Tritsch-Tratsch Polka. RV 214

Total Page:16

File Type:pdf, Size:1020Kb

Tritsch-Tratsch Polka. RV 214 1/14 Data Tritsch-Tratsch Polka. RV 214 Johann Strauss (1825-1899) Genre ou forme de l’œuvre : Œuvres musicales Date : 1858 Note : Polka rapide. - 1re exécution : Vienne, Zum großen Zeisig, 24 novembre 1858. - Éd. : Vienne : C. Haslinger, 1859 Autre forme du titre : Tritsch-Tratsch Polka. Op. 214 (allemand) Éditions de Tritsch-Tratsch Polka. RV 214 (217 ressources dans data.bnf.fr) Enregistrements (200) JOHANN STRAUSS VALSES , Johann Strauss extrait : FESTIVAL DE , Petr Ilʹič Čajkovskij ET POLKAS (1825-1899), S.l. : s.n. , s.d. MUSIQUE CLASSIQUE (1840-1893), Franz LEGERE Schubert (1797-1828), Niccolò Paganini (1782-1840) [et autre(s)], S.l. : s.n. , s.d. HISTOIRES DE LA FORET , Johann Strauss arrangement : Trish-trash , Johann Strauss VIENNOISE (1825-1899), Johann polka (1825-1899), [S.l.] : [s.n.] , Strauss (1804-1849), S.l. : [s.d.] s.n. , s.d. SOIREE A VIENNE , Johann Strauss ECHOS DE JOHANN , Johann Strauss (1825-1899), S.l. : s.n. , s.d. STRAUSS (1825-1899), S.l. : s.n. , s.d. Trish trash polka , Johann Strauss Tritsch-tratsch polka, op. , Johann Strauss (1825-1899), [S.l.] : [s.n.] , 214 (1825-1899), Montréal : [s.d.] RCA Victor company limited , [195. ?] data.bnf.fr 2/14 Data Entrée des gladiateurs , Julius Fučik (1872-1916), Tritsch Tratsch Polka. - Johann Strauss, comp.. - [7] Johann Strauss (2012) (1825-1899), Johann Strauss (1804-1849) [et autre(s)], S.l. : s.n. , s.d. Tritsch-Tratsch. - Johann Strauss II, comp.. - [4] Tritsch-Tratsch-Polka, op. 214. - Johann Strauss II, (2011) comp.. - [11] (2008) Trisch-Trasch-Polka op. 214. - Johann Straus II, comp.. Tritsch-Tratsch Polka op. 214. - Johann Strauss, Jr., - [18] comp.. - [9] (2003) (2003) Trisch-Tratsch-Polka, Op. 214. - Johann Strauss Jr., Trisch-Trasch-Polka, op. 214. - Johann Strauss II, comp. - [5] comp.. - [6] (1999) (1999) Trisch-Tratsch-Polka, Op. 214. - Johann Strauss Jr., Tritsch-Tratsch polka, Op 214. - [3] comp. - [5] (1999) (1999) Tritsch-Tratsch Polka Op. 214. - Johann Strauss II, Tritsch-Tratsch Polka Op. 214. - Johann Strauss II, comp. - [7] comp. - [7] (1998) (1998) Tritsch-Tratsch-Polka, Op. 214. - Johann Strauss II, "Tritsch-Tratsch-Polka" Op. 314. - Johann Strauss comp.. - [7] (1825-1899), comp. - [2] (1997) (1997) Tritsch-Tratsch-Polka, op. 214. - Johann Strauss II, "Tritsch-Tratsch-Polka" Op. 314. - Johann Strauss comp. - [6] (1825-1899), comp. - [2] (1997) (1997) Tritsch Tratsch Polka. - J. Strauss fils, comp.. - [8] Tritsch tratsch polka. - [6] (1997) (1997) Tritsch-Tratsch Polka, Op. 214. - Johann Strauss II, Tritsch-tratsch polka. - Johann Strauss, comp. - [10] comp. - [7] (1997) (1997) Tritsch Tratsch Polka, op. 214. - Johann Strauss, comp. Tritsch-Trasch-Polka Op. 214. - Johann Strauss Jr., . - [6] comp. - [7] (1997) (1997) Tritsch-Tratsch polka. - [4] Tritsch-Tratsch-Polka, Op. 214. - Johann Strauss, comp. (1996) . - [3] (1996) data.bnf.fr 3/14 Data Tritsch-Tratsch-Polka, Op. 214. - Johann Strauss, comp. Tritsch-Tratsch-Polka, Op. 214. - Johann Strauss, comp. . - [37] . - [37] (1996) (1996) Tritsch-Tratsch-Polka, Op. 214. - Johann