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30Th Anniversary Dance Are Included in This Issue of the Newsletter
Northern Virginia NNVVCWCWDDA Country-Western Dance Association NEWSLETTER Vol. XXXI, No. 2 Official Publication Fourth Quarter 2016 President's Report by Eileen Scott Charter Members Attending Anniversary Dance Wow!!! What a great turnout for the Anniversary Dance! It was so good to see our friends from the past as well as current and new dancers and friends. Read all about our event throughout this newsletter. Thanks to everyone who joined us and especially the entire board who worked especially hard to make this a memorable evening. There were many who were not able to make it that evening. It is not too late to come visit us. We can celebrate our 30 years all year long. We would really love to see all of you whenever you are in the Northern VA area, especially the rest of you charter and life members. If you did Wright Photos courtesy of Bruce come to the Anniversary dance, please Left to right: Joyce Leamon, Bill Cole, Linda-B Woodworth, Bill Markland. Linda-B Wood- come back to dance with us again worth and Bill Markland also achieved Life Member status through their many contribu- whenever you can. tions to the growth and management of the organization. More information and photos We don’t seem to have correct from the 30th Anniversary Dance are included in this issue of the newsletter. addresses for many of you. Hopefully you keep in touch by reading this New Year’s Eve 2016 newsletter and/or visiting the website and will see this plea for you to send The NVCWDA will hold its New Year's us your updated information so we can Eve Dance at Accotink Universalist keep in touch. -
The Music Memorabilia Market with Price Guide
Musical The Music Memorabilia Market with Price Guide By George Johnson usic genres can encompass a whole swathe of tastes from Mclassical and country through to pop and rock, so it is little wonder that the associated memorabilia and collectables are also wide and varied, as are prices. Whether you are a fan of Mozart or Madonna there is always going to be something that will tempt the right collector. Here is an area of collectables where massive prices can be achieved for very inexpensively produced items by association or fact of previous ownership. Even just the ephemeral scribble of a signature can be worth a small fortune. A word of warning: as with all areas of the collectables market it is prudent to proceed with caution as fake items can be quite abundant, particularly in the area of signatures. Instruments The collectable market in instruments can be divided in to two distinct areas. The first is instruments by famous or highly regarded makers such as Antonio Fig 1. Pete Townshend’s 1972/73 Gibson Les Paul Stradivari or even Les Paul as well as other well known names. Just a few months Deluxe. Christie’s Images Ltd. 2011. ago a violin by Stradivari, Fig 2, was sold by The Tarisio Auction House to raise funds for the Japanese Tsunami. The instrument in question was called Lady Blunt as it was named after its nineteenth century owner, one Lady Anne Blunt who was an Arabian horse breeder and also happened to be Lord Byron’s grand- daughter. It had previously been sold in 1971 at Sotheby’s where it raised £84,000. -
The Center for Popular Music Middle Tennessee State University, Murfreesboro, Tn
THE CENTER FOR POPULAR MUSIC MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN JESSE AUSTIN MORRIS COLLECTION 13-070 Creator: Morris, Jesse Austin (April 26, 1932-August 30, 2014) Type of Material: Manuscript materials, books, serials, performance documents, iconographic items, artifacts, sound recordings, correspondence, and reproductions of various materials Physical Description: 22 linear feet of manuscript material, including 8 linear feet of Wills Brothers manuscript materials 6 linear feet of photographs, including 1 linear foot of Wills Brothers photographs 3 boxes of smaller 4x6 photographs 21 linear feet of manuscript audio/visual materials Dates: 1930-2012, bulk 1940-1990 RESTRICTIONS: All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated to the Center by Jesse Austin Morris of Colorado Springs, Colorado on May 23, 2014. Former Center for Popular Music Director Dale Cockrell and Archivist Lucinda Cockrell picked up the collection from the home of Mr. Morris and transported it to the Center. Arrangement: The original arrangement scheme for the collection was maintained during processing. The exception to this arrangement was the audio/visual materials, which in the absence of any original order, are organized by format. Collection is arranged in six series: 1. General files; 2. Wills Brothers; 3. General photographs; 4. Wills Brothers photographs; 5. Small print photographs; 6. Manuscript Audio/Visual Materials. “JESSE AUSTIN MORRIS COLLECTION” 13-070 Subject/Index Terms: Western Swing Wills, Bob Wills, Johnnie Lee Cain’s Ballroom Country Music Texas Music Oklahoma Music Jazz music Giffis, Ken Agency History/Biographical Sketch: Jesse Austin Morris was editor of The Western Swing Journal and its smaller predecessors for twenty years and a well-known knowledge base in western swing research. -
