See Appellee's Brief

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Supreme Judicial Court for the Commonwealth Full Court: SJC-12937 Filed: 7/22/2020 8:44 PM Supreme Judicial Court FOR THE COMMONWEALTH OF MASSACHUSETTS NO. SJC-12937 MEAGHAN FITZPATRICK, PLAINTIFF-APPELLANT, v. WENDY’S OLD FASHIONED HAMBURGERS OF NEW YORK, INC., AND JBS SOUDERTON, INC., DEFENDANTS-APPELLEES. ON APPEAL FROM A JUDGMENT OF THE SUFFOLK SUPERIOR COURT BRIEF FOR THE DEFENDANTS-APPELLEES, WENDY’S OLD FASHIONED HAMBURGERS OF NEW YORK, INC., AND JBS SOUDERTON, INC. Christopher A. Duggan (BBO#544150) Pauline A. Jauquet (BBO#670103) H. Reed Witherby (BBO#531600) SMITH DUGGAN BUELL & RUFO LLP 55 Old Bedford Road Lincoln, MA 01773 (617) 228-4444 [email protected] [email protected] [email protected] Dated: 07/22/2020 BATEMAN & SLADE, INC. STONEHAM, MASSACHUSETTS - 1 - CORPORATE DISCLOSURE STATEMENT OF WENDY’S OLD FASHIONED HAMBURGERS OF NEW YORK, INC. Pursuant to Supreme Judicial Court Rule 1:21, the parent company of Wendy’s Old Fashioned Hamburgers of New York, LLC (f/k/a Wendy’s Old Fashioned Hamburgers of New York, Inc.) is Wendy’s International, LLC. No publicly held corporation owns 10% or more of its stock. The parent company of Wendy’s International, LLC is Wendy’s Restaurants, LLC. No company of Wendy’s Restaurants, LLC is The Wendy’s publicly held corporation owns 10% or more of its stock. The parent Company, a publicly held corporation. No publicly held corporation owns 10% or more of The Wendy’s Company’s stock. - 2 - CORPORATE DISCLOSURE STATEMENT OF JBS SOUDERTON, INC. Pursuant to Supreme Judicial Court Rule 1:21, JBS Souderton, Inc. states that it is a wholly-owned subsidiary of JBS USA Food Company, a Delaware Corporation. JBS USA Food Company is a privately held company, thus no publicly owned company owns more than 10% of the its stock. - 3 - TABLE OF CONTENTS CORPORATE DISCLOSURE STATEMENT OF WENDY’S OLD FASHIONED HAMBURGERS OF NEW YORK, INC............2 CORPORATE DISCLOSURE STATEMENT OF JBS SOUDERTON, INC..............................................3 TABLE OF AUTHORITIES..................................7 ISSUES PRESENTED.....................................10 STATEMENT OF THE CASE................................11 Nature of the Case..............................11 Prior Proceedings...............................14 STATEMENT OF FACTS...................................19 The Underlying Claim............................19 Plaintiff’s Closing Argument....................22 SUMMARY OF THE ARGUMENT..............................25 STANDARD OF REVIEW...................................27 ARGUMENT.............................................27 I. THE TRIAL COURT APPROPRIATELY FOLLOWED THE PROCEDURE TWICE ENDORSED BY THIS COURT TO AWAIT A JURY VERDICT BEFORE RULING ON THE MISTRIAL MOTION, AND THERE IS NO REASON THAT TRIAL JUDGES SHOULD TREAT CIVIL CASES DIFFERENTLY FROM CRIMINAL TRIALS IN THESE CIRCUMSTANCES..............................27 A. Justice Brieger properly followed the process endorsed by this Court in dealing with plaintiff’s closing argument which violated longstanding rules of trial conduct...............................28 - 4 - B. Because double jeopardy is not implicated, judicial economy, fairness and common sense are even stronger reasons for a trial judge to defer ruling on a mistrial motion based upon an improper closing argument until after verdict in a civil case than in a criminal action.......................34 C. Left unchanged, the Appeals Court’s decision unwisely deprives trial judges of an important tool for ensuring advocates stay within the bounds of the law, provides the last lawyer to speak an unfair advantage in closing arguments, and penalizes the lawyers, and their clients, who follow the rules.................................37 D. The trial judge was justified in declaring a mistrial based upon an improper and inflammatory argument and was not first required to consider alternative remedial measures before declaring a mistrial but in fact did so as her opinion and the record establish......41 i. Justice Brieger’s decision to order a Mistrial was Justified........................41 ii. Given the timing of the misconduct, the trial judge had few alternative measures available to ensure a fair trial based upon the facts.......44 - 5 - II. WHEN A TRIAL JUDGE RESERVES DECISION ON A MOTION FOR MISTRIAL THAT IS BASED UPON AN IMPROPER CLOSING ARGUMENT, THE JUDGE DOES NOT LOSE THE AUTHORITY TO DECLARE A MISTRIAL, AND THE MISTRIAL MOTION IS NOT AUTOMATICALLY TRANSFORMED INTO A MOTION FOR A NEW TRIAL, WHEN THE JURY’S VERDICT IS RECEIVED AND THE JURY IS DISCHARGED BUT, AS HERE, NO JUDGMENT HAS ENTERED................................46 III. CRITICISMS OF THE TRIAL JUDGE’S FINDINGS AND RULINGS LACK MERIT............50 A. Defendants’ objections to the Plaintiff’s Closing Argument was Timely and Sufficiently