on the international stage. Congratulations to this year’s Annual Show nominees for your impressive, award-winning work! As seen in the pages of our 2017 Annual Show book, your immense talent is equally as inspired, as it is diverse. Special thanks to 2016-2017 ADCD Vice President, Roxanne Benefiel, for leading our 60th Annual Show. Roxanne and her team of volunteers worked tirelessly to ensure this year’s show is the best ONE yet! Sincerest thanks to Peter Dunbar, for your diligence, dedication, and undisputed integrity.
    [Show full text]
  • Creative Director Position Type: Management Role, Salaried Summary
    JOB DESCRIPTION Position: Creative Director Position type: Management role, salaried Summary: SPARK Advertising (www.startaspark.com) is seeking to fill the important role of Creative Director at our full-service marketing agency. The Creative Director is responsible for the artistic direction and vision of our agency, its work products and our clients’ brands and marketing. The role heads our design department and is responsible for managing graphic design staff and partners. The role also serves as part of our agency Leadership Team. The Creative Director reports to an accomplished and experienced Vice President. Primary Position Responsibilities: At SPARK Advertising, the Creative Director oversees the agency’s creative function and team, ensuring the development of products are high-quality, artistic and creative for clients. This team includes strategists, copywriters and designers. The role also works with Account Executives and other specialists. The Creative Director develops clients’ promotions campaigns, conceptualizes ideas, assigns and coordinates tasks with staff and partners and verifies deadlines are being met. Additional Responsibilities and Required Skills • Knowledge of layouts, graphic fundamentals, photography, color theory, typography and the application of artwork on webpages. • Experience with design software such as Photoshop, Illustrator and InDesign • Must possess a thorough understanding of interactive communications and delivery systems, processes, and user interface design as well as industry best practices. • Print and web design capabilities: must know how to work in both media for integrated campaigns. • A strong working knowledge and experience in design, brand development, interactive commerce and creative process. • Ability to lead projects from concept to completion. • Apply best practices in user interface and interactive design, including image optimization and site mapping.
    [Show full text]
  • Festival Committee Bylaws
    Broadcast Education Association Festival Committee Mission and Bylaws Approved by the Board of Directors April 22, 2009 CONTENTS Mission Statement Page 2 Article I Introduction Page 2 Article II Festival Management Page 4 Article III Festival Committee Page 5 Article IV Duties of the Festival Chair Page 7 Article V Duties of the Competition Chair Page 8 Article VI Duties of the Festival Producer Page 9 Article VII Duties of the Festival Creative Director Page 9 Article VIII Annual Reports Page 9 Article IX Financial Policies Page 9 Article X Ethical Standards Page 10 Article XI Festival Governance and Standards Page 10 Mission Statement The BEA Festival of Media Arts provides an international refereed exhibition of faculty creative activities and a national showcase for student work. The Festival provides a venue for exhibition of winning submissions, including recognition of project authors, through showcase and awards sessions held in conjunction with the annual BEA Convention. The Festival seeks to enhance and extend creative activities, teaching, and professional standards in broadcasting and other forms of electronically mediated communication. Festival Committee Bylaws Article I: Introduction The BEA Festival of Media Arts is an activity of the Broadcast Education Association and operates under the direction of the BEA Board of Directors and the operational oversight of the BEA Festival Committee. These bylaws govern the operation of the BEA Festival and facilitate the execution of duties of the Broadcast Education Association’s Board of Directors, Executive Director, and the Festival Committee. Section 1: Definitions 1. Broadcast Education Association (herein referred to as BEA or the Association): An international academic organization that focuses on the electronic media, providing a forum for issues and topics of mutual concern to educators and practitioners, thus to facilitate interaction between academicians and leaders in the industry.
