DOCSLIB.ORG

June 2O1O | 1 2 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
June 2O1O | 1 2 3 1 Nashville Arts Magazine | June 2O1O | 1 2 3 2 | June 2O1O | Nashville Arts Magazine Nashville Arts Magazine | June 2O1O | 3 4 5 Simply Better. Selection � Knowledge � Parking � Accessibility � Experience In the Heart of Green Hills. ITS IR 4005 Hillsboro Pike, Nashville, TN 37215 P next to trader joe’s S ( ) & Est. 2008 615.383.7660 GracesWine.com E WIN Store Hours: 9am - 9pm mon - thu � 9am - 10pm fri - sat � closed sun A True By Architect Masterpiece Arthur Hills A new private club that offers a core golf experience celebrating the traditional art of course design …. with no homes on the course. A challenging course nestled conveniently in the beautiful rolling hills of Franklin, the Westhaven Golf Club is steeped in the great traditions of golf and a love of the game. Private memberships are still available. Contact Matt Magallanes at 615-778-3939. WESTHAVEN GOLF CLUB 2140 BOYD MILL PIKE FRANKLIN, TENNESSEE 37064 WWW.GOLFWESTHAVEN.COM 4 | June 2O1O | Nashville Arts Magazine Nashville Arts Magazine | June 2O1O | 5 WGC NashArtsHor3.indd 1 4/20/10 4:14:53 PM 6 7 NUMBER FORTY 1 0 1 0 CENTENNIAL PARK - FREE ADMISSION CENTENNIAL PARK FRIDAY, JUNE 18, 12 P.M. -7 P.M. • SATURDAY, JUNE 19, 10 A.M. - 7 P.M. • SUNDAY, JUNE 20, 10 A.M. - 6 P.M. FRIDAY, JUNE 18, 12 TO 7 P.M. SATURDAY, JUNE 19, 10 A.M. TO 7 P.M. OUR FORTIETH FESTIVAL OF TEXTURES, TASTES, SHAPES AND SOUNDS • 165 ARTISANS SUNDAY, JUNE 20, 10 A.M. TO 6 P.M. FROM 35 STATES OFFERING A MULTITUDE OF ORIGINAL HANDCRAFTS + FOOD, MUSIC, CHILDREN’S ART BOOTH WWW.AMERICAN-ARTISAN.COM WE DEDICATE THE FESTIVAL TO THE VISION AND LEGACY OF NANCY & ALAN SATURN ALL CONTRIBUTIONS BENEFIT GILDA’S CLUB-NASHVILLE AND THE VANDERBILT INGRAM CANCER CENTER CO-SPONSORED BY THE METROPOLITAN BOARD OF PARKS & RECREATION 6 | June 2O1O | Nashville Arts Magazine Nashville Arts Magazine | June 2O1O | 7 8 9 Northgate NashArts June10:Northgate NashArts June10 5/24/10 9:34 AM Page 1 Influences of White: Paintings and Sculpture Inspired by a Color through June 26th AUCTIONEERS OF FINE ANTIQUES Imagination AND WORKS OF ART Featuring Tom Moore takes flight FOR THE SALE OF YOUR ESTATE at the Firefly Arts Festival CONTACT AUCTIONEERS: June 26-27, 2010 | 10am – 6pm Jeffery Fleetwood David E. Patterson State License #6375 State License #101 at The Renaissance Center in Dickson, TN www.NorthgateGallery.com www.NorthgateAuctions.com Spend a day at Firefly! Featuring over 70 world class artisans 1690 Mallory Lane 5520 Highway 153 exhibiting in a beautiful outdoor setting. Enjoy Live music, Brentwood, TN 37027 Hixson, TN 37343 Children’s Interactive Art and Play area, Sculpture Garden, 615-221-4341 423-877-6114 and more, all steps away from the state of the art Renaissance Center in Dickson TN. O N E O F T E N N E S S E E ’ S O L D E ST A U C T I O N C O M PA N I E S Firm License #16 Bovine Dream by Maggie Rose 46” x 44”, Oil on Linen “Loveless Cafe” 20x24 Oil on Masonite The Firefly Fine Arts Festival is the collaborative effort of Community Arts Development of Dickson County, The Renaissance Center, and the Tennessee Arts Commission. Over 22,000 sq. ft. Showroom White Shirt/Studio Sun by Maggie Rose “Stone’s River National Battlefield” 16x20 Oil on Masonite 48” x 48”, Oil on Linen www.northgategallery.com 615.221.4341 Exclusively available at All About Art Gallery • Visit us at www.allaboutartgallery.com Admission is Free • Parking $3 per car 1690 MALLORY LANE • BRENTWOOD, TN 37027 260 W Main St., Hendersonville, TN 37075 65 South, Exit 69, Moores Lane (west), Mallory (turn right) Behind the Shell Gas Station 8 | June 2O1O | Nashville Arts Magazine 4304 Charlotte Avenue • Nashville,Nashville TN Arts Magazine | June 2O1O | 9 (615) 826-9880 Go to www.fireflyartsfestival.com or call 615-440-0648 for more info lequiregallery.com 10 11 Publisher’s Note Yes, it sure has been a long, hard climb . TM Someday, everything is gonna be smooth like a rhapsody June 2010 When I paint my masterpiece LIFESTYLES FOR Spotlight ................................................................................... 