DOCSLIB.ORG

St. Francis Xavier Parish 220 S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
St. Francis Xavier Parish 220 S Welcome to St. Francis Xavier Parish 220 S. Michigan Street, De Pere, WI 54115 Sunday, June 3, 2018 The Most Holy Body and Blood of Christ Fr. Richard Getchel Fr. Binu Varghese, O. Praem. Deacon Jim Gauthier Robin !erese Pastoral Associate SteveValerie Donovan Oswalt CoordinatorPastoral Minister of Youth Ministry Valerie Oswalt Mass Facililtator Schedule of Youth Ministry Weekends ...............Saturday: 4:00pm Mass ScheduleSunday: 9:00am & 11:00am WeekendsWeekdays ...............Saturday:.................................7:30am 4:00pm Holy DaysSunday: ......... Consult 9:00am the & 11:00am bulletin Weekdays .................................7:30am Holy Days ......... Consult the bulletin Visit our Website www.stfrancisdepere.org Visit our Website www.stfrancisdepere.org Mission Statement We, the people of St. Francis Xavier Catholic Parish in De Pere, Wisconsin, united with the Diocesan Church of Green Bay and the universal Roman Catholic Church are a Eucharistic Community committed to worship, to education, to social service and to sharing our time, talent, and our treasure. The Sanctuary Candle in Church and at Xavier House is lit Live the Liturgy - June 3-9 in memory of Inspiration for the Week Pirmin Schmitz As we gather today to rea!rm our faith in the real presence of Christ in the Eucharist, we are reminded that we are at the request of Cyrilla Schmitz. also the Body of Christ. #e mission of the Gospel calls us to be Christ for others. Every time we receive the Body Mass Intentions (and Blood) of Christ, we are asked to become what we eat. Monday, June 4 We must be willing to step aside from our preoccupations 7:30am ( SF X) † Roland Hockers and concerns so that we can be Christ for others. Tuesday, June 5 (St. Boniface) 7:30am (SFX) † Bill Nystrom Sacramental Celebration 8:30am (SM) For the Parishioners of Our Parishes Baptism - Parents may schedule their child’s Baptism a$er they Wednesday, June 6 (St. Norbert) have completed a preparation program. Please call the Parish 7:30am ( SF X) † Arnold DeBroux O!ce at least two months prior to the Baptism to allow time 8:35am (SFX) † Bud Manning (School Mass) for preparation. Marriage - Contact Fr. Getchel at least six months prior to Thursday, June 7 your planned wedding date. 7:30am (SFX) † Dee Wenner Reconciliation - Saturday, 3:00-3:45pm and by arrangement 8:30am (SM) † Gary Haney with the priest. Friday, June 8 (The Most Sacred Heart of Jesus) Anointing of the Sick - A Mass for the Anointing of the 7:30 am (SFX) † Pi rm in Schmitz Sick is celebrated in the fall and spring; consult the bulletin for dates. Priests are available for individual anointing 12:45pm (SFX) Eucharistic Holy Hour by request. Sa tu rd ay , Ju ne 9 4:00pm ( SF X) † Edward John Rozmarynoski New to the Parish? 4:30pm (SM) † Louie Janssen If you are interested in joining the parish, call or stop by the Sunday , June 10 (Tenth Sunday in Ordinary Time) Parish O!ce Monday-#ursday, 8:00am-3:30pm. 8:00am (SM) † Leon Stalberger Change of Address? 9:00 am (SFX) † Jo e Schadrie Please notify the parish if you have a change of address, phone 10:00am (SM) † Raymond Pansier number, email address or are leaving the parish. It will help 11:00a m (SFX)† Ma ry J oan Ja nssen keep our records current. #ank you. Hospital, Homebound, Mass Schedule for June 9-10 Nursing Home/Assisted Living St. Francis Xavier, 4:00pm . Fr. Getchel If you or a family member are homebound or are admitted St. Mary, 4:30pm . Fr. Binu Varghese, O. Praem. to the hospital, a nursing home or assisted living, please call St. Mary, 8:00am & 10:00am . Fr. Getchel the Parish O!ce and let us know. Call St. Francis Xavier, 336- St. Francis Xavier, 9:00am & 11:00am . Fr. Binu Varghese, O. Praem. 