DOCSLIB.ORG

Johann Strauss Emperor Waltz - Kaiserwalzer Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Johann Strauss Emperor Waltz - Kaiserwalzer Mp3, Flac, Wma Johann Strauss Emperor Waltz - Kaiserwalzer mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Emperor Waltz - Kaiserwalzer Country: Brazil Released: 1973 Style: Romantic MP3 version RAR size: 1938 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1690 mb Rating: 4.2 Votes: 651 Other Formats: XM ADX RA VOC MP4 MP3 APE Tracklist A1 –Johann Strauss* An Der Schönen Blauen Donau, Op. 314 A2 –Johann Strauss* Tritsch-Tratsch-Polka, Op. 214 A3 –Johann Strauss* Kaiser-Walzer, Op. 437 B1 –Johann Strauss* Unter Donner Und Blitz, Op. 324 B2 –Johann Strauss* Rosen Aus Dem Süden, Op. 388 B3 –Josef Strauss*, Johann Strauss* Pizzicato-Polka B4 –Johann Strauss* Annen-Polka, Op. 117 B5 –Johann Strauss* Perpetuum Mobile, Op. 257 Companies, etc. Manufactured By – Companhia Brasileira De Discos Phonogram Distributed By – Companhia Brasileira De Discos Phonogram Credits Conductor – Karl Böhm Orchestra – Wiener Philharmoniker Notes Vinyl has the generic yellow Company labels with top small Tulips motif logo and straight borders. Vinyl is held in a fully laminated picture cover which has 'Serie De Luxo' back top print. Other versions Category Artist Title (Format) Label Category Country Year Johann Strauss* & Johann Strauss* & Josef Strauss* - Deutsche 2530 316 2530 316 Germany 1973 Josef Strauss* Emperor Waltz - Grammophon Kaiserwalzer (LP) Johann Strauss* & DK 214 Johann Strauss* & Josef Strauss* - Deutsche DK 214 US 1978 LPS Josef Strauss* Emperor Waltz - Klassische LPS Kaiserwalzer (LP) Johann* Et Joseph Johann* Et Joseph Strauss* / Strauss* / Orchestre Orchestre Philharmonique De Deutsche 2530 316 Philharmonique 2530 316 France Unknown Vienne* Direction : Grammophon De Vienne* Karl Boehm* - Valses Direction : Karl Et Polkas (LP, Gat) Boehm* Johann Strauss Jr., Wiener Philharmoniker - Johann Strauss Jr., VIIth World Deutsche 410 532-1 Wiener 410 532-1 Germany Unknown Symposium On Grammophon Philharmoniker Cardiac Pacing, Waltzes And Polkas (LP, RE) Johann* & Josef Johann* & Josef Strauss*, Wiener Strauss*, Wiener Deutsche 3343 204 Philharmoniker • 3343 204 Germany 1973 Philharmoniker • Grammophon Karl Böhm - Walzer Karl Böhm und Polkas (Cass) Related Music albums to Emperor Waltz - Kaiserwalzer by Johann Strauss Herbert von Karajan - Johann Strauss & Josef Strauss, Berliner Philharmoniker - Walzer & Polkas Robert Stolz - Johann Strauss - Robert Stolz Dirige Johann Strauss Johann Strauss - Eugene Ormandy, Minneapolis Symphony Orchestra - The Music Of Johann Strauss Johann Strauss, Karajan, Berlin Philharmonic Orchestra - Karajan Conducts Music Of Johann Strauss Johann Strauss Jr., Josef Strauß, Eduard Strauß, Johann Strauss Sr., The Johann Strauss Orchestra of Vienna, Alfred Eschwé - The Essential Collection Strauss - Wiener Philharmoniker - An Der Schönen Blauen Donau - Strauss-Konzert Johann Strauss Jr. - The Best Of Johann Strauss II Johann Strauss Jr., Johann Strauss Sr. / Carl Michalski, Wiener Opernorchester - Strauss - Festival Vol. I Die schönsten WIENER WALZER / The Most Beautiful VIENNA WALTZES / Les Plus Belles VALSES DE VIENNE Johann Strauss Jr. - An Der Schönen Blauen Donau Orchestra Of The Vienna Volksoper - New Year's Day Concert From Vienna.
