DOCSLIB.ORG

Carolin Wiedemann & Soenke Zehle Depletion Design: a Glossary Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Carolin Wiedemann & Soenke Zehle Depletion Design: a Glossary Of CAROLIN WIEDEMANN & SOENKE ZEHLE DEPLETION DESIGN: A GLOSSARY OF NETWORK ECOLOGIES A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 8 CAROLIN WIEDEMANN & SOENKE ZEHLE DEPLETION DESIGN: A GLOSSARY OF NETWORK ECOLOGIES Theory on Demand #8 Depletion Design: A Glossary of Network Ecologies Editorial support: Carolin Wiedemann, Ned Rossiter, Soenke Zehle. Published in cooperation with xm:lab. Additional support by the Saarland Ministry of Education and Culture. Acknowledgments: Editing is a way of engaging, reading, relating. We thank all contributors for their generosity as well as Guillaume le Denmat (translation) and Julian Kuecklich (inspiration). http://depletiondesign.xmlab.org Design: Katja van Stiphout DTP: Margreet Riphagen Printer: ‘Print on Demand’ Publisher: Institute of Network Cultures, Amsterdam 2012 ISBN: 978-90-818575-1-2 Contact Institute of Network Cultures http://www.networkcultures.org This publication is available through various print on demand services. For more information, and a freely downloadable pdf: http://networkcultures.org/theoryondemand. This publication is licensed under the Creative Commons Attribution Noncommercial No Derivative Works 3.0 Netherlands License. INC Publications web: http://www.networkcultures.org /publications DEPLETION DESIGN 3 CONTENTS Depletion Design - Carolin Wiedemann & Soenke Zehle 5 Algorithmic Architecture - Luciana Parisi 7 Anonymous - Gabrielle Coleman 11 Biopolitics - Sebastian Olma 17 The Common - Judith Revel 23 Creative Industries - Sebastian Olma 27 The Cyborg & Her Siblings - Marie-Luise Angerer 31 Digital Embodiment / Digital Materiality - Anna Munster 35 Dirt Research - Ned Rossiter 41 Disorganization - Boyan Manchev 47 Dust Matter - Jussi Parikka 53 Ecologies of Practice - Heidi Rae Cooley 59 Ecology Without Nature - Timothy Morton 65 Crisis - Jason W. Moore 73 Exhaustion / Depression - Franco ‘Bifo’ Berardi 79 Fracking - Brett Neilson 85 Grey Ecology - Drew S. Burk 89 Hackerspace - Johannes Grenzfurthner, Frank A. Schneider 93 Information Bomb - Sean Smith 99 4 THEORY ON DEMAND Natural History - Jennifer Gabrys 105 Persistence - Boyan Manchev 111 Persuasive Design - Sebastian Deterding 115 Playful Technologies - Sebastian Deterding 121 Queer Darkness - Zach Blas 127 Remix[ing] Re/Appropriations - Eduardo Navas 133 Salvage - Jennifer Gabrys 137 Software - Lev Manovich 141 Soul Work - Franco ‘Bifo’ Berardi 14 5 The Spam of the Earth - Hito Steyerl 151 Sustainable Immobility - Eric Kluitenberg 159 Terminality - David M. Berry 16 5 Vitalism - Sebastian Olma 16 9 Wicked Problems - Sonia Matos 177 Contributors 185 DEPLETION DESIGN 5 DEPLETION DESIGN We, or so we are told, are running out of time, of time to develop alternatives to a new politics of emergency, as constant crisis has exhausted the means of a politics of representation too slow for the state of exception, too ignorant of the distribution of political agency, too focused on the governability of financial architectures. But new forms of individual and collective agency already emerge, as we learn to live, love, work within the horizon of depletion, to ask what it means to sustain ourselves, each other, again. “We need”, Felix Guattari suggested a long time ago, “new social and aesthetic practices, new practices of the self in relation to the other, to the foreign, the strange”. To relate is to create, design, maintain new modes of relation, inventing the spaces from within which to do so in the process. Above and beyond well-meaning injunctions to conduct ourselves more artistically, more playfully, more openly, a wave of socio-technological decentralization reminds us of our individual and collective capacity to create. Eager to assist, organize, and structure our lifestream logistics, new corporate actors offer com- municative freedoms based on commercial user-as-product philosophies of expression. But we now design our own interfaces to face our others, our algorithmic others. Our collective reflection on nature as machinic assemblage has yielded functional foods and the financialization of agriculture. But networked selves already develop other ecologies, reclaiming social