OLIVER STAPLETON FILMOGRAPHY Don't Be Afraid of the Dark (2011

Total Page:16

File Type:pdf, Size:1020Kb

OLIVER STAPLETON FILMOGRAPHY Don't Be Afraid of the Dark (2011 OLIVER STAPLETON FILMOGRAPHY One Fine Day (1996) Cinematographer Kansas City (1996) Cinematographer Don't Be Afraid of the Dark (2011) (post- The Van (1996) Director of photography production) Cinematographer Jazz '34 (1996) Cinematographer Unthinkable (2010) (completed) Restoration (1995) Cinematographer Cinematographer Look Who's Talking Now (1993) The Proposal (2009) - Director of photography Cinematographer How to Lose Friends & Alienate People The Snapper (1993) (TV) Cinematographer (2008) Cinematographer "The Young Indiana Jones Chronicles" (1 The Water Horse (2007) Director of episode, 1993) Cinematographer photography) Hero (1992/I) Director of photography The Adventures of Young Indiana Jones: Journey of Radiance (2007) (V) Director of Let Him Have It (1991) Cinematographer photography Heading Home (1991) (TV) Cinematographer The Hoax (2006) Director of photography The Grifters (1990) Cinematographer Casanova (2005) Director of photography She-Devil (1989) Cinematographer An Unfinished Life (2005) Director of Cookie (1989) Cinematographer photography Cheeky (2003) Cinematographer Roald Dahl's Danny the Champion of the World (1989) (TV) Director of photography Ned Kelly (2003) Cinematographer, Camera Earth Girls Are Easy (1988) Cinematographer Operator Nominated, AFI Award (Australian Film Nominated, Independent Spirit Award - Best Institute) - Best Cinematography for Ned Kelly Cinematography for Earth Girls Are Easy (1988) (2003) Nominated, Film Critics Circle of Australia "The Comic Strip Presents..." (6 episodes, Awards - Best Cinematography for Ned Kelly 1983-1988) Cinematographer (2003) Chuck Berry Hail! Hail! Rock 'n' Roll (1987) Nominated, IF Award - Best Cinematography Cinematographer for Ned Kelly (2003) Sammy and Rosie Get Laid (1987) Best of Bowie (2002) Cinematographer (video Cinematographer "Blue Jean") Aria (1987) (segment "Rigoletto") The Shipping News (2001) Cinematographer Cinematographer Buffalo Soldiers (2001) Director of Prick Up Your Ears (1987) Cinematographer photography Running Out of Luck (1987) Nominated, Golden Frog, Camerimage for Cinematographer Buffalo Soldiers (2001) Absolute Beginners (1986) Director of Birthday Girl (2001) Cinematographer photography Pay It Forward (2000) Director of photography My Beautiful Laundrette (1985) State and Main (2000) Cinematographer Cinematographer The Cider House Rules (1999) Director of Restless Natives (1985) Cinematographer photography Jazzin' for Blue Jean (1984) A Midsummer Night's Dream (1999) Director Cinematographer of photography Mantrap (1983) Cinematographer The Hi-Lo Country (1998) Cinematographer The Secret Policeman's Other Ball (1982) The Object of My Affection (1998) Cinematographer Cinematographer The Comic Strip (1981) (TV) The Designated Mourner (1997) Director of Cinematographer photography .