Load more

Recommended publications
  • Back Cover Image
    NAXOS Historical NAXOS 8.111226 Johann Strauss II ADD Paraphrases and Piano Transcriptions Playing ൿ THIS COMPACTAND COPYING OF BROADCASTING DISC PROHIBITED. UNAUTHORISED PUBLIC PERFORMANCE, RESERVED. TRANSLATIONS ALLAND TEXTS ARTWORK, THIS SOUND RECORDING, RIGHTS IN 8.111226 Time & Ꭿ An Anthology of Historic Performances Volume 1 (1930-1954) 78:33 2007 Naxos Rights International Ltd. 1 DOHNÁNYI: Schatz Waltz (Treasure Waltz) 4:29 The undisputed master of Viennese Ernö Dohnányi (Rec: 25th February 1931) dance forms, “those irresistible 2 RAWICZ and LANDAUER: Annen Polka 3:15 Strauss II Maryan Rawicz and Walter Landauer (Rec: 1st January 1950) waltzes that first catch the ear, and 3 SCHULTZ-EVLER: then curl round the heart, until Concert Arabesques “On the Beautiful Blue Danube” 7:27 suddenly they invade the legs”, Isador Goodman (Rec: 1932) Johann Strauss II became the most 4 GRÜNFELD: Soirée de Vienne 5:35 popular musician of his Jakov Fliere (1939) generation. His publishers printed : 5 TAUSIG: Valse-Caprice No.2 6:03 1 Vol. Transcriptions Paraphrases and Piano Ania Dorfmann (Rec: 5th November 1938) countless copies of his sheet music, 6 CHASINS: Concert Paraphrase on “Artists’ Life” 7:11 making it possible for anyone who Vera Appleton and Michael Field (Rec: 1954) had access to a piano to play his 7 SCHULHOF: Neue Pizzicato-Polka, Opus 449 3:25 compositions at social gatherings Paul Badura-Skoda (Rec: December 1951– January 1952) or simply for enjoyment at home. 8 TEMPLETON: Improvisation on “Tales from the Vienna Woods” 5:47 Concert pianists in the late Alec Templeton (Rec: 1954) nineteenth century and throughout 9 PENNARIO: Emperor Waltz 7:32 the twentieth century added to Leonard Pennario (Rec: 9th May 1952) Strauss’s popularity by creating 0 SCHÜTT : Concert Paraphrase on “Die Fledermaus” 4:42 paraphrases and transcriptions of Adolf Wolff (Rec: 18th March 1938) many of his works.
    [Show full text]
  • Spring Celebration
    SPRING CELEBRATION PROGRAM NOTES. By Erik Rohde © | Violin II, Illinois Symphony Orchestra | Music Director, Winona Symphony Orchestra | Director of Strings and Activities, Indiana State University ILSYMPHONY.ORG Voices of Spring seventeen days later. This too was met with acclaim by the audience and was also cheered until it was 30 JOHANN STRAUSS, II b. St. Ulrich near Vienna, Austria, 25 October 1825 encored at that performance as well. d. Vienna, 3 June 1899 Violin Concerto Premiered on March 1, 1883 in the Theater an der Wien ANTONÍN DVORˇ ÀK in Vienna with soprano Bianca Bianchi. As an orchestral b. Nelahozeves, Austrian Empire, 8 September 1841 work it was premiered by Eduard Strauss (the composer’s brother) on March 18, 1883 by the Strauss Orchestra in d. Prague, Czechoslovakia, 1 May 1904 the Goldene Saal of the Musikverein in Vienna. Premiered on October 14, 1883 in Prague by violinist (Approx. 6 minutes) František Ondrícek. (Approx. 32 minutes) Best known for his “Blue Danube” waltz and Die The Czech composer Antonín Dvorˇàk owed much of Fledermaus, Johann Strauss II was the son of the his widespread acclaim to “being discovered” by his elder Johann Strauss and the most prominent friend and elder composer Johannes Brahms, who member of the famous Strauss family waltz dynasty. had met Dvorˇàk through a composition competition Famous in Vienna, and later to tour across Europe in the 1870s and helped to bring public prominence and the United States, the Strauss family had a huge to his work after being substantially impressed by the influence on musical life in Vienna in the 1800s, talent of this young composer from Bohemia.
