Sound Transmission Loss
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Sound Design Guide
The Sound Design Guide a transparent resource for sound & fire information get your LEED on! Scan this code to access our LEED credit calculator and score points for your project! if your walls could talk they would ask for us Architects and specifi ers face many design challenges, knowing what your walls really want shouldn’t be one of them. Walls and ceilings are not something just to hold up paint, they play a critical role in your building design. As a manufacturer, we have taken great strides in simplifying this part of the building envelope by providing new comprehensive tools and rich online resources to you, the architect and specifi er. Our product specifi cations and sustainability tools, available at www.PABCOgypsum.com and ARCAT, have been paired with new continuing education courses that cover everything from sound and acoustic challenges to discussions related to new 2015 industry standards. Meet your design goals with ease. Be it our trusted FLAME CURB®, light-weight LITECORE®, protective PABCO GLASS® or our award winning QuietRock®; we have what the job demands. what the job demands PABCO® Gypsum technical services: 866.282.9298 www.PABCOgypsum.com QuietRock® acoustical products: 800.797.8159 www.QuietRock.com get your LEED on! Scan this code to access our LEED credit calculator and score points for your project! if your walls could talk they would ask for us Architects and specifi ers face many design challenges, knowing what your walls really want shouldn’t be one of them. Walls and ceilings are not something just to hold up paint, they play a critical role in your building design. -
Analytical, Numerical and Experimental Calculation of Sound Transmission Loss Characteristics of Single Walled Muffler Shells
1 Analytical, Numerical and Experimental calculation of sound transmission loss characteristics of single walled muffler shells A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE In the Department of Mechanical Engineering of the College of Engineering May 2007 by John George B. E., Regional Engineering College, Surat, India, 1995 M. E., Regional Engineering College, Trichy, India, 1997 Committee Chair: Dr. Jay Kim 2 Abstract Accurate prediction of sound radiation characteristics from muffler shells is of significant importance in automotive exhaust system design. The most commonly used parameter to evaluate the sound radiation characteristic of a structure is transmission loss (TL). Many tools are available to simulate the transmission loss characteristic of structures and they vary in terms of complexity and inherent assumptions. MATLAB based analytical models are very valuable in the early part of the design cycle to estimate design alternatives quickly, as they are very simple to use and could be used by the design engineers themselves. However the analytical models are generally limited to simple shapes and cannot handle more complex contours as the geometry evolves during the design process. Numerical models based on Finite Element Method (FEM) and Boundary Element Method (BEM) requires expert knowledge and is more suited to handle complex muffler configurations in the latter part of the design phase. The subject of this study is to simulate TL characteristics from muffler shells utilizing commercially available FEM/BEM tools (NASTRAN and SYSNOISE, in this study) and MATLAB based analytical model. -
An Experiment in High-Frequency Sediment Acoustics: SAX99
An Experiment in High-Frequency Sediment Acoustics: SAX99 Eric I. Thorsos1, Kevin L. Williams1, Darrell R. Jackson1, Michael D. Richardson2, Kevin B. Briggs2, and Dajun Tang1 1 Applied Physics Laboratory, University of Washington, 1013 NE 40th St, Seattle, WA 98105, USA [email protected], [email protected], [email protected], [email protected] 2 Marine Geosciences Division, Naval Research Laboratory, Stennis Space Center, MS 39529, USA [email protected], [email protected] Abstract A major high-frequency sediment acoustics experiment was conducted in shallow waters of the northeastern Gulf of Mexico. The experiment addressed high-frequency acoustic backscattering from the seafloor, acoustic penetration into the seafloor, and acoustic propagation within the seafloor. Extensive in situ measurements were made of the sediment geophysical properties and of the biological and hydrodynamic processes affecting the environment. An overview is given of the measurement program. Initial results from APL-UW acoustic measurements and modelling are then described. 