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213 Nothing Like the South: Aurora Greenway – a Belle
NOTHING LIKE THE SOUTH: AURORA GREENWAY – A BELLE IN EXILE Anca Peiu University of Bucharest Larry McMurtry’s Terms of Endearment has been better known as a 1983 successful silver-screen story than as a 1975 best-selling novel, rather as a multiplereceiver of Academy Awards than as a most accomplished book by a prolific author and Pulitzer Prize winner. My return to it is justified by some recently read essays – neither on the film, nor on the book – but on the Belle and the South (indeed, an archetypal coupling somehow echoing Beauty and the Beast ). As for my title here – it oscillates between two Shakesperean sonnets: Sonnet 130 and Sonnet 3. Both poems appeal particularly to the sense of sight ; they are versions of that type of painting (also fiction) known as a portrait of a lady – who stays the lady even if she defies any canon of lady-likelihood – both as Shakespeare’s (image of the) lover and as McMurtry’s Southern Belle – from My mistress’ eyes are nothing like the sun… Thou art thy mother’s glass, and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despight of wrinkles, this thy golden time… The latter quote opens Larry McMurtry’s novel, as a necessary motto. It evokes a specific traditional relationship: mother-daughter, by the classic symbol of the mirror . It could send us – via Larry McMurtry’s novel – to Katherine Henninger’s astute study of the impact of photography on the Visual Legacies of the South: Picture a southern woman . -
Vita I. Academic/Professional
VITA I. ACADEMIC/PROFESSIONAL BACKGROUND A. Name Title Mark Bayless Busby, Professor of English B. Educational Background (Years, Degrees, Universities, Majors, Thesis/Dissertation) August 1977 Ph.D. University of Colorado, Boulder Dissertation: “The Merging Adam-Christ Figure in Contemporary American Fiction” Director: James K. Folsom January 1969 M.A. Texas A&M University-Commerce Thesis: “Recent Trends in Marxist Literary Theory” Director: Thomas A. Perry May 1967 B.A. Texas A&M University-Commerce Majors: English and Speech C. University Experience (Dates, Positions, Universities,) Sept. 1994-Present Professor of English, Texas State University, San Marcos, TX August 1991-Sept. 1994 Associate Professor of English, Texas State University, San Marcos, TX August 2002-2012 Director, Southwest Regional Humanities Center, Texas State University, San Marcos, TX August 1991-2012 Director, Center for the Study of the Southwest, Texas State University, San Marcos, TX August 1983-July 1991 Associate Professor of English, Texas A&M University, College Station, TX August 1977-Aug. 1983 Assistant Professor of English, Texas A&M University, College Station, TX August 1972-May 1977 Instructor of English, University of Colorado, Boulder, CO June-August 1974, 1975 Instructor of English, Black Education Program, University of Colorado, Boulder, CO September 1970-June 1972 Associate Faculty Instructor of English, Indiana-Purdue University, Indianapolis, IN D. Relevant Professional Experience (Dates, Position, Entity,) September 1970-Dec. 1971 Communicative Arts Instructor, U.S. Army Adjutant General School, Fort Harrison, IN September 1967-May 1969 Teaching Assistant in English, Texas A&M University-Commerce, TX II. TEACHING A. Teaching Honors and Awards: 2012 Named Alpha Chi Favorite Professor, Texas State University 2008- Named Jerome H. -
Press Release Announcing the Scripter 2013
From: The USC Libraries Doheny Memorial Library University of Southern California Los Angeles, CA 90089 Contact: Hugh McHarg Associate Dean for Planning and Communications USC Libraries [email protected] Office: (213) 740-1405 December 19, 2012 Larry McMurtry and Diana Ossana Win USC Libraries Literary Achievement Award The Friends of the USC Libraries have selected the Brokeback Mountain screenwriting partners as the award’s 2013 honorees The Friends of the USC Libraries have selected Academy Award-winning screenwriting partners Larry McMurtry and Diana Ossana as the 2013 Scripter Literary Achievement Award co-honorees. The 2013 award marks the first time a screenwriting team has earned the honor. The USC Libraries will present the award to McMurtry and Ossana at the 25th-anniversary