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Film Streams Programming Calendar Film Streams Information Film
Film Streams Programming Calendar The Ruth Sokolof Theater . October – December 2012 v6.2 The Connection 1962 2012 Local Filmmakers Showcase Generously sponsored by October 19 – October 25, 2012 Curated by The Faint The Program (10 films, 115 minutes): Magic for Beginners (Dir. Jesse McLean), “Somebody Help Me” by Howard (Dir. Patrick Geske), Telephone (Dir. Tony Bonacci), “Bloodline” by Gus and Call (Dir. Patrick Geske), The Language of War (Dir. Pat Clark), Blaze (Dir. Tim Guthrie), The Gay Lifestyle (Dir. Lindsay Trapnell), “Last Dirge” by Conduits (Dir. Jonathan Tvrdik), Herpe Betty – “Choked on Chicken” (Dir. Harrison Martin), Flexing Muscles (Dir. Charles Fairbanks) The purpose of our Local Filmmakers Showcase, now in its third year, is to video, documentary, experimental short—each celebrate and screen the extraordinary work created right here in our region. brings something different to the program, the col- This year’s showcase is no exception—in fact, it’s as dynamic a display of art- lection of which we’re truly excited to screen and istry and ingenuity as we’ve seen yet. Thoughtfully curated by the members of incredibly proud to present. Don’t miss it. The Faint (Todd Fink, Jacob Thiele, Dapose, and Clark Baechle), the 115-min- Visit filmstreams.org for more information about ute program features 10 films by 9 filmmakers, including directors returning the program, opening Friday, Oct. 19 with a special to the showcase (Patrick Geske, Tim Guthrie, Lindsay Trapnell, Charles Fair- premiere screening and post-party with the filmmak- banks) and others making their Film Streams debuts (Jesse McLean, Tony ers and continuing daily through Thursday, Oct. -
213 Nothing Like the South: Aurora Greenway – a Belle
NOTHING LIKE THE SOUTH: AURORA GREENWAY – A BELLE IN EXILE Anca Peiu University of Bucharest Larry McMurtry’s Terms of Endearment has been better known as a 1983 successful silver-screen story than as a 1975 best-selling novel, rather as a multiplereceiver of Academy Awards than as a most accomplished book by a prolific author and Pulitzer Prize winner. My return to it is justified by some recently read essays – neither on the film, nor on the book – but on the Belle and the South (indeed, an archetypal coupling somehow echoing Beauty and the Beast ). As for my title here – it oscillates between two Shakesperean sonnets: Sonnet 130 and Sonnet 3. Both poems appeal particularly to the sense of sight ; they are versions of that type of painting (also fiction) known as a portrait of a lady – who stays the lady even if she defies any canon of lady-likelihood – both as Shakespeare’s (image of the) lover and as McMurtry’s Southern Belle – from My mistress’ eyes are nothing like the sun… Thou art thy mother’s glass, and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despight of wrinkles, this thy golden time… The latter quote opens Larry McMurtry’s novel, as a necessary motto. It evokes a specific traditional relationship: mother-daughter, by the classic symbol of the mirror . It could send us – via Larry McMurtry’s novel – to Katherine Henninger’s astute study of the impact of photography on the Visual Legacies of the South: Picture a southern woman . -
Clamor Magazine for Four
CULTURlJ ECONOMICS | MEDIA | PEOF MARCH/aPRIL 2004 WE'RE ALL GOING TO L S4 50 US/SG.95 CANADA 04> DEATH ROW. GREEN FUNEF SUICIDE, TIBETAN SKY BUP ' JUAREZ MUI.„ 7 '25274"96769' & V (M5^)^cKf) SADDLE CREEK CD S LP S. T-SHIRTS. POSTERS AND MORE AVAILABLE AT WWW SADDLE CREEK COM NOW ITS OVERHEAD Awash in a dark melodic pop sensibility, lush FALL BACK OPEN mustcal soundscapes. and hypnotic vocals. Fall Back Open marks another step In the evolution CD (LBJ-58) and emergence of sonqwrlter/studlo wizard MARCH 9. 