1813, or e-mail Robin #erese, Pastoral Associate, at rtherese@ stfrancisdepere.org Sanctuary Candle and Mass Intentions Bulletin Submissions If you would like to schedule a Mass Intention or the Sanctuary Please note that the deadline for submitting bulletin articles is Candle for your special intention, please call the Parish O!ce. nine days before the publishing date, #ursdays at noon. Email #e Sanctuary Candle stipend is $20, and the Mass Intention your bulletin articles to [email protected] or call the stipend is $10. Parish O!ce. Low Gluten Hosts Available Construction on Charles Street If you have Celiac Disease and would prefer a low gluten host For your safety, please be aware of road for Communion, please let Fr. Getchel or Fr. Varghese know construction near our parish on Charles Street! prior to Mass so they can accommodate you. 2 | St. Francis Xavier Pastoral News The Most Holy Body and Blood of Jesus Christ In our modern times, symbol can seem to have lost its value. !e most recognizable “signs” are ones we see on the road or in branding of products or services. !e logos for major companies don’t do much more than perk our interest or disdain. !ey certainly don’t deliver on their promises for our lives to be happier, healthier, and easier. On this feast of Corpus Christi, we hear the account of the Last Supper. !is was Passover, an ancient sign of the covenant of Moses. !e Hebrew people celebrated God’s providential care for His people. To the listening disciples, Jesus makes a very bold claim, “!is is my blood of the covenant.” At the time of the #rst Passover – the redemption of the Hebrew people from slavery to the Egyptians – the blood of the sacri#cial lamb was spread on the lintels of the doorpost. !e next day, some of the disciples would witness the blood of the new covenant spread across the wood of the cross. Christ’s Body and Blood are more than a sign. !ey are a sacrament. In the sacrament, the sign makes real what it signi#es. More than ritual, a sacrament enacts truth of the covenantal love of God and His promise of #delity. It’s a promise God keeps. !e same bread and wine of that #rst Holy !ursday liturgy becomes, throughout the centuries and until the end of time, the very Body and Blood of Christ. On this feast, we celebrate the unfailing covenantal love of our God. As you partake in the Eucharist today, and next Sunday, and the Sunday a$er that, remember that you receive neither a meaningless sign nor an empty o%er. You receive God Himself, as He ful#lls His promise to remain with us always. The Most Sacred Heart Of Jesus Friday, June 8, 2018 Living Faith Booklets Available Whether statues or stained glass, the image Care Ministers: !e Living Faith booklets for July/August/ of the Sacred Heart of Jesus can be found in September 2018 are available for the people you visit. !ey can churches all over the world. Jesus looks down, be picked up in either the Ministers’ Sacristy at St. Mary or in one hand extended out and another pointing the Children’s Room/Library at St. Francis Xavier. !ank you to a heart wreathed in thorns and glowing for the ministry you do! with light. In the Sacred Heart, we see both the sorrow and the joy of the life of Christ, who became