Spring 2016 Volume Three // Issue Four Fidm and the City
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C U R R I C U L U M G U I
C U R R I C U L U M G U I D E NOV. 20, 2018–MARCH 3, 2019 GRADES 9 – 12 Inside cover: From left to right: Jenny Beavan design for Drew Barrymore in Ever After, 1998; Costume design by Jenny Beavan for Anjelica Huston in Ever After, 1998. See pages 14–15 for image credits. ABOUT THE EXHIBITION SCAD FASH Museum of Fashion + Film presents Cinematic The garments in this exhibition come from the more than Couture, an exhibition focusing on the art of costume 100,000 costumes and accessories created by the British design through the lens of movies and popular culture. costumer Cosprop. Founded in 1965 by award-winning More than 50 costumes created by the world-renowned costume designer John Bright, the company specializes London firm Cosprop deliver an intimate look at garments in costumes for film, television and theater, and employs a and millinery that set the scene, provide personality to staff of 40 experts in designing, tailoring, cutting, fitting, characters and establish authenticity in period pictures. millinery, jewelry-making and repair, dyeing and printing. Cosprop maintains an extensive library of original garments The films represented in the exhibition depict five centuries used as source material, ensuring that all productions are of history, drama, comedy and adventure through period historically accurate. costumes worn by stars such as Meryl Streep, Colin Firth, Drew Barrymore, Keira Knightley, Nicole Kidman and Kate Since 1987, when the Academy Award for Best Costume Winslet. Cinematic Couture showcases costumes from 24 Design was awarded to Bright and fellow costume designer acclaimed motion pictures, including Academy Award winners Jenny Beavan for A Room with a View, the company has and nominees Titanic, Sense and Sensibility, Out of Africa, The supplied costumes for 61 nominated films. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Oscar Hopeful Features Jewish Settlers and Palestinian Nuns
lifestyle SUNDAY, FEBRUARY 28, 2016 Oscar hopeful features Jewish settlers and Palestinian nuns n director Basil Khalil’s Oscar entry for best short film, settler family discuss among themselves whether they can Hany Abu Assad’s “Omar” scored a nomination in the best Palestinian nuns in a convent in the Israeli-occupied accept a glass of water from the nuns’ kitchen-where for- foreign-language film category. Omar, a tale of love, betray- IWest Bank face a dilemma when stranded Jewish set- bidden pork is being prepared. The events appear to the al and struggle in the Israeli-occupied territories also won a tlers seek their help. The Palestinian-French-German pro- viewer as “both amusing and absurd”, Khalil said from his jury prize in the “Un Certain Regard” category at the Cannes duction “Ave Maria” tells how Orthodox Jewish settlers home in London, but they do not mock the settlers or the festival and two top awards at the Dubai International Film crash into a statue of the Virgin Mary near a small remote nuns. Festival. In 2013 “Five Broken Cameras” - a Palestinian-Israeli convent with their car as the sabbath-and the Jewish reli- The subject of the film, shot in Hebrew, Arabic and co-production - was an Academy Award nominee in the gious ban on using the phone to seek help-begins. They English, is not religion but something broader, Khalil said. documentary section. Directed by Palestinian Emad Burnat seek assistance from five nuns who belong to a silent order “When a child is born in Israel/Palestine it is assigned its and Israeli Guy Davidi, the film documents the story of Bilin and who are therefore forbidden to contact anyone to fix friends and enemies and is told to fight for one side or the village and the struggle of its residents to protect their land the settlers’ car. -
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art. -
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN .................................................................................................... -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
De Leni Riefenstahl