Scripter Award ceremony on Saturday, February 9, 2013. The Literary Achievement Award is an additional honor—distinct from the annual Scripter Award—that recognizes writers who have made significant, sustained contributions to the art of adaptation throughout their careers. USC Libraries Dean Catherine Quinlan and the Friends of the USC Libraries established the Scripter Literary Achievement Award in 2008. “We feel honored to receive the prestigious USC Libraries Scripter Literary Achievement Award, while well aware that we do so owing a debt to the many novelists and writers whose works we have adapted,” said Ossana and McMurtry of their selection. In addition to their 2006 Academy Award win for Best Adapted Screenplay for Brokeback Mountain, the pair has written two novels, nearly twenty original feature film scripts, and four award-winning miniseries. They began their writing partnership in the early 1990s with MORE 2: McMurtry and Ossana Win 2013 USC Libraries Literary Achievement Award the novel Pretty Boy Floyd, about the notorious American bank robber. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Screening Series for 'Walkers: Hollywood
FOR IMMEDIATE RELEASE SCREENING SERIES FOR ‘WALKERS: HOLLYWOOD AFTERLIVES IN ART AND ARTIFACT’ TO FEATURE CLASSIC HOLLYWOOD FILMS Exhibition artists Pierre Bismuth, Tom Sachs, and Guy Maddin to appear in person with select screenings and artist talks November 8–December 27, 2015 at Museum of the Moving Image Astoria, New York, October 22, 2015—Museum of the Moving Image is pleased to announce “The Hollywood Classics behind Walkers,” a screening series presented in conjunction with the exhibition Walkers: Hollywood Afterlives in Art and Artifact, the Museum’s first major contemporary art survey. Through the work of 45 artists in painting, photography, sculpture, print, and video, Walkers examines the lasting impact of 20th-century film on culture, and the ability of its imagery to be recycled and reinvented by artists. Exhibition curator Robert M. Rubin has paired these artworks with a selection of rare movie ephemera including scripts, set photos, and costume design sketches, that when viewed through a 21st-century lens, serve as works of art in their own right. As an extension of the exhibition, “The Hollywood Classics behind Walkers” series provides audiences the opportunity to see legendary Hollywood films on the big screen alongside the artworks they have inspired, as well as independent films that bridge the gap between Hollywood film and our greater understanding of “Hollywood.” Museum of the Moving Image Chief Curator David Schwartz and Rubin have selected a program of films significant to the exhibition, with selected screenings featuring conversations with artists Tom Sachs (with The Godfather) and Pierre Bismuth (with Be Kind Rewind); and filmmaker and artist Guy Maddin in person with The Forbidden Room. -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
4Rthe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection
1kY ."a-: ,pyrI ' 4O , NrIK ;qt1"p.+,t 4rThe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection Alkek Library, Texas State University-San Marcos FRONT ( F)VLR llerc dng~e! / A ngel Woman, 1979 GRACS L1VA FL (FIFPh IF FM Pub15il it roolm,, at the WitIt!if CoIIlectillns. 5 FLIT Willie Nelson, 1 9801 11.l. WRITTILII+l q 1 ntft "What we sense in all this work is that we in the Southwest are bound to what the Spanish language calls querencia, a place of such deep meaning and strong fealty that neither time nor distance can separate us from it." - GOVERNOR ANN RICHA RDS Southwestern Writers Collection Dedication Speech, Alkek Library, Texas State, 1991 . The Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection The voices and visions of any region's artists are rooted in the land, inspired by a certain lay of the earth and line of horizon, informed by the history and myth, traditions, and relationships of the people who live upon it. This "spirit of place" is at the very heart of the Wittliff Collections - it is the keystone that joins the literary and photographic archives of the Southwestern Writers Collection and the Southwestern & Mexican Photog- raphy Collection. Founded at Texas State University-San Marcos by Austin screen- The Spirit of Place writer and photographer Bill Wittliff and his wife Sally, these repositories are committed to preserving a creative legacy that will instruct and inspire the current generation as well as those subsequent, illuminating the importance of the Southwestern and Mexican imagination in the wider world. -
