List of Works

Mori Arts Center Gallery(R oppongi Hills Mori Tower 52F)

Organised by: Musée National des Châteaux de Versailles et de Trianon / Nippon Television Network Corporation / e Yomiuri Shimbun / BS Nippon Corporation / Mori Arts Center Under the auspices of: Embassy of / Institut français du Japon With the sponsorship of: Dai Nippon Printing Co., Ltd. / Breguet / Renault-Nissan Alliance / Air France / Perrier-Jouët With the cooperation of: Nippon Cargo Airlines Co., Ltd. / Nippon Express Co., Ltd. / East Japan Railway Company / CS Nippon Corporation / RF RADIO NIPPON CO., LTD. / J-WAVE, INC. / Nippon Cultural Broadcasting Inc. / TOKYO MX / Television Kanagawa Inc. With the special cooperation NTVof: Europe B.V. With the special cooperation for loan M of:usée Carnavalet-Histoire de / Paris Musées Curated by: Musée National des Châteaux de Versailles et de Trianon

・ Unless otherwise stated, works are in Musée national des châteaux de Versailles et de Trianon. ・ Exhibits from ’s Japanese lacquerware collection (nos. 73–79) featured in the First Period (10.25 Tue – 12.16 Fri) will be rotated in the Second Period (12.17 Sat – 2.26 Sun). First Period will feature nos. 74, 76, 77 and 79, and Second Period , nos. 73, 75, 78 and 79. ・ e order of exhibits in the exhibition diers from that in the catalogue due to venue space conditions. We ask your understanding. ・ Temperature, humidity, and lighting levels are adjusted to protect the exhibits in accord with the lender’s terms and conditions. Please accept our apologies if viewing conditions are less than optimal.

8 16 22 I After Pietro Antonio Rotari (1707–1762) Louis Michel van Loo (1707–1771) Royal Porcelain Manufactory at Sèvres Empress Catherine II of Russia Louis Auguste, Duke of Berry, Maison Beurdeley, Paris From to Versailles: After 1760 later Louis XVI Partial restoration of the wedding from Imperial Princess to Crown Oil on canvas 79 x 63 cm 1769 centerpiece for the marriage of the Princess Oil on canvas 64 x 49 cm Dauphin 9 Unglazed soft-paste porcelain, 1769–1770 ; gilded Jean-Charles Levasseur (1734–1816), after 17 bronze, mirror, bardiglio marble, c 1880 1 Joseph Krantzinger (1740–after 1772) Louis Michel van Loo (1707–1771) 62,5 x 283 x 126 cm Martin van Meytens the younger Dauphiness Marie Antoinette Stanislas Xavier, Count of Provence, (1695–1770) 23 c 1770 later Louis XVIII e Imperial family in 1755 Royal Porcelain Manufactory at Sèvres Etching and engraving 23,6 x 16,4 (plate mark) 1770 1755 Oil on canvas 64 x 49 cm Louis XV in the style of the Roman Oil on canvas 197 x 177 cm 10 Empire François-Hubert Drouais (1727–1775) 18 c 1770 2 Louis XV at the age of sixty three Louis Michel van Loo (1707–1771) Unglazed soft-paste porcelain 25 x 13,5 cm Franz Xaver Wagenschön (1726–1790) 1773 Charles Philippe, Count of Artois, Archduchess Marie Antoinette at the Oil on canvas 72,5 x 59,5 cm later Charles X 24 harpsichord Maison Prelle, Lyon, and Maison Declercq, 1770 c 1769–1770 11 Oil on canvas 63 x 50 cm Paris Oil on canvas 134 x 98 cm François-Hubert Drouais (1727–1775) Stage curtain for the Royal Opera Gemäldegalerie Kunsthistorisches Museum, Vienna Countess Du Barry as Flora c 1957 Silk, metal thread 305 x 98 cm 3 1769 Anton von Maron (1733–1808) Oil on canvas 70 x 58 cm 25 Francis I of Lorraine, Holy Roman 12 Fan in commemoration of the marriage Emperor II Anne Vallayer-Coster (1744–1818) of the Dauphin and Marie Antoinette c 1765–1770 Marriage to the Crown Prince c 1770 Oil on canvas 115,5 x 80,5 cm Madame Adélaïde Pleated fan, gouache-painted paper backed with 1779–1781 leather, ribs with blonde shell and sculpted ivory Oil on canvas 72 x 59 cm 4 19 decorated with gold leaf 27 x 50 cm Anton von Maron (1733–1808) Arrival of Marie Antoinette at 13 Maria eresa, Archduchess of Versailles on 16 May 1770, 26 Anne Vallayer-Coster (1744–1818) c 1765–1770 the day of her marriage Unknown painter of the Cabinet du Roi, Oil on canvas 115 x 94,5 cm Madame Victoire Published by André Basset the younger (?