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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Commercial Films/Video Tapes on Teaching
Commercial Films/Video Tapes On Teaching Prepared by Gary D Fenstermacher Three categories of film or video are included here, depending on whether teaching occurs in the setting of a school (Category I), in a tutorial relationship between teacher and student (Category II), or simply as a plot device in a comedy about or parody of teaching and schooling (Category III). Films described in Category I are listed alphabetically, within decade headings; it is the year the film was made, not the time period it depicts, that determines the decade in which the film is classified. Category I: Depicting Teachers in School Settings 1930's Goodbye, Mr. Chips (1939). Robert Donat, Greer Garson. British schoolmaster devoted to "his boys." Remade as musical in 1969, starring Peter O'Toole; remake received poor reviews. If you select this film, please do not use the remade version; use the original, 1939, film. It is a first-rate film. 1940's The Corn is Green (1945). Bette Davis, Nigel Bruce. Devoted teacher copes with prize pupil in Welsh mining town in 1895. (1 hr 35 min) Highly regarded remake in 1979 stars Katherine Hepburn in her last teaming with director George Cukor. OK to use either version (1945 or 1979). 1950's Blackboard Jungle (1955). Glenn Ford, Anne Francis. Teacher's difficult adjustment to New York City schools. First commercial film to feature rock music. 1960's The Prime of Miss Jean Brodie (1969). Maggie Smith. Eccentric teacher in British girls school. Smith wins Oscar for her performance. Remade as TV miniseries. To Sir With Love (1967, British). -
2008: a Year of Variety
The Judy Room2008 Year In Review 2008: A YEAR OF VARIETY In 2008 our world of “Judy Fandom” experienced a wide variety of products, events, and celebrations. Along with some wonderful CD, DVD and print releases, we were treated to some great events, like the high-tech “Judy Garland In Concert” which suc- essfully showcased Judy “live” in concert. Warner Home Video announced their first- ever 6k resolution restoration - and they chose A Star Is Born! Vincente Minnelli’s childhood home received a commemorative marker. The off-Broadway show “Judy and Me” received glowing reviews. The artwork to Judy’s 1962 animated film Gay Purr-ee (she was the voice of the main character, “Mewsette”) was featured in a special exhibition by the Academy of Mo- tion Picture Arts & Sciences. The Judy Garland Festival in Grand Rapids, Minnesota was again a success. And the 2009 70th anniversary of The Wizard of Oz began early with com- memorative stamps and noted designers creating their own interpretations of the famed Ruby Slippers, all for the Elizabeth Glazer Pediatric AIDS foundation - some- thing Judy herself probably would have supported had she lived. The following pages feature the highlights of the year, plus what’s to come (that I know of so far) for 2009. It’s a testament to Judy’s tal- ent and genius that here we are almost 40 years past her death, and she’s still making news, and still having an impact on the world of entertainment. I hope you enjoy this year’s Year In Review, and I thank you for your continued support. -
TAP INTO HISTORY Study Guide for Educators
TAP INTO HISTORY Study Guide for Educators Highlights of Tap History: 1600’s: English people migrate to the United States, bringing social dance, waltzes, jigs, reels and clogs. At the same time, Africans come to America (as slaves) and bring percussive, grounded and syncopated rhythms. 1880’s: Vaudeville (a variety entertainment performance circuit) establishes tap as an American art form. 1915: Metal taps are added to shoes. 1930’s-50’s: The era of dance movies starring Fred Astaire, Ginger Rogers, Eleanor Powell, Bill Robinson, Buddy Ebsen, James Cagney, Gene Kelly, Donald O’Connor, Ann Miller, and others. 1970’s: Dance studios and colleges start teaching tap. Hip hop and other social dance forms eclipse tap’s popularity. 1980’s: The first tap companies are formed, primarily by women, and the first international tap festival takes place in New York City. 1989: Congress establishes National Tap Dance Day to honor Bill “Bojangles” Robinson’s birthday, May 25th. 1990’s: Tap/percussive dance shows such as Riverdance, Lord of the Dance, Stomp and Tap Dogs become popular worldwide. Savion Glover becomes the poster child for the genre for his appearances in shows like Bring in ‘da Noise, Bring in ‘da Funk and on Sesame Street. Present: Many veteran tap dancers pass away, giving rise to a new generation of tap dancers like Michelle Dorrance, Chloe Arnold, and Jason Samuels Smith. Contemporary tap dance pushes the boundaries of the art form beyond just tapping, exploring elements such as storytelling, technology, and fusion with other dance forms. Questions? [email protected] © 2020 Ryan P. -
Alternate PDF Version
gyxegsxq2ri2yvh2yp2ihqe2sgi2f y qr pive2hedes2of2humEhums3 As the summer of 2005 rolls around, we have two more Burroughs conventions on the docket, one in Chicago and one in Toronto. Information flyers are included with this issue, so we hope you can fit one or both of these events into your schedule. Meanwhile, here are some recollections by our President, Bob Hyde, on how the Dum-Dums started. This memoir was first published at the 1991 Dum- Dum in Chicago, but since some of you were not there, we publish it again. Cheers! ... “Ye Editor” GENESIS OF THE BURROUGHS BIBLIOPHILES By Bob Hyde In the beginning . Vernell Coriell started publishing THE BURROUGHS BULLETIN in 1947, and sent free copies to anyone who asked. Soon after this, he was asked to form a Burroughs fan club, and this became a topic of discussion with various fans he met in his travels over the next two years. When Vern was in California in 1949, he obtained permission from ERB, Inc. to form a fan club and to call it THE BURROUGHS BIBLIOPHILES, but not to have any official connection with ERB, Inc. It was still a matter of discussion at the 1959 WORLD SCIENCE FICTION CONVENTION in Detroit where our Pittsburgh S-F group won the election to hold the 18th (1960) World Con in Pittsburgh. This 1960 event got us off on a firm footing. Since I was a member of the Convention Committee, Vern asked me to set up an organizational meeting for him at the convention. We figured this would be the logical place where a larger group of ERB fans would be gathered. -