12 -Bob Dylan [©1971 BIG SKY MUSIC] Art Couture XTRAORDINARY LIVING Nashville Arts decided to have its own fashion show ..........................21 Every artist feels they have a masterpiece in them. E They wait for it patiently, sing to the fates, buy drinks for the muse. Bernard de Clavière They know it will come if they keep at it. Of course, while waiting, Animalier Extraordinaire .................................................................... 28 they will suffer—suffer like they’re lying on a bed of nails, walking Marleen De Waele-De Bock barefoot over rose stems, dancing naked on an ice floe. To suffer High Priestess of Color .......................................................................34 is to embrace creativity. Part pain, part euphoria. Art is our drug. Bruce Peebles We don’t do it because we want to—we do it because we have to. Defying Gravity ...................................................................................42 Metropolitan East End Lofts, # 202 & 208, Nashville TN The Golden Age of Couture I, for one, welcome the bed of nails, the rose stems, the ice floe. Paris and London 1947–1957 .............................................................48 At day’s end, when my head has made repeated contact with the Mike Farris wall above my computer, there is nothing like the rush of having The Soul of a Man ................................................................................54 just written the perfect sentence, found the ultimate word, Miel’s discovered the rent in the cosmos where your thoughts squeeze Signature Slowly Roasted Chicken .......................................................60 through as words on the page. Photography Contest ........................................................................ 64 Lake Front Marshall Chapman, Between the Lines ..........................................67 I’m honored the wonderful folks at Nashville Arts Magazine 1067 Ramblewood Dr, Rogersville AL Appraise It ........................................................................................... 68 Poetry ...................................................................................................73 have allowed me to write my thoughts. This magazine is simply Anything Goes .....................................................................................74 awesome. Holding it in your hands is like running your fingers On The Town with Ted Clayton ..........................................................76 over the finest silk. Turning the pages, letting the colorful Puzzler ...................................................................................................78 images float up to your eye is like consuming the best meal. On My Favorite Painting .......................................................................... 82 these pages are the fingerprints of devotion, evidence of those who have waited for that someday smooth like a rhapsody. ON THE COVER: reen Living Created by Stephen Haigh G Currie Alexander Powers Terrazzo Penthouses, Nashville TN www.stephenhaigh.com writer THIS ICON AT THE END OF AN ARTICLE MEANS THERE IS accOMpaNYING VIDEO ON OUR WEBSITE PUBLished by The ST. CLaiRE Media GROUP NASHVILLEARTS.COM Charles N. Martin Jr., Chairman Paul Polycarpou, President EdiTORiaL & adVERTisiNG OFFices Daniel Hightower, Executive Director 644 West Iris Drive, Nashville, TN 37204 Tel. 615-383-0278 