–After 1780) after François-Hubert Drouais (1727–1775) 1779–1781 1770 Dauphiness Marie Antoinette 5 Oil on canvas 73 x 59 cm Etching, highlight of watercolour c 1770 25,2 x 34,4 cm (image) Anton von Maron (1733–1808) Oil on canvas 65 x 54 cm Joseph II, Holy Roman Emperor 14 Jean-Martial Frédou (1710–1795) 20 c 1765–1770 27 After Claude-Louis Desrais (1746–1816) Oil on canvas 116 x 80 cm Dauphin Louis Ferdinand, Gobelins Manufactory, Paris son of Louis XV Marriage ceremony of Louis Auguste, Weaved by Charles Cozette (1713–after 1797), 6 c 1765 Dauphin of France, with Archduchess after François-Hubert Drouais (1727–1775) Anton von Maron (1733–1808) Oil on canvas 64 x 54 cm Marie Antoinette Dauphiness Marie Antoinette Leopold I, Grand Duke of Tuscany, c 1770 1773–1774 later Leopold II, Holy Roman Emperor 15 Etching, highlight of watercolour , wool, silk 64 x 50 cm 32,7 x 24,1 cm (image) c 1765–1770 Jean-Martial Frédou (1710–1795) Oil on canvas 116 x 80 cm Dauphiness Maria Josepha of Saxony 28 21 After 1761 François Godefroy (1743–1819), after Jean- 7 Oil on canvas 75 x 61 cm Unknown engraver of the Menus Plaisirs Michel Moreau the younger (1741–1814) After Johann Heinrich Franke (1738–1792) Invitation to the evening ball held e trait of humanity given by the Frederick II, King of Prussia at Versailles for the marriage of the Dauphiness on 16 October 1773 c 1780 Dauphin on 19 May 1770 (Facsimile) c 1773 Oil on canvas 80 x 64 cm Etching and engraving 17 x 21,7 cm (plate mark) Etching and engraving 18,3 x 21,9 cm 29 37 46 55 Sheathed by Antoine Lanson National Manufactory at Sèvres, after Louis- Unknown artist Unknown French artist Travel chest with the arms of Simon Boizot (1743–1809) Decoration for the reworks shot in Marie Antoinette in redingote dress Dauphiness Marie Antoinette Madame Royale, or infant on cushions the presence of eir Majesties on 21 c 1784 Entre 1770 et 1774 1779 (modeled), 1881 (red at Sèvres) January 1782, erected near the city Black chalk, highlight with wash and gouache in Wood covered with red morocco leather decorated Unglazed hard-paste porcelain 23,5 x 15 x 17,7 cm hall, on the occasion of the birth of His white, brown and pink, cream paper 60 x 46 cm with gilded iron and varnished bronze Royal Highness the Dauphin, by order Östergötlands museum, Linköping / Löfstad Castle, Norrköping 53,3 x 74 x 49 cm 38 of Mayor De Caumartin of Paris Unknown artist 1782 30 Etching and watercolor 32,7 x 46,3 cm 56 Marie-érèse Charlotte, known as Musée Carnavalet-Histoire de Paris Unknown French artist Martial Deny (1745–?), after Claude-Louis Madame Royale Desrais (1746–1816) Medallions with the pro les of the 1779 (miniature with watercolor and gouache, mounted 47 Archduchess of Austria in ceremonial Dauphin and the Dauphiness in gold)., 19th century (mahogany frame) François Ménageot (1744–1818) costume, Queen Marie Antoinette, of 1770–1774 4,5 x 3,5 cm (miniature) 9 x 7,9 x 1,3 (frame) Allegory of the birth of Dauphin Louis France White marble 33,5 x 22,5 cm, 34,5 x 21,5 cm Joseph Xavier François on 22 October 39 After 1785 1781 Etching, highlight with watercolor 40,2 x 26,3 cm e accomplished wishes for the happy 1783 Oil on canvas 98 x 130 cm delivery of the Queen and the birth of 57 His Highness the Dauphin Musée national des châteaux de Versailles et de Trianon, Versailles (Deposited from Musée du , Nicolas Dupin the younger (1753–?) III Published by André Basset the younger (?–after 1780) Paris) Duchess occupying one of the rst places 1781 e Accession serving the Queen Etching 20,7 x 27 cm 48 —Queen Marie Antoinette After 1785 Unknown French artist Etching, highlight with watercolor 35,1 x 23,8 cm 40 (Second half of the 18th century) National Manufactory at Sèvres, after Louis-Charles of France, Duke of 31 58 Augustin Pajou (1730–1809) Normandy Joseph Sired Duplessis (1725–1802) Nicolas Dupin the younger (1753–?), Marie Antoinette as Venus presenting c 1788 after Claude-Louis Desrais (1746–1816) Louis XVI her rst son, Dauphin Louis, born in Miniature with watercolor and gouache, gold mount Costume of court lady during the reign 1774 1781 surrounded with natural pearls Oil on canvas 80 x 62 cm 3,6 x 3,1 cm (miniature), 26,4 x 20,8 cm (wooden frame) of Louis XVI 1782 (modeled), 1938 (red at Sèvres) After 1785 Unglazed hard-paste porcelain 40,3 x 22,8 x 24 cm 32 Etching, highlight with watercolor 41,1 x 26,4 cm Elisabeth-Louise Vigée Le Brun (1755–1842) 41 and studio Royal Porcelain Manufactory at Sèvres V Queen Marie Antoinette Covered cup with hollow After 1778 1781 Marie Antoinette, Oil on canvas 80 x 65 cm VI Hard-paste porcelain, porcelain enamel, gold Queen of Fashion Château de Breteuil 8,5 x 11 x 9 cm (cup), 3,5 x 17 cm (saucer) Furniture Makers in Service 49 to the Queen 33 42 Jean-Michel Moreau the younger Attributed to Louis-Simon Boizot Jean-Michel Moreau the younger (1741–1814) 1743–1809 (1741–1814) ( ) Arrival of the Queen at the city hall on 59 Decoration for the coronation of Louis Medallion with the pro le of Marie 21 January 1782 Antoinette Workshop of Jules-Hugues Rousseau, XVI, King of