Strauss, comp. Trisch-Tratsch Polka, Op. 214. - [4] . - [3] (1995) (1996) Tritsch-Trasch-Polka, op. 214. - [2] Tritsch-tratsch polka. - Johann Strauss II, comp.. - [5] (1995) (1995) Tritsch tratsch polka. - [4] Tritsch-tratsch-polka. - [3] (1995) (1995) Polkas by the Beautiful Blue Danube. - J. Strauss II, Tritsch-Tratsch Polka. - [Johann] Strauss, comp. - [15] comp.. - [3] (1995) (1995) Tritsch-tratsch-Polka. - Johann Strauss, comp. - [14] Tritsch-Tratsch-Polka, op. 214. - [4] (1995) (1995) Trisch-Trasch polka. - Johann Strauss II, comp.. - [5] Trisch-Trasch polka. - Johann Strauss II, comp.. - [5] (1994) (1994) Tritsch-Tratsch-Polka, op. 214. - Johann Strauss Tritsch-tratsch Polka. - Johann Strauss. - [6] (1825-1899), comp. - [9] (1994) (1994) Tritsch-Tratsch Polka op 214. - [9] Herz-Schmerz-Polka. - [1] (1994) (1994) Tritsch-tratsch Polka. - Johann Strauss. - [6] Tritsch-Tratsch Polka. - [21] (1994) (1993) Tritsch-tratsch polka. - [8] Tritsch-tratsch polka. - [13] (1993) (1993) Tritsch-Tratsch-Polka, op 214. - [4] Tritsch-tratsch polka. - [13] (1993) (1993) Tritsch-Tratsch-Polka op 214. - [9] Tritsch-Tratsch-Polka op 214. - [9] (1993) (1993) Tritsch-Tratsch Polka. - [2] Tritsch-tratsch polka. - [12] (1993) (1993) data.bnf.fr 4/14 Data Tritsch-tratsch polka. - [8] Tritsch-Tratsch-Polka op 214. - [9] (1993) (1993) Tritsch-Tratsch-Polka. - [4] "Tritsch-Tratsch"-Polka, op 214. - [2] (1993) (1993) Tritsch-Tratsch-Polka. - [21] Tritsch-tratsch polka op 214. - [8] (1992) (1992) Tritsch-Tratsch-Polka, op 214. - [4] Tritsch, Tratsch Polka. - [10] (1992) (1992) Tritsch-Tratsch Polka op 214. - [9] Tritsch-Tratsch-Polka, op. 214. - [4] (1992) (1992) Tritsch-Tratsch Polka op 214. - [9] Tritsch-Tratsch Polka, op 214. - [17] (1992) (1992) Tritsch-Tratsch-Polka, op. 214. - [4] Tritsch-tratsch polka op 214. - [8] (1992) (1992) Tritsch-Tratsch-Polka, op 214. - [22] Tritsch tratsch polka. - [4] (1992) (1991) Trisch-Trasch polka op. 214. - [3] Tritsch Tratsch Polka. - [28] (1991) (1991) Tritsch Tratsch Polka. - [4] Trisch-trasch polka op 214. - [2] (1991) (1991) Tritsch-Tratsch-Polka. - [3] Tritsch Tratsch Polka. - [19] (1991) (1991) Trisch-trasch polka op 214. - [2] Trisch-Trasch polka op. 214. - [3] (1991) (1991) Tritsch Tratsch Polka. - [19] Tritsch-Trasch-Polka, op. 214. - [6] (1991) (1991) Tritsch-tratsch polka. - [17] Tritsch-Tratsch Polka. - [3] (1991) (1990) Tritsch-Tratsch Polka. - [3] Tritsch-Tratsch. - [10] (1990) (1990) Tritsch-tratsch Polka. - [8] Tritsch-Tratsch Polka. - [3] (1990) (1990) data.bnf.fr 5/14 Data Tritsch-trasch polka. - [5] Tritsch-Tratsch. - [10] (1990) (1990) Herz-Schmerz-Polka. - [1] Tritsch-tratsch Polka. - [8] (1990) (1990) Tritsch-trasch polka. - [5] Tritsch-tratsch Polka. - [8] (1990) (1990) Tritsch-trasch polka. - [5] Trisch-Trasch Polka op. 214. - [2] (1990) (1989) Tritsch-Tratsch polka, Op 214. - [4] Tritsch-Tratsch-Polka. - [4] (1989) (1989) Tritsch-trasch Polka. - [2] Trisch-Trasch Polka op. 214. - [2] (1989) (1989) Tritsch-Tratsch-Polka, op 214. - [8] Tritsch-Tratsch Polka, Op. 214. - [4] (1989) (1989) Tritsch-Tratsch-Polka, op. 214. - Johann Strauss, Tritsch-Tratsch polka, op 214. - [4] comp.. - [15] (1989) (1989) Trisch-Trasch