machines as technologies of the common, unearthing the conflicts covered in disaster- driven environmentalities whose horizon is delimited by energy security and resource efficiency. Both helped and hindered by the ontological resonances of the common, these ecologies remain fragile, not yet structured by a politics of rights, animated by an interest in the autonomy of things. As nature continues to seep across the curriculum, research and education struggle to keep track of the corrosion of their institutional frameworks. Powered by a cartographic vision unconstrained by the statist political imagination, the study of supply chains has already become a paradigmatic form of transdisciplinarity, moving across the boundaries of life and labor, tracking every speck of dust on the scratch-free screens of our mobile economies as a reminder of the complexities of mutual constitution. The question of depletion is the question of the institution, of what it means when subjects and objects join in a refusal of roles in the great games of reification. No accident, perhaps, that phi- losophies of play are back, not quite a renaissance of aesthetic experience, but an affirmation of the openness of objective and subjective constitution. Of these and other knowledges so created, there can no longer be an encyclopedia; a glossary, perhaps. This is its initial iteration, its entries conjoined by a logic of connotation and constellation. Carolin Wiedemann & Soenke Zehle 6 THEORY ON DEMAND DEPLETION DESIGN 7 ALGORITHMIC ARCHITECTURE LUCIANA PARISI In the field of algorithmic architecture and in the works of, amongst many, digital architect Greg Lynn, computational design takes inspiration from vector fields, used to model, for example, the speed and direction of a moving fluid throughout space, or the strength and direction of some force, such as the magnetic or gravitational force, as it changes from point to point. Here the architectural form is the result of the computational processing of biophysical variables (e.g., the distribution of weight, gravitational pressures, the circulation of air, the intensity of traffic, the frequency of movement). Influenced by the second-order cybernetics of evolving feedbacks, dur- ing the 90s algorithmic architecture started to adopt biophysical dynamics to input change in the software program, for instance by retrieving biophysical data as a new parameter to be added to the sequence of algorithms. By closing the gap between mathematical models and bio-physical contingencies, algorithmic architecture entered the topological field of spatio-temporal connectedness, involving a continual transformation of form without cutting or tearing. From this standpoint, biophysical unpredict- ability became superior to mathematical axioms and the reality of abstraction slipped behind the concreteness of matter. Similarly, the digital design of space has now left behind the Euclidean matrix of extension, and has added temporal evolution to fixed points developing a topological surface of continual variation enveloping all points. The figure of the blob or topological surfaces of continuity now dominates digital architecture. In particular, parametricism, according to Patrick Schumacher, now represents the new global style for architecture and design. When applied to large-scale urbanism, for instance, parametricism is said to transform the differential distance between points into an integral surface of continual variations. From this standpoint, parametricism implies the inclusion of contingent objects (e.g., atmospheric, geological, biological, physical elements), which become variable parameters whose temporal evolution contributes to the overall transformation of the architectural whole. This means that variables, for instance, are not only added to the program (as if from the ‘outside’), but rather partake of the software environment of parametric relations. Parametric programming, therefore, is not just concerned with the computation of existing elements, but also, and significantly, with how feedback relations between finite parameters can engender the infinite variations of the architectural form. From this standpoint, parametricism is, as Hatherley calls it, a manifestation of the “cultural logic of late neoliberalism”, whose topological operations of continual