Curriculum Vitae
Laura Rebecca Payne [email protected] [email protected] (updated: 2020) 408 West Nations Department of Languages and Literature Alpine, Texas 79830 Sul Ross State University 432.386.0554 Box C-89 Alpine, Texas 79832 432.837.8744 EDUCATION Doctor of Philosophy in English—Creative Writing, Fiction, Texas Tech University, Lubbock, Texas, May, 2001 Dissertation: Booker T’s Coming Home and Alice’s Soulbath: Two Novellas, supervised by Professor Leslie Jill Patterson Master of Arts—-Creative Writing, Fiction, Texas Tech University, Lubbock, Texas, December, 1995 Thesis: Wander Down River: A Collection of Short Stories, supervised by Associate Professor Douglas Crowell Bachelor of Arts—-English, Texas Tech University, Lubbock, Texas, May, 1993 PROFESSIONAL and TEACHING EXPERIENCE Interim Dean, College of Graduate Studies, Sul Ross State University, 2020-present Chair, Department of Languages and Literature, Sul Ross State University, 2015-present Faculty Advisor and Sponsor, Student Publications, Sul Ross State University, 2019-present Professor Sul Ross State University, 2013-present Online Graduate-level Fiction and Non-fiction Workshops Online Graduate-level American Short Story Online Graduate-level Southern American Literature Undergraduate Fiction Workshop, onsite and online Online Undergraduate Contemporary Literature Children and Adolescent Literature Women in Literature Early American Literature, onsite and web-enhanced Forms of Literature, onsite and online Composition and Rhetoric I and II, onsite and online Associate Professor, -
TERENCE A. DALRYMPLE Professor of English Curriculum Vitae
TERENCE A. DALRYMPLE Professor of English Curriculum Vitae Doctoral Dissertation: The Undertow: Five Stories, Oklahoma State University, 1983 Master's Thesis: Seth Youngman and Friends: Six Stories, Southwest Texas State University, 1978 Faculty Status: Professor of English Year of ASU Appointment: 1979 Courses Taught at ASU: English 1301, 1302, 2301, 2302, 2307, 2321, 2324, 2325, 2326,2328, 2329, 2332, 2341, 2351, 2352, 3332, 3341, 3355, 4329, 4333, 4341, 4376, 4381, 6310, 6331, 6335, 6381 Publications Books Co-author with Jerry Craven and Andrew Geyer, Dancing on Barbed Wire (fiction), October 2018. Co-editor with Laurence Musgrove, Texas Weather: An Anthology of Poetry, Fiction, and Nonfiction, Lamar University Literary Press, Fall 2016. Love Stories (Sort Of), Lamar University Press, Spring 2015. Co-author, Texas Five X 5: Twenty-five Stories by Five Texas Writers, Stephen F. Austin State University Press, Summer 2014. Editor, Texas Soundtrack, an anthology of stories inspired by songs of Texas songwriters, Ink Brush Press, Fall 2011. Fishing for Trouble, revised and reprinted, Ink Brush Press, Fall 2010; original publication New Win Publishing, Inc., November 1992. Novel for pre-teens. Salvation, Panther Creek Press, Spring 2004. Collection of ten short stories. Short Fiction “Tire Swing,” Sky Island Journal, October 2018 “Eternal Present,” Writing Texas, #4, Fall 2017 “Becoming Texan” (creative nonfiction), Windward Review, Summer 2017 “Bastard Children,” Amarillo Bay, March 2017. 1 “Brothers,” Brilliant Flash Fiction, January 2017. “Burying Jasper,” Langdon Review of the Arts in Texas, Fall 2016. “Dead Dogs,” Southwestern American Literature, Fall 2015. “Not Meanin’ to Shoot Myself,” Writing Texas, Spring 2014. “What I Want You to Know,” The Dying Goose, Fall 2013. -
Changing Representations of Masculinity in Lonesome Dove, Bonfire of the Vanities, Fight Club, and a Man in Full Bailey Player