Polka op. 214. - [2] Tritsch-Tratsch-Polka Op 214. - [6] (1989) (1989) Tritsch-trasch Polka. - [2] Tritsch-Tratsch-Polka. - [4] (1989) (1989) Tritsch-Tratsch Polka, Op. 214. - [4] Tritsch-tratsch-polka. - [2] (1989) (1989) Tritsch-tratsch-polka. - [2] Tritsch-trasch Polka. - [2] (1989) (1989) Tritsch-Tratsch-Polka Op 214. - [6] Tritsch-tratsch-polka. - [2] (1989) (1989) Karajan - Edition vol 5 , Josef Strauss extrait : Johann Strauss , Josef Strauss (1988) (1827-1870), Johann favourites (1827-1870), Johann Strauss (1825-1899), [S.l.] (1988) Strauss (1804-1849), : Polydor international Johann Strauss GmbH ; Antony : distrib. (1825-1899), London : Polygram. Division Polydor Decca record company ; , 1988 (DL) Antony : distrib. Polygram. Division Barclay , 1988 (DL) data.bnf.fr 6/14 Data Le Beau Danube bleu , Josef Strauss extrait : Grand concert , Gioachino Rossini (1988) (1827-1870), Johann (1988) (1792-1868), Camille Saint- Strauss (1825-1899), [S.l.] Saëns (1835-1921), Petr : Polydor international Ilʹič Čajkovskij (1840-1893) GmbH ; Antony : distrib. [et autre(s)], Ch1211 Polygram. Division Polydor Geneve : Edito Service ; , 1988 (DL) Evreux : distrib. Guilde Editions Atlas , 1988 (P) extrait : Concert du nouvel , Emil Nikolaus Rezniček arrangement : With love , Bedřich Smetana an 1988 (1860-1945), Josef Strauss from Vienna (1824-1884), Josef Strauss (1988) (1827-1870), Johann (1988) (1827-1870), Johannes Strauss (1825-1899), [S.l.] Brahms (1833-1897) [et : Polydor international autre(s)], Baarn : GmbH ; Antony : distrib. Phonogram international ; Polygram. Division Polydor Antony : distrib. Polygram- , 1988 (P) Division Phonogram , 1988 (P) extrait : Musique viennoise , Franz Lehár (1870-1948), extrait : Concert du nouvel , Emil Nikolaus Rezniček (1988) Johann Strauss an 1988 (1860-1945), Josef Strauss (1825-1899), Paris : Radio- (1988) (1827-1870), Johann France ; Antony : distrib. Strauss (1825-1899), [S.l.] Auvidis , 1988 (DL) : Polydor international GmbH ; Antony : distrib. Polygram. Division Polydor , 1988 (P) Karajan - Edition vol 5 , Josef Strauss Festival viennois , Josef Strauss (1988) (1827-1870), Johann (1988) (1827-1870), Johann Strauss (1825-1899), [S.l.] Strauss (1804-1849), : Polydor international Johann Strauss GmbH ; Antony : distrib. (1825-1899), London : Polygram. Division Polydor Decca record company ; , 1988 (DL) Antony : distrib. Polygram. Division Barclay , 1988 (DL) extrait : Musique viennoise , Franz Lehár (1870-1948), extrait : Concert du Nouvel , Emil Nikolaus Rezniček (1988) Johann Strauss An 1988 (1860-1945), Josef Strauss (1825-1899), Johann (1988) (1827-1870), Johann Strauss (1804-1849) [et Strauss (1825-1899) [et autre(s)], Paris : Radio- autre(s)], [S.l.] : Polydor France ; Paris : distrib. international GmbH ; Radio-France , 1988 (DL) Antony : distrib. Polygram. Division Polydor , 1988 (P) data.bnf.fr 7/14 Data Légendes de la forêt , Josef Strauss wiener Musik 4 , Johann Strauss viennoise (1827-1870), Johann (1988) (1825-1899), London : BMG (1988) Strauss (1825-1899), Music International Hannover 1 : Polygram (Europe) ; Neuilly : distrib. GmbH ; Antony : distrib. BMG France , 1988 (DL) Polygram.
