Matteo Ricci: Pioneer of Chinese-Western Dialogue and Cultural Exchanges Jean-Paul Wiest
Matteo Ricci: Pioneer of Chinese-Western Dialogue and Cultural Exchanges Jean-Paul Wiest The article that follows is a slightly edited version of a paper presented at the First Nishan Forum of World Civilizations, held September 26–27, 2010, in Qufu, China, the traditional birthplace of Confucius. —Editors o commemorate the beginning of the third millennium At that time Western missionaries believed in the superiority Tand the opening of the twenty-first centurya.d ., the Chi- of European culture and brought along their own cultural patterns, nese government built a monument shaped like a sundial. Inside, which they imposed on people they considered uncivilized. This a long fresco celebrates individuals who have made significant attitude, unfortunately, endured among many until the middle contributions to the progress of civilization during the several of the twentieth century. During the sixteenth century, however, thousand years of Chinese history. In this impressive succes- a few individual missionaries, such as Bartolomé de Las Casas sion of important people, only two Westerners are represented: in South America, had already acknowledged the richness of Marco Polo (1254–1324), the man who made China known to local cultures. In Japan and China also, some experienced a the West, and Matteo Ricci (Li Madou) (1552–1610), the man who real conversion of the mind. Impressed by the achievements made the West known to China. Ricci is mentioned in the fresco they observed in Japanese and Chinese literature, politics, and as the promoter of cultural exchanges. With him, shown using philosophy, they decided to make this culture the foundation a telescope, are pictured two Chinese of the late Ming dynasty: of their missionary project.
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