France and of Navarre at known as Rousseau l’Aîné (1743–1808), 1774 From “Festival held for the King and the and Jean-Siméon Rousseau, known as Reims on 11 June 1775: e oath of White marble 53,5 x 40 x 7 cm Queen by the city of Paris on 21 January Rousseau de La Rottière (1747–1820) the King 1782, on the occasion of the birth of His Design of sculpted panelling for the 1776 Highness the Dauphin” 50 Pen and gray ink, highlight of brown wash, black Cabinet de la Méridienne 1788 Royal Porcelain Manufactory at Sèvres chalk, cream paper 37,3 x 49,7 cm 1781 Etching and engraving 58 x 82,5 cm (plate mark) Marie Antoinette, Queen of France Pen and gray ink, highlight with wash, cream paper c 1774–1775 20,7 x 20 cm 34 43 Unglazed soft-paste porcelain 68 x 45 x 25 cm Royal Porcelain Manufactory at Sèvres, Jean-Michel Moreau the younger (1741–1814) after Louis-Simon Boizot (1743–1809) 51 60 e royal feast Royal altar Elisabeth-Louise Vigée Le Brun (1755–1842) Workshop of Jules-Hugues Rousseau, From “Festival held for the King and the and studio known as Rousseau l’Aîné (1743–1808), c 1775 Queen by the city of Paris on 21 January and Jean-Siméon Rousseau, known as Unglazed soft-paste porcelain 41,2 x 31 x 27,5 cm Marie Antoinette, Queen of France 1782, on the occasion of the birth of His 1785 Rousseau de La Rottière (1747–1820) Highness the Dauphin” Oil on canvas 276 x 193 cm Design of mantelpiece for the Petit 35 1788 Appartement of the Queen François Denis Née (1732–1817) and Louis Etching and engraving 52 x 35 cm (plate mark) 52 1784 Joseph Masquelier (1741–1811), after Jacques Jean-Joseph Bernard (1740–1809) Pen and gray ink, highlight with wash, cream paper Philippe Joseph de Saint-Quentin (1738–?) 44 Marie Antoinette, Queen of France 31,4 x 26,4 cm Guardians of the public felicity Jean-Michel Moreau the younger (1741–1814) and of Navarre 1774 e reworks 1783 61 Etching and engraving 38,6 x 25,6 cm From “Festival held for the King and the Pen, bister wash 72 x 52 cm (paper) Workshop of Jules-Hugues Rousseau, Queen by the city of Paris on 21 January known as Rousseau l’Aîné (1743–1808), 1782, on the occasion of the birth of His 53 and Jean-Siméon Rousseau, known as Highness the Dauphin” Louis Auguste Brun, known as Brun de Rousseau de La Rottière (1747–1820) 1758–1815 1788 Versoix ( ) Design of re screen for the Cabinet Etching and engraving 60,5 x 84,5 cm (plate mark) Marie Antoinette while hunting Doré of the Queen IV c 1783 1788 Oil on canvas 99,5 x 80 cm Marie Antoinette and 45 Pen and gray ink, highlight with wash, cream paper Her Children Jean-Michel Moreau the younger (1741–1814) 21,9 x 17,2 cm 54 e masquerade on 23 January 1782 Unknown French artist (Second half of the From “Festival held for the King and the 18th century) 62 36 Queen by the city of Paris on 21 January Portrait of Marie Antoinette, Queen of Attributed to Jean François Bony Charles Leclercq (1753–1821) 1754–1825 1782, on the occasion of the birth of His France and of Navarre, with plume ( ) Countess of Artois and her children Highness the Dauphin” c 1785 Design of bedquilt for the Queen c 1780 1788 Soft ground etching with coloring c 1786 Oil on canvas 47 x 39 cm Etching and engraving 46 x 37 cm (plate mark) 32,4 x 20,1 cm (paper) Gouache on cream paper 27 x 21,7 cm 63 72 82 94 Attributed to Jean François Bony (1754–1825) Pierre-Philippe omire (1751–1843) Unknown craftsman (Paris) Georges Jacob (1739–1814) Design of bolster, backrest and back of Pair of andirons for the bedroom of the Pair of ambeaus Stool the bed for the Queen Queen at Versailles c 1782 1788 c 1786 1786 Gilded and silver-plated bronze, toreutics Sculpted and painted beechwood, green damask Gouache on cream paper 23,8 x 13,6 cm Gilded bronze 48 x 55 x 19 cm (each) 24 x 7 cm (each) 47,5 x 46,7 x 38,8 cm

83 64 73 Second Period 95 Unknown French artist Small rectangular box decorated with Unknown craftsman (Paris) Georges Jacob (1739–1814) Bedquilt oral pattern Pair of gloves Chair c 1780–1790 c 1770 Late 17th century –early 18th century 1788 Kid leather, silk 43 x 8,5 cm Silk, satin, 248 x 200 cm Wood, lacquer 2,2 x 7,7 x 10,2 cm Sculpted and painted beechwood, green damask Musée national des châteaux de Versailles et de Musée national des châteaux de Versailles et de 95,5 x 53 x 56 cm Trianon, Versailles (Deposited from the Mobilier Trianon, Versailles (Deposited from Musée Guimet) 84 national) Unknown craftsman (Paris) 96 74 First Period Handkerchief with the arms of Marie Georges Jacob (1739–1814) 65 Basket-patterned hexagonal box Antoinette Vanity armchair