transformation, structural coupling and mutual correspondence between the inside and the outside are now defining the choreographic arrangement of data. This is not a new argument, and it is also one that is, to a degree, separate from the issues that I aim to pursue here. I am not specifically concerned with criticizing parametricism or its excessive formalism for its inability to address infrastruc- tural issues and the political implications of lived space. Instead of arguing that parametricism promises a formally open-ended and flexible space that does not physically match realized ar- 8 THEORY ON DEMAND chitectures (as in the case of the Evelyn Grace Academy Zaha Hadid Architects) and instead of contending that parametricism is the direct incarnation of the spirit of the neoliberal mar- ket, I would suggest instead that parametricism is not abstract enough to meet the possibili- ties offered by a radical algorithmic formalism that exposes the algorithmic governance to its internal inconsistencies, which, I argue, imply
Load more

Recommended publications
  • CONTENTS May/June 2010
    R A D I C A L P H I L O S O P H Y a journal of socialist and feminist philosophy 161 CONTENTS MAY/JUNE 2010 Editorial collective COMMentARY Claudia Aradau, Matthew Charles, The Myth of Preparedness David Cunningham, Howard Feather, Peter Hallward, Esther Leslie, Stewart Claudia Aradau................................................................................................ 2 Martin, Mark Neocleous, Peter Osborne, Stella Sandford, Chris Wilbert ArtICLes Contributors Claudia Aradau is Lecturer in International What is – or What is Not – Contemporary French Philosophy, Today? Studies at the Open University and author of Éric Alliez ......................................................................................................... 9 Rethinking Trafficking in Women: Politics Out of Security (Palgrave, 2008). Reading Schmitt Geopolitically: Nomos, Territory and Großraum Éric Alliez is Professor of Contemporary Stuart Elden .................................................................................................. 18 French Philosophy in the Centre for Research in Modern European Philosophy, Middlesex Marx’s Eurocentrism: Postcolonial Studies and Marx Scholarship University. ‘Body without Image’, his piece on Kolja Lindner ................................................................................................. 27 Ernesto Neto’s Leviathan Toth, appeared in RP 156 (July/August 2009). Stuart Elden is a Professor of Political COMMenT Geography at Durham University. His most recent book is Terror and Territory: The Spatial
    [Show full text]
  • Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
    Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise.
    [Show full text]
  • Photography and Cinema
    Photography and Cinema David Campany Photography and Cinema EXPOSURES is a series of books on photography designed to explore the rich history of the medium from thematic perspectives. Each title presents a striking collection of approximately80 images and an engaging, accessible text that offers intriguing insights into a specific theme or subject. Series editors: Mark Haworth-Booth and Peter Hamilton Also published Photography and Australia Helen Ennis Photography and Spirit John Harvey Photography and Cinema David Campany reaktion books For Polly Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx www.reaktionbooks.co.uk First published 2008 Copyright © David Campany 2008 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in China by C&C Offset Printing Co., Ltd British Library Cataloguing in Publication Data Campany, David Photography and cinema. – (Exposures) 1. Photography – History 2. Motion pictures – History I. Title 770.9 isbn–13: 978 1 86189 351 2 Contents Introduction 7 one Stillness 22 two Paper Cinema 60 three Photography in Film 94 four Art and the Film Still 119 Afterword 146 References 148 Select Bibliography 154 Acknowledgements 156 Photo Acknowledgements 157 Index 158 ‘ . everything starts in the middle . ’ Graham Lee, 1967 Introduction Opening Movement On 11 June 1895 the French Congress of Photographic Societies (Congrès des sociétés photographiques de France) was gathered in Lyon. Photography had been in existence for about sixty years, but cinema was a new inven- tion.