Recommended publications
  • Back Cover Image
    NAXOS Historical NAXOS 8.111226 Johann Strauss II ADD Paraphrases and Piano Transcriptions Playing ൿ THIS COMPACTAND COPYING OF BROADCASTING DISC PROHIBITED. UNAUTHORISED PUBLIC PERFORMANCE, RESERVED. TRANSLATIONS ALLAND TEXTS ARTWORK, THIS SOUND RECORDING, RIGHTS IN 8.111226 Time & Ꭿ An Anthology of Historic Performances Volume 1 (1930-1954) 78:33 2007 Naxos Rights International Ltd. 1 DOHNÁNYI: Schatz Waltz (Treasure Waltz) 4:29 The undisputed master of Viennese Ernö Dohnányi (Rec: 25th February 1931) dance forms, “those irresistible 2 RAWICZ and LANDAUER: Annen Polka 3:15 Strauss II Maryan Rawicz and Walter Landauer (Rec: 1st January 1950) waltzes that first catch the ear, and 3 SCHULTZ-EVLER: then curl round the heart, until Concert Arabesques “On the Beautiful Blue Danube” 7:27 suddenly they invade the legs”, Isador Goodman (Rec: 1932) Johann Strauss II became the most 4 GRÜNFELD: Soirée de Vienne 5:35 popular musician of his Jakov Fliere (1939) generation. His publishers printed : 5 TAUSIG: Valse-Caprice No.2 6:03 1 Vol. Transcriptions Paraphrases and Piano Ania Dorfmann (Rec: 5th November 1938) countless copies of his sheet music, 6 CHASINS: Concert Paraphrase on “Artists’ Life” 7:11 making it possible for anyone who Vera Appleton and Michael Field (Rec: 1954) had access to a piano to play his 7 SCHULHOF: Neue Pizzicato-Polka, Opus 449 3:25 compositions at social gatherings Paul Badura-Skoda (Rec: December 1951– January 1952) or simply for enjoyment at home. 8 TEMPLETON: Improvisation on “Tales from the Vienna Woods” 5:47 Concert pianists in the late Alec Templeton (Rec: 1954) nineteenth century and throughout 9 PENNARIO: Emperor Waltz 7:32 the twentieth century added to Leonard Pennario (Rec: 9th May 1952) Strauss’s popularity by creating 0 SCHÜTT : Concert Paraphrase on “Die Fledermaus” 4:42 paraphrases and transcriptions of Adolf Wolff (Rec: 18th March 1938) many of his works.
    [Show full text]
  • Spring Celebration
    SPRING CELEBRATION PROGRAM NOTES. By Erik Rohde © | Violin II, Illinois Symphony Orchestra | Music Director, Winona Symphony Orchestra | Director of Strings and Activities, Indiana State University ILSYMPHONY.ORG Voices of Spring seventeen days later. This too was met with acclaim by the audience and was also cheered until it was 30 JOHANN STRAUSS, II b. St. Ulrich near Vienna, Austria, 25 October 1825 encored at that performance as well. d. Vienna, 3 June 1899 Violin Concerto Premiered on March 1, 1883 in the Theater an der Wien ANTONÍN DVORˇ ÀK in Vienna with soprano Bianca Bianchi. As an orchestral b. Nelahozeves, Austrian Empire, 8 September 1841 work it was premiered by Eduard Strauss (the composer’s brother) on March 18, 1883 by the Strauss Orchestra in d. Prague, Czechoslovakia, 1 May 1904 the Goldene Saal of the Musikverein in Vienna. Premiered on October 14, 1883 in Prague by violinist (Approx. 6 minutes) František Ondrícek. (Approx. 32 minutes) Best known for his “Blue Danube” waltz and Die The Czech composer Antonín Dvorˇàk owed much of Fledermaus, Johann Strauss II was the son of the his widespread acclaim to “being discovered” by his elder Johann Strauss and the most prominent friend and elder composer Johannes Brahms, who member of the famous Strauss family waltz dynasty. had met Dvorˇàk through a composition competition Famous in Vienna, and later to tour across Europe in the 1870s and helped to bring public prominence and the United States, the Strauss family had a huge to his work after being substantially impressed by the influence on musical life in Vienna in the 1800s, talent of this young composer from Bohemia.