1. Introduction “SAX99” (for sediment acoustics experiment - 1999) was conducted in the fall of 1999 at a site 2 km offshore of the Florida Panhandle and involved investigators from many institutions [1,2]. SAX99 was focused on measurements and modelling of high-frequency sediment acoustics and therefore required detailed environmental characterisation. Acoustic measurements included backscattering from the seafloor, penetration into the seafloor, and propagation within the seafloor at frequencies chiefly in the 10-300 kHz range [1]. Acoustic backscattering and penetration measurements were made both above and below the critical grazing angle, about 30° for the sand seafloor at the SAX99 site. -
AN INTRODUCTION to MUSIC THEORY Revision A
AN INTRODUCTION TO MUSIC THEORY Revision A By Tom Irvine Email: [email protected] July 4, 2002 ________________________________________________________________________ Historical Background Pythagoras of Samos was a Greek philosopher and mathematician, who lived from approximately 560 to 480 BC. Pythagoras and his followers believed that all relations could be reduced to numerical relations. This conclusion stemmed from observations in music, mathematics, and astronomy. Pythagoras studied the sound produced by vibrating strings. He subjected two strings to equal tension. He then divided one string exactly in half. When he plucked each string, he discovered that the shorter string produced a pitch which was one octave higher than the longer string. A one-octave separation occurs when the higher frequency is twice the lower frequency. German scientist Hermann Helmholtz (1821-1894) made further contributions to music theory. Helmholtz wrote “On the Sensations of Tone” to establish the scientific basis of musical theory. Natural Frequencies of Strings A note played on a string has a fundamental frequency, which is its lowest natural frequency. The note also has overtones at consecutive integer multiples of its fundamental frequency. Plucking a string thus excites a number of tones. Ratios The theories of Pythagoras and Helmholz depend on the frequency ratios shown in Table 1. Table 1. Standard Frequency Ratios Ratio Name 1:1 Unison 1:2 Octave 1:3 Twelfth 2:3 Fifth 3:4 Fourth 4:5 Major Third 3:5 Major Sixth 5:6 Minor Third 5:8 Minor Sixth 1 These ratios apply both to a fundamental frequency and its overtones, as well as to relationship between separate keys. -
Quietrock EZ-SNAP Submittal
510 MANUFACTURER INFORMATION: PABCO® Gypsum a division of PABCO® building products, LLC QUIETROCK ES 37851 Cherry Street Newark, CA 94560 Type X Sound Reducing Panel 800-797-8159 www.PABCOgypsum.com www.QuietRock.com PABCO® Specification PGS-021 ES panels have been tested and approved on spacing and fastener type and installed as many fire-resistance assemblies and are suitable tested. To qualify for listed sound ratings, the for new construction or renovation projects use of acoustical sealants/caulking, acoustical in commercial, multi-family or single-family putty, insulation or clips are generally added to DESCRIPTION: residential applications. the systems as detailed in the test report. When an assembly is both fire and sound rated, the QuietRock® EZ-SNAP® (ES) is a sound reducing, LIMITATIONS: strictest requirements prevail. constrained-layer damped (CLD) gypsum panel, comprised of a proprietary viscoelastic polymer • QuietRock® ES panels are intended for interior SOUND CONTROL: center, enhanced high density gypsum core applications, and shall not be stored or manufactured to meet or exceed ASTM C1396. applied where there will be direct exposure QuietRock® ES panels are manufactured The core has been bisected to completely to water or continuous high humidity before, using a unique combination of patented eliminate inner layers of paper in the product for during, or after construction. technologies including gypsum core and enhanced workability. • Avoid exposure to temperatures exceeding viscoelastic polymers designed for sound 125° F (52° C) for an extended period of time. control in partitions as compared to standard QuietRock® ES panels are encased in 100% • QuietRock® ES is a non-structural panel; gypsum panels. -