Specific......50 B. The Appeals Court Failed to Give the Trial Judge, Who Presided over the Whole Trial, Including the Plaintiff’s Closing Argument First-Hand, Before Ruling on the Defendants’ Motion for a Mistrial, the Considerable Deference She is Due from a Reviewing Court............53 CONCLUSION...........................................58 ADDENDUM.............................................60 CERTIFICATE OF COMPLIANCE...........................116 CERTIFICATE OF SERVICE..............................117 - 6 - TABLE OF AUTHORITIES CASES: Abramian v. President & Fellows of Harvard College, 432 Mass. 107 (2000)....................30, 41, 55 Barrett v. Leary, 34 Mass.App.Ct. 659 (1993)......................36 Brangan v. Com., 477 Mass. 691 (2017)............................35 Brangan v. Com., 478 Mass. 361 (2017)............................35 Bucchiere v. New England Telephone & Telegraph Co., 396 Mass. 639 (1986)....................35, 54, 55 Chambers v. RDI Logistics, Inc., 476 Mass. 95 (2016).............................54 Com. v. Babb, 389 Mass. 275 (1983)............................35 Com. v. Brangan, 475 Mass. 143 (2016)........................passim Com. v. Johnson, 374 Mass. 453 (1978)............................51 Com. v. Murchison, 392 Mass. 273 (1984)........................passim Com. v. Olmande, 84 Mass.App.Ct. 231 (2013)......................51 Com. v. Randolph, 438 Mass. 290 (2002).....................40-41, 58 Com. v. Walker, 443 Mass. 213 (2005)............................55 Companioni v. Tampa, 51 So. 3d 452 (Fla. 2010).......................33 - 7 - Cruz v. Com., 461 Mass. 664 (2012)................34, 35, 54, 55 Curley v. Boston Herald-Traveler Corp., 314 Mass. 31 (1943).................28, 34, 41, 55 Ed Ricke and Sons, Inc. v. Green, 468 So. 2d 908 (Fla. 1985)......33, 36, 37, 39, 47 Fialkow v. DeVoe Motors, Inc., 359 Mass. 569 (1971).................28, 37, 38-39 Fitzpatrick v. Wendy’s Old Fashioned Hamburgers of New York, Inc. et al., 96 Mass.App.Ct. 410 (2019)..................passim Gath v. M/A-Com, Inc., 440 Mass. 482 (2003)........................passim Hess v. Boston Elevated Ry., 304 Mass. 535 (1939)............................27 Holder v. Gilbane Bldg. Co., 19 Mass.App.Ct. 214 (1985)..............47, 48, 49 Leone v. Doran, 363 Mass. 1 (1973)..............................57 London v. Bay State St. Ry., 231 Mass. 480 (1919)....................29, 43, 45 NES Rentals v. Maine Drilling & Blasting, Inc., 465 Mass. 856 (2013)............................52 O’Neill v. Ross, 250 Mass. 92 (1924).............................27 Oregon v. Kennedy, 456 U.S. 667 (1982).............................35 Riley v. Davidson Const. Co., Inc., 381 Mass. 432 (1980)............................28 Royal Indem. Co. v. Blakely, 372 Mass. 86 (1977).............................52 - 8 - Shea v. D & N Motor Transp. Co., 316 Mass. 553 (1944)................28, 31, 40, 56 STATUTES: Mass. G.L. c. 93A....................................14 RULES: Mass. R. Civ. P. 59..............................passim Mass. R. Civ. P. 68..................................14 Mass. R. Crim. P. 30(b)..............................31 Massachusetts Guide to Evidence, §1113(b)(3).............................17, 25, 45 - 9 - ISSUES PRESENTED 1. In a civil case, where the defendant moves for a mistrial on the ground that the plaintiff’s closing argument was improper and the trial judge reserves ruling on the motion until after the jury verdict, a procedure endorsed in Com. v. Brangan, 475 Mass. 143, 147-48 (2016), does the jury’s verdict deprive the trial judge of the authority to declare a mistrial? 2. Was the trial court’s declaration of a mistrial an abuse of discretion where (1) the court found that the plaintiff’s closing argument repeatedly violated well-established standards and limits for closing arguments in a way that likely affected the justice of the verdict, (2) the defendants were denied a fair trial as a result and (3) there were no other practical alternative actions open to the court that were not explored? 3. Was the Appeals Court correct when it held that the trial judge abused her discretion by following this Court’s endorsed procedure in Com. v. Brangan, 475 Mass. at 147-48, and that the entry of the verdict deprived the trial court of the authority to declare a mistrial, even while recognizing that counsel’s summation was replete with violations of long established rules of - 10 - proper argument that likely affected the justice of the verdict? STATEMENT OF THE CASE Nature of the Case This case arises out of a practice that is becoming all too common in our trial courts: closing arguments that flagrantly violate longstanding rules governing the boundaries of fair
Recommended publications
  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • Building Cold War Warriors: Socialization of the Final Cold War Generation