Recommended publications
  • February/March 2008 Volume I; Issue 4 WE’RE ONLINE Please Enroll Me As a Member of the Larchmont Historical Society
    February/March 2008 Volume I; Issue 4 Membership Form WE’RE ONLINE Please enroll me as a member of the Larchmont Historical Society. My tax- Visit us virtually deductible dues for one year are enclosed. Annual membership year is: The at September - June.. www.larchmonthistory.org __New Member __ Renewing Member Visit our ONLINE Please indicate membership category: PHOTO MUSEUM. ___Individual $ 15 Make checks payable & mail to: Gazebo Gazette Learn more ___Family $ 25 about ___Senior (65+)& Student $ 5 The Larchmont Historical Society ___Institutional or Business $ 40 P.O. Box 742 Newsletter of the Larchmont Historical Society LARCHMONT HISTORY ___Sustaining $ 50 Larchmont, NY 10538 ___Life (individual only) $150 Find out Larchmont Luminaries Series: eral summers renting a house on Park Ave. and was about I would like to volunteer to help on the following committee(s): sometimes seen walking her pet duck on a pink ribbon MONTHLY PROGRMS Film Chicks & A Classic Flick through Manor Park. And ___Spring House Tour ___Museum Planning ___Grant Research/ SPECIAL EVENTS ___Membership ___Newsletter Writing As a special treat, Leslie Holleran will introduce “ My ___Exhibits ___Fire History ___Century Homes Club In honor of Women’s History Best Girl” with a discussion of women in Join LHS, pay dues or make ___Publicity ___Monthly Programs ___Fundraising Month, we’re celebrating two of the film industry throughout history. Ms. a donation online. ___Archives ___Special Events Larchmont’s female film luminar- Holleran’s own career credits include “The ies from yesteryear and today. Cider House Rules,” “Chocolat”, “The Find out how to research your Come join us for a special viewing Shipping News”, “An Unfinished Life”, home, join CHC, or Volunteer, Name: of one-time Larchmonter Mary “Casanova” and “The Hoax.” She is cur- ALL ONLINE! Pickford’s “finest romantic com- rently in production of her latest film, edy” on the silent screen with a “Sammy.” Ms.
    [Show full text]
  • Neues Von Uns Kindern Aus Bullerbü E-Mail [email protected] More About the Children of Noisy Village Dt
    Schweden Sweden Retrospektive Kinderfilme Retrospective Children’s Films 1987, 89 Min., 35 mm, Farbe colour, deutsche Fas- sung German version Ab 6 Jahren 6 years and older Regie Director Lasse Hallström Drehbuch Screenplay Astrid Lindgren, nach ihrem gleichnamigen Roman Kamera Camera Jens Fischer, Rolf Lindström, Mats Ardström Schnitt Editing Susanne Linnman Musik Music Georg Riedel Rollen Cast Linda Bergström (Lisa), Crispin Dick- son-Wendenius (Lasse), Henrik Larsson (Bosse), Ellen Demerus (Britta), Anna Sahlin (Anna), Harald Lönn- bro (Olle), Tove Edfeldt (Kerstin), Elisabeth Nordkvist (Mellangårds-Maja), Ingwar Svensson (Mellangårds- Anders) Produktion Production Waldemar Bergendahl, AB Svensk Filmindustri Mer om oss bam i Bullerbyn Adresse Address 16986 Stockholm, Tel: +46 86 80 35 00, Fax: +46 87 10 44 60, Neues von uns Kindern aus Bullerbü e-mail [email protected] More About the Children of Noisy Village dt. Verleih German distr. MFA + Filmdistribution Bismarckplatz 9, 93047 Regensburg, Tel: +49 94 15 86 Die Kinder von Bullerbü lieben die Sommerferien, aber auch 24 62, e-mail [email protected] die Vorweihnachtszeit hat für sie ihre Reize. Doch bevor sie mit glänzenden Augen endlich vor dem Weihnachtsbaum stehen, Regisseur Lasse Hallström, geboren 1946 in Stock- sind noch jede Menge Vorbereitungen zu treffen: Plätzchen und holm, arbeitet seit 1991 vornehmlich in den USA, wo er Kuchen werden gebacken, Würste und Schinken gemacht, Ge- 1994 die Schauspielerin Lena Olin geheiratet hat. schenke gebastelt und der Weihnachtsbaum geschlagen und ge- schmückt. Nun kann es losgehen: Erwachsene und Kinder fei- Director Lasse Halström was born in 1946 in Stock- ern ein fröhliches Weihnachtsfest! Doch dann bricht der Schre- holm.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • Masarykova Univerzita V Brně