DENTAL Insurance Also, You Are Upset About Opi- Sional/Financial Losses Caused N’T Be Able to Either
Rutledge Hill GREEN HILLS TICKED OFF Neighborhood Page Page Nostalgia 7 NEWS 12 VOLUME 30 JULY 5, 2018 NUMBER 27 Wish kid Eli goes to the races Donate unwrapped toys and money for "Christmas in July" during July 4th celebrations downtown Nashville Nashville-Davidson County locations are the entrance to Sheriff Daron Hall an- Public Square Park, corner of nounced that the Davidson Fifth Avenue and Demonbreun County Sheriff’s Office (DCSO) Street, and Shelby Avenue/ and Last Minute Toy Store Korean Veterans Boulevard (LMTS) partnership contin- and 2nd Street (at the corner of - photos by ues with a “Christmas in Nissan Stadium). Personnel Matthew Starling July” fundraiser this week. will be stationed at these loca- DCSO personnel, along with tions from 4 – 8 p.m. Six-year old Eli United States Marines, will be Additionally, the public can at three locations July 4 to also drop-off at the DCSO accept new, unwrapped toys Administration Building, 506 Last Wednesday’s rain his car last week so he could and that's why we love it.” and monetary donations. This Second Avenue North, any caused a delay, but it could not practice before his racing Quarter midget racing is a partnership set a record time during the month of July. dampen the excitement sur- debut. Eli raced alongside sport in which children ages December 2017 by serving LMTS President Dale Robble, rounding Eli’s Race Day. Six- local quarter midget racers. 5-17 can participate. Eli’s race nearly 5,500 children. is looking forward to another year-old Eli, who suffers from His family and friends and car was built fire-retardant “We are really excited about successful holiday, but knows a congenital skeletal disorder, volunteers and supporters with optimal safety features. -
A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee
Nuestra Comunidad: A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee By Emily Rouse A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2020 Nuestra Comunidad: A Creative Collage and Translation Exploring the Identity and Growing Influence of the Latino Community in Middle Tennessee Emily Rouse APPROVED: ______________________ Dr. Jason Pettigrew World Languages, Literatures, and Cultures ______________________ Dr. Roger J. Pieroni World Languages, Literatures, and Cultures ______________________ Dr. John R. Vile University Honors College Dean Abstract Inspired by The Humans of New York photography project by Brandon Stanton, this thesis project serves to provide an overview of the Latino community in the Middle Tennessee area through two parts: a research portion over various topics of interest and interviews with individuals who identify themselves as Hispanic and/or Latino that are transcribed in English and translated into Spanish also accompanied by photographs of areas of prominence for the community in the Middle Tennessee area. The goal of the project serves to separate the community from the demographics and give a personalized reflection instead and further the knowledge of the researcher through culture and community. It examines demographics thorough the research, but also acknowledges individual perspective on those topics to -
From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989 Dana C
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 4-8-2009 From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989 Dana C. Wiggins Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Wiggins, Dana C., "From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/history_diss/21 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FROM COUNTRYPOLITAN TO NEOTRADITIONAL: GENDER, RACE, CLASS, AND REGION IN FEMALE COUNTRY MUSIC, 1980-1989 by DANA C. WIGGINS Under the Direction of Michelle Brattain ABSTRACT During the 1980s, women in country music enjoyed unprecedented success in record sales, television, film, and on pop and country charts. For female performers, many of their achievements were due to their abilities to mold their images to mirror American norms and values, namely increasing political conservatism, the backlashes against feminism and the civil rights movement, celebrations of working and middle class life, and the rise of the South. This dissertation divides the 1980s into three distinct periods and then discusses the changing uses of gender, race, class, and region in female country music and links each to larger historical themes. -
Manuel Cuevas Helps That Said "Pants Maker Wanted" and Applied Forthe It Paid a K Job; I Create American Icons Dollar an Hour