one of us out of love. “Jesus knew and loved us each and all during his life, his agony, and his Passion and gave himself up for each one of us. He has loved us all with a human heart” (CCC 478). In the Incarnation, God becomes man. Jesus experienced the Scripture Readings for This Week fullness of humanity, including its su%erings. June 8 is the Feast Monday, June 4 of the Sacred Heart. We remember all that Jesus endured for 2 Pt 1:2-7/Ps 91:1-2, 14-15b, 15c-16 [cf. 2b]/Mk 12:1-12 us. We also remember why he endured it – out of love. Tuesday, June 5 Mass Intentions and Gift Offering 2 Pt 3:12-15a, 17-18/Ps 90:2, 3-4, 10, 14 and 16 [1]/ Families who have scheduled weekend Mass Mk 12:13-17 Intentions for their loved ones are given #rst Wednesday, June 6 opportunity to bring the gi$s up to the altar. If you 2 Tm 1:1-3. 6-12/Ps 123:1b-2ab, 2cdef [1b]/Mk 12:18-27 have a weekend Mass Intention, the Parish O*ce Thursday, June 7 will attempt to call to remind you; otherwise, please let the 2 Tm 2:8-15/Ps 25:4-5ab, 8-9, 10 and 14 [4]/Mk 12:28-34 ushers know that you have arrived for Mass, if we have not been able to reach you. Friday, June 8 Hos 11:1, 3-4, 8c-9/Is 12:2-3, 4, 5-6 [3]/Eph 3:8-12, Pray the Rosary with the 14-19/Jn 19:31-37 Cenacles of Life Prayer Group Saturday, June 9 Pray weekly with the Cenacles of Life Prayer Group, 2 Tm 4:1-8/Ps 71:8-9, 14-15ab, 16-17, 22 [cf. 15ab]/ for the beauty and dignity of human life, Tuesdays Lk 2:41-51 at St. Francis Xavier, AFTER 7:30am Mass or at Sunday, June 10 6:00pm. Contact Julie Deprey with any questions at 660-7827. Gn 3:9-15/Ps 130:1-2, 3-4, 5-6, 7-8 [7bc]/2 Cor 4:13--5:1/ Prayer cards are provided. Mk 3:20-35 St.
Load more

Recommended publications
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • Formatting Bios Program Booklet__11-2 ANCHORED EH
    FEED THE FIRE A Cyber Symposium in Honor of Geri Allen Thursday, 5 November 2020, 9:30 am–5:30 pm EST An online event free and open to the public Registration requested at http://bit.ly/GeriAllen Keynote with Terri Lyne Carrington, Angela Davis, and Gina Dent, moderated by Farah Jasmine Griffin Poetry reading by Fred Moten | Solo piano performance by Courtney Bryan Geri Allen, Wright Museum of African American History, Detroit, 2011; © Barbara Weinberg Barefield Department of Music Jazz Studies Program Columbia University: Center for Jazz Studies; Institute for Research on Women, Gender, and Sexuality; Departments of Music and English & Comparative Literature Barnard College: Barnard Center for Research on Women; Women’s, Gender, and Sexuality Studies; Department of Africana Studies University of Pittsburgh: Gender, Sexuality, and Women’s Studies Program; Humanities Center GERI ANTOINETTE ALLEN was born on June 12, 1957. She began playing the piano at the age of seven. As a child, she studied classical music with Patricia Wilhelm, who also nourished her interests in jazz. Her music studies continued through high school, Detroit’s legendary Cass Tech, where she studied with trumpet player Marcus Belgrave; and then at Howard University, where she studied with John Malachi, at the same time taking private lessons from Kenny Barron. In 1979, she earned one of the first BAs in Jazz Studies at Howard. She completed an MA in Ethnomusicology in 1983 at University of Pittsburgh, where she studied with Nathan Davis. When Davis retired in 2013, she succeeded him as Director of Jazz Studies, after teaching at Howard, the New England © Barbara Weinberg Barefield Conservatory, and the University of Michigan.