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO A Ciranda do Pertencimento em “O Triunfo da Vontade” de Leni Riefenstahl Autor: Gabriela Fiorin Rigotti Orientador: Prof. Dr. Carlos Eduardo Albuquerque Miranda Campinas 2006 UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO A Ciranda do Pertencimento em “O Triunfo da Vontade” de Leni Riefenstahl Autor: Gabriela Fiorin Rigotti Orientador: Prof. Dr. Carlos Eduardo Albuquerque Miranda Este exemplar corresponde à redação final da dissertação defendida por Gabriela Fiorin Rigotti e aprovada pela Comissão Julgadora em 22/02/2006. ___________________________________________ Prof. Dr. Carlos Eduardo Albuquerque Miranda (orientador) Comissão Julgadora: ___________________________________________ Prof. Dr. Milton José de Almeida ___________________________________________ Prof. Dr. Mauro Luiz Rovai ___________________________________________ Prof. Dr. Wencesláo Machado de Oliveira Júnior ___________________________________________ Prof. Dr. Marcius César Soares Freire Campinas 2006 ii Aos meus pais, pelo eterno incentivo aos estudos, e a meu noivo, pela paciência em dividir por mais de dez anos minha atenção com os livros. iii AGRADECIMENTOS Ao Carlos, orientador e amigo. Ao Milton, pelos olhares, presentes e atenções. Ao Prof. Mauro Rovai, pelo incentivo e pela presença. À Gabi Coppola, meu anjo. Aos colegas do Olho, companheiros de pesquisa e café. iv “Não é à toa que entendo os que buscam caminho. Como busquei arduamente o meu! E como hoje busco com sofreguidão e aspereza o meu melhor modo de ser, o meu atalho, já que não ouso mais falar em caminho. Eu que tinha querido O Caminho, com letra maiúscula, hoje me agarro ferozmente à procura de um modo de andar, de um passo certo. Mas o atalho com sombras refrescantes e reflexo de luz entre as árvores, o atalho onde eu seja finalmente eu, isso não encontrei. -
UK TALENT and AWARDS Image: Amy Courtesy of Altitude Film Distribution UK TALENT and AWARDS
BFI RESEARCH AND STATISTICS STATISTICS PUBLISHED JUNE 2016 UK TALENT AND AWARDS Image: Amy courtesy of Altitude Film Distribution UK TALENT AND AWARDS UK actors, directors and writers consistently win acclaim at the global box office and international awards ceremonies. In 2015, UK talent and story material continued to reach enthusiastic audiences and showcase our culture and identity to the world. FACTS IN FOCUS Of the top 200 global box office successes of 2001-2015, 36 films are based on stories and characters created by UK writers. Together they have earned $30 billion (£20 billion) at the worldwide box office. Five of the top 20 global box office successes of the last 15 years are based on novels by UK writers. British acting talent has played lead or supporting roles in 81% of live action titles in the top 200 films of the last 15 years. UK directors were behind 31 of the 200 highest earning films of the last 15 years with Harry Potter director, David Yates, topping the box office league. UK films and talent won 26 major film awards in 2015/16, including six Oscars® and 11 BAFTAs. UK TALENT AND AWARDS UK TALENT UK STORY MATERIAL The global box office performance of UK films and foreign productions which draw on UK source material is a good indicator of the international impact and exposure of British culture. Of the top 200 grossing films released worldwide between 2001 and 2015, 48 are UK qualifying films, and UK-originated story material provided the inspiration for 36 films, a feat bettered only by US story material. -
Tihanyi Ildikó Dla Házi Védés 2019.04.10
Színház- és Filmművészeti Egyetem Doktori Iskola FELÖLTÖZTETETT MOZGÓKÉP Alkotói szempontok a játékfilmes jelmeztervezésben DOKTORI DISSZERTÁCIÓ Tihanyi Ildikó Rita Témavezető: M. Tóth Géza 2019 Hét kis véletlen című film (Gothár Péter, 2019) – werkfotó: Halas István !2 Bevezetés 5 Tézisek 6 I. A játékfilmes jelmeztervezés alapkérdései 10 I.1. Ruhák térben és időben 11 I.1.1. Viselettörténet 15 I.1.2. Divatszociológia 20 I.1.3. Szemiotika 24 I.2. A ruha fizikai jellemzői 28 I.2.1. Szín 32 I.2.2. Forma 37 I.2.3. Anyag 40 I.3. A karakterábrázolás eszközei 43 I.3.1. A szerep életre kel 43 I.3.1.1. Testkép és maszk 44 I.3.1.2. Jelmez 51 I.3.2. Viszonyrendszer és tipizálás 54 II. Jelmeztervezési szisztémák a viselettörténeti korszakok tükrében 60 II.1. Múlt 65 II.1.1. A szuperkópiák realizmusa 66 II.1.2. A stilizáció fokozatai 72 II.1.2.1. A korhűség látszata 73 II.1.2.2. Stilizáció a valósághűség határain belül 77 II.1.2.3. Tudatosan más kor beemelése 80 II.1.4. Ruhák a közelmúlt távlatában 87 II.3. Jelen 93 II.3.1. Dokumentarista és fikciós elemek 94 II.3.2. Generációs filmek 101 II.3.3. A valóságábrázolás szélső határai 110 !3 II.3. Jövő 114 II.3.1. Múltban rekedt világok 115 II.3.2. A jövő jelene 122 II.3.2.1. Mainstream divat 122 II.3.2.2. Marginális irányzatok 127 II.3.3. Jövővíziók 131 II.3.3.1. Stíluspluralizmus 132 II.3.3.2. Uniformizálódás 136 II.3.3.2. -
