VERA DUFFY Los Angeles, CA [email protected] Reel

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VERA DUFFY Los Angeles, CA Vera@Deuxfilles.Net Reel

VERA DUFFY Los Angeles, CA [email protected] reel : http://www.deuxfilles.net/alotofduffysfilms/vera After Effects Compositor / Animator / Motion Graphics Artist SELECTION OF PROFESSIONAL HISTORY: August 2009 – present Titmouse / [Adult Swim], Comedy Central, Disney, Amazon Compositor for Flash-animated “Niko & the Sword of Light,” “Little Big Awesome,” “Metalocalypse,” “Freaknik, ”“Black Dynamite,” “Moonbeam City,” etc.; prepared AE files and backgrounds (Photoshop & Illustrator), worked closely with director to finalize scenes. Motion Graphics artist for “Randy Cunningham : Ninth Grade Ninja.” May 2015-July 2016 Renegade Animation / Warner Bros. & Cartoon Network Flash scene set-up and After Effects compositing for “Tom & Jerry.” December 2010 – May 2014 Warner Bros. Animation / Cartoon Network After Effects artist for “Looney Tunes,” “Scooby-Doo,” “Young Justice,” various other superhero shows, etc. Enhanced or revised footage with effects, retiming, color correction, graphic design, motion graphics, etc. April 2009 – May 2009 HBO / FunnyOrDie.com Composited a Flash-animated video by comedian Mike O’Connell using After Effects. November 2008 – January 2009 U Rock Films / Mio.TV Animated & composited 100+ segments in After Effects using photo cut-outs. January 2008 – July 2008 Monkey Wrangler Productions / G4 Network Animated 13 x 22 episodes of the series “Code Monkeys” in After Effects, from animatic to final stage. January 2007 – December 2007 Six Point Harness Studios / Nickelodeon Composited Flash-animated series “El Tigre,” “Tomb Raider” and others. April 2001 – present A Lot Of Duffys Films Produced from start to finish various projects using Flash, After Effects, Final Cut Pro, etc., including award-winning short film “Agoniya”. SKILLS: General: A thorough understanding of the production pipeline for both traditional and Flash animation. Computer: After Effects, Flash, Photoshop, Final Draft, Illustrator experience, Mexican Wrestling, some Russian .

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Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P.
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Bill's Resume.May.04.2013
WILLIAM C. WALDMAN III 1407 West Oak Street Burbank, CA 91506 (818)563-3993 [email protected] Objectives: Seeking a Character Animator position for Animation Production Work Experience 3/13-present Animator/ Warner Bros. Animation Char.Layout “Tom & Jerry and the Mighty Dragon” 11/12-3/13 Animator Duck Soup Studios Walt Disney World “Sorcerers Of The Magic Kingdom” "Smurfy Hollow" DVD Extra "Mathias Project" "Timon & Pumbaa Safety Smart--Transportation" 6/12-11/12 Animator/ Warner Bros. Animation Char.Layout “Tom & Jerry's Giant Adventure” 3/12-5/12 Animator Duck Soup Studios "Timon & Pumbaa Safety Smart--Electronics" 8/11-2/12 Animator/ Warner Bros. Animation Char.Layout “Robin Hood And His Merry Mouse” 5/11-7/11 Animator Duck Soup Studios “Smurfs Christmas Carol” DVD Extra 3/11-4/11 Animator Creative Capers Entertainment Walt Disney World “Sorcerers Of The Magic Kingdom” 7/09-2/11 Animator/ Warner Bros. Animation Char. Layout/ “ Tom And Jerry Meet Sherlock Holmes” Storyboard “Looney Tunes” TV Series Revisionist “Tom And Jerry and The Wizard Of Oz” 6/08-7/09 Animator Walt Disney Feature Animation “The Princess And The Frog” 4/08-6/08 Animator DreamWorks Animation “Kung Fu Panda” DVD extras 11/07-3/08 Storyboard Universal Cartoon Studios Revisionist “Curious George 2: Monkey On The Run” 3/07-8/07 Storyboard Warner Brothers TV Animation Revisionist/ “Tom And Jerry Tales” Char. Layout: 6/06-3/07 Animator/ Rough Draft Studios Char. Layout “The Simpson’s Movie” 5/06-6/06 Animator Disney Toon Studios “Disney Princess” DVD (Animation corrections) 3/05-5/06 Animator/ Warner Brothers TV Animation Char.