    [Show full text]
  • (12) United States Patent (10) Patent N0.: US 7,609,410 B2 Lapstun Et A]
    US007609410B2 (12) United States Patent (10) Patent N0.: US 7,609,410 B2 Lapstun et a]. (45) Date of Patent: Oct. 27, 2009 (54) MOBILE TELECOMMUNICATION DEVICE 5,051,736 A 9/1991 Bennett et al. WITH INTEGRAL PRINTER MECHANISM 5,465,080 A 11/1995 Liddiard et al. AND SENSING MEANS (75) Inventors: Paul Lapstun, Balmain (AU); Kia Silverbrook, Balmain (AU); Tobin (Continued) Allen King, Balmain (AU) FOREIGN PATENT DOCUMENTS (73) Assignee: Silverbrook Research Pty Ltd, Balmain, New South Wales (AU) EP 0274571 7/1988 ( * ) Notice: Subject to any disclaimer, the term of this patent is extended or adjusted under 35 USC 154(b) by 978 days. (Continued) (21) Appl.No.: 10/917,436 OTHER PUBLICATIONS Dymetman, M., and Copperman, M., Intelligent Paper; in Electronic (22) Filed: Aug. 13, 2004 Publishing, Artistic Imaging, and Digital Typography, Proceedings ofEP ’98, Mar/Apr. 1998, SpringerVerlag LNCS 1375, pp. 392-406. (65) Prior Publication Data US 2005/0040350 A1 Feb. 24, 2005 Primary ExamineriDov Popovici Assistant ExamineriThierry L Pham Related US. Application Data (57) ABSTRACT (63) Continuation of application No. 09/722,147, ?led on Nov. 25, 2000, now Pat. No. 6,946,672. (30) Foreign Application Priority Data A mobile telecommunications device is disclosed. The mobile telecommunications device includes an image sensor Dec. 1, 1999 (AU) ................................... .. PQ4392 for sensing coded data from a printed interface whilst the mobile telecommunications device is used to physically inter (51) Int. Cl. act with the printed interface. The mobile telecommunica G06K 15/00 (2006.01) tions device also includes a processor con?gured to decode G06F 3/12 (2006.01) the sensed coded data.
    [Show full text]
  • In Search of Lost Chords: Joni Mitchell, the Last Waltz, and the Refuge of the Road
    103 5 In Search of Lost Chords: Joni Mitchell, Th e Last Waltz , and the Refuge of the Road Gustavus Stadler Murray Lerner’s fi lm Message to Love: Th e Isle of Wight Festival 1970 documents Joni Mitchell’s confrontation with an unruly crowd at an increasingly chaotic three-day concert, where an audience of 200,000 watched performances by acts like Jimi Hendrix, Th e Who, and Th e Doors. Her few minutes on screen will never fi t as neatly with glib proclamations of the “end of the 60s” as the events at the free concert at Tracy, California’s Altamont Speedway, organized by the Rolling Stones and documented in the far more canonical fi lm Gimme Shelter . But Message to Love’s depiction of Mitchell’s confrontation with the festival audience carries some of the same force. In both fi lms, dreams seeded at the Woodstock Music & Art Fair of 1969 turn into nightmares. Like Gimme Shelter , Lerner’s fi lm charts the breakdown of business-as-usual at a huge, outdoor, multi-artist concert. But in Message to Love , Woodstock’s shadow looms more literally; just aft er Mitchell fi nishes playing her eponymous anthem of tribute to the already legendary aff air, her microphone is commandeered by an apparently acid-baked hippie named Yogi Joe, who rather incoherently attempts to speak up for a group of people protesting outside the festival, demanding that it be made free. 1 Mitchell’s manager fi nally pulls Joe off stage, prompting a chorus of boos and jeers from the audience.
    [Show full text]
  • Chinese Whispers: Jimi Hendrix, Fame and “The Star Spangled Banner” 1
    49 th Parallel No.17, Spring 2006 Chinese Whispers: Jimi Hendrix, Fame and “The Star Spangled Banner” 1 Marios Elles * Macquarie University, Sydney, Australia ------------------------------------------------------------------------------------------------------------ Drawing on Halbwach’s notion of collective memory the paper reassess some of the key turning points in Hendrix’s legacy. Highlighting the contingent nature of Hendrix’s rise to fame through to its peak in 1968, the paper illustrates how, despite the fact that Hendrix continued to grow as a musician, from 1969 onwards his business and personal affairs were increasingly in disarray. In fact he was telling Rolling Stone in May of that year, that he needed to take a year off ("Hendrix's One Year Retirement Plan"). Secondly, I show that Hendrix’s Woodstock performance did not represent the high point of the festival either artistically or in terms of crowd numbers, and that rather than being regarded as iconic at the time, Hendrix’s rendering of the anthem was regarded as controversial by his opponents and as a theatrical display of music virtuosity by his supporters. I also demonstrate how Hendrix’s flirtation with the American anthem represented part of a wider cultural phenomenon at the time. ------------------------------------------------------------------------------------------------------------ * Marios Elles is a PhD student at Macquarie University, Sydney, Australia. He is currently researching and writing his thesis on Jimi Hendrix. He has presented papers on Hendrix at the 6 th Conference of the ESA Research Network for the Sociology of the Arts , The Art of Comparison, Rotterdam, The Netherlands in 2004 and at The Australian Sociological Association (TASA) Tasmania University, Hobart in 2005.