    [Show full text]
  • THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
    GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Die Fledermaus
    PLU Opera presents Die Fledermaus Friday, May 21st – Saturday, May, 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center PLU Opera presents Die Fledermaus by Johann Strauss II (1825-1899) English version by Ruth and Thomas Martin Barry Johnson, stage director James Brown, music director, conductor Amy Boers, rehearsal pianist Sheila Bristow, rehearsal pianist Kathleen Anderson, costume designer Art Giddings, stage services Henry Hossner, stage manager Friday, May 21st – Saturday, May 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center Welcome to Eastvold Auditorium. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM There will be an intermission after Act I of Die Fledermaus CAST (in order of vocal appearance) Alfred, a tenor Kendan Bendt Adele, maid to the Eisenstein’s Kayla Linquist (5/21) Kaitlyn Ochs (5/22) Ellie O’Brien (cover) Rosalinda, wife of Eisenstein Mackenzie Taylor (5/21) Aria Manning (5/22) Lindsey Hansen (cover) Gabriel von Eisenstein Trevor Kytola Dr. Blind, a lawyer in Vienna Zyreal Oliver-Chandler (5/21) Brent Johnson (5/22) Dr. Falke, a lawyer in Munich Hugh Davis Frank, a prison warden Arthur Keast Sally, sister of Adele Samantha Katz (5/21) Amanda Ades (5/22) Caroline Bergren (cover) Ivan, Majordormo to Prince Orlofsky Benaiah Axlund Prince Orlofsky, an eccentric Russian Prince Maria-Viktoria Kovalsky (5/21) Isabella Daltoso (5/22)
    [Show full text]
  • General English Cover.Wps
    Ian Alderman General Music Catalogue for Street Organ Music on Paper Rolls ----------- 165 Sandy Lane, Upton, Poole, Dorset BH16 5LU England Tel/Fax 01202 466849 E-mail:[email protected] 1 MARCHES 786 From the Netherlands, 1583 More Marches by J.Jochems: Eisenbahner-Marsch Limburgse Jagersmars Kaiserjäger-Marsch 44 Vol. I Gruiten uit Limburg Tivoli-Marsch Der Königgratzer Lere het Garnigoen Venlo Pariser Einzugs Marsch / 1367 "Sousa Accosted" The Entry into Paris 909 Marches El Capitan Der Coburger El Abanico (You'd be far The Liberty Bell Grenadiers von Fridericus better off in a Home) The Stars and Stripes forever! Rex Washington Grays The Manhattan Beach Unsere Marine 34 Vol. II 2041 American Marches by Preußens Gloria 1170 Vol. X John Philip Sousa Der Torgauer Old Comrades / The Washington Post Der Petersburger Alte Kameraden The Gladiator Wiener-Alexandermarsch Under the Double Eagle / The Rifle-Regiment March Unter dem Doppeladler 36 Vol. III Mussinan Marsch 2044 More J.P.Sousa: Tölzer-Schützen Marsch The March Past of the Alter Jäger Marsch der 913 Vol. XI National Fencibles Freiwilligen Jäger aus dem Sons of the Brave The Thunderer Befreiunskrieg von 1813 Imperial Echoes The Picador Der Pappenheimer (1645) March in C (Haydn) Fehrbelliner Reitermarsch 2047 Sousa Again! Der Jäger aus Kurpfalz 1273 Vol. XII The High School Cadets La Rêve Passe! The Corcoran Cadets 355 Vol. IV Les Gardes Nobles The Beau Ideal March Radetzky-Marsch (J.Strauss) Obersteiger-Marsch Wanderlieder-Marsch 2054 No End to Sousa Helenen-Marsch 1487 Vol. XIII Hail to the Spirit of Liberty Der Alte Bernermarsch Deutschmeister-Regiments The Invincible Eagle Charge of the Uhlans Imperial Edward 354 Vol.
    [Show full text]
  • Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2019 Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide Jennifer Bruton University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Bruton, Jennifer, "Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide" (2019). Dissertations. 1727. https://aquila.usm.edu/dissertations/1727 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. JOHANN STRAUSS II’S DIE FLEDERMAUS: HISTORICAL BACKGROUND AND CONDUCTOR’S GUIDE by Jennifer Jill Bruton A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Jay Dean, Committee Chair Dr. Joseph Brumbeloe Dr. Gregory Fuller Dr. Christopher Goertzen Dr. Michael A. Miles ____________________ ____________________ ____________________ Dr. Jay Dean Dr. Jay Dean Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2019 COPYRIGHT BY Jennifer Jill Bruton 2019 Published by the Graduate School ABSTRACT Students pursuing graduate degrees in conducting often have aspirations of being high school or college choir or band directors. Others want to lead orchestra programs in educational or professional settings. Sadly, many colleges and universities do not have systems in place that provide avenues for those choosing this career path.