    [Show full text]
  • Landscapes of Korean and Korean American Biblical Interpretation
    BIBLICAL INTERPRETATION AMERICAN AND KOREAN LANDSCAPES OF KOREAN International Voices in Biblical Studies In this first of its kind collection of Korean and Korean American Landscapes of Korean biblical interpretation, essays by established and emerging scholars reflect a range of historical, textual, feminist, sociological, theological, and postcolonial readings. Contributors draw upon ancient contexts and Korean American and even recent events in South Korea to shed light on familiar passages such as King Manasseh read through the Sewol Ferry Tragedy, David and Bathsheba’s narrative as the backdrop to the prohibition against Biblical Interpretation adultery, rereading the virtuous women in Proverbs 31:10–31 through a Korean woman’s experience, visualizing the Demilitarized Zone (DMZ) and demarcations in Galatians, and introducing the extrabiblical story of Eve and Norea, her daughter, through story (re)telling. This volume of essays introduces Korean and Korean American biblical interpretation to scholars and students interested in both traditional and contemporary contextual interpretations. Exile as Forced Migration JOHN AHN is AssociateThe Prophets Professor Speak of Hebrew on Forced Bible Migration at Howard University ThusSchool Says of Divinity.the LORD: He Essays is the on author the Former of and Latter Prophets in (2010) Honor ofand Robert coeditor R. Wilson of (2015) and (2009). Ahn Electronic open access edition (ISBN 978-0-88414-379-6) available at http://ivbs.sbl-site.org/home.aspx Edited by John Ahn LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION INTERNATIONAL VOICES IN BIBLICAL STUDIES Jione Havea Jin Young Choi Musa W. Dube David Joy Nasili Vaka’uta Gerald O. West Number 10 LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION Edited by John Ahn Atlanta Copyright © 2019 by SBL Press All rights reserved.
    [Show full text]
  • Reunion Keepsake Directory
    COLORADO COLLEGE CLASS OF 1970 KEEPSAKE DIRECTORY EAR REU YY N T IO F I N F OFFICE OF ALUMNI AND FAMILY RELATIONS Colorado College 14 E. Cache La Poudre St. Colorado Springs, CO 80903 Phone: (719) 389-6775 Email: [email protected] Published October 2020 50TH REUNION DIRECTORY CLASS OF 1970 TABLE OF CONTENTS 4 ...... AUTOBIOGRAPHICAL PAGES 98 ...... IN MEMORIAM 99 ...... CLASSMATE REMEMBRANCES 104 ...... DIRECTORY 126 ...... MAIDEN NAME LIST EAR REU YY N T IO F I N F KATHY ADELSHEIM Fifty years ago this week I arrived at CC for the and as program director the for the American biggest adventure of my life. I loved academics Lung Association. We left the corporate world and meeting so many people from so many behind in 1992 when we moved to Santa Fe. places. We started our own business, a video store. I continued to ski, working as a ski patrol in June 1970: graduation, my engagement to Stu Minnesota and New Jersey and loving our own Waugh, his becoming a 2nd lieutenant in the Ski Santa Fe. U.S. Army. September 1970 we were married and moved to Aspen for two wonderful years of In 2000 we got our first RV, a small motor home skiing and working many jobs. Then to Senegal, which we drove more than 120,000 miles with West Africa, for two years of teaching English three trips to Alaska and one to Newfoundland in the Peace Corps. Then to Minnesota and and Labrador. We slept in that RV in 49 states grad school for my Master’s in Education.
    [Show full text]
  • Hackerspaces
    d WP4 | CASE STUDY Report: Hackerspaces Theme [ssh.2013.3.2-1][Social Innovation- Empowering People, changing societies] Project Full Title: “Transformative Social Innovation Theory project” Grant Agreement n. 613169 This project has received funding from the European Union’s Seventh Framework Programme for research, technological development and demonstration under grant agreement no 613169 Suggested citation: Sabine Hielscher, Adrian Smith, Mariano Fressoli (2015) WP4 Case Study Report: Hackerspaces, Report For the TRANSIT FP7 Project, SPRU, University oF Sussex, Brighton. Acknowledgements: We wish to thank everyone in the Hackerspace scene who helped us with our research, whether through interviews, welcoming us to Hackerspaces and events, or putting us in touch with others. We also thank our colleagues in the TRANSIT project, at SPRU, at UNQ and Fundación Cenit For their help and encouragement with the research. Finally, we thank the European Commission and their FP7 research programme For Funding the TRANSIT project. Date: 14 January 2015 Authors: Sabine Hielscher, Adrian Smith, Mariano Fressoli Contact person: Adrian Smith Table of contents 1 Introduction to Hackerspaces 2 Methodology 2.1 Researcher relations to the case 2.2 Methods 3 Analysis of transnational network(ing) 3.1 Transnational networking: Hackerspaces 3.2 Aspects of ‘innovation’ and ‘change’ of the transnational network(ing) 3.3 Aspects of empowerment and disempowerment of the transnational network(ing) 3.4 Other issues about the transnational networking 4 Local initiative