Sound Transmission Loss Test AS-TL1765
Acoustical Surfaces, Inc. Acoustical Surfaces, Inc. We identify and SOUNDPROOFING, ACOUSTICS, NOISE & VIBRATION CONTROL SPECIALISTS 123 Columbia Court North = Suite 201 = Chaska, MN 55318 (952) 448-5300 = Fax (952) 448-2613 = (800) 448-0121 Email: [email protected] Your Noise Problems Visit our Website: www.acousticalsurfaces.com Sound Transmission Obscuring Products Soundproofing, Acoustics, Noise & Vibration Control Specialists ™ We Identify and S.T.O.P. Your Noise Problems ACOUSTIC SYSTEMS ACOUSTICAL RESEARCH FACILITY OFFICIAL LABORATORY REPORT AS-TL1765 Subject: Sound Transmission Loss Test Date: December 26, 2000 Contents: Transmission Loss Data, One-third Octave Bands Transmission Loss Data, Octave Bands Sound Transmission Class Rating Outdoor /Indoor Transmission Class Rating on Asymmetrical Staggered Metal Stud Wall Assembly w/Two Layers 5/8” FIRECODE Gypsum (Source Side), One Layer 5/8” FIRECODE Gypsum on RC-1 Channels (Receive Side), and R-19 UltraTouch Blue Insulation for Rendered by Manufacturer and released to Acoustical Surfaces 123 Columbia Court North Chaska, MN 55318 ACOUSTIC SYSTEMS ACOUSTICAL RESEARCH FACILITY is NVLAP-Accredited for this and other test procedures National Institute of Standards National Voluntary and Technology Laboratory Accreditation Program Certified copies of the Report carry a Raised Seal on every page. Reports may be reproduced freely if in full and without alteration. Results apply only to the unit tested and do not extend to other same or similar items. The NVLAP logo does not denote -
The Emergence of Low Frequency Active Acoustics As a Critical
Low-Frequency Acoustics as an Antisubmarine Warfare Technology GORDON D. TYLER, JR. THE EMERGENCE OF LOW–FREQUENCY ACTIVE ACOUSTICS AS A CRITICAL ANTISUBMARINE WARFARE TECHNOLOGY For the three decades following World War II, the United States realized unparalleled success in strategic and tactical antisubmarine warfare operations by exploiting the high acoustic source levels of Soviet submarines to achieve long detection ranges. The emergence of the quiet Soviet submarine in the 1980s mandated that new and revolutionary approaches to submarine detection be developed if the United States was to continue to achieve its traditional antisubmarine warfare effectiveness. Since it is immune to sound-quieting efforts, low-frequency active acoustics has been proposed as a replacement for traditional passive acoustic sensor systems. The underlying science and physics behind this technology are currently being investigated as part of an urgent U.S. Navy initiative, but the United States and its NATO allies have already begun development programs for fielding sonars using low-frequency active acoustics. Although these first systems have yet to become operational in deep water, research is also under way to apply this technology to Third World shallow-water areas and to anticipate potential countermeasures that an adversary may develop. HISTORICAL PERSPECTIVE The nature of naval warfare changed dramatically capability of their submarine forces, and both countries following the conclusion of World War II when, in Jan- have come to regard these submarines as principal com- uary 1955, the USS Nautilus sent the message, “Under ponents of their tactical naval forces, as well as their way on nuclear power,” while running submerged from strategic arsenals. -
Fundamentals of Duct Acoustics