EdiTORIAL uburban BUsiNess OFFice: S Paul Polycarpou, Editor and CEO 330 Lynnwood Blvd, Nashville TN Angela Innes, Adrienne Thompson Katie Sulkowski, Managing Editor Coming Soon! Meagan Nordmann, Social Media & Web Manager DisTRibUTION: Madge Franklin, Copy Editor Parker Cason, Austin Littrell Ted Clayton, Social Editor SUbscRipTION AND CUSTOMER SERVice: Linda Dyer, Antique and Fine Art Specialist 615-383-0278 Jim Reyland, Theatre Correspondent LeTTERS: CONTRIBUTING WRITERS We encourage readers to share their stories and reactions Rebecca Bauer, Beano, Wm Bucky Baxter, Lizza Connor Bowen, to Nashville Arts Magazine by sending emails to Lou Chanatry, Sophie Colette, Melissa Cross, Daysi, Greta Gaines, [email protected] or letters to the address above. We P rivacy Joe Glazer, Beth Knott, Tony Lance, Linda York Leaming, reserve the right to edit submissions for length and clarity. 916 Cherry Grove, Franklin TN Joy Ngoma, Lizzie Peters, Currie Powers, Ashleigh Prince, Kami Rice, ADVERTisiNG DepaRTMENT Bernadette Rymes, Sally Schloss, Eric Stengel, Katie Sulkowski, Sales Director: Leigh Mayo The Lipman Kevin Tetz, Lindsey Victoria Thompson, David Turner, Lisa Venegas, Group Deborah Walden, Freya West, William Williams Sr. Account Executive: Randy Read Cindy Acuff, Rebecca Bauer, Melissa Cross, [email protected] 615.463.3333 DesiGN David Anthony Green, Beth Knott 2325 Crestmoor Road, Suite L-4 Jeff Stamper, Design Director All sales calls: 615-419-2111 Nashville TN 37215 Rob Williams, Advertising Design thelipmangroup.com PHOTOGRapheRS BUsiNess OFFice: Jerry Atnip, Nick Bumgardner, Lawrence Boothby, Allen Clark, 40 Burton Hills Boulevard Each Office Is Independently Owned And Operated. Matt Coale, Kyle Dreier, Tim Hiber, Peyton Hoge, Brad Jones, Nashville, TN 37215 Mark Levine, Anthony Scarlati, Bob Schatz, Pierre Vreyen Nashville Arts Magazine | June 2010 | 10 Budsliquors9.16.09.indd 1 10 | June9/16/09 2O1O 1:55 PM | Nashville Arts Magazine Nashville Arts Magazine | June 2O1O | 11 12 13 Spotlight Spotlight Nashville Arts is presented with an
Load more

Recommended publications
  • NUDIE COHN: the Rodeo Tailor
    Lesson developed by: Betsy G. Hoffman M.Ed. student in Early Childhood Education Peabody College, Vanderbilt University Nashville, TN NUDIE COHN: The Rodeo Tailor Curricular connections: History, Art, Language Arts Objective: Students will learn about Nudie Cohn and his innovative designs. Students will create their own clothing designs with materials provided. Grade: 3rd- 4th grade Prep time: Approximately 5-10 minutes for preparing materials Teach time: Day 1= 15 minutes for overview and introduction Day 2= 1 1/2 hours for Hall of Fame visit Day 3= 30 minutes for initial sketches and material choices Day 4= 45 minutes for creating the costume Day 5= 1 hour for writing and presenting concepts and creations Materials: Costume templates, paper, pencils, paints, markers, sequins, and glitter. Procedures: Day 1: Overview and Introductions Objective: To learn about Nudie Cohn and his background and life. Materials: Recollections of a fan biography and photos of Nudie's designs. 2 Initial questions: Have you ever worn a costume? What made it special? Discussion about decorative accents. Was it worn for a special occasion? Activity: Introduce students to Nudie Cohn. Give students a history of his life and his career. Show photos of his rhinestone-laden suits and boots. (Hand out worksheet) Next steps: Tell the children they will have the chance to see his designs in person at the Country Music Hall of Fame. Compelling questions: What makes Nudie Cohn's costumes stand out? How is he like a picture book illustrator? Day 2: Field trip to the Country Music Hall of Fame To give the students a chance to see the original Nudie Cohn designs.