    [Show full text]
  • Rortk Carolina Agricultural Experiment Station Sclenees Project No
    OVERLAND FLOW PRETREATMENT OF \dASl EIJATEK Rortk Carolina Agricultural Experiment Station and Life Sclenees Raleigh, North Ca Project No. B-067-NC Agreement Na. 1 -31 -009%-41 13 June 1976 TABLE OF CONfENTS (continued) Page LIST OF REFERENCES .........................79 APPENDICES ..............................83 GLOSSARY ...............................138 RESULTANT PUBLICATIONS ........................140 LIST OF FIGURES Page 1. Environmental low Sheet for Production Process. 2 2. Economic Balance for Wastewater Pretreatment Process and Land Application. 4 3. Land koa n GP? &eria for '> 7I 4, Biochemic jl 5. Dimensions .......... , 0 30 .s*or*.*.. oadi ng Parameters : ........... 32 aste Loading .......... 3 3 tewater, OLFi ... 34 nd Wastewater ems ........ 34. stewater Based on ations Within ...*...... 35 ting Rainfall rsheds .-..... 6.1 the Thornthwai te Method.. ............................ 42 14. Volumetric Water Ma e (To~alfor Study Period) for Poultry Manure Slur s~~~................. 42 15. Water Mass Balance ash in OLF System for Poultry Manure .......................... 43 16. Nitrogen Mass Balance Slurries.. ........................... 44. LIST OF TABLES (continued) Page 18. Comparison of Percent Concentration Reduction Relative to Time During Sampling Event - OLF of Poultry Manure ........... 9 19. Percent TKN Concentration Reduction: Mean and Standard Deviation - QLF of Poultry Manure ....................... 20. Percent MM3-N Concentration Reduction: Mean and Standard Devia- tion - OLF of Poultry Manure ................... 50 21. Percent OGN Concentration Reduction: Mean and Standard Devia- tion - OLF of Poultry Manure ................... 59 22. Generalized Change in Concentration Reduction from First to Last Part of OLF Study .......................... 51 23. Comparison of Concentration Reduction Means Between OLF Terrace Systems Receiving Poultry Manure Sl urry .............. 5 5 24. Comparison of Concentration Reduction Means at Flow Distances Within an OLF Terrace System .................,.
    [Show full text]
  • The Fibreculture Journal Issue 18 2011
    The Fibreculture Journal DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE Issue 18 : Trans edited by Andrew Murphie, Adrian Mackenzie and Mitchell Whitelaw The Fibreculture Journal is an Open Humanities Press Journal. The LOCKSS System has the permission to collect, preserve and serve this open access Archival Unit. The Fibreculture Journal is published under a Creative Commons, By Attribution-Non Commercial-No Derivative License. ISSN: 1449 – 1443 , Published in Sydney, Australia Fibreculture Publications/The Open Humanities Press 2011 The journal is peer reviewed as per section 4.3.4 of the Australian HERDC Specifications. About the Fibreculture Journal The Fibreculture Journal is a peer reviewed international journal, first published in 2003 to explore the issues and ideas of concern to the Fibreculture network. The Fibreculture Journal now serves wider social formations across the international community of those thinking critically about, and working with, contemporary digital and networked media. The Fibreculture Journal has an international Editorial Board and Committee. In 2008, the Fibreculture Journal became a part of the Open Humanities Press , a key initiative in the development of the Open Access journal community. The journal encourages critical and speculative interventions in the debate and discussions concern- ing a wide range of topics of interest. These include the social and cultural contexts, philosophy and politics of contemporary media technologies and events, with a special emphasis on the ongoing social, technical
    [Show full text]
  • New Language Leader Upper Intermediate Wordlist Chronological