    [Show full text]
  • Kramp RF V2i1 SP2011 (Pdf)
    The Diegetic Presence and Absence of Children in the Rock and Roll Festival Film; or, Whatever Happened to the Mother and Child Reunion? by Michael Kramp The rock and roll festival films of the late 1960s and early 1970s invite us to consider the efficacy of live diegetic music—i.e. music that belongs to the narrative world a film and is captured as a live public performance—within documentaries that offer ostensibly objective treatments of historical events. These accounts of early rock and roll concerts, often dubbed rockumentaries, treat the music, musicians, scenes, and fans of the emergent rock and roll counterculture, an oft-mythologized generation that criticized the stringent ways and belligerent world of their parents and optimistically vowed to create a new social order. The musical performances in such films are well known as cultural documents that reflect the energy, creativity, and passion of this distinctive generation. The live music of these films, of course, also helps to solidify the spatio-temporal realities of these rockumentaries; as diegetic sound, it grounds people and events within real time and material places, unlike edited compilations such as music videos. And yet, the music of these festival films engenders important narrative complexities when it is used alongside montages and sound bridges—specific filmic techniques that have the capacity to modify temporal progression, complicate our perceptions of space, and destabilize the objectivity of a film. In the films that I consider here, children are consistently shown within such moments of temporal discontinuity. The Monterey Pop Festival (1967), Woodstock (1970), and The Isle of Wight Festival (1970) offer us poignant depictions of children, including announcements of children‟s births, jarring portraits of infants at rock shows, and gorgeous montages of kids and families enjoying a time of revolution and revival.
    [Show full text]
  • 26Th March 2006
    THE BALLINCOLLIG PARISHIONER Sunday 26-March-2006 Fourth Sunday Of Lent Jesus came among us to light our way to true humanity, our way to God. Our reaction to him is a sign of the kind of people we are. It is also a sign of what our future will Christ Our Light St. Mary & St. John be. Our judgement will depend on our faith in him. Station Road Innishmore Continuing with the Commandments PRAYERS OF THE FAITHFUL Keeping the Ten Commandments is a vital part of our moral life. If we spend our Priest time breaking many of them, then we are definitely heading in the wrong direction. We search God’s word to find a deeper under- Yet a devotion to Jesus is vital for our spiritual development. Laws alone are not standing of Mary, and of the Church. everything. Laws are man-made, even when based on the Ten Commandments. If Reader our morality were to be based on the Law of the Land, it would be veering far For Mothers everywhere: May the love that away from the ideas of Our Heavenly Father in so many ways. Our life must be gave life to their children, continue to be focused on Jesus Christ for us to find our way to eternal happiness. If we stray given with patience and wisdom away from this path, then we are likely to bring trouble upon ourselves Lord, Hear us, Lord, graciously hear us. We continue from last week with the remainder of The Ten Commandments Old: Thou shall not kill For children: May they dedicate themselves to New: You must not hurt your brother in any way.
    [Show full text]
  • Dionysian Symbolism in the Music and Performance Practices of Jimi Hendrix
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Dionysian Symbolism in the Music and Performance practices of Jimi Hendrix Christian Botta CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Christian Botta Submitted in partial fulfillment of the requirements for the degree Master of Arts in Musicology At the City College of the City University of New York May 2013 Table of Contents Introduction 1 Chapter One – Hendrix at the Monterey Pop and Woodstock Festivals 12 Chapter Two – ‘The Hendrix Chord’ 26 Chapter Three – “Machine Gun” 51 Conclusion 77 Bibliography 81 i Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Introduction Jimi Hendrix is considered by many to be the most innovative and influential electric guitarist in history. As a performer and musician, his resume is so complete that there is a tendency to sit back and marvel at it: virtuoso player, sonic innovator, hit songwriter, wild stage performer, outrageous dresser, sex symbol, and even sensitive guy. But there is also a tendency, possibly because of his overwhelming image, to fail to dig deeper into the music, as Rob Van der Bliek has pointed out.1 In this study, we will look at Hendrix’s music, his performance practice, and its relationship to the mythology that has grown up around him.