Fundamentals of Duct Acoustics Sjoerd W. Rienstra Technische Universiteit Eindhoven 16 November 2015 Contents 1 Introduction 3 2 General Formulation 4 3 The Equations 8 3.1 AHierarchyofEquations ........................... 8 3.2 BoundaryConditions. Impedance.. 13 3.3 Non-dimensionalisation . 15 4 Uniform Medium, No Mean Flow 16 4.1 Hard-walled Cylindrical Ducts . 16 4.2 RectangularDucts ............................... 21 4.3 SoftWallModes ................................ 21 4.4 AttenuationofSound.............................. 24 5 Uniform Medium with Mean Flow 26 5.1 Hard-walled Cylindrical Ducts . 26 5.2 SoftWallandUniformMeanFlow . 29 6 Source Expansion 32 6.1 ModalAmplitudes ............................... 32 6.2 RotatingFan .................................. 32 6.3 Tyler and Sofrin Rule for Rotor-Stator Interaction . ..... 33 6.4 PointSourceinaLinedFlowDuct . 35 6.5 PointSourceinaDuctWall .......................... 38 7 Reflection and Transmission 40 7.1 A Discontinuity in Diameter . 40 7.2 OpenEndReflection .............................. 43 VKI - 1 - CONTENTS CONTENTS A Appendix 49 A.1 BesselFunctions ................................ 49 A.2 AnImportantComplexSquareRoot . 51 A.3 Myers’EnergyCorollary ............................ 52 VKI - 2 - 1. INTRODUCTION CONTENTS 1 Introduction In a duct of constant cross section, with a medium and boundary conditions independent of the axial position, the wave equation for time-harmonic perturbations may be solved by means of a series expansion in a particular family of self-similar solutions, called modes. They are related to the eigensolutions of a two-dimensional operator, that results from the wave equation, on a cross section of the duct. For the common situation of a uniform medium without flow, this operator is the well-known Laplace operator 2. For a non- uniform medium, and in particular with mean flow, the details become mo∇re complicated, but the concept of duct modes remains by and large the same1. -
Standing Waves Physics Lab I
Standing Waves Physics Lab I Objective In this series of experiments, the resonance conditions for standing waves on a string will be tested experimentally. Equipment List PASCO SF-9324 Variable Frequency Mechanical Wave Driver, PASCO PI-9587B Digital Frequency Generator, Table Rod, Elastic String, Table Clamp with Pulley, Set of 50 g and 100 g Masses with Mass Holder, Meter Stick. Theoretical Background Consider an elastic string. One end of the string is tied to a rod. The other end is under tension by a hanging mass and pulley arrangement. The string is held taut by the applied force of the hanging mass. Suppose the string is plucked at or near the taut end. The string begins to vibrate. As the string vibrates, a wave travels along the string toward the ¯xed end. Upon arriving at the ¯xed end, the wave is reflected back toward the taut end of the string with the same amount of energy given by the pluck, ideally. Suppose you were to repeatedly pluck the string. The time between each pluck is 1 second and you stop plucking after 10 seconds. The frequency of your pluck is then de¯ned as 1 pluck per every second. Frequency is a measure of the number of repeating cycles or oscillations completed within a de¯nite time frame. Frequency has units of Hertz abbreviated Hz. As you continue to pluck the string you notice that the set of waves travelling back and forth between the taut and ¯xed ends of the string constructively and destructively interact with each other as they propagate along the string. -
Sound Attenuation Batt Insulation
Sound Attenuation Batt Insulation Product Data Sheet Description Acoustic Comparison of Cavity Insulation Types Sound Attenuation Batts (SAB’s) Gypsum Board Insulation Type Test Number STC are unfaced, lightweight, fl exible One layer each side. 5 fi berglass insulation batts, ⁄8" None TL-92-618 38 5 designed to deliver noise control ⁄8" Glass fi ber TL-93-325 49 5 in metal stud wall cavities of ⁄8" Mineral fi ber TL-93-327 47 5 interior partitions. Manufactured ⁄8" Cellulose (spray) TL-93-049 45 to fi t metal framing, they come One layer one side, two layers the other side 5 ⁄8" Glass fi ber TL-92-420 52 in 2½", 3½" and 5½" thicknesses, 5 ⁄8" Mineral fi ber TL-93-329 53 with lengths up to 9’. 5 ⁄8" Cellulose (spray) TL-93-050 49 5 Product Attributes ⁄8" Cellulose (blown) TL-92-437 49 5 3 ⁄8" 25 Gauge Non Load Bearing Studs at 16" on center NRC-CNRC Internal Report IRC-IR-693, October 1995 Excellent Acoustical Performance Sound Attenuation Batts Available Sizes provide excellent acoustical Thickness Width Length performance for metal framed 2½ " 16"/24" (406mm/609mm) 96" interior partitions. Depending 2½ " 16" (406mm) 108" on the construction method 3½ " 16"/24" (406mm/609mm) 96" and components used, SAB’s 3½ " 16" (406mm) 108" 5½ " 16" (406mm) 93" can improve STC (Sound Transmission Class) ratings by 4-10 points over an empty cavity. Reality of Sound Transmission several types of building insulation. Class (STC). All the testing was done at Easy to Install and Fabricate STC is a method of rating the same lab, using the same Sound Attenuation Batts are airborne sound transmission individually tested components, 1 ⁄8" wider than stud spacing performance of a wall or fl oor to give the most reproducible for easy friction-fi t installation. -