    [Show full text]
  • Classical Wedding / Event Music Selections Johann Pachelbel
    Classical Wedding / Event Music Selections Johann Pachelbel Canon in D Johann Sebastian Bach Air from Orchestral Suite No.3 in D Major, BWV 1068 Gigue from Orchestral Suite No.3 in D Major, BWV 1068 Jesu, Joy of Man’s Desiring Cantata, BWV 147 Sheep May Safely Graze Arioso from Cantata No.156 March in D Major Cello Suite No.1 in G Major, BWV 1007 Cello Suite No. 3 in C Major, BWV 1009 Brandenburg Concerto No. 5 in D Major, BWV 1050 Brandenburg Concerto No.3 in G Major, BWV1048 Violin Concerto in E major, BWV 1042 Sonata for Solo Violin No.1, BWV 1001 Partita for Solo Violin No.3, BWV 1006 "Wachet auf, ruft uns die Stimme" BWV 645 Henry Purcell Trumpet Tune Georg Fridrich Handel Water Music, Suite No. 1 in F major, HWV 348 Water Music Suite No. 2 in D Major Alla Hornpipe Andante Allegro Music For The Royal Fireworks HWV351 - V. La Réjouissance Hallelujah from Oratorio Messiah HWV 56 Concerto Grosso in G major, Op.6 No.1 The Arrival of the Queen of Sheba from Oratorio Solomon Arcangelo Corelli Concerto Grosso No.8, Op.6 Antonio Vivaldi Le Quattro Stagioni -The Four Seasons Concerto for two violins in a minor RV 522 Concerto for two violins g minor RV 578 Concerto for four violins in b minor (RV 580) Wolfgang Amadeus Mozart Divertimento in D Major, KV 136 Divertimento in b minor, KV 137 Divertimento in F Major, KV 138 String Quartet No.11, KV 155 String Quartet No.12, KV 156 String Quartet “Dissonance”C-Major, KV 465 Serenade No.
    [Show full text]
  • For Soprano and Tenor Soloists, SATB Chorus and Orchestra
    introduces….. for Soprano and Tenor soloists, SATB chorus and orchestra 2+Picc.2.2.2./4.2.3.0./Timp/Perc/Celeste/Harp/Strings (with optional Flute 3, Cor Anglais, Bass Clarinet, Contrabassoon, Trumpet 3 and Tuba) A Night in Vienna is an unforgettable, enchanting, ready-made concert evening featuring 24 of the best-loved arias and orchestral works by the world’s greatest operetta composers, including Johann Strauss II, Franz Lehár and Emmerich Kálmán. Sparkling with the magic of Vienna and overflowing with well-known melodies, A Night in Vienna is guaranteed to send audiences home with a smile on their faces and a song in their hearts! A Night in Vienna highlights include: Overture from Die Fledermaus | Gold and Silver Waltz | Vienna, City of My Dreams Vilia | Wiener Blut (Vienna Blood) | Champagne chorus (Die Fledermaus) Love Unspoken (The Merry Widow Waltz) | The Blue Danube (English version only) Laughing Song (Die Fledermaus) | Schwipslied (Tipsy Song) A Night in Vienna is available in both English and German. Vocal scores, chorus scores and orchestral parts are available to hire exclusively from the Josef Weinberger Concert Library. To enquire about A Night in Vienna, and to request a free sample CD, contact the Concert Library at [email protected] or on 020 7927 7301 JOSEF WEINBERGER LTD 12-14 Mortimer St, London W1T 3JJ www.josef-weinberger.com/concert-hire Musical items ACT 1 1. Overture from Die Fledermaus Orchestra 2. Vienna, City of My Dreams Tenor & orchestra 3. City of Song from Waltzes from Vienna Chorus & orchestra 4. Oh La La! That’s the Way I Am from Die Csárdásfürstin Soprano, chorus & orchestra 5.
