Meet Author Robert Lipsyte
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence -
KLOS Aug.5Th
1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. -
Filmindex Lxxiv
Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Tarzan in the Early-20Th Century French Fantasy Landscape By
Wesleyan University The Honors College The Missing Link: Tarzan in the Early-20th Century French Fantasy Landscape by Medha Swaminathan Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in French Studies Middletown, Connecticut April, 2019 Table of Contents Introduction ................................................................................................................... 1 Embracing the Invented in the “Benevolent” Colonial ................................................ 9 Imagining “Africa” ..................................................................................................... 19 Le Tour du Monde en Un Jour: Tarzan and the 1930s Paris Colonial Exhibitions .... 36 “Civilization” vs. “Civilized” vs. “Savage” ................................................................ 49 Homme Idéal or Missing Link? Fetish, Fascination, and Fear in French Eugenics ... 57 Sex, Youth, Beauty, Valor, and the Légionnaire ........................................................ 70 Saturnin Farandoul: Tarzan’s French Foil? ................................................................ 81 “Comment dit-on sites de rêve en anglais ?” .............................................................. 96 References ................................................................................................................. 100 Acknowledgements This project would not have been possible without an incredible amount -
Download SQ Financial Year Overview
2019-2020 FINANCIAL YEAR OVERVIEW Screen Queensland’s purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. Screen Queensland invests in people and projects to grow a creative, innovative and successful screen industry, and delivers an active screen culture across the state. All figures noted in this overview, including Queensland Production Expenditure (QPE) and jobs, are for the productions' approved investment in the 2019-2020 Financial Year which may or may not have gone into principal photography. Front cover > Retrograde, Unless Pictures and Orange Entertainment Co This page > The Strange Chores, Ludo Studio > CONTENTS Message from Screen Queensland Chair, Linda Lavarch 4 Message from Screen Queensland CEO, Kylie Munnich 5 Key Achievements: 2019-2020 Financial Year 6 - 8 Filmmaking in a Time of COVID-19 9 Spotlight on SQ Enterprise 10 Attracting Productions to Queensland 11 - 12 Growing Queensland Talent 13 - 16 Investing in Development 17 - 19 Investing in Queensland Production 20 - 21 Investing in Game Development 22 Supporting Aboriginal and Torres Strait Islander Practitioners 23 Respect, Inclusion, Diversity, Equality = RIDE 24 - 25 SQhub 26 Screen Culture and Community 27 - 28 Screen Queensland Studios 29 > This Little Love of Mine. Photo by David Fell, courtesy of The Steve Jaggi Company In October, we welcomed Queensland born-and- > MESSAGE raised Kylie Munnich as CEO, joining us from her previous role at Seven Studios. Kylie also served FROM as the Director of Drama & Comedy at Sky Vision UK and spent ten years working for Sony Pictures THE CHAIR Television in senior roles in Australia and the UK. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Alternate PDF Version
gyxegsxq2ri2yvh2yp2ihqe2sgi2f y qr pive2hedes2of2humEhums3 As the summer of 2005 rolls around, we have two more Burroughs conventions on the docket, one in Chicago and one in Toronto. Information flyers are included with this issue, so we hope you can fit one or both of these events into your schedule. Meanwhile, here are some recollections by our President, Bob Hyde, on how the Dum-Dums started. This memoir was first published at the 1991 Dum- Dum in Chicago, but since some of you were not there, we publish it again. Cheers! ... “Ye Editor” GENESIS OF THE BURROUGHS BIBLIOPHILES By Bob Hyde In the beginning . Vernell Coriell started publishing THE BURROUGHS BULLETIN in 1947, and sent free copies to anyone who asked. Soon after this, he was asked to form a Burroughs fan club, and this became a topic of discussion with various fans he met in his travels over the next two years. When Vern was in California in 1949, he obtained permission from ERB, Inc. to form a fan club and to call it THE BURROUGHS BIBLIOPHILES, but not to have any official connection with ERB, Inc. It was still a matter of discussion at the 1959 WORLD SCIENCE FICTION CONVENTION in Detroit where our Pittsburgh S-F group won the election to hold the 18th (1960) World Con in Pittsburgh. This 1960 event got us off on a firm footing. Since I was a member of the Convention Committee, Vern asked me to set up an organizational meeting for him at the convention. We figured this would be the logical place where a larger group of ERB fans would be gathered. -
5 Toau) Secret Talks a Possibility
r FRIDAY, JULY 14, 1972 PAGlfi TW5!NTY;F0UR > iiattrtfPBtpr iEttming l|?ralb At the Center The Weather Coventry With Glenti Gamher Fair arid humid tonight, lows In the 70s with a 20 per cent iPage 5 lEupnt« 5 to a U ) chance of rain. Hazy and humid, a chance of showers Sunday, Tax Deadline Aug. 1 Manchester— A City of Village Charm high 95. Gardening Tax Collector 'Audrey Bray ting by Qreg Locke, Curt Le VOL. XCI, NO. 243 (FOURTEEN PAGES— TV SECTION) ts reminding Coventry residents Doyt smd Dwayne Beagla. MANCHESTER, CONN., SATURDAY, JULY 15, 1972 (Classified Advertising on Page 11) PRICE FIFTEEN CENTS and property owners that tsuc- Other members of the Coven- es on the Grand List of Octo- try All-Stars are Dave Blwell, ber 1, 1971 are due and payable Ken Qoodale, Kevin Qraen, l^u prior to August 1. , LaBrec, ^Lee Martin, A1 i Frank Atwood Payments may be made dm Nominees Open either at her office In the Town Tomanelll, Sm U W^*®ce, Bill ■'What Is the of the automatic controls, twice a day. Mr. Devanney points out, Is Hall or by mall. In which case Seatim pretty flowers?" summer; If the winter basically residential, which Is these wishing a receipt should ^ become elec- ' r / " sun Is unusually bright, the his reason for not putting up a enclose a stamped, self-address- PP i„ the ReaU Secret Talks This Is a quesUon asked many ^^tered three Umes sign. It Is a reason also for the ed envelope with their payment. of M l Campaign Race times a day at the checkout a day. -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
Peter Ford, a Star's
Page 70 Classic Images April 2011 Peter Ford, A Star’s Son The Hardest Job In The World by Charles Ziarko It was the perfect family. Mom “He’s the luckiest kid in the would file for divorce. “I filed on the and Country/Western sounds of the was an athletic, beautiful woman who world”, the fans must have imagined grounds of mental cruelty, and that’s day. And in the 1950s, their 10-year- gave up international fame to devote as they pored over the photos of this exactly what I meant,” she reported. old son Peter could claim respon- herself to being a mother. Dad was All-American family appearing reg- sibility for beginning the decline a sexy, charismatic leading man just ularly in newspapers and movie fan Like many war-time romances, of American popular music. When reemerging in A-list Hollywood, but magazines. Looks can be deceiving, this story really began when the little director Richard Brooks began look- taking time to shower his family however, especially in Hollywood. family moved into a place of their ing into the latest trends in popular with loving attention. Their son was own, composer Max Steiner’s old music in preparation for his new a blonde, blue-eyed little boy, an The dad was actor Glenn Ford, home, less than a mile from where movie, young Peter handed him three only child, photographed endlessly who conceived his baby boy with they were married in a movie-star of his favorite rock ’n’ roll records. enjoying all the perks of the privi- dancer-actress Eleanor Powell on mansion on Bedford Drive that mom One of these was chosen to be the leged.