Jean Charton (active in the second half of decorated with squirrel design c 1780 1788 the 18th century), after Jacques Gondoin Late 17th century –early 18th century Batiste of linen, silk embroidery 35,5 x 25 cm Sculpted and painted beechwood, green damask (1737–1818) Wood, lacquer 6,5 x 9,9 x 9,4 cm 87 x 57,2 x 66,5 cm Cloth of lampas for the private room Musée national des châteaux de Versailles et de 85 Trianon, Versailles (Deposited from Musée Guimet) of the Queen and later for the billiard Unknown craftsman 97 room Bathtub 1739–1814 75 Second Period Georges Jacob ( ) 1779 19th century Fire screen Brocaded lampas with satin texture, silk and chenille, Peach-shaped box Tinned cupper 67 x 153 x 67 cm medaillons appliquéd with embroidery Late 17th century –early 18th century 1788 Sculpted and painted beechwood, green damask 170 x 52 cm Wood, lacquer 6,1 x 10,2 x 13 cm 86 Musée national des châteaux de Versailles et de 107,7 x 69 x 41,6 cm Unknown craftsman Jacques Garcia Collection, Château du Champ-de- 66 Trianon, Versailles (Deposited from Musée Guimet) Pair of taps on platina base Bataille Manufacture Prelle, after Jean Charton 19th century (model from the 18th century) (active in the second half of the 18th century) 76 First Period Multitiered box Gilded Bronze 17 x 34 x 18,5 cm 98 Cloth of lampas for the private room Unknown maker and the Montcenis Late 17th century –early 18th century of the Queen and later for the billiard 87 Wood, lacquer 6,7 x 16,1 x 6,9 cm Manufactory room Musée national des châteaux de Versailles et de Reprduction by NAKED Inc. Chandelier with fteen lights 1985–1993 (reweaved) Trianon, Versailles (Deposited from Musée Guimet) Library with stuccowork c 1785–1790 Brocaded lampas with satin texture, silk and chenille, Gilded bronze, painted steel plate, crystal glass from medallions appliquéd with embroidery 77 First Period Montcenis 123,5 x 87 cm 147,5 x 51 cm 88 Pannier-shaped multitiered box Unknown maker (Paris) 99 67 decorated with ivy pattern Bed Late 17th century –early 18th century Robert Robin (1741/42–1799) Manufacture Prelle, after Olivier Desfarges c 1788 Wood, lacquer 8,5 x 5,5 x 9,9 cm (1742–?) Mahogany, mahogany veneer, beechwood Clock with Cupid Musée national des châteaux de Versailles et de 125 x 189 x 135 cm Paris, c 1785 Wall fabric of summer with border for Trianon, Versailles (Deposited from Musée Guimet) Musée national des châteaux de Versailles et de Gilded bronze, white marble 50 x 40 x 18 cm the bedroom of the Queen Trianon, Versailles (Deposited from the Museum of Musée national des châteaux de Versailles et de 1986 (reweaved) 78 Second Period Decorative Arts, Paris) Trianon, Versailles (Deposited from the Mobilier Silk, brocaded lampas with ta eta and grid- Cock-shaped mulitiered box national) patterned texture 296 x 173 cm Late 17th century –early 18th century 89 Manufacture Prelle, Lyon Wood, lacquer 12,9 x 18,4 x 8,5 cm Jean-Henri Riesener (1734–1806) 100 Musée national des châteaux de Versailles et de Night table François Rémond (1745/47–1812), 68 Trianon, Versailles (Deposited from Musée Guimet) 1783 bronzesmith Manufacture Prelle, after Olivier Desfarges Mahogany, mahogany veneer, gilded bronze, white 1742–? First Period Second Period Andirons with infant satyrs ( ) 79 marble 95 x 49 x 33,5 cm Borders Pair of fan-shaped boxes decorated 1785 Amaranth, oak, gilded bronze, silk 1986 (reweaved) with natural scenery design, with four 90 45 x 47 x 12,5 cm (each) Silk, brocaded lampas with grid-patterned texture bended legs Jean-Henri Riesener (1734–1806) 155 x 15 cm, 54 x 14 cm Late 17th century –early 18th century Vanity table 101 Wood, lacquer 8,8 x 25,5 x 18 cm 1784 69 Musée national des châteaux de Versailles et de Spinning wheel to spin silk Mahogany, mahogany veneer, gilded bronze Trianon, Versailles (Deposited from Musée Guimet) Second half of the 18th century Manufacture Prelle, after Bron et Pierre 72,5 x 87,3 x 54,3 cm Ringuet (1731–1733) Amaranth, oak, gilded bronze, silk 36,7 x 18,2 x 21 cm (height, width, depth) Wall fabric of winter for the bedroom 91 of the Queen Guillaume Benneman (1750–1811), 1982 (reweaved) after Jean-Henri Riesener (1734–1806) Brocaded lampas with satin texture, silk, gold thread, VII Chest of drawers frisé of gold, silver and gold lamé 390 x 119,5 cm 1788 Manufacture Prelle, Lyon e Queen’s Petit Appartement, Mahogany, mahogany veneer, gilded bronze, white VIII Recreated marble 70 Sculpted and painted beechwood, green damask Marie Antoinette’s Sèvres Tassinari & Chatel 80 92,5 x 137 x 61,5 cm Porcelain