    Masaryk University Faculty of Education Department of English Language and Literature Comparative Analysis of an NYC Accent as Performed by Non-native NYC Actors Bachelor Thesis Brno 2020 Supervisor: Author: Mgr. Irena Headlandová Kalischová, Ph.D. Pavla Spalová Bibliographical record Spalová, Pavla. Comparative Analysis of an NYC Accent as Performed by Non- native NYC Actors: bachelor thesis. Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2020. 48 pages. The supervisor of the bachelor thesis: Mgr. Irena Headlandová Kalischová, Ph.D. Bibliografický záznam Spalová, Pavla. Comparative Analysis of an NYC Accent as Performed by Non- native NYC Actors: bachelor thesis. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra anglického jazyka a literatury, 2020. 48 stran. Vedoucí bakalářské práce: Mgr. Irena Headlandová Kalischová, Ph.D. Abstract The title of this thesis is “Comparative Analysis of an NYC Accent as Performed by Non-native NYC Actors”. This accent is one of the most easily recognizable accents of American English, so it is interesting to see what it is about and how it is possible that some actors can imitate an accent that is not natural to them and yet sound natural. The thesis consists of two parts. The first part provides basic information about the differences in pronunciation of standard American English and the specifics of the New York accent. There is also information about accent coaching or mentoring and basic information on how such coaching works. The second part then presents the results of data analysis from pre-selected movie scenes, clearly comparing the selected samples in graphs and tables.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Faking, Forging, Counterfeiting
    Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Faking, Forging, Counterfeiting Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Funded by the Elite Network of Bavaria as part of the International Doctoral Program MIMESIS. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3762-9. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Maria Arndt, Bielefeld
    [Show full text]
  • FIAF-Ov Priručnik Za Katalogizaciju Pokretnih Slika, Revidiranu Verziju Priručnika FIAF Cataloguing Rules for Film Archives Iz 1991
    The FIAF Moving Image Cataloguing Manual FIAF-ov priručnik za katalogizaciju pokretnih Written by Natasha Fairbairn, Maria Assunta Pimpinelli, Thelmaslika Ross Edited by Linda Tadic Autorice: Natasha Fairbairn, Maria Assunta Pimpinelli, Thelma Ross Project Manager: Nancy Goldman for the FIAF Cataloguing and DocumentationUrednica: Commission Linda Tadic Voditeljica projekta: NancyApril Goldman 2016 za FIAF-ovu Komisiju za katalogizaciju i dokumentaciju Travanj 2016. Fédération internationale des archives du film FédérationInternational internationale Federation des archives of Film du Archivesfilm Interna- Federacióntional Federation Internacional of Film Archives de Archivos Federación Fílmicos Interna- cional de Archivos Fílmicos Naslov izvornika The FIAF Moving Image Cataloguing Manual Copyright: FIAF Izdavač hrvatskog izdanja Hrvatski državni arhiv 10000 Zagreb, Marulićev trg 21 tel: 385 1 4801-999, fax: 48 29 000 e-mail: [email protected] Za izdavača dr. sc. Dinko Čutura Odgovorni urednik Dinko Majcen Priređivači hrvatskog izdanja i autori uvodnog teksta Dinko Majcen, Snježana Šute, Lucija Zore Stručna redakcija prijevoda Snježana Šute, Lucija Zore Lektor dr. sc. Martina Kramarić Prijevod Iva Brajković, Snježana Šute, Lucija Zore Tisak Kerschoffset Zagreb d.o.o., 2017. Naklada 200 primjeraka Izdavanje ovoga priručnika omogućeno je uz potporu Ministarstva kulture Republike Hrvatske Izvornik je izrađen na engleskome jeziku Prijevod se rabi isključivo u referentne svrhe CIP zapis je dostupan u računalnome katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 000973758 ISBN/ISMN 978-953-7659-43-1 Posveta Ovaj priručnik posvećujemo Christianu Dimitriuu(1945. – 2016.), čiji je doprinos području arhiviranja pokretnih slika i FIAF-u nemjerljiv, i Ronnyju Loewyu (1946. – 2012.) čije je znanje o normama za metapodatke pokretnih slika bilo prvi i ključan izvor informacija tijekom pisanja ovog priručnika.
    [Show full text]
  • Belonging to The
    ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time.