    [Show full text]
  • Die Fledermaus (The Bat)
    San Francisco Conservatory of Music Opera & Musical Theater Program Die Fledermaus (The Bat) Music by Johann Strauss II Libretto by Karl Haffner and Richard Genee English Translation by Marcie Stapp Dialogue by Jose Maria Condemi Jose Maria Condemi, director Curt Pajer, conductor Sun Ha Yoon, piano Saturday, April 3, 2021, 7:30 PM Recorded at the Caroline H. Hume Concert Hall March 21 and 22, 2021 Cast (in order of vocal appearance) Alfred Christopher Wall Adele Natalie Harris Roselinde Emma McAlister Gabriel Alexander Granito Dr. Blind Adam Lowe Falke Marcus Lonardo Frank Keaton Brown Orlofsky Chen Holtzman Ida Nicole Koh Yvan Sergey Khalikulov Design & Production Staff Scenic Designer Steven Kemp Costume Designer Nikki Anderson-Joy Lighting Designer Matthew Antaky Wig and Makeup Designer Heather Sterling Assistant Director Sergey Khalikulov Production Assistants Kyle Tingzon Katherine Ahmann Costume Coordinator Robert Horek Hair and Make-Up Artists Heather Sterling Lighting Technician Cassie Barnes Supertitle Preparation Ted Zoldan Head Electrician Marc Campisi Camera Operators William Childs Audio Engineer Emily Paulson Electrician Kale Sasseman Video Editor Frederic Boulay Asst. Video Editor Samir Arora Scenery engineered and built at Rooster Productions, LLC, Richmond, CA. Shot Lead Technician Adam Puglielli Lead Carpenters Doug Hescox Kyle Wilmmore Carpenters Tyler McClendon Music Staff Assistant Conductor Dana Sadava Musical Preparation Sun Ha Yoon Dana Sadava SFCM Opera & Musical Theater Program Director of Opera and Musical Theater
    [Show full text]
  • DIE FLEDERMAUS (THE BAT) an Operetta by Johann Strauss II TONIGHT’S PROGRAM DIE FLEDERMAUS (THE BAT) JOHANN STRAUSS II
    GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS RALPH OPERA PROGRAM PRESENTS DIE FLEDERMAUS (THE BAT) an operetta by Johann Strauss II TONIGHT’S PROGRAM DIE FLEDERMAUS (THE BAT) JOHANN STRAUSS II 11/3 and 11/5 11/4 and 11/6 Gabriel von Eisenstein Schyler Vargas Eric Botto Rosalinde Anyaleen Bradley Sarah Sanborn Adele Younwoo Seo Emily Morris Alfred Christian Gibbs Luke Thatcher Falke Dominic Aragon Dominic Aragon Prince Orlofsky Ingrid Johnson Arika Drake Frank Matt Giallongo Jonathan Wilson Dr. Blind Josh Colonnieves Josh Colonnieves Ida Emma Genell Adrienne Harlow Frosch Nick Louis Alex Pierce Ivan Megan Miller Megan Miller Featured Dancers / Emma Genell, Adrienne Harlow, Hayley Voss, Andrew Wallace Chorus / Susan Bockhoff, Anna Bonjour, Ahna Chevalier, Josh Colonnieves, Emily Gehman, Emma Genell, Matt Giallongo, Christian Gibbs, Adrienne Harlow, Kassidy King, Angela Lamar, Nick Louis, Adelle McDaniel, Ryan McPeek, Megan Miller, Alex Pierce, Emilee Smith, Luke Thatcher, Hayley Voss, Andrew Wallace, Jonathan Wilson PRODUCTION TEAM Stage Director / Tiffany Blake Conductors / Wes Kenney (Nov. 4 and 6) and Adam Torres (Nov. 3 and 5) Music Director / Christopher Reed Rehearsal Pianist / Tim Burns and Alaina DeBellvue Scenic Designer / Zhanna Gurvich Properties Master / Erin Welch Lighting Designer / Bernard Maxwell Assistant Lighting Designer / Jorrey Calvo Costume Designer / Maile Speetjens Assistant Costume Designer / Lua Frontczak Hair/Makeup Designer / Kayla Ibarra Assistant Hair/Makeup Designer / Hannah Honegger Production Stage
    [Show full text]
  • People's Life and Music in Vienna in Early 20Th Century
    People's Life and Music in Vienna in early 20th Century Yoshio MASUDA and Elisabeth HUBL* (*Department of Chemistry, University of Vienna) Vienna is a unique city in Europe, located in the "Mitteleuropa," the former territory of the Habsburg Empire. It was the center of politics and culture, keeping the throne of Holy Roman Empire of Germany for several hundred years, dominating the whole of Ger­ many, until the Napoleon War early in 19th century. In fact, Viennese culture devel­ oped afterward through the century, as can be seen in science, literature, philosophy, arts, music, etc., It was the case after the Empire had lost its political influence on the whole Europe, therefore the time, the 19th century, being called "Golden Autumn"(H. Spiel, 1987). It is said that the 19 th century continued until 1914 in Vienna, when World War I broke out. Kaiser Franz-Josef ascended the throne in 1848 during the time of revolution and stayed as Kaiser even after the unification of all Germany by Prussia, until 1916 when he died. It thus can be said that the period of Kaiser Franz-Josef was the high time for Vienna which, under hard situation of wars and revolutions, fostered its unparalleled culture. In order to look at this unique Viennese culture, we describe Wienerlieder and related music and discuss them in connection with people in Vienna during the time of turning of the century until Anschluss. 1. Wiener Lieblinge aus seinerzeit. In 1934 there was a song "Der Doktor Lueger hat mir die Hand gereicht (Once Doc­ tor Lueger gave me his hand)'' which was among "Wiener Lieblinge von seinerzeit" sung by the people of Vienna at the time.
    [Show full text]