    [Show full text]
  • CAMERATA PONTRESINA 2018 Konzertprogramm 17
    CAMERATA PONTRESINA 2018 Konzertprogramm 17. Juni bis 23. September © Schocher © Morgenkonzert im Taiswald Camerata Pontresina La Camerata, zu deutsch «Kammer­ gemeinschaft, Gefährten», die mit ihrer musikalischen Tätigkeit zur Freude der Zuhörer und zur eigenen Freude ihre künstlerischen Fähigkeiten als echtes Team – als «primi inter pares» – wirken lässt. Allgemeine Informationen Ort Im Taiswald, bei ungünstiger Witte rung im Kongress­ und Kultur­ zentrum Pontresina oder in der reformierten Kirche (Hinweistafeln im Dorf beachten). Dauer 1 Stunde, 11.00 bis 12.00 Uhr Eintritt Frei Impresario Dr. Jürg H. Frei Website www.pontresina.ch/camerata Camerata Pontresina 2018 03 PROGRAMM DER 99 MORGENKONZERTE vom 17. Juni bis 23. September, täglich von 11.00 bis 12.00 Uhr Grusswort 04 Das Camerata­Team 2018 06 17. Juni bis 14. Juli 07 Kammermusikensembles der Camerata Pontresina 15. Juli bis 12. August 13 Camerata Pontresina 13. August bis 23. September 19 Kammermusik ensembles der Camerata Pontresina Vesperkonzerte in der Kirche Sta. Maria 29 Führungen und Angebote in Pontresina 30 CAMERATA PONTRESINA – 99 MORGENKONZERTE 2018 Musikalischer und hochalpiner Genuss im Taiswald Pontresina bietet laufend neue Angebote an. So zu können. Für die Morgenkonzerte der Camerata zum Beispiel das Steinbock­Paradies Pontresina, Pontresina sollten Sie sich unbedingt einen sol­ das im Sommer 2017 neu eröffnet worden ist. chen Platz frei halten, um diesen in vollen Zügen Denn rund um Pontresina fühlt sich das Bündner geniessen zu können. Einen kurzen Spaziergang Wappentier besonders wohl. Nicht umsonst lebt vom Dorf entfernt, auf einer mystischen Lichtung am Piz Albris (3 166 m), gleich bei Pontresina, eine im Wald, liegt der Konzertplatz Tais.
    [Show full text]
  • Johann Strauss Emperor Waltz - Kaiserwalzer Mp3, Flac, Wma
    Johann Strauss Emperor Waltz - Kaiserwalzer mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Emperor Waltz - Kaiserwalzer Country: Brazil Released: 1973 Style: Romantic MP3 version RAR size: 1938 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1690 mb Rating: 4.2 Votes: 651 Other Formats: XM ADX RA VOC MP4 MP3 APE Tracklist A1 –Johann Strauss* An Der Schönen Blauen Donau, Op. 314 A2 –Johann Strauss* Tritsch-Tratsch-Polka, Op. 214 A3 –Johann Strauss* Kaiser-Walzer, Op. 437 B1 –Johann Strauss* Unter Donner Und Blitz, Op. 324 B2 –Johann Strauss* Rosen Aus Dem Süden, Op. 388 B3 –Josef Strauss*, Johann Strauss* Pizzicato-Polka B4 –Johann Strauss* Annen-Polka, Op. 117 B5 –Johann Strauss* Perpetuum Mobile, Op. 257 Companies, etc. Manufactured By – Companhia Brasileira De Discos Phonogram Distributed By – Companhia Brasileira De Discos Phonogram Credits Conductor – Karl Böhm Orchestra – Wiener Philharmoniker Notes Vinyl has the generic yellow Company labels with top small Tulips motif logo and straight borders. Vinyl is held in a fully laminated picture cover which has 'Serie De Luxo' back top print. Other versions Category Artist Title (Format) Label Category Country Year Johann Strauss* & Johann Strauss* & Josef Strauss* - Deutsche 2530 316 2530 316 Germany 1973 Josef Strauss* Emperor Waltz - Grammophon Kaiserwalzer (LP) Johann Strauss* & DK 214 Johann Strauss* & Josef Strauss* - Deutsche DK 214 US 1978 LPS Josef Strauss* Emperor Waltz - Klassische LPS Kaiserwalzer (LP) Johann* Et Joseph Johann* Et Joseph Strauss* /