    [Show full text]
  • Fashionista Salary Report 2018
    SALARY SURVEY FINDINGS 2018 Whether you’re wondering what your dream fashion job typically pays, what other people in your same position make on average, or how those salaries really fluctuate with years of experience or gender, Fashionista’s annual salary report is an invaluable resource. At the beginning of the year, we anonymously surveyed thousands of our readers from all corners of the fashion industry to find out what they make in jobs ranging from design to editorial to PR, at companies like Nordstrom, Tiffany & Co., Condé Nast, Marc Jacobs and Ralph Lauren, as well as smaller companies with under 25 employees. So in the charts and graphs below, broken down by field, you’ll see average salaries for all of the fashion industry’s most common professions. You’ll see how those numbers correspond with years of experience, what an assistant designer makes vs. a creative director, and which fields have the highest portion of people who make six figures. You’ll see how working for a private company compares to working for a public one and how working in print compares to working in digital editorial. You’ll see that, unfortunately, fashion is not always very lucrative. Our goal is to provide compensation transparency so that our readers can make more informed career decisions. RESPONDENT DEMOGRAPHICS RESPONDENT ROLES 7.66 % 19.39% 14.13% 6.97% 11.20% STYLING RETAIL /SALES/ PUBLICITY PRODUCT OTHER E-COMMERCE DEVELOPMENT/ SUPPLY CHAIN 14.40% 2.78% 12.08% 10.17% 1.22% MARKETING/ GRAPHIC DESIGN/ EDITORIAL DESIGN ADVERTISING SOCIAL MEDIA PHOTOGRAPHY/ PHOTO EDITING 3 RESPONDENT DEMOGRAPHICS RESPONDENT EXPERIENCE: ALL 0-2 3-6 7-10 11-15 YEARS 16-20 20+ 10% 20% 30% 40% 50% COMPANY SIZE: ALL FORTUNE 250 FORTUNE 500 FORTUNE 1000 LARGE PRIVATE (1000+ EMPLOYEES) MEDIUM PRIVATE (100 - 1,000 EMPLOYEES) SMALL PRIVATE (25-100 EMPLOYEES) VERY SMALL PRIVATE (<25 EMPLOYEES) 10% 20% 30% 40% 50% 4 RESPONDENT DEMOGRAPHICS RESPONDENT LOCATION: ALL 54.1% 13% 12.2% 3.3% 2% NYC OUTSIDE THE U.S.
    [Show full text]
  • Press Release
    Press release CaixaForum Madrid From 21 March to 22 June 2014 Press release CaixaForum Madrid hosts the first presentation in Spain of a show devoted to the history of a studio that revolutionised the world of animated film “The art challenges the technology. Technology inspires the art.” That is how John Lasseter, Chief Creative Officer at Pixar Animation Studios, sums up the spirit of the US company that marked a turning-point in the film world with its innovations in computer animation. This is a medium that is at once extraordinarily liberating and extraordinarily challenging, since everything, down to the smallest detail, must be created from nothing. Pixar: 25 Years of Animation casts its spotlight on the challenges posed by computer animation, based on some of the most memorable films created by the studio. Taking three key elements in the creation of animated films –the characters, the stories and the worlds that are created– the exhibition reveals the entire production process, from initial idea to the creation of worlds full of sounds, textures, music and light. Pixar: 25 Years of Animation traces the company’s most outstanding technical and artistic achievements since its first shorts in the 1980s, whilst also enabling visitors to discover more about the production process behind the first 12 Pixar feature films through 402 pieces, including drawings, “colorscripts”, models, videos and installations. Pixar: 25 Years of Animation . Organised and produced by : Pixar Animation Studios in cooperation with ”la Caixa” Foundation. Curator : Elyse Klaidman, Director, Pixar University and Archive at Pixar Animation Studios. Place : CaixaForum Madrid (Paseo del Prado, 36).
    [Show full text]
  • The Distinction Between Management and Governance 2 N D E D I T I O N
    Elements of Governance® Providing CEOs, board chairs, directors, and support staff with the fundamentals of healthcare governance A SERIES BY THE GOVERNANCE INSTITUTE The Distinction between Management and Governance 2 ND EDITION The Governance Institute® The essential resource forgovernance knowledge and solutions® 9685 Via Excelencia • Suite 100 San Diego, CA 92126 Toll Free (877) 712-8778 • Fax (858) 909-0813 GovernanceInstitute.com Elements of Governance® A SERIES BY THE GOVERNANCE INSTITUTE Elements of Governance® is designed to provide CEOs, board chairs, directors, and support staff with the fundamentals of not-for-profit governance. These comprehen- sive and concise governance guides offer quick answers, guidelines, and templates that can be adapted to meet your board’s individual needs. Whether you are a new or experienced leader, the Elements of Governance® series will help supply you and your board with a solid foundation for quality board work. The Governance Institute The Governance Institute provides trusted, independent informa- tion, resources, tools, and solutions to board members, health- care executives, and physician leaders in support of their efforts to lead and govern their organizations. The Governance Institute is a membership organization serving not-for-profit hospital and health system boards of directors, executives, and physician leadership. Mem- bership services are provided through research and publications, conferences, and advisory services. In addition to its membership services, The Governance Institute
    [Show full text]
  • GDC/RGD Salary Survey 2017 (English)
    2016/2017 RESULTS OF THE CANADIAN SURVEY OF SALARIES AND BILLING PRACTICES IN THE COMMUNICATION DESIGN INDUSTRY TABLE OF CONTENTS 2 5 11 18 Introduction & Respondents Employees Salaries Method 31 35 38 41 Overtime & Freelancers & Freelance Design Benefits Sole Proprietors Billing Rates Businesses 49 52 55 58 Business Future of Job Organizers & Billing Rates the Industry Descriptions Sponsors INTRODUCTION & METHOD INTRODUCTION Design evolves, culture advances. The work we do changes year to year, more now than ever before. Culture is always changing, tech disrupts everything and you have to go out of your way to keep up. – BARRY QUINN RGD Chief Design Officer, DDB The Association of Registered Graphic Designers graphic design industry in 2001. We conducted (RGD), in collaboration with Creative Niche and subsequent surveys in 2003, 2005, 2007, 2010, 2012 the Society of Graphic Designers of Canada (GDC), and 2014. is pleased to present Creative Earners 2016, the results of our 7th biannual, national survey of We are extremely grateful to the 3,010 graphic salaries and billing practices in the Canadian design and related communications professionals communication design industry. from across Canada for participating in our 2016 survey, sharing information about where As part of its mandate to serve the best interests they work, who they work for and what they of the graphic design community, business and the are paid. We are pleased to present the results public, RGD published its first national survey of here, providing an updated financial picture of salaries and billing practices within the Canadian our industry. 3 METHOD The quality and scope of data featured in this comprehensive survey helps us better understand key trends in the Canadian creative industry, then draw conclusions that help guide our strategic decisions in the year ahead.