2004 Andy LeMaster. Recruitinq the help of his Omaha and Athens musical families. Maria and Orenda from Azure Ray are present throughout and Conor Oberst and Michael Stipe help with backing vocals. AZURE RAY Azure Ray. have perfected the ethereal, lilting vocal style * their honeyed voices blend together perfectly, almost HOLD ON LOVE blurring into one silver thread Paste CD/LP (LBJ-54) W^nm These ladles still sound as heavenly and amazing as THE DRINKS WE DRANK LAST NIGHT ever Hold On Love is a heartrending and romantic album. - Under the Radar CD SINGLE (LBJ-55) lnljf\l Always haunting and always beautiful. Hold On Love shows NEW RESOLUTION Azure Ray s underlying warmth. - CMJ New Music Report CD SINGLE (LBJ-57) (Their) voices intertwine over around, and into each other |aPu4 creating thick textures warm enough to melt the most cynical of hearts - Fahrenheit ALSO AVAILABLE CURSIVE BRIGHT EYES THE UGLY ORGAN OQOO LIFTED or THE STORY IS IN THE SOIL. CD/LP (LBJ-51 KEEP YOUR EAR TO THE GROUND u^pi CD/ZxLP (LBJ-46) NEW RECORDS IN 2004 FROM THE FAINT. -
Press Release Announcing the Scripter 2013
From: The USC Libraries Doheny Memorial Library University of Southern California Los Angeles, CA 90089 Contact: Hugh McHarg Associate Dean for Planning and Communications USC Libraries [email protected] Office: (213) 740-1405 December 19, 2012 Larry McMurtry and Diana Ossana Win USC Libraries Literary Achievement Award The Friends of the USC Libraries have selected the Brokeback Mountain screenwriting partners as the award’s 2013 honorees The Friends of the USC Libraries have selected Academy Award-winning screenwriting partners Larry McMurtry and Diana Ossana as the 2013 Scripter Literary Achievement Award co-honorees. The 2013 award marks the first time a screenwriting team has earned the honor. The USC Libraries will present the award to McMurtry and Ossana at the 25th-anniversary Scripter Award ceremony on Saturday, February 9, 2013. The Literary Achievement Award is an additional honor—distinct from the annual Scripter Award—that recognizes writers who have made significant, sustained contributions to the art of adaptation throughout their careers. USC Libraries Dean Catherine Quinlan and the Friends of the USC Libraries established the Scripter Literary Achievement Award in 2008. “We feel honored to receive the prestigious USC Libraries Scripter Literary Achievement Award, while well aware that we do so owing a debt to the many novelists and writers whose works we have adapted,” said Ossana and McMurtry of their selection. In addition to their 2006 Academy Award win for Best Adapted Screenplay for Brokeback Mountain, the pair has written two novels, nearly twenty original feature film scripts, and four award-winning miniseries. They began their writing partnership in the early 1990s with MORE 2: McMurtry and Ossana Win 2013 USC Libraries Literary Achievement Award the novel Pretty Boy Floyd, about the notorious American bank robber. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Screening Series for 'Walkers: Hollywood
FOR IMMEDIATE RELEASE SCREENING SERIES FOR ‘WALKERS: HOLLYWOOD AFTERLIVES IN ART AND ARTIFACT’ TO FEATURE CLASSIC HOLLYWOOD FILMS Exhibition artists Pierre Bismuth, Tom Sachs, and Guy Maddin to appear in person with select screenings and artist talks November 8–December 27, 2015 at Museum of the Moving Image Astoria, New York, October 22, 2015—Museum of the Moving Image is pleased to announce “The Hollywood Classics behind Walkers,” a screening series presented in conjunction with the exhibition Walkers: Hollywood Afterlives in Art and Artifact, the Museum’s first major contemporary art survey. Through the work of 45 artists in painting, photography, sculpture, print, and video, Walkers examines the lasting impact of 20th-century film on culture, and the ability of its imagery to be recycled and reinvented by artists. Exhibition curator Robert M. Rubin has paired these artworks with a selection of rare movie ephemera including scripts, set photos, and costume design sketches, that when viewed through a 21st-century lens, serve as works of art in their own right. As an extension of the exhibition, “The Hollywood Classics behind Walkers” series provides audiences the opportunity to see legendary Hollywood films on the big screen alongside the artworks they have inspired, as well as independent films that bridge the gap between Hollywood film and our greater understanding of “Hollywood.” Museum of the Moving Image Chief Curator David Schwartz and Rubin have selected a program of films significant to the exhibition, with selected screenings featuring conversations with artists Tom Sachs (with The Godfather) and Pierre Bismuth (with Be Kind Rewind); and filmmaker and artist Guy Maddin in person with The Forbidden Room. -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