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 "The True Male Animals": Changing Representations of Masculinity in Lonesome Dove, Bonfire of the Vanities, Fight Club, and a Man in Full Bailey Player Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “THE TRUE MALE ANIMALS”: CHANGING REPRESENTATIONS OF MASCULINITY IN LONESOME DOVE, BONFIRE OF THE VANITIES, FIGHT CLUB, AND A MAN IN FULL By BAILEY PLAYER A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Thesis of Bailey Player defended on June 30, 2006. Leigh Edwards Professor Directing Thesis Mark Cooper Committee Member Barry Faulk Committee Member Approved: Hunt Hawkins, Chair, Department of English The Office of Graduate Studies has verified and approved the above named committee members. ii For mom and dad. iii ACKNOWLEDGEMENTS Naturally, it is difficult to thank all of those who make a project like this possible, but it seems proper to start with my major professor, Leigh Edwards, who opened my eyes to new ways of understanding various representations of popular culture. Her insightful advice has helped me significantly develop the ideas presented in this thesis and her sincere encouragement over the past two years has helped me significantly develop my own understanding of myself as a student and an academic. Amber Brock’s counsel and friendship has kept me grounded in my ventures, this most recent one included, and I thank her for her invaluable support. -
Sandoz Writing (Righting) History
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace SANDOZ WRITING (RIGHTING) HISTORY A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by JILLIAN LEIGH WENBURG B.A., University of Nebraska-Kearney, 2005 M.A., University of Nebraska-Kearney, 2006 Kansas City, Missouri 2015 ©2015 JILLIAN LEIGH WENBURG ALL RIGHTS RESERVED SANDOZ WRITING (RIGHTING) HISTORY Jillian Leigh Wenburg, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2015 ABSTRACT Mari Sandoz’s dedication to her research topics, personality, candor, and work ethic allowed her an intimate place alongside those she chose to write about. This yielded a moving written product. In the same way that Sandoz was able to infiltrate the groups she researched, they permeated Sandoz’s consciousness. As she developed story ideas and noted observations about Plains life, Sandoz encountered factions that she saw were unjustly treated. She utilized her platform as a writer to attempt to redress these injustices. Her work with Native Americans, women, and workers greatly touched the people she wrote about and, ultimately, for. This work considers how this frontierswoman was able to transgress gender boundaries and question authority about those she felt were disenfranchised. Her acerbic writing, in both her literary texts and letters, was remarkable in a time and place when and where women typically did not provide such pointed commentary. Mari Sandoz’s literary works were supported by extensive historical research, which employed ethnohistory, and detailed research notes to support her stories of both fiction and iii non-fiction. -
Waikiki Party!
Film Streams Programming Calendar The Ruth Sokolof Theater . October – December 2011 v5.2 The Black Power Mixtape 1967-1975 First-Run Waikiki Party! Film Streams Members: Keep an eye on your mailbox for details about a very special celebration in honor of THE DESCENDANTS, the latest film from Academy Award- winning writer-director and Film Streams Board Member Alexander Payne! Set in Hawaii and starring George Clooney in one of the year’s best performances. “Alexander Payne has made his best film yet... Never has his knack for mixing moods and modulating subtle emotions been more evident.” —The Hollywood Reporter Silents in Concert October 4 – December 15, 2011 Tuesday, October 4, 7pm Thursday, December 1, 7pm The Alloy Orchestra The Endless Summer 1966 plays Wild and Weird Music by Matteah Baim. Friday, October 21, 7pm Tuesday, December 6, 7pm Nosferatu 1922 People on Sunday 1930 Music by Others (Todd Fink, Orenda Music by Nick White & Friends. Fink, Ben Brodin). Thursday, December 15, 7pm Thursday, November 10, 7pm The General 1926 The Adventures of Music by Jim Boston. Prince Achmed 1926 Music by Ryan Fox, Jake Bellows, SPECIAL SUPPORT Ben Brodin. PROVIDED BY Series generously sponsored by Sam Walker. When sound came to cinema in the 1920s, it wasn’t just the silent-film star who series will feature live sounds as diverse as the pic- had to adjust with the times. Many live musicians, for whom movie houses pro- tures that inspire them. As anyone who was here for vided steady employment, were out on their luck, as well. It was the end of an era, METROPOLIS in 2010 or THE CABINET OF DR.