    [Show full text]
  • DENTAL Insurance Also, You Are Upset About Opi- Sional/Financial Losses Caused N’T Be Able to Either
    Rutledge Hill GREEN HILLS TICKED OFF Neighborhood Page Page Nostalgia 7 NEWS 12 VOLUME 30 JULY 5, 2018 NUMBER 27 Wish kid Eli goes to the races Donate unwrapped toys and money for "Christmas in July" during July 4th celebrations downtown Nashville Nashville-Davidson County locations are the entrance to Sheriff Daron Hall an- Public Square Park, corner of nounced that the Davidson Fifth Avenue and Demonbreun County Sheriff’s Office (DCSO) Street, and Shelby Avenue/ and Last Minute Toy Store Korean Veterans Boulevard (LMTS) partnership contin- and 2nd Street (at the corner of - photos by ues with a “Christmas in Nissan Stadium). Personnel Matthew Starling July” fundraiser this week. will be stationed at these loca- DCSO personnel, along with tions from 4 – 8 p.m. Six-year old Eli United States Marines, will be Additionally, the public can at three locations July 4 to also drop-off at the DCSO accept new, unwrapped toys Administration Building, 506 Last Wednesday’s rain his car last week so he could and that's why we love it.” and monetary donations. This Second Avenue North, any caused a delay, but it could not practice before his racing Quarter midget racing is a partnership set a record time during the month of July. dampen the excitement sur- debut. Eli raced alongside sport in which children ages December 2017 by serving LMTS President Dale Robble, rounding Eli’s Race Day. Six- local quarter midget racers. 5-17 can participate. Eli’s race nearly 5,500 children. is looking forward to another year-old Eli, who suffers from His family and friends and car was built fire-retardant “We are really excited about successful holiday, but knows a congenital skeletal disorder, volunteers and supporters with optimal safety features.
    [Show full text]
  • A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee
    Nuestra Comunidad: A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee By Emily Rouse A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2020 Nuestra Comunidad: A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee Emily Rouse APPROVED: ______________________ Dr. Jason Pettigrew World Languages, Literatures, and Cultures ______________________ Dr. Roger J. Pieroni World Languages, Literatures, and Cultures ______________________ Dr. John R. Vile University Honors College Dean Abstract Inspired by The Humans of New York photography project by Brandon Stanton, this thesis project serves to provide an overview of the Latino community in the Middle Tennessee area through two parts: a research portion over various topics of interest and interviews with individuals who identify themselves as Hispanic and/or Latino that are transcribed in English and translated into Spanish also accompanied by photographs of areas of prominence for the community in the Middle Tennessee area. The goal of the project serves to separate the community from the demographics and give a personalized reflection instead and further the knowledge of the researcher through culture and community. It examines demographics thorough the research, but also acknowledges individual perspective on those topics to
    [Show full text]
  • From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989 Dana C
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 4-8-2009 From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989 Dana C. Wiggins Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Wiggins, Dana C., "From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/history_diss/21 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FROM COUNTRYPOLITAN TO NEOTRADITIONAL: GENDER, RACE, CLASS, AND REGION IN FEMALE COUNTRY MUSIC, 1980-1989 by DANA C. WIGGINS Under the Direction of Michelle Brattain ABSTRACT During the 1980s, women in country music enjoyed unprecedented success in record sales, television, film, and on pop and country charts. For female performers, many of their achievements were due to their abilities to mold their images to mirror American norms and values, namely increasing political conservatism, the backlashes against feminism and the civil rights movement, celebrations of working and middle class life, and the rise of the South. This dissertation divides the 1980s into three distinct periods and then discusses the changing uses of gender, race, class, and region in female country music and links each to larger historical themes.