    [Show full text]
  • Composers and Works List
    Composers and Works List Adams, John Coolidge (American, 1947-) Common Tones in Simple Time Grand Pianola Music Harmonielehre Shaker Loops The Chairman Dances Two Fanfares for Orchestra Adams, John Luther (American, 1953-) Dark Waves The Farthest Place The Light that Fills the World Addinsell, Richard Stewart (British, 1904-1977) A Christmas Carol Suite Warsaw Concerto Agapkin, Vasily Ivanovich (Russian, 1884-1964) Farewell to Slavianka Albéniz y Pascual, Isaac Manuel Francisco (Spanish, 1860-1909) Suite española, Op 47 Alexandrov, Alexander Vasilyevich (Russian, 1883-1946) Sacred War Soviet National Anthem Alfvén, Hugo Emil (Swedish, 1872-1960) Symphony 1, Op 7 Symphony 2, Op 11 Swedish Rhapsody 1, Op 19 'Midsummer Vigil' Symphony 3, Op 23 The Mountain King, Op 37 Symphony 4, Op 39 'From the Outermost Skerries' Andriessen, Hendrik Franciscus (Dutch, 1892-1981) Ricercare Symphony 2 Symphony 3 Andriessen, Jurriaan Hendrik (Dutch, 1925-1996) Rococo Concerto Antheil, George (American, 1900-1959) A Jazz Symphony Capital of the World Hot-Time Dance Jazz Sonata 4 Specter of the Rose Symphony 3 ‘American’ Symphony 4 ‘1942’ Symphony 5 Symphony 6 Arnič, Blaž (Slovenian, 1901-1970) Overture to a Comic Opera, Op 11 Symphony 5, Op 22 'Particularistic' Artyomov, Vyacheslav Petrovich (Russian, 1940-) Guria Hymn Requiem Atterberg, Kurt Magnus (Swedish, 1887-1974) Symphony 1, Op 3 Symphony 2, Op 6 Auerbach, Lera (Russian-American, 1974-) Icarus, symphonic poem Symphony 1 ‘Chimera’ Bach, Johann Sebastian
    [Show full text]
  • THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
    GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Die Fledermaus
    PLU Opera presents Die Fledermaus Friday, May 21st – Saturday, May, 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center PLU Opera presents Die Fledermaus by Johann Strauss II (1825-1899) English version by Ruth and Thomas Martin Barry Johnson, stage director James Brown, music director, conductor Amy Boers, rehearsal pianist Sheila Bristow, rehearsal pianist Kathleen Anderson, costume designer Art Giddings, stage services Henry Hossner, stage manager Friday, May 21st – Saturday, May 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center Welcome to Eastvold Auditorium. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM There will be an intermission after Act I of Die Fledermaus CAST (in order of vocal appearance) Alfred, a tenor Kendan Bendt Adele, maid to the Eisenstein’s Kayla Linquist (5/21) Kaitlyn Ochs (5/22) Ellie O’Brien (cover) Rosalinda, wife of Eisenstein Mackenzie Taylor (5/21) Aria Manning (5/22) Lindsey Hansen (cover) Gabriel von Eisenstein Trevor Kytola Dr. Blind, a lawyer in Vienna Zyreal Oliver-Chandler (5/21) Brent Johnson (5/22) Dr. Falke, a lawyer in Munich Hugh Davis Frank, a prison warden Arthur Keast Sally, sister of Adele Samantha Katz (5/21) Amanda Ades (5/22) Caroline Bergren (cover) Ivan, Majordormo to Prince Orlofsky Benaiah Axlund Prince Orlofsky, an eccentric Russian Prince Maria-Viktoria Kovalsky (5/21) Isabella Daltoso (5/22)
    [Show full text]
  • Repertoire MGK 19 20 © Dacapo Austria