Ch 12: Sound Medium Vs Velocity
Ch 12: Sound Medium vs velocity • Sound is a compression wave (longitudinal) which needs a medium to compress. A wave has regions of high and low pressure. • Speed- different for various materials. Depends on the elastic modulus, B and the density, ρ of the material. v B/ • Speed varies with temperature by: v (331 0.60T)m/s • Here we assume t = 20°C so v=343m/s Sound perceptions • A listener is sensitive to 2 different aspects of sound: Loudness and Pitch. Each is subjective yet measureable. • Loudness is related to Energy of the wave • Pitch (highness or lowness of sound) is determined by the frequency of the wave. • The Audible Range of human hearing is from 20Hz to 20,000Hz with higher frequencies disappearing as we age. Beyond hearing • Sound frequencies above the audible range are called ultrasonic (above 20,000 Hz). Dogs can detect sounds as high as 50,000 Hz and bats as high as 100,000 Hz. Many medicinal applications use ultrasonic sounds. • Sound frequencies below 20 Hz are called infrasonic. Sources include earthquakes, thunder, volcanoes, & waves made by heavy machinery. Graphical analysis of sound • We can look at a compression (pressure) wave from a perspective of displacement or of pressure variations. The waves produced by each are ¼ λ out of phase with each other. Sound Intensity • Loudness is a sensation measuring the intensity of a wave. • Intensity = energy transported per unit time across a unit area. I≈A2 • Intensity (I) has units power/area = watt/m2 • Human ear can detect I from 10-12 w/m2 to 1w/m2 which is a wide range! • To make a sound twice as loud requires 10x the intensity. -
Why Acoustics Matter
Please add relevant logo here Why Acoustic Matter: Demystifying Noise Control in Buildings Randy D. Waldeck, PE Disclaimer: This presentation was developed by a third party and is not funded by WoodWorks or the Softwood Lumber Board. “The Wood Products Council” is This course is registered with a Registered Provider with The AIA CES for continuing American Institute of Architects professional education. As Continuing Education Systems such, it does not include (AIA/CES), Provider #G516. content that may be deemed or construed to be an approval or endorsement by the AIA of any material of Credit(s) earned on completion construction or any method or of this course will be reported to manner of handling, using, AIA CES for AIA members. distributing, or dealing in any Certificates of Completion for material or product. both AIA members and non-AIA __________________________________ members are available upon Questions related to specific materials, request. methods, and services will be addressed at the conclusion of this presentation. Copyright Materials This presentation is protected by US and International Copyright laws. Reproduction, distribution, display and use of the presentation without written permission of the speaker is prohibited. © CSDA Design Group 2017 Course Description Acoustics is an invisible element that designers often overlook, yet sound deeply affects our daily lives— which is why sustainable design principles incorporate acoustical elements to improve building occupant health, safety, functionality, and comfort. This session will provide an overview of design features and strategies for achieving an appropriate balance of noise control in wood-frame buildings. Techniques for reducing the intrusion of environmental noise will be reviewed, and selection of acoustical components and wood-frame assemblies discussed in the context of occupant/tenant separation in buildings such as apartments, hotels, medical offices, schools and retail.