    [Show full text]
  • Manuel Cuevas Helps That Said "Pants Maker Wanted" and Applied Forthe It Paid a K Job; I Create American Icons Dollar an Hour
    PERSONAL"Forgive?How could she managethat?" -MARTHA HALLBESTKELLY, P. s2 1 STARTED MAKING my own shirts and pants in Mexico when I One Piece was 7 years old. Then I learned how to make coats and dresses and stufflike that. I learned shoemaking, boot making. So I have never bought anything fromany store ever since. at a Time In 1951, while I was visiting my sister in Los Angeles, I saw a sign How Manuel Cuevas helps that said "Pants Maker Wanted" and applied forthe it paid a k job; I create American icons dollar an hour. In those early years, I worked forseveral different -.14300 PHOTOGRAPHS BY MATTHEW SALACUSE OCTOBER/ NOVEMBER 2018 73 I PERSONALBEST / My Style tailors, including Sy Devore, known The desiJJer's as the tailor to the stars. The first _ signature styles clients who came in for fittings often include while I worked forhim included embroidery. Bob Hope, Frank Sinatra and Johnny '-'":., Weissmuller-Tarzan! At one point, I met a beautiful model who changed my life when she took me to the Rose Parade in Pasadena. I saw the equestrian units with their flamboyantembroidery and sequins and asked, "Who does this elegant stuff?"It turned out to be a woman named Viola Grae, and I went to work forher and learned the embroidery business. One day she introduced me to film costume designer Edith Head. So fl then I started doing movies. I dressed > James Dean in Giant. I also created the look forClint Eastwood in those spaghetti westerns. He was supposed 'Fashion is what hangs on a rack.
    [Show full text]
  • Descarga Directa En
    DÍAS DE VINILO UNA HISTORIA DEL DISEÑO GRÁFICO MUSICAL 17 de abril - 13 de septiembre de 2015 Salas 1, 3, 4, 5, 6 y 7 EXPOSICIÓN CATÁLOGO Organización y Producción Textos Patio Herreriano, Museo de Arte F. Javier Panera Cuevas Contemporáneo Español. Fotografías Comisario © Archivo Fotográfico Museo Patio F. Javier Panera Cuevas Herreriano (Juan Carlos Quindós) Coordinación Diseño y maquetación Patricia Sánchez Cid María Ángeles Díez Mendoza Comunicación ISBN 978-84-96286-31-3 Susana Gil Trigueros Todos los derechos reservados Montaje © De las imágenes y los textos Feltrero División Arte sus autores © De la edición Museo Patio Seguro Herreriano Aon - AXA Art Selección de obras de la Colección Arte Contemporáneo-Museo Patio Herreriano integradas en DÍAS DE VINILO. Una historia del diseño Serenade (1989) gráfico musical Elena Asins Colección Arte Contemporáneo Bodegón cubista con guitarra (1925) José Moreno Villa Tríptico transformable (1966) CAC Aon Gil y Carvajal, S.A. Manuel Barbadillo CAC Gas Natural Fenosa Bodegón cubista con guitarra (1925) José Moreno Villa Pieza escuchando la pared (1992) CAC ACS, Actividades de Construcción y Juan Muñoz Servicios, S.A. CAC Accenture España, S.L. Couple de danseurs (1926-28) Espacio rítmico en Fa menor (2007) Joaquín Peinado José Antonio Orts CAC Aon Gil y Carvajal, S.A. CAC Banco Popular Español, S.A. Bodegón con violín y partitura (1930 c.) Dancing with the minimalism 3 (1996) Ismael G. de la Serna Elena del Rivero CAC Unión Fenosa Distribución, S.A. CAC Aon Gil y Carvajal, S.A. Càntic del sol (1975) Dancing with the minimalism 2 (1996) Joan Miró Elena del Rivero Colección Arte Contemporáneo CAC Aon Gil y Carvajal, S.A.
    [Show full text]
  • Nashvillemusicguide.Com 1
    NashvilleMusicGuide.com 1 NashvilleMusicGuide.com 2 NashvilleMusicGuide.com 3 Letter from the Editor Nashville is known to many as Music City, While blues lyrics often deal with the blues. USA -- but even more so it is considered personal adversity, the music itself goes the capitol for the Country Music Scene. far beyond self-pity. The blues is also This year marks the 5th Annual Music While both are true, over the past few about overcoming hard luck, saying what City Blues Spring Festival slated to be years Nashville has been cultivating its you feel, ridding yourself of frustration, held on Memorial Day at Centennial Park. other genres that can be found around letting your hair down, and simply having It is free to the public and the headliner is town. fun. From unbridled joy to deep sadness, Taj Mahal. no form of music communicates more Last year, NMG decided to start covering genuine emotion. We also hosted a Blues Jam and had some these other genres that have been quietly great artists come out to perform - Johnny growing on the side scenes of Country. The blues grew up in the Mississippi Hiland and Ronnie Lutrick of The Blues Delta just upriver from New Orleans, the Connection, The Andy T Band, Tyrone One of these genres was the Blues, birthplace of jazz. Blues and jazz have Carreker, Paris Delane and numerous surprisingly there was a larger scene than always influenced each other, and they others that blew away Midtown. any of us could have realized. still interact in countless ways today.