    1 R e p e r t o i r e Matthias Georg Kendlinger Komponist und Dirigent Sinfonisches Repertoire Beethoven, Ludwig van: Sinfonien Nr. 2 op. 36 · 3 op. 55 · 5 op. 67 · 7 op. 92 · 9 op. 125 · Klavierkonzert Nr. 2 op. 19 · Die Geschöpfe des Prometheus op. 43 (Ouvertüre) · Violinromanze Nr. 2 op. 50 · Coriolan op. 62 (Ouvertüre) · Egmont op. 84 (Ouvertüre) · Zur Namensfeier op. 115 (Ouvertüre) Brahms, Johannes: Sinfonie Nr. 2 op. 73 Bruckner, Anton: Sinfonie Nr. 4 WAB 104 · Sinfonie Nr. 7 WAB 107 Dvorák, Antonín: Sinfonie Nr. 9 op. 95 „Aus der Neuen Welt“ · Humoreske op. 101 Nr. 7 Enescu, George: Rumänische Rhapsodie op. 11 Nr. 2 Grieg, Edvard: Peer Gynt-Suite Nr. 2 op. 55: Der Brautraub Kendlinger, Matthias Georg: Sinfonische Dichtung op. 2 „Der verlorene Sohn“ · Sinfonie Nr. 1 op. 4 „Manipulation“ · Meditative Dichtung op. 6 „Heilung“ · Klavierkonzert Nr. 1 op. 7 „Larissa“ · Cellokonzert Nr. 1 op. 8 „Unser Vater“ · Sinfonie Nr. 2 op. 9 „Die Österreich-Ukrainische“ · Sinfonie Nr. 3 op. 10 „Menschenrechte“ · Violinkonzert Nr. 1 op. 11 „Galaxy“ Mahler, Gustav: Sinfonie Nr. 2 „Auferstehungssinfonie“ · Sinfonie Nr. 5 Mozart, Wolfgang Amadeus: Sinfonie Nr. 1 KV 16 · Sinfonie Nr. 34 KV 338 · Sinfonie Nr. 35 KV 385 „Haffner“ · Sinfonie Nr. 40 KV 550 Ravel, Maurice: Boléro Schubert, Franz: Sinfonie Nr. 4 D 417 „Tragische“ · Sinfonie Nr. 5 D 485 · Sinfonie Nr. 7 D 759 „Unvollendete“ Schumann, Robert: Kinderszenen op. 15: Träumerei Strauss, Richard: Till Eulenspiegels lustige Streiche op. 28 · Also sprach Zarathustra op. 30 (Prelude) Tschaikowsky, Pjotr Iljitsch: Nocturne op. 19/4 · Klavierkonzert Nr.
    [Show full text]
  • General English Cover.Wps
    Ian Alderman General Music Catalogue for Street Organ Music on Paper Rolls ----------- 165 Sandy Lane, Upton, Poole, Dorset BH16 5LU England Tel/Fax 01202 466849 E-mail:[email protected] 1 MARCHES 786 From the Netherlands, 1583 More Marches by J.Jochems: Eisenbahner-Marsch Limburgse Jagersmars Kaiserjäger-Marsch 44 Vol. I Gruiten uit Limburg Tivoli-Marsch Der Königgratzer Lere het Garnigoen Venlo Pariser Einzugs Marsch / 1367 "Sousa Accosted" The Entry into Paris 909 Marches El Capitan Der Coburger El Abanico (You'd be far The Liberty Bell Grenadiers von Fridericus better off in a Home) The Stars and Stripes forever! Rex Washington Grays The Manhattan Beach Unsere Marine 34 Vol. II 2041 American Marches by Preußens Gloria 1170 Vol. X John Philip Sousa Der Torgauer Old Comrades / The Washington Post Der Petersburger Alte Kameraden The Gladiator Wiener-Alexandermarsch Under the Double Eagle / The Rifle-Regiment March Unter dem Doppeladler 36 Vol. III Mussinan Marsch 2044 More J.P.Sousa: Tölzer-Schützen Marsch The March Past of the Alter Jäger Marsch der 913 Vol. XI National Fencibles Freiwilligen Jäger aus dem Sons of the Brave The Thunderer Befreiunskrieg von 1813 Imperial Echoes The Picador Der Pappenheimer (1645) March in C (Haydn) Fehrbelliner Reitermarsch 2047 Sousa Again! Der Jäger aus Kurpfalz 1273 Vol. XII The High School Cadets La Rêve Passe! The Corcoran Cadets 355 Vol. IV Les Gardes Nobles The Beau Ideal March Radetzky-Marsch (J.Strauss) Obersteiger-Marsch Wanderlieder-Marsch 2054 No End to Sousa Helenen-Marsch 1487 Vol. XIII Hail to the Spirit of Liberty Der Alte Bernermarsch Deutschmeister-Regiments The Invincible Eagle Charge of the Uhlans Imperial Edward 354 Vol.