    [Show full text]
  • Farewell Chairman Rooms to Go: Dreams Come True!
    2015 Fashion | Graphic | Interior Design Merchandise Management Merchandise Marketing Visual Communication Rebranding of an Icon CIDA Candidacy Farewell Chairman Rooms To Go: Dreams Come True! Wade College Makes Its Mark on the “Pin Show” www.wadecollege.edu Entire Magazine.indd 1 4/8/15 3:10 PM Seeds of Africa Benefit The vision of this non-profit EDITOR-IN-CHIEF Rebranding of an Icon organization is to create a self-sus- David Calton taining model for education and COPY EDITOR / WRITER Wade College celebrated its 50th year community development that John Conte educating individuals seeking to enter the creative can be replicated across Africa. CREATIVE DIRECTOR and lifestyle industries over three years Aside from simply giving aid, Seeds of Africa is an organization that ago! It was time to embark on a gives students, families and communities the skills they need to Jasmine Hawes journey to give the college’s brand a facelift that Pearls and Talons Launch Party support themselves and rise above poverty. Fourteen of the best chefs ART DIRECTORS would reflect our creative present and dynamic in Dallas came together to entertain 500 guests for an unforgettable Chad Caudill future! The administration of the college called Creative director Jennifer de Socarraz-Fleming has teamed upwith In- evening at Trinity Groves. Chefs from Bolsa, Knife, Oak, Gemma and Brittany Smith on the most prestigious and well-established StyleXchange to design and produce a feminine line with a sophisticated Stock & Barrel among others put on a stellar event. Lisa Petty, editor in CONTRIBUTING DESIGNERS advertising agency in Dallas, The Richards Group, edge.
    [Show full text]
  • Download the PDF Program Here!
    Creative Directions is a Virtual Conference designed to Event Details help graduates and emerging designers gain the tools and knowledge needed to embark upon and build a WHEN? career in the creative communications industries. Presentations take place April 27, April 29 & May 1. One-on-one Portfolio Reviews take place over the entire week. Join us to learn how to package, polish, promote and WHERE? - All presentations take place virtually on Gotowebinar. profit from your talent. - Portfolio Reviews will be offered on a variety of different online platforms. - Participants also receive access to a Slack Workspace for all participants, including presenters, panelists and portfolio reviewers. Over 150 Creative Directors, Design Managers and Senior Designers will share their experiences, advice PRICING (in Canadian dollars, includes 13% tax) and knowledge in virtual presentations, virtual panel discussions, virtual one-on-one portfolio reviews and All Access Pass 12 virtual sessions over 3 days; 3 thirty minute virtual Portfolio Reviews and access to online discussion platform an online discussion platform. RGD Members: $141.25 Non-Members: $282.50 Grad Special: $169.50 with Prov RGD Membership to Dec 31/20 Informative presentations. Lively panel discussions. Non-Member Special: $310.75 with Affiliate Membership to Dec 31/20 Networking opportunities with industry professionals. One-Day Pass 4 virtual sessions; 1 thirty minute virtual Portfolio Review and access to online discussion platform RGD Members: $46.50 Non-Members: $124.30 Sessions RGD Members: $16.95 each or 3 Keynotes (Lewis, Zhu, Collins) for $96.05 Portfolio Reviews RGD Members: $22.60 each or 5 for $85.75 Non-Members: $33.90 each or 5 for $141.25 REGISTRATION Register here Day 1 April 27 PROGRAM TRAILBLAZING TRANSPARENCY Presented by Meg Lewis So You Wanna Design A Better World? 9:30 AM PT / 12:30 PM ET / 1:30 PM AT 12:30 PM PT / 3:30 PM ET / 4:30 PM AT Meg Lewis is a designer creating experiences for happy companies and a one-on-one Social good, sustainability, accessibility, inclusion..
    [Show full text]