Dinnerware Border Bathroom 92 1980 (reweaved) Isabelle de Borchgrave Georges Jacob (1739–1814) Brocaded lampas with satin texture, silk, gold thread, ree gures and items 102 frisé of gold, silver and gold lamé 41 x 25,5 cm Paper, gousche Two armchairs Royal Porcelain Manufactory at Sèvres 1788 Plate 71 Sculpted and painted beechwood, green damask 81 From a service of plate, ‘Japan’ Attributed to François Rémond 96,3 x 63,3 x 65,3 cm (chaque) Georges Jacob (1739–1814) c 1777 (1745/47–1812) Vanity armchair 93 Hard-paste porcelain 3 x 24,5 cm Pair of girandoles with eagle heads Private collection, Paris c 1770 Georges Jacob (1739–1814) c 1786 Sculpted and gilded walnut, decorated with cane Gilded bronze 82,5 x 31 x 30 cm (each) 83,2 x 56,2 x 65,6 cm Footstool Musée national des châteaux de Versailles et de Musée national des châteaux de Versailles et de 1788 Trianon, Versailles (Deposited from the Mobilier Trianon, Versailles (Deposited from Musée du Louvre, Sculpted and painted beechwood, green damask national) Paris) 26 x 42 x 33,5 cm 103 113 121 131 Royal Porcelain Manufactory at Sèvres Royal Porcelain Manufactory at Sèvres Elisabeth-Louise Vigée Le Brun (1755–1842) Written by Alain-René Lesage (1668–1747) Flat plate Glass cooler Marie-érèse Charlotte , known as et al. From a service of plate, From a service of plate, Madame Royale, and her brother, e éâtre de la Foire, or the Opéra ‘Blue double line, roses and corn owers’ ‘Rich in colour and rich in gold’ Dauphin Louis Joseph Xavier François comique 1780 1784 1784 Published by Pierre Gandouin, Paris, 1724–1737 Soft-paste porcelain, enamelled 2,4 x 24,2 cm Soft-paste porcelain, enamelled, gold Oil on canvas 132 x 94 cm Bound by Foumier in 10 volumes in 8 vo 10,8 x 14,8 cm Binding with grained calfskine 17.1 x 10.2 cm 104 122 Royal Porcelain Manufactory at Sèvres 114 François-Denis Née (1732–1817), 132 e biggest salad bowl Royal Porcelain Manufactory at Sèvres after Louis-Nicolas de Lespinasse e Gem of the Queen From a service of plate, Round plate (1734–1808) Almanac published for the year 1778 ‘Decorative frame of pearls, From a service of plate, View of the château of Trianon from 1778 (published) band of roses and corn owers’ ‘Rich in colour and rich in gold’ the French garden lu 32mo with 25 center-folded leaves of prints 1781 Binding with red morocco leather 1784 c 1780 Soft-paste porcelain 8,1 x 25,7 cm 8.2 x 4.5 x 1.8 cm Hard-paste porcelain, enamelled, gold Etching before engraving lines and letters 4,1 x 30,2 cm 21,4 x 28 cm 105 133 Royal Porcelain Manufactory at Sèvres 115 123 Elisabeth Louise Vigée Le Brun (1755–1842) e second biggest salad bowl Royal Porcelain Manufactory at Sèvres Jean-Baptiste Marie Pierre (1714–1789) Marie Antoinette in gaulle dress From a service of plate, e vintage, or Bacchus in the middle c 1783 ‘With pearls and corn owers’ Flat plate Oil on canvas 92,7 x 73,1 cm 1781 From a service of plate, of his attendants Timken Collection, Soft-paste porcelain, enamelled, gold 8,5 x 23 cm ‘Rich in colour and rich in gold’ 1768 National Gallery of Art, Washington 1784 Oil on canvas 280 x 236 cm Musée national des châteaux de Versailles et de 106 Soft-paste porcelain, enamelled, gold 2,2 x 23,7 cm 134 Trianon, Versailles (Deposited from Musée du Louvre, Royal Porcelain Manufactory at Sèvres Paris) Elisabeth-Louise Vigée Le Brun (1755–1842) Flat plate 116 Elisabeth Philippine Marie Hélène, Royal Porcelain Manufactory at Sèvres From a service of plate, 124 known as Madame Elisabeth, sister of ‘With pearls and corn owers’ Soup plate Claude Louis Châtelet (1753–1794) Louis XVI 1781 From a service of plate, e Rock and the Belvedere at 1785 Soft-paste porcelain, enamelled, gold 2,5 x 24,5 cm ‘Rich in colour and rich in gold’ Oil on canvas 110 x 82 cm Versailles 1784 1786 107 Soft-paste porcelain, enamelled, gold Oil on canvas 53,9 x 73,2 cm 135 Royal Porcelain Manufactory at Sèvres 4,7 x 24,5 cm Eugénie Tripier-Lefranc (1805–1872), ree gravy pots after Elisabeth-Louise Vigée Le Brun 125 From a service of plate, 117 (1755–1842) Pierre-Joseph Wallaert (c1755–1812) ‘With pearls and corn owers’ Royal Porcelain Manufactory at Sèvres Self-portrait of Elisabeth-Louise Vigée 1781 Butter dish and saucer Queen’s Hamlet of Petit Trianon Le Brun Soft-paste porcelain, enamelled, gold 1803 From a service of plate, 1843 7,5 x 6 cm (each) Oil on canvas 56 x 72,5 cm ‘Rich in colour and rich in gold’ Oil on canvas 100 x 72 cm 1784 108 126 Soft-paste porcelain, enamelled, gold 136 Royal Porcelain Manufactory at Sèvres Pierre-Philippe omire (1751–1843) 8,1 x 20,3 cm François Dumont (1751–1831) Glass cooler Clock, ‘With eagles’ From a service of plate, Marie Antoinette 118 c 1787, 1837 ‘With pearls and corn owers’ After 1792 (miniature), c 1815 (box) Royal Porcelain Manufactory at Sèvres Gilded bronze 43 x 38 cm 1781 Miniature on ivory, tortoiseshell box with gold Soft-paste porcelain, enamelled, gold Glass stand frame 2,3 x 7 cm 10,6 x 15,5 cm From a service of plate, 127 ‘Rich in colour and rich in gold’ Jean-Henri Riesener (1734–1806) 137 109 1784 Chest of the countryside Unknown French/Swedish painter Royal Porcelain Manufactory at Sèvres Soft-paste porcelain, enamelled, gold c 1785 (Second half of the 18th century) Lobed plate 13,3 x 31 cm , gilded bronze, oak, mahogany, Axel von Fersen sycamore, amaranth, ebony 58 x 52 x 35 cm From a service of plate, 18th century ‘With pearls and corn owers’ Oil on canvas 15,8 x 15,6 cm 1781 128 Östergötlands museum, Linköping / Löfstad Soft-paste porcelain, enamelled, gold 4,8 x 29 cm Manufactory on the Rue iroux, Castle, Norrköping known as Queen’s Porcelain Manufactory 110 IX Milk bowl of the dairy of Trianon 138 Royal Porcelain Manufactory at Sèvres c 1786 Written by Antonio Saccini (1730–1786) Round salad bowl e Queen’s Private Refuge Hard-paste porcelain 8,5 x 34,8 x 31,5 cm Dardanus, French lyric tragedy in From a service of plate, —Petit Trianon four acts, premiered with the presence ‘Rich in colour and rich in gold’ 129 of His Majesty the King at the château 1784 119 Georges Jacob (1739–1814), of Trianon on 18 September 1784 Soft-paste porcelain, enamelled, gold 7,6 x 22,9 cm after Hubert Robert (1733–1808) Eugène Bataille (1817–1875), after Adolf and performed at the Royal Academy Ulrik Wertmüller (1751–1811) Chair for the dairy of the Château de of Music on 30 November 1784 111 Rambouillet 1784, Published by Sieber, Paris Royal Porcelain Manufactory at Sèvres Marie Antoinette, Madame Royale and the Dauphin in the garden of 1787 Binding with red morocco leather with the arms of Bottle cooler Mahogany 95,2 x 52,6 x 66 cm Marie Antoinette 38 x 27.7 cm From a service of plate, Trianon 1867–1868 ‘Rich in colour and rich in gold’ 130 139 Oil on canvas 270 x 194 cm 1784 Georges Jacob (1739–1814), Attributed to Georges Jacob (1739–1814) Soft-paste porcelain, enamelled, gold after Hubert Robert (1733–1808) 12,1 x 30,4 cm 120 Voyeuse Folding stool for the dairy of the Adolf Ulrik Wertmüller (1751–1811) c 1785 112 Château de Rambouillet Mahogany 98 x 60 x 55,5 cm Marie-érése Charlotte, known as 1787 Royal Porcelain Manufactory at Sèvres Madame Royale Mahogany 45,5 x 61,4 x 46 cm 140 Boat-shaped plate for lemon 1786 Louis-Simon Boizot (1751–1808) From a service of plate, Oil on canvas 56 x 46 cm ‘Rich in colour and rich in gold’ fstad slott, Sweden Joseph II, Holy Roman Emperor 1784 Östergötlands museum, Linköping / Löfstad 1777 Soft-paste porcelain, enamelled, gold 5,6 x 28,9 cm Castle, Norrköping White marble 81 x 56 x 36 cm 141 149 158 168 Claude Louis Chatelet (1753–1794) Adolf Ulrik Wertmüller (1751–1811) Nicolas Jean-Baptiste Raguenet Letter from Marie Antoinette to Illumination of the Rock and the Marie Antoinette in riding habit (1715–1793) Fersen on 4 January 1792 (Facsimile) Belvedere at Versailles 1788 e Tuileries Palace viewed from the Brown ink 15,5 x 20 cm 1781 Oil on canvas 65,5 x 53,5 cm Quai d’Orsay Archives nationales, Pierrette-sur-Seine Oil on canvas 58 x 80 cm 1757 Musée national des châteaux de Versailles et de Oil on canvas 54 x 92 cm Trianon, Versailles (Deposited from Musée Carnavalet- Musée Carnavalet-Histoire de Paris Histoire de Paris) 159 142 Charles évenin (1764–1838) XII Niclas Lafrensen the younger, known as XI Festival of the Federation at the From Prison to the Guillotine Lavreince (1737–1807) e Queen amid the Upheaval on 14 July 1790 Feast held at Petit Trianon on 21 June of Revolution 1792 169 1784 in honor of the King of Sweden, Oil on canvas 127 x 183 cm Gustav III Musée Carnavalet-Histoire de Paris After Jean-Louis Prieur (1759–1795) 1784 150 e siege and storming of the Tuileries Gouache on paper 30,5 x 37,6 cm Jean Pierre Marie Jazet (1788–1871), 160 Palace on 10 August 1792 Östergötlands museum, Linköping / Löfstad after Jacques Louis David (1748–1825) Etching 30,3 x 47,4 cm Castle, Norrköping made by Her Majesty the e Tennis Court Oath at Versailles Queen Marie Antoinette and Madame Musée de la Révolution française, Vizille on 20 June 1789 Elisabeth during the last two years of 143 170 c 1825 their lives Nicolas-François Le Vachez Jacques Bertaux (1747–1819) Etching,aquatint 52,4 x 78,4 (image) Hot-air balloon Marie Antoinette: 1791–1793 Musée de la Révolution française, Vizille Cross-stitch. linen, wool, silk 417 x 641 cm Attack of the Tuileries Palace on 10 Second experiment by Mr Pilâtre de August 1792 or the day of 10 August Rozier 151 161 1792 1784 Unknown artist (Late 18th century) Unknown artist 1793 Etching 15,1 x 9,6 cm Oil on canvas 124 x 192 cm Storming of the Bastille on 14 July e Ostrich of Austria Musée national des châteaux de Versailles et de 1789 Paris, c 1791 Trianon, Versailles (Deposited from Musée du Louvre, plate mark c 1789–1791 Etching 21,4 x 16,7 cm ( ) Paris) Musée de la Révolution française, Vizille Oil on canvas 56 x 72,5 cm 171 162 152 François Gérard (1770–1837) Unknown artist X Pierre-François Palloy (1755–1835) 10 August 1792 e two merge into one A air of the Diamond Necklace Maquette of the Bastille 1794 Paris, c 1791 Oil on paper backed with canvas 21 x 35 cm c 1790 Etching and watercolor 14,8 x 21 cm (plate mark) Musée de la Révolution française, Vizille Stucco, wood, wire, reused stone 52 x 100 x 42 cm Musée de la Révolution française, Vizille 144 Musée national des châteaux de Versailles et Maison Burma, after Charles-Auguste de Trianon, Versailles (Deposited from Archives 172 Boehmer and Paul Bassenge departmentales des Yvelines) 163 Unknown artist Replica of the Queen’s necklace Unknown artist e Temple Tower 1960–1963 153 Stride of the Holy Family from the c 1795 White sapphire, Majorica pearl, silver-plated metal Roze Le Noir Tuileries to Montmédy Oil on cardboard 31 x 41 cm mount 16 x 24 (small necklace) 38 x 104 (large Musée Carnavalet-Histoire de Paris Patriotic hunting for the monster c 1791 necklace) Etching and watercolor 31,1 x 47,6 cm (plate mark) (Bonvalet, Paris) Musée Carnavalet-Histoire de Paris 173 July 1789 145 Unknown artist Ethching and watercolor 24 x 31 cm (plate mark) After Charles-Auguste Boehmer and Paul 164 Musée de la Révolution française, Vizille Dinner of Louis XVI and his family Bassenge Rreiner Vinkeles (1741–1816) and at the Temple Tower Daniel Vrydag (1765–1822) Exact representation of the great Octobre, 1792 154 after the drawing by Jan Bulthuis (1750–1801) brilliant necklace by Messrs. Etching 13,5 x 21,1 cm (plate mark) Unknown artist Boëhmer and Bassenge after Jean-Louis Prieur (1759–1795) Meal of the guards on 1 October After 1785 Arrest of Louis XVI at Varennes on 22 174 Etching 51,4 x 39,9 cm 1789 June 1791 Vanity bottles of the Queen Marie Musée Carnavalet-Histoire de Paris c 1790 Amsterdam, 1799 Antoinette used at the Temple Tower Etching 12,6 x 8 cm (plate mark) Etching and engraving 22,5 x 26,7 cm (plate mark) c 1730 Musée de la Révolution française, Vizille 146 Cut glass 6,5 x 10 cm,9,2 x 5,5 cm, Nicolas Dupin the younger (1753–?) 155 11,5 x 5,5 cm,8,5 x 8 cm,12,5 x 6,7 cm Cardinal Louis-René Édouard de Unknown artist 165 Musée Carnavalet-Histoire de Paris Rohan-Guéménée, Archbishop of To Versailles, to Versailles James Gillray (1756–1815) 175 Strasbourg (1734–1803) 1789 French democrats surprising the royal After 1785 17,8 x 28 cm (plate mark) runaways Face powder jar of the Queen Marie Etching 17,7 x 11,8 cm Musée de la Révolution française, Vizille 27 June 1791 Anotinette used at the Temple Tower Musée Carnavalet-Histoire de Paris Published by Hannah Humphrey (1745–1818), c 1730 156 Old Bond Street, London Soft-paste porcelaine 5 x 5,5 cm Etching and watercolor 25 x 35,2 cm (plate mark) Musée Carnavalet-Histoire de Paris 147 Unknown artist Musée de la Révolution française, Vizille Unknown French artist e terrible night from 5 to 6 October (Last quarter of the 18th century) 176 1789 Female Harpy 166 Joseph-Marie Vien the younger c 1792 (1762–1848) c 1784 Cipher code by Fersen Etching 15 x 8 cm (plate mark) Etching and engraving, highlight stencilled with c 1790 Louis XVII in 1793 watercolor 32,7 x 36,5 cm (paper) Brown ink 1793 Musée Carnavalet-Histoire de Paris 157 Östergötlands museum, Linköping / Löfstad Oil on canvas 60 x 48,5 cm Isaak Cruikschank (1764–1811) Castle, Norrköping Musée Carnavalet-Histoire de Paris 148 e King just like a slave or the Elisabeth-Louise Vigée Le Brun subjects just like Kings. Female 167 177 (1755–1842) patriotism Encoded copy of a letter from Marie Unknown maker Seated Marie Antoinette in blue 31th October 1789 Antoinette to Fersen on 29 June 1791 Game board of the Dauphin used at redingote dress and white petticoat Published by Samuel William Fores (Facsimile) the Temple Tower 1788 Etching and watercolour 20 x 15,5 