    [Show full text]
  • Organized Love: an Archival Workflow for MLF Productions & the Newport Folk Festival Archive
    ORGANIZED LOVE: An Archival Workflow for MLF Productions & The Newport Folk Festival Archive By Genevieve Francesca Havemeyer-King A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Moving Image Archiving and Preservation Department of Cinema Studies New York University May 2015 Havemeyer-King 1 Table of Contents PART I Introduction………………………………………………………………… 2 Chapter 1: The Collection & Project 1.1 Background on the Collection………………………………….. 3 1.2 Evolution of the Project………………………………………… 5 Chapter 2: The Database 2.1 Database Planning……………………………………………… 6 2.1.1 Risk Assessment…………………………………… 6 2.1.2 Business Requirements…………………………….. 11 2.1.3 Functional Requirements…………………………… 12 2.1.4 Use Cases: ………………………………………… 14 2.1.4.1 Use Case 1…………………………………. 14 2.1.4.2 Use Case 2………………………………… 15 2.2 Database Creation……………………………………………… 16 2.2.1 Structure & Platform………………………………. 17 2.2.2 Metadata Standards ……………………………….. 19 2.2.3 Controlled Vocabularies…………………………… 20 2.2.4 Database Installation & Design…………………… 21 2.2.4.1 Design Layouts…………………………….. 23 Chapter 3: Assessment & Recommendations 3.0 Goal & Intentions……………………………………………… 23 3.1 Scope and Methodology……………………………………….. 23 3.2 Status of the Collection………………………………………… 27 3.3 Formats, Condition, and Storage………………………………. 28 3.3.1 Digital Collection………………………………….. 29 3.3.2 Digital Storage……………………………………... 29 3.3.3 Physical Collection………………………………… 31 3.3.4 Physical Storage……………………………. …….. 31 3.4 Intellectual Control & Metadata…………………….…………. 35 3.4.1 Descriptive
    [Show full text]
  • Misc. Recordings
    Joni Mitchell - Misc. Recordings Compiled by: Simon Montgomery, © 2003-2021 Latest Update: May 15, 2021 Please send comments, corrections or additions to: [email protected] Joni has participated in, or been featured on a number of recordings by other singers and songwriters. Musician / Song Title Album Title 1969 Joni Mitchell My American Skirt The 1969 Warner-Reprise Record Show Spoony's Wonderful Adventure The 1969 Warner-Reprise Record Show The Johnny Cash TV Show Both Sides Now (Joni) The Johnny Cash Show 01 • 02 I Still Miss Someone (Joni & Johnny Cash) The Johnny Cash Show 01 • 02 The Gallery (Joni) The Johnny Cash Show 05 • 06 Long Black Veil (Joni & Johnny Cash) The Johnny Cash Show 05 • 06 Long Black Veil (Joni & Johnny Cash) The Best of The Johnny Cash TV Show 1969-1971 (DVD) Graham Nash (w/ Joni Mitchell) Our House (Demo) Déjà Vu - 50th Anniversary (Edition) 1970 Joni Mitchell Big Yellow Taxi Message To Love: The Isle Of Wight Festival - 1970 Woodstock Message To Love: The Isle Of Wight Festival – 1970 The Johnny Cash & TV Show Girl Of The North Country (Joni & Johnny Cash) The Best of The Johnny Cash TV Show 1969-1971 (CD) Girl Of The North Country (Joni & Johnny Cash) Johnny Cash COLLABORATIONS Hunter Outtake – Ladies Of The Canyon / Blue 1971 Carole King Will You Love Me Tomorrow Tapestry David Crosby Laughing If I Could Only Remember My Name What Are Their Names If I Could Only Remember My Name James Taylor Love Has Brought Me Around Mud Slide Slim & the Blue Horizon You've Got A Friend Mud Slide Slim & the Blue Horizon Long Ago And Far Away Mud Slide Slim & the Blue Horizon Seemon & Marijke Vegetable Stew Son Of America 1972 Eric Andersen Blue River Blue River Jimmy Webb Simile Letters 1973 Graham Nash Another Sleep Song Wild Tales Jackson Browne Sing My Songs To Me For Everyman Rod Taylor Making A Way Rod Taylor Something Old Rod Taylor Joni Mitchell w/ Neil Young & The Santa Monica Flyers Raised On Robbery Neil Young Archives Vol.