PERSONAL"Forgive?How could she managethat?" -MARTHA HALLBESTKELLY, P. s2 1 STARTED MAKING my own shirts and pants in Mexico when I One Piece was 7 years old. Then I learned how to make coats and dresses and stufflike that. I learned shoemaking, boot making. So I have never bought anything fromany store ever since. at a Time In 1951, while I was visiting my sister in Los Angeles, I saw a sign How Manuel Cuevas helps that said "Pants Maker Wanted" and applied forthe it paid a k job; I create American icons dollar an hour. In those early years, I worked forseveral different -.14300 PHOTOGRAPHS BY MATTHEW SALACUSE OCTOBER/ NOVEMBER 2018 73 I PERSONALBEST / My Style tailors, including Sy Devore, known The desiJJer's as the tailor to the stars. The first _ signature styles clients who came in for fittings often include while I worked forhim included embroidery. Bob Hope, Frank Sinatra and Johnny '-'":., Weissmuller-Tarzan! At one point, I met a beautiful model who changed my life when she took me to the Rose Parade in Pasadena. I saw the equestrian units with their flamboyantembroidery and sequins and asked, "Who does this elegant stuff?"It turned out to be a woman named Viola Grae, and I went to work forher and learned the embroidery business. One day she introduced me to film costume designer Edith Head. So fl then I started doing movies. I dressed > James Dean in Giant. I also created the look forClint Eastwood in those spaghetti westerns. He was supposed 'Fashion is what hangs on a rack. -
Descarga Directa En
DÍAS DE VINILO UNA HISTORIA DEL DISEÑO GRÁFICO MUSICAL 17 de abril - 13 de septiembre de 2015 Salas 1, 3, 4, 5, 6 y 7 EXPOSICIÓN CATÁLOGO Organización y Producción Textos Patio Herreriano, Museo de Arte F. Javier Panera Cuevas Contemporáneo Español. Fotografías Comisario © Archivo Fotográfico Museo Patio F. Javier Panera Cuevas Herreriano (Juan Carlos Quindós) Coordinación Diseño y maquetación Patricia Sánchez Cid María Ángeles Díez Mendoza Comunicación ISBN 978-84-96286-31-3 Susana Gil Trigueros Todos los derechos reservados Montaje © De las imágenes y los textos Feltrero División Arte sus autores © De la edición Museo Patio Seguro Herreriano Aon - AXA Art Selección de obras de la Colección Arte Contemporáneo-Museo Patio Herreriano integradas en DÍAS DE VINILO. Una historia del diseño Serenade (1989) gráfico musical Elena Asins Colección Arte Contemporáneo Bodegón cubista con guitarra (1925) José Moreno Villa Tríptico transformable (1966) CAC Aon Gil y Carvajal, S.A. Manuel Barbadillo CAC Gas Natural Fenosa Bodegón cubista con guitarra (1925) José Moreno Villa Pieza escuchando la pared (1992) CAC ACS, Actividades de Construcción y Juan Muñoz Servicios, S.A. CAC Accenture España, S.L. Couple de danseurs (1926-28) Espacio rítmico en Fa menor (2007) Joaquín Peinado José Antonio Orts CAC Aon Gil y Carvajal, S.A. CAC Banco Popular Español, S.A. Bodegón con violín y partitura (1930 c.) Dancing with the minimalism 3 (1996) Ismael G. de la Serna Elena del Rivero CAC Unión Fenosa Distribución, S.A. CAC Aon Gil y Carvajal, S.A. Càntic del sol (1975) Dancing with the minimalism 2 (1996) Joan Miró Elena del Rivero Colección Arte Contemporáneo CAC Aon Gil y Carvajal, S.A. -
Iconic Rock Bottom Restaurant & Brewery
THE NNN PRO GROUP Iconic Rock Bottom Restaurant & Brewery - 111 Broadway Nashville, Tennessee 37201 EXCLUSIVE NET LEASE OFFERING CONFIDENTIALITY & DISCLAIMER Marcus & Millichap hereby advises all prospective purchasers of lease, including the likelihood of locating a replacement tenant if the information set forth herein. Net Leased property as follows: the current tenant should default or abandon the property, and the lease terms that Buyer may be able to negotiate with a NON-ENDORSEMENT NOTICE The information contained in this Marketing Brochure has been potential replacement tenant considering the location of the obtained from sources we believe to be reliable. However, property, and Buyer’s legal ability to make alternate use of the Marcus & Millichap Real Estate Investment Services, Inc. (“M&M”) Marcus & Millichap has not and will not verify any of this property. is not affiliated with, sponsored by, or endorsed by any information, nor has Marcus & Millichap conducted any commercial tenant or lessee identified in this marketing package. investigation regarding these matters. Marcus & Millichap makes By accepting this Marketing Brochure you agree to release The presence of any corporation’s logo or name is not intended to no guarantee, warranty or representation whatsoever about the Marcus & Millichap Real Estate Investment Services and hold it indicate or imply affiliation with, or sponsorship or endorsement accuracy or completeness of any information provided. harmless from any kind of claim, cost, expense, or liability arising by, said corporation of M&M, its affiliates or subsidiaries, or any out of your investigation and/or purchase of this net leased agent, product, service, or commercial listing of M&M, and is As the Buyer of a net leased property, it is the Buyer’s property. -
