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  • Filmindex Lxxiv
    Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char­ Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even­ tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed­ (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin­ grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le­ I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J.
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  • Tarzan in the Early-20Th Century French Fantasy Landscape By
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  • Karaoke Book
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  • Ich Tarzan.«
    Gesine Krüger, Ruth Mayer, Marianne Sommer (Hg.) »Ich Tarzan.« 2008-06-23 15-07-02 --- Projekt: transcript.titeleien / Dokument: FAX ID 0285182128470048|(S. 1 ) T00_01 schmutztitel - 882.p 182128470056 2008-06-23 15-07-02 --- Projekt: transcript.titeleien / Dokument: FAX ID 0285182128470048|(S. 2 ) T00_02 seite 2 - 882.p 182128470082 Gesine Krüger, Ruth Mayer, Marianne Sommer (Hg.) »Ich Tarzan.« Affenmenschen und Menschenaffen zwischen Science und Fiction 2008-06-23 15-07-02 --- Projekt: transcript.titeleien / Dokument: FAX ID 0285182128470048|(S. 3 ) T00_03 titel - 882.p 182128470104 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umschlagabbildung: Es war uns nicht leider möglich, den Rechtehal- ter des Umschlagmotivs zu ermitteln. Im Bedarfsfalle wenden Sie sich bitte an den Verlag. Lektorat: Gesine Krüger, Ruth Mayer & Marianne Sommer Satz: Jörg Burkhard, Bielefeld Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-882-7 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] 2008-06-23 15-07-02 --- Projekt: transcript.titeleien / Dokument: FAX ID 0285182128470048|(S. 4 ) T00_04 impressum - 882.p 182128470144 Inhalt Gesine Krüger, Ruth Mayer, Marianne Sommer Figuren des Dazwischen. Menschenaffen und Affenmenschen als Grenzwesen. Eine Einleitung .................................... 7 Gesine Krüger Schrift und Gewalt bei Tarzan. Meuchelmorde – Liebesbriefe – (unmögliche) Utopien .........................
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  • Fantasyland/Aggieland
    FANTASYLAND/AGGIELAND: A Bibliographic History of Science Fiction and Fantasy at Texas A&M University and in Brazos County, Texas, 1913-1985. compiled by Bill Page College Station, TX 2007 Page 1 of 134 INTRODUCTION Bill Page None of the local activites before 1967 were part of any fannish organizations -- at least not as far as I can determine. There's really no way to pick an exact beginning date for the history of science fiction and fantasy in Brazos County. For example, Bryan had a book store by 1870. It probably sold an occasional fantasy or science fiction novel, such as The Tempest or Frankenstein. After the end of the Civil War, newspapers, including the Galveston News, could be purchased in the county, as were magazines such as Godey's Ladies Book and Leslies Illustrated Weekly. These carried an occasional sf/f story. Persons wanting to know more about the early history of newspapers, magazines, libraries, and literary societies in Brazos County should read the chapters "Libraries," "Lodges and Civic Organizations," and "Cultural History: The Arts and Recreation in the Nineteenth Century" in Brazos County History: Rich Past -- Bright Future. I'm not sure when the first fantasy or science fiction film was shown in the county. Movies came to Bryan at least as early as January 1897, when "the magniscope, Edison's latest and greatest invention in the way of vitascopes" appeared in the Grand Opera House. (See the Bryan Daily Eagle, January 28, 1897, p. 4, cols. 2, 6). Page 2 of 134 Additional Sources: Additional material on the fantastic at Texas A&M University after 1985 can be found in several sources.
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  • Movie Trivia
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  • Tarzan of the Apes: the First Motion Picture Adaptation (1918)
    Single Cycle Degree programme in LINGUE E LETTERATURE EUROPEE, AMERICANE E POSTCOLONIALI Final Thesis Tarzan of the Apes: The First Motion Picture Adaptation (1918) Supervisor Prof. Simone Francescato Assistant supervisor Prof. Thomas Devine Graduand Letizia Negrisolo Matriculation Number 848940 Academic Year 2017 / 2018 1 Table of Contents Introduction………………………………………………….…………………………………………………………p.4 Chapter One Adaptation 1.1. What is Adaptation?………………………………………………………………………………………..…p.8 1.2. The Adaptation from Book to Film……………………………………………………………………p.12 1.3 Adaptation in the 1910s-1920s………………………..…………………………………………..……p.18 1.4. How to Read Adaptations………………………………………………………………………..……….p.21 Chapter Two Edgar Rice Burroughs’s Tarzan of the Apes 2.1. Edgar Rice Burroughs and Tarzan’s Success…………………………………………………...…p.24 2.2. The Novel.……………………………………………………………………………………………………….p.28 2.3. Burroughs’s Tarzan………………………………………………………………………………………….p.31 2.4. The Book’s Ending and Its Cultural Context……………………………………..………………..p.41 2.5. Tarzan vs. Mowgli: Two Feral Children in Comparison………………………………………p.46 Chapter Three Tarzan of the Apes (1918): An Analysis 3.1 The Cinematic Adaptations of Tarzan………………………………………………………………..p.58 3.2. Al Bohl’s documentary Tarzan Lord of the Louisiana Jungle……………….………………p.63 3.3. On the Differences Between the Film and the Book…………………….…………………..…p.70 3.4. The Film’s Reception and Reviews…………………………………………………...…………….…p.75 3.5. Darwinism and Self-Development…………………………………………………………………….p.79 2 3.6. Gender and Masculinity……………………………………………………………………………………p.87
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