2015 NOMINATIONS and WINNERS (Presented in 2016)
2015 NOMINATIONS AND WINNERS (presented in 2016) FELLOWSHIP SIR SIDNEY POITIER OUTSTANDING BRITISH CONTRIBUTION TO CINEMA ANGELS COSTUMES BEST FILM THE BIG SHORT Dede Gardner, Jeremy Kleiner, Brad Pitt BRIDGE OF SPIES Kristie Macosko Krieger, Marc Platt, Steven Spielberg CAROL Elizabeth Karlsen, Christine Vachon, Stephen Woolley THE REVENANT Steve Golin, Alejandro G. Iñárritu, Arnon Milchan, Mary Parent, Keith Redmon SPOTLIGHT Steve Golin, Blye Pagon Faust, Nicole Rocklin, Michael Sugar OUTSTANDING BRITISH FILM 45 YEARS Andrew Haigh, Tristan Goligher AMY Asif Kapadia, James Gay-Rees BROOKLYN John Crowley, Finola Dwyer, Amanda Posey, Nick Hornby THE DANISH GIRL Tom Hooper, Tim Bevan, Eric Fellner, Anne Harrison, Gail Mutrux, Lucinda Coxon EX MACHINA Alex Garland, Andrew Macdonald, Allon Reich THE LOBSTER Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Efthimis Filippou OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER ALEX GARLAND (Director) Ex Machina DEBBIE TUCKER GREEN (Writer/Director) Second Coming NAJI ABU NOWAR (Writer/Director) RUPERT LLOYD (Producer) Theeb SEAN MCALLISTER (Director/Producer), ELHUM SHAKERIFAR (Producer) A Syrian Love Story STEPHEN FINGLETON (Writer/Director) The Survivalist FILM NOT IN THE ENGLISH LANGUAGE THE ASSASSIN Hou Hsiao-Hsien FORCE MAJEURE Ruben Östlund THEEB Naji Abu Nowar TIMBUKTU Abderrahmane Sissako WILD TALES Damián Szifron DOCUMENTARY AMY Asif Kapadia, James Gay-Rees CARTEL LAND Matthew Heineman, Tom Yellin HE NAMED ME MALALA Davis Guggenheim, Walter Parkes, Laurie MacDonald LISTEN TO ME MARLON Stevan Riley, John Battsek, George Chignell, R.J. Cutler SHERPA Jennifer Peedom, Bridget Ikin, John Smithson ANIMATED FILM INSIDE OUT Pete Docter MINIONS Pierre Coffin, Kyle Balda SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak DIRECTOR THE BIG SHORT Adam McKay BRIDGE OF SPIES Steven Spielberg CAROL Todd Haynes THE MARTIAN Ridley Scott THE REVENANT Alejandro G. -
A Content Analysis of the Gender of Academy Award Nominees and Winners for Films
A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the Master of Science Katie E. Labovitz June 2011 © 2011 Katie E. Labovitz. All Rights Reserved. This thesis titled A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 by KATIE E. LABOVITZ has been approved for the E.W. Scripps School of Journalism and the Scripps College of Communication by _______________________________________________ Joseph P. Bernt Professor of Journalism _______________________________________________ Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT LABOVITZ, KATIE E., M.S., June 2011, Journalism A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 (92 pp.) Director of Thesis: Joseph P. Bernt Using a coding instrument designed specifically for this study, the researcher analyzed the gender of Academy Award nominees and winners in all categories in which potential for direct competition between women and men existed. This study examined if there was gender discrepancy in terms of whose work was recognized in the film industry by the Academy of Motion Pictures Arts and Sciences. Data from 83 Academy Awards ceremonies honoring the films released from 1927 to 2010 yielded 1,471 cases that, when analyzed, supported the statement that more men than women have been nominated for, and winners of, Academy Awards in every category other than Costume Design. Examining the results by year of nominations, wins, and categories showed trends in the numbers of women and men nominees and winners. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E.