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May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.
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F R a N K J. F O R
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AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI.
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Animation Production Directory Winter 2002
Animation Industry Database GLOBAL aidb.com ANIMATION PRODUCTION DIRECTORY WINTER 2002 An Animation World Network Publication awn.com GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 WE ARE PLEASED TO WELCOME YOU TO ENJOY AWN’S INAUGURAL publication of the AIDB Directories. This three-part animation industry directory offers a resource to professionals that has never before been available. Derived from AWN’s exclusive online Animation Industry Database (www.AIDB.com), these new downloadable publications are Animation Industry Database designed to provide AWN readers with valuable information on animation, www.aidb.com visual effects, gaming and related companies from around the world. The AIDB is the most comprehensive, searchable and easy to use resource of its Animation World Network kind. Over 4,000 companies from 80 countries are represented within these www.awn.com directories, featuring companies that sell products, provide services and AWN, Inc. possess creative expertise across more than 100 business and production 6525 Sunset Blvd. categories. Garden Suite 10 AWN has just published the Winter 2002 edition of the following printable Los Angeles, CA 90028 United States PDF directories. Follow the links below to download these directories for [T] 323 606-4200 free. [F] 323 466-6619 [email protected] > GLOBAL ANIMATION BUSINESS DIRECTORY www.awn.com > GLOBAL ANIMATION HARDWARE&SOFTWARE DIRECTORY PUBLISHING > GLOBAL ANIMATION PRODUCTION DIRECTORY PRESIDENT Ron Diamond The on-line AIDB grows everyday as more and more people update CHIEF OPERATING OFFICER their company profiles. Inclusion, access and use of the AIDB is provided Dan Sarto free of charge. Participating companies edit their own descriptive profiles, so the information stays up-to-date and accurate.
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Anastasia Krylova
ANASTASIA KRYLOVA anastasiakrylova.daportfolio.com [email protected] (248) 346-2374 Education: College for Creative Studies, Detroit, MI BFA 2012, Entertainment Arts Concentration in Character and Experimental Animation GPA: 3.87, graduated with High Honors Work Experience: Character Layout Artist 10/2012- 01/2013 Renegade Animation studio, Glendale, CA “The Tom and Jerry Show” for Warner Brothers Animation Storyboard clean up and redrawing in Adobe Photoshop Character cleanup and posing for animation production Animator Thunderbean Animation 2012, 2011 Traditional character animation and cleanup for two animated commercials for Vito's Pizza. Drawing characters while adhering to a given layout and character poses Photographer 2007-2008 LifeTouch Portrait Studio, Novi, MI All aspects of studio photography, posing subjects: children, families and couples Customer service, including booking appointments Promoting the sale of individual photographs, photo packages, and extra items Animation Experience: The Cave 2012 Animated short film as senior thesis project Created all aspects of production including: traditional hand drawn animation, Adobe Photoshop cleanup and background painting, digital compositing in Adobe After Effects and Final Cut Pro Just Down the Road 2011 Animated short film Created all aspects of production including: Adobe Flash frame by frame animation, Adobe Photoshop background painting Autodesk Maya animation of a given rigged character Skills: Traditional and digital drawing and painting, classical animation following