    Building Cold War Warriors: Socialization of the Final Cold War Generation

    BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
  • ENDER's GAME by Orson Scott Card Chapter 1 -- Third

    ENDER's GAME by Orson Scott Card Chapter 1 -- Third

    ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table.
  • 8123 Songs, 21 Days, 63.83 GB

    8123 Songs, 21 Days, 63.83 GB

    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
  • Annual Report 2020

    Annual Report 2020

    Don’t Stop Believin’ • Something Just Like This • Shape Of You • Girls Like You • Don’t Let Me Down • Castle On The Hill • Sweet Dreams (Are Made Of This) • What About Us • Love Yourself • In My Blood • Closer • No Tears Left To Cry • High Hopes • Look What You Made Me Do • There’s Nothing Holdin’ Me Back • Beautiful Trauma • What Lovers Do • Treat You Better • Uptown Funk • Photograph • Havana • Happier • Separate Ways/Worlds Apart • Faithfully • Breathin • Livin’ On A Prayer • Wanted Dead Or Alive • Single Ladies (Put A Ring On It) • Anyway You Want It • God Is A Woman • River • Locked Out Of Heaven • Roses • Shallow • Sick Boy • Love Me Again • Supermarket Flowers • Paris • Break Up With Your Girlfriend, I’m Bored • Smooth • Set Fire To The Rain • Skin• Umbrella • Close To Me • Green Light • Galway Girl • Feels • Rockabye • I Don’t Wanna Live Forever • #Selfie •We Are Young • Stone In Love • All Time Low • These Days • Best Of Me • It’s My Life • You Give Love A Bad Name • Baby • Just The Way You Are • Handclap • Great Are You Lord When • I Was Your Man • Eraser • Dive • Cold Water • 2002 • Symphony • Moves Like Jagger • Issues • Open Arms • New Man • Trumpets • Back To Black • Know No Better • Rise • 2U • What Do You Mean? • Mama • Marry You • Nothing Breaks Like A Heart • So Far Away • Don’t Wanna Know • Lost In Japan • Hey Look Ma, I Made It • All We Know • Wait • Live In The Moment • Here Comes The Rain Again •Let’s Stay Together • Treasure • Wheel In The Sky • Heart’s Don’t Break Around Here • Despacito (Remix) • Stitches • We
  • Menu Preprint & Formats