    [Show full text]
  • Glen Campbell…I’Ll Be Me
    PCH Films and Volunteers of America present Directed by James Keach Produced by Trevor Albert and James Keach Winner – Grand Jury Prize, Nashville Film Festival Official Selection – AFI Docs 104 Minutes An Area 23A Release National Theatrical Release October 24, 2014 NATIONAL MEDIA CONTACT LOS ANGELES MEDIA CONTACT Julia Pacetti Lisa Taback & Eric Osuna JMP Verdant Communications LTLA Communications [email protected] [email protected] & [email protected] (718) 399-0400 (310) 274-3880 REGIONAL SAN FRANCISCO Tierney Kelly, TKPR Karen Larsen, Larsen Associates [email protected] [email protected] (215) 280 9494 (415) 957-1205 GLEN CAMPBELL…I’LL BE ME CREW James Keach Director/Producer Trevor Albert Producer Scott Borchetta Executive Producer Susan Disney Lord Executive Producer Jane Seymour Executive Producer Stanley Schneider Executive Producer Julian Raymond Executive Producer Elisa Bonora Editor Zimo Huang Additional Editing Alex Exline Additional Editing Jeff Pollack Associate Producer Debra Pearl Associate Producer Carl Jackson Associate Producer Cindy Sinclair Associate Producer Kayla Thornton Co-Producer GOODBYE TOUR MUSICIANS Lead Guitar & Vocals Glen Campbell Musical Director, Keyboards & Vocals T.J. Kuenster Banjo, Guitar, Keyboard & Vocals Ashley Campbell Drums & Vocals Cal Campbell Guitar & Vocals Shannon Campbell Guitar & Vocals Ry Jarred Bass Guitar Siggy Sjursen Bass Guitar Kiefo Nilsson 2 GLEN CAMPBELL…I’LL BE ME SYNOPSIS This powerful portrait of the life and career of great American music icon Glen Campbell opens to the viewer the world of the singular talent who created hits like Rhinestone Cowboy, Wichita Lineman and Gentle on My Mind. Winner of the Grammy for Lifetime Achievement and member of the Country Music Hall of Fame, Glen was the first country music star to cross over to the pop charts, opening a new realm of opportunity for generations of country musicians.
    [Show full text]
  • Nudie's Rodeo Tailors Archives
    http://oac.cdlib.org/findaid/ark:/13030/kt1199r5xd No online items Finding Aid to the Nudie’s Rodeo Tailors Archives MSA.30 Finding aid prepared by Holly Rose Larson and Marva Felchlin Autry National Center, Autry Library 4700 Western Heritage Way Los Angeles, CA, 90027 (323) 667-2000 ext. 349 [email protected] 2012 February 13 Finding Aid to the Nudie’s Rodeo MSA.30 1 Tailors Archives MSA.30 Title: Nudie's Rodeo Tailors Archives Identifier/Call Number: MSA.30 Contributing Institution: Autry National Center, Autry Library Language of Material: English Physical Description: 28.0 Linear feet64 boxes Date (inclusive): 1950-1994 Abstract: Nudie Cohn, born Nuta Kotlyrenko in Kiev (1902 December 15 - 1984 May 9), was a Russian immigrant who moved to America in 1913. Born into a family of boot makers and tailors, he made a name for himself in Western style tailoring. Nudie’s custom clothing was distinguished by its sharp fit and eye-catching embellishments. His work became famous in the Western music scene in the 1950s, and his client base grew over four decades to include movie studios, movie stars, rock and roll musicians, and equestrian parade participants. Nudie is famous for outfitting Roy Rogers in rhinestone-studded fringe, creating the gold lamé suit Elvis wore in 1957, and the light-up suit donned by Robert Redford in The Electric Horseman. The Nudie’s Rodeo Tailors Archives collection spans 1950-1994 and includes customer clothing files, correspondence, boot patterns, financial records, photographs, and publications. creator: Cohn, Nudie, 1902-1984 creator: Kotlyarenko, Nuta, 1902-1984 creator: Nudie’s Rodeo Tailors.