    [Show full text]
  • The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10Am-12:50Pm
    The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10am-12:50pm D. Graham Burnett (History/History of Science) Princeton University hat is the relationship between art and falsehood? A significant tradition for W conceptualizing the arts has long defined their sphere by reference to doubling, fantasy, and betrayal: when we are in the realm of art, we have left the kingdom of the real—and our capacity for proper engagement depends to a considerable degree on our ability to maintain (or at least recover) an awareness of this fact. By these lights, the arts function as something like a safe house for lying, an Elysium for those good deceptions willing to declare themselves. But is all this correct? There are excellent reasons to think not. This course takes up the problem of truth and falsehood in the arts in a sustained way: we will sift the genealogy of current theoretical positions on this issue by means of close reading of classical and recent texts; we will investigate works of art (painting, sculpture, poetry, etc.) that engage these matters, with particular attention to gaming at the margins of the seemingly stable categories; we will weigh the political and critical implications of different postures in this large arena; and we will experiment with new perspectives and practices. WEEK 1: Introduction and Organizational Meeting (no reading) WEEK 2: Art and Truth: Confidence Games Herman Melville, The Confidence-Man; His Masquerade, [1857] (There are various suitable editions; I use the Library of America volume, which lumps this novella together with Pierre and various other things, but feel free to read it in any decent copy).
    [Show full text]
  • Swedish Film Search
    DVD & Blu-ray NÖTKNÄPPAREN OCH DE FYRA VÄRLDARNA NÖTKNÄPPAREN OCH DE FYRA VÄRLDARNA Allt Clara önskar sig är en väldigt speciell nyckel Allt Clara önskar sig är en väldigt speciell nyckel som kan låsa upp en ask vilken innehåller en som kan låsa upp en ask vilken innehåller en ovärderlig gåva från hennes döda mor. En gyllene ovärderlig gåva från hennes döda mor. En gyllene tråd, som hon får på sin gudfar Drosselmeyers tråd, som hon får på sin gudfar Drosselmeyers årliga julfest, leder henne till den eftertraktade årliga julfest, leder henne till den eftertraktade nyckeln. Men nyckeln försvinner omedelbart in i en nyckeln. Men nyckeln försvinner omedelbart in i en underlig och mystisk parallell värld. Där möter underlig och mystisk parallell värld. Där möter Clara soldaten Phillip, ett gäng möss och Clara soldaten Phillip, ett gäng möss och regenterna som härskar över tre av världarna: regenterna som härskar över tre av världarna: ÄVENTYR Från 11 år Tid 95min BLU-RAY ART000044BR ÄVENTYR Från 11 år Tid 95min DVD ART000044DVD HYPNOTISÖREN 100 STEG FRÅN BOMBAY TILL PARIS I ett omklädningsrum på en idrottsplats i Tumba "100 steg från Bombay till Paris" utspelar sig i utanför Stockholm hittas en man brutalt mördad. södra Frankrike där en nyinflyttad indisk familj Sedan återfinns hans fru och dotter lika öppnar en indisk restaurang bara 30 meter (100 besinningslöst ihjälhuggna i familjens radhus. foot) från en restaurang belönad med en stjärna i Avsikten tycks ha varit att utplåna hela familjen. Michelin-guiden. En kulinarisk kamp påbörjas Men sonen överlever, svårt skadad, och när mellan restaurangerna och utmanar familjekänsla, kriminalkommissarie Joona Linna förstår att det lojalitet och kärlek.
    [Show full text]
  • What Do I Do to Get Into Movies?
    So You Wanna Work in Movies So You Wanna Work in the Movies Stumble It! NEW! "THE WATERHORSE" - the Cinematographer's perspective with PICTURES! If you'd like to see my credits click here...... If you want to view or save the essay in .pdf format click here......... SO YOU WANNA WORK IN MOVIES? A response to people who ask: What do I do to get into Movies? By Oliver Stapleton BSC So you have to ask yourself the question: Am I Any Good at Anything? file:///Users/OS/Sites/Cineman%20May%202009/public_html/index.htm (1 of 52)09/05/2009 11:08 So You Wanna Work in Movies I'm totally useless at everything. This is not necessarily a problem as plenty of people working in the industry are totally useless. Some of them are Executives working in the Studios. If you don't know what this means, go to the part on Studio Executives, although it may not be very helpful, as I've never quite worked out what they do. Some people who work on the floor, i. e. actually making the film, are totally useless but they usually don't last very long, unless they are either very enthusiastic or very entertaining or very pretty or all three. I'm totally useless at everything but I'm willing to learn. Now this is much better. Modern schooling damages more people than it helps*. This is because the grade system means that you are never first. And if you were, you wouldn't be reading this.
    [Show full text]