James Stewart: the Trouble with Urban Modernity in Verligo and Liberly Valance
MA MAJOR RESEARCH PAPER James Stewart: The Trouble with Urban Modernity in Verligo and Liberly Valance ALEX MORRIS Supervisor: Edward Siopek The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada Sept. 21, 2009 Table of Contents Introduction: Post-War Stewart and the Dark Turn in Hollywood ...................................... 2 Chapter 1: Vertigo: An Architecture for Double Vision ..................................................... 13 Chapter 2: Liberty Valance: Masculine Anxiety in the Cinematic "Wild West" ................ 24 Works Cited and Consulted .............................................................................44 1 Introduction Legendary 20th Century Hollywood film star and American everyman James Maitland Stewart saw merit and enduring intrinsic reward more in his extensive career as a decorated military serviceman, which began a year before Pearl Harbor, well before his nation joined the fighting in the European theatre of the Second World War, and ended long after his controversial peace-time promotion to Brigadier General decades later than in his lifelong career as a cherished and profoundly successful screen actor. For him, as for his father and grandfather before him, who, between the two of them, saw action in three major American wars, serving the nation militarily was as good as it got. When asked by an interviewer some 50 years after the end of his wartime military service about his WWII memories, writes biographer Jonathan Coe in his book, Jimmy Stewart: A Wonderful Life, Stewart remarks that his military experience was "something that I think about almost everyday: one of the greatest experiences of my life." "Greater than being in the movies?" countered the reporter. -
5 Toau) Secret Talks a Possibility
r FRIDAY, JULY 14, 1972 PAGlfi TW5!NTY;F0UR > iiattrtfPBtpr iEttming l|?ralb At the Center The Weather Coventry With Glenti Gamher Fair arid humid tonight, lows In the 70s with a 20 per cent iPage 5 lEupnt« 5 to a U ) chance of rain. Hazy and humid, a chance of showers Sunday, Tax Deadline Aug. 1 Manchester— A City of Village Charm high 95. Gardening Tax Collector 'Audrey Bray ting by Qreg Locke, Curt Le VOL. XCI, NO. 243 (FOURTEEN PAGES— TV SECTION) ts reminding Coventry residents Doyt smd Dwayne Beagla. MANCHESTER, CONN., SATURDAY, JULY 15, 1972 (Classified Advertising on Page 11) PRICE FIFTEEN CENTS and property owners that tsuc- Other members of the Coven- es on the Grand List of Octo- try All-Stars are Dave Blwell, ber 1, 1971 are due and payable Ken Qoodale, Kevin Qraen, l^u prior to August 1. , LaBrec, ^Lee Martin, A1 i Frank Atwood Payments may be made dm Nominees Open either at her office In the Town Tomanelll, Sm U W^*®ce, Bill ■'What Is the of the automatic controls, twice a day. Mr. Devanney points out, Is Hall or by mall. In which case Seatim pretty flowers?" summer; If the winter basically residential, which Is these wishing a receipt should ^ become elec- ' r / " sun Is unusually bright, the his reason for not putting up a enclose a stamped, self-address- PP i„ the ReaU Secret Talks This Is a quesUon asked many ^^tered three Umes sign. It Is a reason also for the ed envelope with their payment. of M l Campaign Race times a day at the checkout a day. -
Selling Masculinity at Warner Bros.: William Powell, a Case Study
Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Books Recommended by Sally Field
Books Recommended By Sally Field Unpractised and sectional Maximilien precludes her curtilage cowhouses intends and requoted dreamlessly. Scripted Zolly southwards.biff privily or instating ava when Regen is insoluble. Ascidian Gerry usually telefaxes some sepulture or electroplatings She talked about her closely intertwined relationship with her mother, who often watched her children while she was working. For more information, visit www. Nonfiction Book Review: In Pieces by Sally Field. She survived events that would have destroyed most people. It was very profound and I have respect for her candor and tenacity. Get all of your passes, tickets, cards, and more in one place. My business manager gives me only a thousand dollars a week. In Pieces, she recounted an instance where Jones made a sexual comment towards her, and she played along, not knowing what the comment actually meant. Through it all, Obama remained determined to serve with grace and help others through initiatives like the White House garden and her campaign to fight childhood obesity. With her, it was all clean living, holding hands, kissing and gentle behavior. Field on numerous occasions and longed to start a family with her, but the actress was reluctant to do so. Sally Field can also write. Cardi B tries her hand at milking cows and training a horse in Cardi Tries as she shares she wants a farm. To be loved I Had to stop being me. She is not selling herself; she has instead a message to deliver. Not unkindly, but waiting. View Full Version of PW. When Sally Field began to act in small school plays, her mother was her champion. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.