Bright Eyes a Christmas Album
1 / 2 Bright Eyes A Christmas Album Only you can make oh this world seem right Only you can make the darkness bright Only you and ... Jagged Edge & Diddy 19. zip Rat Pack - The Christmas Album. ... This is a blog site which has a watchful eyes stalking in the shade to spot .... Summary: Originally released in 2002 as an exclusive, the album of Christmas standards featuring guest appearances from friends including .... CD, Released by Bright Eyes, on 11/05/2013.. Sweat Records (est. 2005) in an independent record shop and event space located in the Little Haiti neighborhood of Miami, Florida. Our web store is filled with.. Originally released in 2002 as a Saddle Creek Online Store exclusive with all proceeds benefiting the Nebraska AIDS Project, Bright Eyes' A Christmas Album is .... Bright Eyes: "A Christmas Album" (Saddle Creek). There's much to enjoy about this album initially released online in 2002 to benefit a .... Nov 18, 2016 - Find many great new & used options and get the best deals for A Christmas Album by Bright Eyes (Vinyl, Nov-2013, Saddle Creek Records) at .... Bright Eyes - A Christmas Album. Buy / Listen: Play · Play · Play · Play · Play · Play. Powered by. By using this service you agree to our Privacy Policy and Terms .... Bright Eyes - Christmas Album - Vinyl LP - 2013 - US - Original kaufen im Online Music Store von HHV - Neuheiten & Topseller auf Vinyl, CD & Tape .... A Christmas Album: Bright Eyes: Amazon.de: MP3-Downloads. ... Kaufen Sie die CD für €5,99, um die MP3-Version kostenlos in Ihrer Musikbibliothek zu ... "A Christmas Album," a holiday record Conor Oberst recorded and released on a limited basis through Saddle Creek Records' website in 2002, is getting a wide ... -
4Rthe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection
1kY ."a-: ,pyrI ' 4O , NrIK ;qt1"p.+,t 4rThe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection Alkek Library, Texas State University-San Marcos FRONT ( F)VLR llerc dng~e! / A ngel Woman, 1979 GRACS L1VA FL (FIFPh IF FM Pub15il it roolm,, at the WitIt!if CoIIlectillns. 5 FLIT Willie Nelson, 1 9801 11.l. WRITTILII+l q 1 ntft "What we sense in all this work is that we in the Southwest are bound to what the Spanish language calls querencia, a place of such deep meaning and strong fealty that neither time nor distance can separate us from it." - GOVERNOR ANN RICHA RDS Southwestern Writers Collection Dedication Speech, Alkek Library, Texas State, 1991 . The Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection The voices and visions of any region's artists are rooted in the land, inspired by a certain lay of the earth and line of horizon, informed by the history and myth, traditions, and relationships of the people who live upon it. This "spirit of place" is at the very heart of the Wittliff Collections - it is the keystone that joins the literary and photographic archives of the Southwestern Writers Collection and the Southwestern & Mexican Photog- raphy Collection. Founded at Texas State University-San Marcos by Austin screen- The Spirit of Place writer and photographer Bill Wittliff and his wife Sally, these repositories are committed to preserving a creative legacy that will instruct and inspire the current generation as well as those subsequent, illuminating the importance of the Southwestern and Mexican imagination in the wider world. -
Bright Eyes Free