    [Show full text]
  • Programme.Pdf
    Konzertprogramme des Orchesters der Wiener Netze zurück bis 1923: das konzert 2019 20. März 2019 VHS-Zentrum Floridsdorf Admiral Stosch - Marsch Carl Latann L´ Arlesienne, Bühnenmusik Georges Bizet Der Student geht vorbei Juliu Cesar Ibanez Am Donaustrand, Walzer Sigmund Suchy Csárdásfürstin, Potpourri Imre Kálmán Floridsdorf - Marsch Sigmund Suchy Mars de Medici, Marsch Johan Wichers O Vitinho, marcha chula Francisco Marques Neto Wo die Wolga fließt, Potpourri Hans Kolditz Vajnorska Polka Karol Padivy Colonel Bogey, Marsch Frederick J. Ricketts Textilakov, Marsch Karol Padivy Bis bald auf Wiederseh´n Wenzel Zittner das konzert 2018 14. April 2018 VHS-Zentrum Floridsdorf Prelude aus "Te Deum" Marc A. Charpentier Regina Ouvertüre Gioacchino Rossini Winter aus "Vier Jahreszeiten", op. 8 Antonio Vivaldi Rosen aus dem Süden, Walzer op. 388 Johann Strauss Bitte schön, Polka francaise op. 372 Johann Strauss Der Vogelhändler, Potpourri Carl Zeller Triglav Marsch op. 72 Julius Fucik Harry Potter, Filmmusik John Williams Westside Story, Potpourri Leonard Bernstein Mixed Pickles Max Leemann Maxglaner Zigeunermarsch Tobias Reiser Für Österreichs Ehr´ Marsch Josef Lassletzberger Böhmische Musikanten, Polka Rudolf Lamp Dort tanzt Lulu, Walzer Will Meisel Faszination Blasmusik 22. Oktober 2017 Konzerthaus Triglav, Marsch op. 72 Julius Fucik Verträumte Melodien, Potpourri Hans Kolditz Tanzen möcht´ ich, Walzer Imre Kálmán das konzert 2017 22. April 2017 VHS-Zentrum Floridsdorf Abendgebet aus "Nachtlager in Granada" Conradin Kreutzer Eine Nacht in Venedig, Ouvertüre Johann Strauss Stephanie Gavotte, op. 312 Alphons Czibulka Erinnerung an Franz Schubert, Potpourri Johann Kliment Das liegt bei uns im Blut, Polka mazur op. 374 Carl M. Ziehrer Loreley-Rhein - Klänge, Walzer op. 154 Johann Strauss, Vater Per aspera ad astra, Marsch Ernst Urbach Khevenhüller Marsch Anton Fridrich The lion sleeps tonight Weiss / Creatore / Kampstra Fernando / Thank you for the music Benny Anderson / Björn Ulvaeus Persischer Marsch, op.
    [Show full text]
  • Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2019 Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide Jennifer Bruton University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Bruton, Jennifer, "Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide" (2019). Dissertations. 1727. https://aquila.usm.edu/dissertations/1727 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. JOHANN STRAUSS II’S DIE FLEDERMAUS: HISTORICAL BACKGROUND AND CONDUCTOR’S GUIDE by Jennifer Jill Bruton A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Jay Dean, Committee Chair Dr. Joseph Brumbeloe Dr. Gregory Fuller Dr. Christopher Goertzen Dr. Michael A. Miles ____________________ ____________________ ____________________ Dr. Jay Dean Dr. Jay Dean Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2019 COPYRIGHT BY Jennifer Jill Bruton 2019 Published by the Graduate School ABSTRACT Students pursuing graduate degrees in conducting often have aspirations of being high school or college choir or band directors. Others want to lead orchestra programs in educational or professional settings. Sadly, many colleges and universities do not have systems in place that provide avenues for those choosing this career path.
    [Show full text]