cm Wood, paper, ivory, metal Oil on canvas 271 x 195 cm 19,2 x 71,9 cm (plate mark) Archives nationales, Pierrette-sur-Seine Musée Carnavalet-Histoire de Paris 178 184 189 Dauphin Louis-Charles Jean-Baptiste Vérité (1756–1837), e last letter of Marie Antoinette XIII Notebook of the Dauphin for after Pierre Bouillon (1776–1831) written at 4 o’clock in the morning e Proud Queen, Adored handwriting practice e separation of Marie Antoinette of on 16 October 1793 to Madame 1792 Austria from her family in the Temple Elisabeth, sister of Louis XVI (Facsimile) 23,8 x 18,6 cm Tower 1793 194 Musée Carnavalet-Histoire de Paris 1768– 1795 Pen and brown ink, cream paper 23,5 x 19 cm Jacques-Dominique-Etienne Canu ( Archives nationales, Pierre tte-sur-Seine after 1816 Etching, stipple, watercolor ) 179 48,5 x 59,5 cm (plate mark) Weeping willow Charles Benazech (1767–1794) Musée de la Révolution française, Vizille 190 After 1795 Louis XVI’s farewell to his family on William Hamilton (1751–1801) Etching 24 x 17,5 cm (plate mark) 20 January 1793 185 Marie Antoinette being taken to her 196 1793 Christian Didrik Forssell (1777–1852), execution on 16 October 1793 Oil on canvas 41,7 x 52,2 cm after Alexandre-Joseph Desenne (1785–1827) 1974 Achille-Joseph-Étienne Valois (1785–1862) Marie Antoinette at the Oil on canvas 152 x 197 cm Chained Louis XVII 180 Musée de la Révolution française, Vizille 1827 c 1815 Luigi Schiavonetti (1765–1810), after Charles White marble 78 x 65 x 30 cm Etching and engraving 19 x 13,8 cm (plate mark) Benazech (1764–1794) 191 Louis XVI’s farewell to his family at the Jacques-Louis David (1748–1825) 197 186 Temple Tower Marie Antoinette being sent to the Royal Gobelins Manufactory, after Elisabeth- J.-Frédéric Cazenave (1770?–18..), Etching, proof 33 x 44,8 cm scaold (Facsimile) Louise Vigée Le Brun (1755–1842) after Pierre Bouillon (1776–1831) 1793 Marie Antoinette and her children 181 Judgement of Marie Antoinette of Pen and brown ink, cream paper Wool, silk 282 x 210 cm Charles Benazech (1767–1794) Austria at the Revolutionary Tribunal 14,8 x 10,1 cm the Molilier national, Paris 1802 Edmond de Rothschild Collection, Department of Execution of Louis XVI on 21 January Graphic Arts, Museé du Louvre, Paris 1793 Etching, stipple, watercolor 51 x 61,5 cm (paper) Musée de la Révolution française, Vizille 1793 192 Oil on canvas 41,7 x 52,2 cm 187 Antoine Jean Duclos (1742–1795) and Isidore Stanislas Helman (1743–1809?), after 182 Chemise of Marie Antoinette used at Charles Monnet (1732–1816?) Unknown artist the Temple Tower Day of 16 October 1793, Execution of Louis Capet, the former c 1793 Marie Antoinette Linen, cotton 101 x 83 cm Louis XVI, on 21 January 1793 1794–1795 Musée Carnavalet-Histoire de Paris 1793 Published by Paul-André Basset Etching and engraving 35,7 x 46,5 cm (plate mark) Etching 45 x 65 cm (paper) 188 193 183 Neckpiece of Marie Antoinette referred Shoe of Marie Antoinette ‘in the style of Aleksander Kucharski (1741–1819) to as Hairband of the Queen Saint-Huberty’ Marie Antoinette at the Temple Tower c 1784 c 1790–1793 c 1793 Cotton with black lace, framed 32,5 x 26,5 x 4 cm Leather decorated with 10,2 x 23,2 x 6,8 cm Oil on canvas 24 x 18 cm Musée Carnavalet-Histoire de Paris Musée des beaux-arts, Caen

Family tree of the Houses of Habsburg and of Bourbon

Leopold Joseph, Elisabeth Charlotte Charles VI, Elisabeth Christine of Duke of Lorraine and Bar d’Orléans Holy Roman Emperor, Brunswick-Wolfenbüttel ［1679–1729］ ［1676–1744］ King of Hungary (as Charles III) ［1691–1750］ ［1685–1740］

Francis I of Lorraine, Maria eresa, Marie Leszczyńska Louis XV Holy Roman Emperor Holy Roman Empress ［1703–1768］ ［1710–1774］ ［1708–1765］ ［1717–1780］

Maria Josepha of Saxony Dauphin Louis Madame Adélaïde Madame Victoire ［1731–1767］ Ferdinand ［1732–1800］ ［1733–1799］ ［1729–1765］

Duke of Burgundy ［1751–1761］ Duke of Aquitaine 1753–1754 Joseph II, Leopold II Marie-Antoinette, ［ ］ Louis XVI, Count of Provence, Count of Artois, Madam Elizabeth Holy Roman Emperor ［1747–1792］ Queen of France King of France later Louis XVIII later Charles X ［1764–1794］ ［1741–1790］ Maria Carolina ［1755–1793］ ［1754–1793］ ［1755–1824］ ［1757–1836］ Madam Clotilde, Maria Christina ［1752–1814］ Queen of Sardinia ［1759–1802］ ［1742–1793］ Ferdinand Charles Joseph ［1754–1806］ ［1745–1761］ Maximilian Franz Maria Amalia ［1756–1801］ Marie-érése Charlotte, Dauphin Louis Joseph Louis XVII, Princess Sophie Hélène Béatrice ［1746–1804］ known as Madame Royale Xavier François King of France ［1786–1787］ ［1778–1851］ ［1781–1789］ ［1785–1795］