FREE BRIGHT EYES PDF Catherine Anderson | 432 pages | 01 Jun 2004 | Penguin Publishing Group | 9780451212160 | English | New York, NY, United States Bright Eyes | Music | The Guardian We are so happy see everyone! We are looking forward to a great school year full of learning, exploration, excitement, friends and more. Not a part of the Bright Eyes Bright Eyes Contact us today to find out more information. Thanks to our great families and friends, we have made it to the Top 5! Keep those votes coming! Come see the difference! Virtual learning can be overwhelming to young students. We have increased staffing in our School Age classrooms to guide and encourage students on their Bright Eyes journey. Contact us today for availability, spaces are limited. August 5, We are currently enrolling for the School year! Contact the center closest to you for more Bright Eyes and enrollment availability. We are here to help! Contact us today! Spaces are limited. June 1, We appreciate all of the kindness and support you have given us. We thank you! Thank you for Bright Eyes Be sure to check your emails for Bright Eyes newsletter! Returning to Full Capacity. Welcome Back to School Everyone! Take a Virtual Tour. We are in the Top 5! Vote Now! Learn More about us. Monthly Newsletter- September. Career Opportunities. Bright Eyes is here to help with Virtual Learning! Contact Us Today! Tour and Enroll within Bright Eyes weeks of your tour and Election Day. Veteran's Day. BE Closed in observance of Labor Day. See Details. August 5, We are currently enrolling for the School year! Learn More. -
For Immediate Release
For Immediate Release RUBY THE RABBITFOOT INVITES LISTENERS TO HER DIVORCE PARTY; NEW ALBUM OUT AUGUST 12 ON NORMALTOWN RECORDS BEWITCHING VIDEO FOR “BEACH FLOWERS” PREMIERES VIA THE FADER LOS ANGELES, CA – June 9, 2016 – An album thick with joyous beats, infectious melodies and lyrics that spin disappointment and desolation into revelatory moments, Ruby The Rabbitfoot’s Divorce Party, will be released August 12 on Normaltown Records. Produced by Andy LeMaster (Bright Eyes, Azure Ray) and inspired by intense heartbreak, the record is a celebration of life after loss, and the creative renewal that comes from finding light amongst the darkness. Ruby’s vivid world stretches far beyond just the songs – from videos that straddle the line of performance and art, to her fearless use of fashion, to the music itself, which serves as the thrilling, creative center to her unique universe. The enigmatic video for album opener “Beach Flowers” encapsulates this perfectly. Directed by frequent collaborator, visual artist/photographer Natalie Neal, the gorgeously shot video, which premiered via The Fader today, features Ruby donned in gothic fashion, dancing in the ocean waves, buried to her neck in sand and casting spells. ADD FADER QUOTE Ruby will bring the Divorce Party to cities all across America and is currently finalizing the routing for early fall. A handful of dates, beginning in Nashville on August 11, were recently announced. Dates are below. “Beach Flowers” signifies a new direction for Ruby, one that is thick with unusual percussion, shimmering synth licks and ethereal orchestration courtesy of a more experimental approach to instrumentals. -
Omaha's Culture Club
March 25, 2007 THE TALK Omaha’s Culture Club By KURT ANDERSEN When I tell people I’m originally from Omaha, they often confuse it with Oklahoma or Iowa. “Omaha,” a Manhattan photographer I met the other day said. “That’s near Nebraska, isn’t it?” Omaha is one of those ultimate flyover places, an urban Podunk so vaguely situated in coastal Americans’ mental maps that the mere mention of it can actually halt conversation. Sometimes I rattle off the names of movie stars from Omaha: Fred Astaire, Henry Fonda, Marlon Brando, Nick Nolte. Of course, this pantheon also implies that it is a place that requires its most exciting citizens to move on. Since Warren Buffett has become a household name, though, the city acquired a somewhat perverse new brand identity as an extraordinarily ordinary city where the most brilliant American investor and second-richest man in the country chooses to live, of all places! For the past three decades, I’d returned to Omaha once every year or two strictly to visit my parents, so my experience of the city had been pretty much limited to drives to and from the airport. But around 2003, I started hearing from New Yorkers that a kind of cultural awakening was afoot in my hometown. Omaha? It isn’t yet Seattle or Austin, but it’s no longer some kind of Great Plains version of Hartford or Fresno, either. “Alternative” and “independent” aren’t just marketing catchwords in Omaha. The blossoming is real and multifarious. It didn’t happen overnight. And it certainly didn’t happen as a result of any grand master plan by the city establishment.