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ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
ID name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY 10 ENTERTAINMENT 119140 100.000VOLTS.TV 119962 101ST STREET ENTERTAINMENT 114635 101ST STREET PRODUCTIONS 118840 101ST STREET TELEVISION 113543 11TH STREET PRODUCTIONS 119499 127 WALL PRODUCTIONS 115680 13 PRODUCTION 106472 1492 PICTURES 100008 1492 PRODUCTIONS 106474 18 HUSKY 119951 1895 FILMS 117848 18TH STREET FILM 106475 19 ENTERTAINMENT 100010 19 TELEVISION 110681 1OP1 TV EN VIDEO PRODUCTIES BV 113969 2 ROOSTERS MEDIA 112499 21 LAPS ENTERTAINMENT 119887 211 PRODUCTIONS 118463 22 PLATES 117840 24 DOC 104567 24FPS FEAUTURES 108082 24FPS PRODUCTIONS 110683 26 FILMS 118974 2LE MEDIA 109600 2MEDIA PRODUCTIONS 109601 3 ART ENTERTAINMENT 100018 3 ARTS ENTERTAINMENT 119967 3 BALL ENTERTAINMENT 110687 3 BALL PRODUCTIONS 113973 3 DOGS AND A PONY 113947 3 IN THE BOX 100022 3 SISTERS ENTERTAINMENT 119621 333 PRODUCTIONS 117690 343 INDUSTRIES 117595 360 PICTURES 119197 3DD ENTERTAINMENT LIMITED 112504 3J S ENTERTAINMENT 112505 4 BY 2 119495 4 EVER CHRISTMAS PRODUCTIONS 100026 4 TO 6 FOOT 106483 40 ACRES AND A MULE FILMWORKS Videma: unknown rightsholders as per June 30, 2020 1 118263 43 FILMS 113199 44 BLUE PRODUCTIONS 119462 5STAR BROADCASTING LTD 118045 72 PRODUCTIONS 106485 777 FILMS CORPORATION 114377 7ATE9 ENTERTAINMENT 118343 8:38 PRODUCTIONS 119790 87ELEVEN 118206 8816522 CANADA INC. 117620 9 STORY MEDIA GROUP 119415 9.14 PICTURES 119682 93 METROS 118591 9STORIES 100050 A BAND APART 119060 A BETTY PRODUCTION 116506 A GRAND ELEPHANT 118201 A PLUS IMAGE 3 119777 A RED ARROW STUDIOS COMPANY 104576 A S PANORAMA FILM INT 115151 A SCHOOL PRODUCTIONS 119436 A SINGLE SHOT PRODUCTIONS 104581 A SMITH AND CO 112509 A SON OF NATE AND JILL PRODUCTIONS 104578 A TEAM PRODUCTIONS 110698 A VERY GOOD PRODUCTION INC 117624 A&E INDIEFILMS 119788 A&E NETWORK 119722 A+E NETWORKS 116416 A.
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Dawn Hershey, C.S.A
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Hasbro to Acquire Entertainment One Adding Brands and Expanding Storytelling Through Global Entertainment
Hasbro to Acquire Entertainment One Adding Brands and Expanding Storytelling Through Global Entertainment August 22, 2019 Accelerates Hasbro’s Brand Blueprint strategy by adding eOne’s family brands, exceptional, proven TV and film expertise and veteran executive leadership Adds beloved global preschool brands, Peppa Pig and PJ Masks, as well as a slate of additional brands in development, including newly introduced Ricky Zoom, to Hasbro’s robust brand portfolio Dramatically enhances storytelling capabilities and franchise economics in TV, film and other mediums to strengthen Hasbro’s brands Improves Hasbro’s growth outlook and enhances long-term profitability through in-sourcing and cost synergies as well as future revenue growth opportunities PAWTUCKET, R.I. & LONDON--(BUSINESS WIRE)--Aug. 22, 2019-- Hasbro, Inc. (NASDAQ: HAS) and Entertainment One Ltd. (LSE: ETO) (eOne) today announced that they have entered into a definitive agreement under which Hasbro will acquire eOne in an all-cash transaction valued at approximately £3.3 billion or US$4.0 billion. Under the terms of the agreement, eOne shareholders will receive £5.60 in cash for each common share of eOne, which represents a 31% premium to eOne’s 30-day volume weighted average price (VWAP) as of August 22, 2019. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190822005678/en/ “The acquisition of eOne adds beloved story-led global family brands that deliver strong operating returns to Hasbro’s portfolio and provides a pipeline of new brand creation driven by family-oriented storytelling, which will now include Hasbro’s IP,” said Brian Goldner, Hasbro chairman and chief executive officer.
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