    Menu Preprint & Formats

    STEVEN S. LONG Predators An Enemies Book for Dark Champions Author: Steven S. Long Editing & Development: Allen Th omas Layout & Graphic Design: Andy Mathews Cover Illustration: Andy Mathews Interior Illustration: Manuel Calderon, Storn Cook, Dominika Klosowicz, Derrick Th omas, Maria van Bruggen SPECIAL THANKS First, special thanks to Christoph Schütt (for help translating names and terms into German) and S. John Ross (for the chili recipe). Second, we’d also like to thank the Digital Hero playtest- ers and testreaders who reviewed the Predators manuscript and helped us correct typos and check the math. It would be a crime not to give you the thanks you deserve — you’re all heroes! Hero SystemTM ® is DOJ, Inc.’s trademark for its roleplaying system. No part of this book may be reproduced or transmitted in any form or by any means, Hero System © 1984, 1989, 2002 by DOJ, Inc. d/b/a Hero Games. All rights reserved. electronic or mechanical, including photocopying, recording, or computerization, or by Champions © 1984, 1989, 2002 by DOJ, Inc. d/b/a Hero Games. All rights reserved. any information storage and retrieval system, without permission in writing from the Fantasy Hero © 2003 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Publisher: DOJ, Inc., 1 Haight Street, Suite A, San Francisco, California 94102. Predators © 2005 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Printed in the Canada. First printing July 2005 Star Hero, Justice Inc., Danger International, Dark Champions, Pulp Hero, Produced and distributed by DOJ, Inc. d/b/a Hero Games.
  • With Lysa-Terkeurst (Completed 11/05/20) Page 1 of 20 Transcript by Rev.Com This Transcript Was Exported on Nov 10, 2020 - View Latest Version Here

    With Lysa-Terkeurst (Completed 11/05/20) Page 1 of 20 Transcript by Rev.Com This Transcript Was Exported on Nov 10, 2020 - View Latest Version Here

    This transcript was exported on Nov 10, 2020 - view latest version here. Announcer: Welcome to The Carey Nieuwhof Leadership Podcast, a podcast all about leadership, change and personal growth. The goal? To help you lead like never before in your church or in your business. And now, your host, Carey Nieuwhof. Carey Nieuwhof: Well, hey, everybody. Welcome to episode 379 of the podcast. My name is Carey Nieuwhof, and I hope our time together today helps you lead like never before. So glad you tuned in. Lysa TerKeurst is back on the podcast. I'm going to talk about an issue that's got, I think a lot of us probably owns more real estate than you imagine. We're going to talk about how to forgive what you can't forget. And I think this is a huge issue for leaders. When you think about all the hurts, all of the disappointment, all of the betrayals, all of the things you were counting on that never happened, yeah, that's what we're going to get into today. Lysa's got a brand new book on that. This episode is brought to you by Pro Media Fire. You can get an amazing website and custom graphics every single week with Pro Media Fire's new Digital Growth Bundle. Just go to promediafire.com/digitalgrowth. And it's brought to you by Red Letter Challenge. You can learn more about Red Letter Challenge's latest turnkey church series called The Being Challenge by going to redletterchallenge.com/carey, where you'll find discounts of up to 40%.
  • PROJECT SUPERMAN PROJECT SUPERMAN a "VICTIM" of the ILLUMINATI's SUPER-RACE PROJECTS & MONTAUK EXPERIMENTS SPEAKS out {The Andy Pero Story, Aka Mr.X

    PROJECT SUPERMAN PROJECT SUPERMAN a "VICTIM" of the ILLUMINATI's SUPER-RACE PROJECTS & MONTAUK EXPERIMENTS SPEAKS out {The Andy Pero Story, Aka Mr.X

    PROJECT SUPERMAN PROJECT SUPERMAN A "VICTIM" OF THE ILLUMINATI'S SUPER-RACE PROJECTS & MONTAUK EXPERIMENTS SPEAKS OUT {the Andy Pero story, aka Mr.X... Nazi Mind control and the Montauk Projects...} Introduction Memories are a strange thing, there are tangible memories that can be proven factually, there are suppressed memories which are clouded recollections of actual events, memories that are a mixture of real and unreal events, memories based on imagination and possibly most frightening of all, memories that have been intentionally "programmed" within the mind of a person, which might consist of anything between actual real life experiences to entirely "designer" memories that may have been inserted to "cover up" experiences that are far more stranger than fiction. Just where in the spectrum the experiences of Andy Pero may fit, I do not know exactly, although many of the places and people he describes DO exist as evidenced by the links that I've added... so at least a good number of his memories are apparently accurate... but the question is, are his reported experiences with the alien time/space projects as carried out in the Montauk bases also based on fact, and if so to what degree? Others have made similar claims about montauk {although these fantastic experiences do not appear until the last few sections of Andy's story} as can be seen by doing a SEARCH of the Internet for other writings on the Montauk Project. So here then -- for those very few readers who will view this page -- is Andy Pero's story... - Alan ********************* This is my story, and this is my life.
  • Guns N' Roses Entity Partnership Citizenship California Composed Of: W