    [Show full text]
  • GCM Venue Presentation
    Located on the historic corner of Broadway and 2nd Ave. P R O D U C T I O N S P A C E L I V E E V E N T V E N U E P R I V A T E E V E N T S P A C E V I P E X P E R I E N C E S P U B L I C M U S E U M T O U R S glencampbellmuseum.com I N H O N O R O F T H E G R E A T E S T G U I T A R I S T T O E V E R P L A Y The Glen Campbell Museum features never-before-seen artifacts from Glen’s early years on the farm in Arkansas through his climb to super-stardom, including many of his guitars, instruments, and stage clothes by legendary Western Wear Clothiers, Nudie Cohn and Manuel Cuevas, as well as his extensive collection of golf paraphernalia and intimate family photos. G L E N ' S C O N T R I B U T I O N T O T H E M U S I C W O R L D Glen Campbell was the first-ever crossover artists to hold #1 hits on both the country and pop charts. In addition to his own music, he played on numerous top 40 records as a studio guitarist. Ask any current artist and they will most likely tell you that Glen Campbell inspired their music in some way.
    [Show full text]
  • Music · Culture
    FILM · MUSIC · CULTURE NASHFILM.ORG CONTENTS GREETINGS 3 2019 FESTIVAL FEATURES Special Presentations 12 Retrospectives 18 U.S. Independents 20 Women in Focus 24 Twisted Lens 28 2019 TENNESSEE SHOWCASE Tennessee Features 32 Tennessee Shorts 34 2019 FESTIVAL COMPETITION FEATURES Narrative 38 Documentary 42 Reel Music Documentary 50 New Directors 56 Animated 60 Graveyard Shift 62 Tennessee First 66 SHORTS Documentary 70 Narrative 74 Experimental 84 Animated 88 Shorts Preceding Features 92 Graveyard Shift 96 Tennessee First 100 NextGen 108 Episodic 116 VR 120 CREATORS TABLE OF CONTENTS TABLE CONFERENCE 126 2 Welcome! The Nashville Film Festival (NashFilm) is a globally- recognized non-profit organization and cultural event presenting the best in world cinema, American independent films and documentaries by veteran masters, up-and-coming directors, and first-time filmmakers. With Academy Award® qualifying status, the Nashville Film Festival celebrates innovation, music and the many voices of the human spirit through the art of film. Originally founded in 1969, the Nashville Film Festival is one of the first film festivals in the United States. The Nashville Film Festival discovers, elevates and honors filmmakers, screenwriters and music makers from around the world while engaging, connecting and strengthening the Nashville community. OF CONTENTS TABLE The vision for the 50th Annual Nashville Film Festival is to elevate the experience by engaging, inspiring and connecting the community of filmmakers and film fans through quality programming, live events and insightful conversations that improve people’s lives and expand their perspectives. We invite you to joining NashFilm as a member, donor or supporting sponsor. By joining us, you will help create and expand the incredible opportunities for film and filmmakers right here at home in Tennessee.
    [Show full text]
  • Gender, Race, Class, and Region in Female Country Music, 1980-1989
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 4-8-2009 From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989 Dana C. Wiggins Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Wiggins, Dana C., "From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/history_diss/21 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FROM COUNTRYPOLITAN TO NEOTRADITIONAL: GENDER, RACE, CLASS, AND REGION IN FEMALE COUNTRY MUSIC, 1980-1989 by DANA C. WIGGINS Under the Direction of Michelle Brattain ABSTRACT During the 1980s, women in country music enjoyed unprecedented success in record sales, television, film, and on pop and country charts. For female performers, many of their achievements were due to their abilities to mold their images to mirror American norms and values, namely increasing political conservatism, the backlashes against feminism and the civil rights movement, celebrations of working and middle class life, and the rise of the South. This dissertation divides the 1980s into three distinct periods and then discusses the changing uses of gender, race, class, and region in female country music and links each to larger historical themes. It concludes that political and social conservatism influenced women’s country performances and personas.
    [Show full text]