    [Show full text]
  • Jimi Hendrix the Collector’S 1969: Studio, Private, Related & Remixed Recordings
    Jimi Hendrix The Collector’s 1969: Studio, Private, Related & Remixed Recordings Studio & Private pg. 2 – 115 Related & Remixed pg. 116 – 131 Cover Sources pg. 131 – 136 Brief CD Track List pg. 137 – 147 Song Index pg. 148 – 153 Flac Fingerprints pg. 154 – 161 The intention of this set is to bring together all 1969 Hendrix-related recordings in the best available sound quality and the most complete versions. As with all reference works of this magnitude there are likely unintended errors in spite of diligent efforts to be error free; corrections are encouraged. If you are aware of any upgrades, know of additional tracks that should be included, or have comments about the information presented here please contact [email protected] or [email protected]. This collection was assembled based on information contained at Doug Bell's website, which is compiled from several reference sources: http://home.earthlink.net/~ldouglasbell/jimi.htm. Further details were obtained from Jimpress (2014-2015, From The Benjamin Franklin Studios, 4th edition): http://www.jimpress.co.uk/, Ultimate Hendrix (2009, Backbeat Books), Jimi Hendrix: The Ultimate Lyric Book (2012, Backbeat Books), In From The Storm: http://infromthestorm.net/hendrix.html, and Discogs.com. All tracks are as they appear on their sources, though some sources are known to have utilized normalization, pitch correction, etc. A few tracks have had beginning/ending dead silence removed and are so noted, and track 127 has had a minor non-music patch. Four tracks are lossy and so noted. The track order is roughly from session takes to intermediate mixes to final and alternate mixes; complete versions precede incomplete versions.
    [Show full text]
  • Voodoo Child
    the most impactful periods of Hendrix’s career. Fans have called out for their induction into the Rock and Roll Hall of Fame. Just this year, the group with inducted into the Rhythm and Blues Hall of Fame. And authors Corey Washington and Nelson George have VOODOO written volumes on how the group has impacted generations of predominately black-oriented audiences and musicians alike. So it with great fanfare that Experience Hendrix has compiled the four shows in the new box set, being released as both a 5-CD and 8- LP package, Songs for Groovy Children. The name of the album comes from a remark Hendrix made right before they break into CHILD “Power of Soul” in their final show. The package comes complete with the band’s story told by Billy Cox, along with an essay by Nelson George demonstrating the impact it had on him and black JIMI HENDRIX INFORMATION MANAGEMENT INSTITUTE audiences. [email protected] Over the years, bits and pieces of these concerts have been www.facebook.com/groups/251427364936379/ released, this being the first comprehensive, albeit still incomplete, package of the four iconic concerts. There are 13 new, never before ISSUE 112 FALL 2019 commercially released songs, as well as two songs which have never appeared either commercially or through collector unauthorized This may be one of the most exciting, and the most frustrating editions. Overall, there are over two dozen tracks “that have either periods for Jimi Hendrix fans. On one hand, Experience Hendrix has never before been released commercially or have been newly pressed announced the release of the Band of Gypsys concerts at the Fillmore and newly remixed,” according to the project press release.
    [Show full text]