    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA966168 Filing date: 04/10/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Guns N' Roses Entity Partnership Citizenship California Composed Of: W. Axl Rose Saul Hudson Michael "Duff" McKagan Address c/o LL Management Group West, LLC 5950 Canoga Ave., Ste. 510 Woodland Hills, CA 91367 UNITED STATES Attorney informa- Jill M. Pietrini Esq. tion Sheppard Mullin Richter & Hampton LLP 1901 Avenue of the Stars, Suite 1600 Los Angeles, CA 90067 UNITED STATES [email protected], [email protected], [email protected], [email protected], MDan- [email protected], [email protected], RLHud- [email protected] 310-228-3700 Applicant Information Application No 87947921 Publication date 03/12/2019 Opposition Filing 04/10/2019 Opposition Peri- 04/11/2019 Date od Ends Applicant ALDI Inc. 1200 N. Kirk Road Batavia, IL 60510 UNITED STATES Goods/Services Affected by Opposition Class 029. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: cheese, namely, cheddar cheese Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) False suggestion of a connection with persons, Trademark Act Section 2(a) living or dead, institutions, beliefs, or national symbols, or brings them into contempt, or disrep- ute Mark Cited by Opposer as Basis for Opposition U.S. Application/ Registra- NONE Application Date NONE tion No.
  • Regional Oral History Office University of California the Bancroft Library Berkeley, California

    Regional Oral History Office University of California the Bancroft Library Berkeley, California

    Regional Oral History Office University of California The Bancroft Library Berkeley, California Jimmy McCracklin WEST COAST BLUESMAN, PROLIFIC SONGWRITER, PIANIST AND SINGER Interviews conducted by Caroline Crawford and Ronnie Stewart in 2002 Copyright © 2014 by The Regents of the University of California ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and James McCracklin dated March 14, 2002. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
  • Surprisingly Good: a Review of a Noah Kahan Concert by Kimberly Ireson ENGL 3130 Fall 2019 December 4, 2019

    Surprisingly Good: a Review of a Noah Kahan Concert by Kimberly Ireson ENGL 3130 Fall 2019 December 4, 2019

    Ireson 1 Surprisingly Good: A Review of a Noah Kahan Concert By Kimberly Ireson ENGL 3130 Fall 2019 December 4, 2019 I had never heard of Noah Kahan before this year. Noah Kahan As Kahan is a lesser known artist, I had never heard any of • Republic Records his songs on the radio or any music streaming platform. It • One album: Busyhead o Released 6/14/19 was my best friend Ashton who found his music online and • Four non-album singles • Folk-infused pop immediately fell in love. She had shown me a few of his songs, and I had thought that they were okay, but they weren’t quite my thing. However, it was exactly what Ashton liked, and she began to listen to him more and more as she slowly and surely began to feel a connection to the artist and his words about getting older and how it feels. It was a hot July afternoon and I was at work when my phone began to go off every few seconds for a solid three minutes. Multiple calls, multiple texts. I made my way through the swinging double doors into the stock room at the back of the store to see what the issue was. It was Ashton who was freaking out because Noah Kahan’s Busyhead Tour was going to be making a stop in Asheville, North Carolina which was only one hour from where we lived in Johnson City, Tennessee. He would be there in September 2019, three months from when she made this discovery.
  • Minnesota Youth Gang Research Project Minnesota Historical Society

    Minnesota Youth Gang Research Project Minnesota Historical Society

    Interview with SAD 21 year old Hmong American Saint Paul MOD GIRL Interviewed by Kate Cavett Thursday September 10, 1998 Home and park in Saint Paul, MN KC: Introduce yourself to me. S: My name is (name). I'm 21 years old. KC: And you're Hmong? Project S: Yes, I'm Hmong. KC: And the most important question I have to start with is what name can I use? I never use anybody's real name when I talk about the interviews. S: Sad. KC: Sad. S: That's an old name. Society KC: That's an old gang name? Research S: Urn huh. KC: When did you first become aware of gangs? S: I think when I was ...... specify what you mean by that. Aware of gangs. KC: You knew that there was such a thing.Gang Kind oflike when you did you first become aware of ...... shoes. Historical S: I think when I was five, six. KC: And what was your first awareness? S: Watching TV. Um ....Youth anything on TV. Violence on TV. Um . .I think it was a move on skinheads. Thas when I first realized that there was something out there that other people didn't really know about. At least I didn't know about. KC: What did you think? Was there an attraction at that time? S: That time I was a bit too young. I was kinda scared, but.. .. when I hit sixth grade, then we started having clicks.Minnesota An, I saw older girls, cuz I grew up in McDonough Homes, that clicked ..