    New Language Leader Upper Intermediate chronological New Language Leader Upper Intermediate Wordlist chronological Unit Headword Word Class German French Italian Example Sentence 1 actions speak phr Taten sagen mehr als les gestes sont plus i fattii dicono più delle The council believes that actions speak louder than words. louder than words Worte éloquents que les mots parole 1 aggressive adj aggressiv aggressif aggressivo Have you ever sent an aggressive email? 1 analyse v analysieren analyser analizzare Most recently, an experiment in 2011 at the University of Milan analysed the relationship between 721 social media users and found that 92 percent were connected by only four stages, or five degrees of separation. 1 anecdote n Anekdote anecdote aneddoto Anecdotes tell short interesting stories about a person or event. 1 appropriacy n Angemessenheit adéquation, justesse decenza Appropriacy of vocabulary: is it the right meaning and register? 1 be on the same phr auf derselben être sur la même sulla stessa lunghezza The two of them are on the same wavelength. wavelength Wellenlänge longueur d'ondes d'onda 1 bump into v zufällig treffen rencontrer par hasard incocciare, incontrare I bumped into one of my friend from school when I was per caso shopping in Paris. 1 catch up with v auf dem Laufenden rester au courant essere al corrente I can catch up with all the news from home. bleiben 1 communication n Kommunikationsfähigke communiquer bien comunicatività She became interested in communication skills while she skills iten was studying for her MBA at Edinburgh University. 1 concept n Konzept concept concetto The concept „Sic degrees of separation“ goes back to a 1929 book of short stories.
    [Show full text]
  • Julia SVETLICHNAJA.Pdf
    WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Artistic practices & democratic politics: towards the markers of uncertainty from counter-hegemonic positions to plural hegemonies Julia Svetlichnaja School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2011. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Artistic Practices & Democratic Politics: Towards the Markers of Uncertainty From Counter-Hegemonic Positions to Plural Hegemonies A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy Julia Svetlichnaja May 2011 2 Contents Abstract
    [Show full text]
  • Arbeit Und Nicht-Arbeit: Entgrenzungen Und Begrenzungen Von Lebensbereichen Und Praxen
    www.ssoar.info Arbeit und Nicht-Arbeit: Entgrenzungen und Begrenzungen von Lebensbereichen und Praxen Herlyn, Gerrit (Ed.); Müske, Johannes (Ed.); Schönberger, Klaus (Ed.); Sutter, Ove (Ed.) Postprint / Postprint Sammelwerk / collection Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: Rainer Hampp Verlag Empfohlene Zitierung / Suggested Citation: Herlyn, G., Müske, J., Schönberger, K., & Sutter, O. (Hrsg.). (2009). Arbeit und Nicht-Arbeit: Entgrenzungen und Begrenzungen von Lebensbereichen und Praxen (Arbeit und Alltag: Beiträge zur ethnografischen Arbeitskulturenforschung, 1). München: Hampp. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-324607 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use.
    [Show full text]
  • Geopolitical Subjectivity
    Geopolitical Subjectivity Tomas Laurenzo School of Creative Media City University of Hong Kong Kowloon Tong, Hong Kong [email protected] Abstract The sociopolitical context has always been a “central Rhetorics conceived in geopolitically powerful contexts fail aspect” of artistic production, although it “long remained in allowing for the different relationships between art and poli- inconspicuous, or even invisible”. According to Frie- tics that appear in the periphery. This paper analyzes this from singer, “It took the great exertions of the context- a framework of cognitive capitalism. We identify a need for a oriented methods of modernism to return it to the field sociopolitical vocabulary in new media art rhetoric that takes of view, from which it was hidden, for the most part, by into account the geopolitical context. By reproducing the cen- the tendency of bourgeois art appreciation to oversee the ter–periphery model, peripheral art is reduced to a dichotomy social and historical embeddedness of an artifact or an proper of the modernizing discourse and to the arduous task of aesthetic approach.”[10] It is not, still, until the avant- developing a replacement of the stories that constitute "the gardes, that appears what Peter Bürger calls “a new art- other". Nevertheless, we argue that it is possible to assert the based praxis for life”, a reaction to the identification of existence of both a distinct reality and the parallel construction art being the objectification of the self-understanding of of a language that transcends the re-reading of international the bourgeoisie [4]. tendencies from a local or “localist” perspective.
    [Show full text]