May 2021 GOOD NEWS, We Will Have a Dance Sunday May 16, 2021 at the Valencia Club in Penryn, 1-5 with Lincon Highway
Volume 39, Number 4 May 2021 GOOD NEWS, We will have a dance Sunday May 16, 2021 at the Valencia Club in Penryn, 1-5 with Lincon Highway LITTLE JIMMY DICKENS CLIFFE STONE Inducted Oct. 4, 1987 Inducted Oct. 4, 1987 Western Swing Society Hall of Fame Profile ~ Page 3 W H A T’ S I N S I D E Membership Dues to Re- Officials & Staff ............ 2 Dancers Photos .............. 6 Letter From The Editor ...... 2 New Merchandise .......... 7 sume! The WSS board had a Membership Application. ... 2 VC Photos .............. 8 & 9 HOF Profiles ................. 3 Other WSS Orgs .......... 10 meeting and felt that we VC Photos ..................... 4 Monthly Music .................... 10 need to start our member- Special Dance Sunday 1-5 pm With Lincoln High- way at the Valencia Cub in Penryn CA ship drive up. A lot of folks have already paid their dues and will be receiving their cards soon, Thank You! WESTERN SWING SOCIETY MUSIC NEWS May 2021 - Page 2 The Western Swing Society EDITOR’S LETTER PO Box 2474 Carmichael, CA 95609 Yes Folks! westernswingsociety.net We had a great time on the April 18th Facebook: SacramentoWesternSwingSociety at the Valencia Club in Penryn, CA. I Founded in 1981 by Loyd and Perry Jones got a chance to see it from the stage to enable performance, preservation and with “Bite the Bullet”. I won’t cri- perpetuation of the unique American art tique a band I play with but I will form known as Western Swing Music. thank everyone for the very gracious Officers: comments I read on Facebook. -
Blues Music and the Art of Narrative Self-Invention
UNIVERSITY OF CALIFORNIA Los Angeles The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Kimberly Renee Mack 2015 © Copyright by Kimberly Renee Mack 2015 ABSTRACT OF THE DISSERTATION The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention by Kimberly Renee Mack Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Richard A Yarborough, Chair My dissertation examines representations of black American blues musicians in contemporary American fiction, drama, and popular music, and it argues that blues music can be examined as a narrative art rooted in the tradition of fictionalized autobiographical self- fashioning. I contend that the contemporary, multi-racial, literary and musical characters in my project who participate in so-called “authentic” blues expression create, sometimes consciously and sometimes unwittingly, a fiction on top of a fiction. This project questions the belief held by many blues scholars, critics, and fans that blues music is a racially essentialized form instead of a narrative tradition made possible through carefully constructed autobiographical and biographical fictions. ii My project makes two important interventions into traditional discussions of blues production and the representations of blues figures in 20th- and 21st-century American literature. First, it destabilizes racial, socio-cultural, temporal, and gendered blues tropes by shifting blues expression from an innate skill to a storytelling art form through which its makers invent themselves. Second, this study allows for a different, interdisciplinary approach to autobiographical and biographical expression. -
Nashvillemusicguide.Com 1
NashvilleMusicGuide.com 1 NashvilleMusicGuide.com 2 NashvilleMusicGuide.com 3 Letter from the Editor Nashville is known to many as Music City, While blues lyrics often deal with the blues. USA -- but even more so it is considered personal adversity, the music itself goes the capitol for the Country Music Scene. far beyond self-pity. The blues is also This year marks the 5th Annual Music While both are true, over the past few about overcoming hard luck, saying what City Blues Spring Festival slated to be years Nashville has been cultivating its you feel, ridding yourself of frustration, held on Memorial Day at Centennial Park. other genres that can be found around letting your hair down, and simply having It is free to the public and the headliner is town. fun. From unbridled joy to deep sadness, Taj Mahal. no form of music communicates more Last year, NMG decided to start covering genuine emotion. We also hosted a Blues Jam and had some these other genres that have been quietly great artists come out to perform - Johnny growing on the side scenes of Country. The blues grew up in the Mississippi Hiland and Ronnie Lutrick of The Blues Delta just upriver from New Orleans, the Connection, The Andy T Band, Tyrone One of these genres was the Blues, birthplace of jazz. Blues and jazz have Carreker, Paris Delane and numerous surprisingly there was a larger scene than always influenced each other, and they others that blew away Midtown. any of us could have realized. still interact in countless ways today.