DOCSLIB.ORG

On the Development of Huangmei Opera

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
On the Development of Huangmei Opera ISSN 1927-0232 [Print] Higher Education of Social Science ISSN 1927-0240 [Online] Vol. 6, No. 2, 2014, pp. 29-32 www.cscanada.net DOI:10.3968/j.hess.1927024020140602.4444 www.cscanada.org On the Development of Huangmei Opera ZHANG Hui[a],* [a]Associate professor. Music School, Ji’nan University, Ji’nan, China. for pigs”, “Making tofu”, “Goddess Marriage”, whose Research area: Traditional opera. * main images of the performances are often civilians and Corresponding author. the ideas expressed are real telling coming from bottom. Received 6 December 2013; accepted 11 March 2014 For this reason, the form of expression in Huangmei opera is not so rigid, but pursuing a kind of flexibility and Abstract simplicity. Huangmei opera is fevered by the majority of people relying on the strong local flavor and plain Huangmei opera is an important traditional Chinese language, which makes it have the same reputation as local opera, known as one of China’s five major operas. Beijing opera, Shaoxing Henan opera and Pingju opera, However, its development situation is worrying: named as China’s five major operas , and was collected in performances and audience reduce, performance and the first batch of intangible cultural heritage list in 2006. management talent loss seriously, and screenplay This is the greatest accolade for Huangmei opera which is innovation lags. Huangmei opera against the background relatively young. of contemporary cultural industry needs to focus on cultural orientation, performance quality improvement, personnel training and the use of modern media, etc. to 1. CURRENT STATUS OF HUANGMEI achieve self-help through art and transition markets. Key words: Huangmei opera; Current status; 1.1 Audience of Huangmei Reduces: In a Flat Countermeasures Trend The third group of protecting intangible cultural heritage ZHANG Hui (2014). On the Development of Huangmei includes community or community groups, groups, Opera. Higher Education of Social Science, 6 (2), 29-32. individuals or non-governmental organizations. But Available from: URL: http://www.cscanada.net/index. now the number of its audience which is a basis for the php/hess/article/view/j.hess.1927024020140602.4444 DOI: http://dx.doi.org/10.3968/j.hess.1927024020140602.4444 development is declining. Opera market’s decline is a common phenomenon across the country. According to the survey, there are more than 80% enthusiasts of Huangmei are elders, and it is a fact that the young audience is INTRODUCTION indisputable (Zhu & Wang, 2014). Now because of the constant update of communication and media providing Huangmei opera is a main opera of Anhui province and the public with more options of entertainment and cultural originated in Huangmei County located in the junction consumption, thus further suppress the space of opera’s of Hubei, Anhui, and Jiangxi, then drew the nutrition of survival. The masses’ attention to Huangmei opera’s Qingyang tone and Anhui opera in Anqing district, and survival is not high, and the shrinking consumer market then integrated local folk art and flourished in Anhui became the first problem as Huangmei opera trying to be Province. It has more than 200 years’ history. Huangmei developed. opera roots in private sector, is the success of practice of working people in Hubei, Anhui, Jiangxi and the 1.2 Serious Loss and Lack of Professional surrounding areas. It maintains the pure folk aesthetic Performers and Management Personnel characteristics. Most of them are drew on folklore and Intangible Cultural Heritage requires talent for inheritance everyday life , such as the famous opera “Mow greenfeeds because of lacking substantive material carrier, Huangmei 29 Copyright © Canadian Research & Development Center of Sciences and Cultures On the Development of Huangmei Opera opera’s development is restricted by the shortage of market-oriented operation. Since they are not professional talent. Huangmei opera professional performing talents troupes with loose organization, lack of stability, lack disconnect and many trades have no successor. Currently, of professional training, the level is uneven, making big take Anqing City Theatre for example, the average age of problem of extending market, which leads to a reduction the actors is over 35, and there are very few actors whose in performances to some extent. age is under 30. Director and other staff are around the age of 50, and the lack of personnel is more obvious in 1.4 Lagging of Screenplay Innovation the band, and even disconnected (Shao, 2013). The lack Huangmei opera’s glorious status can not live without the of professional performing talent is also reflected in the unremitting efforts of several generations of Huangmei “celebrity”, a sustainable development of the play must opera workers and excellent innovation of screenplays. have a leader, such as Mei Lanfang , Xun Huisheng , With the social development and progress, people’s Shang Xiaoyun , Cheng Yanqiu, the “Four famed female- spiritual and cultural needs are increasingly diverse, the role performers” in Beijing opera. Thus the whole drama traditional Huangmei opera’s outstanding works such rejuvenates and innovates. Meanwhile the students of as “Goddess Marriage “ and “Chuangyuan Girl “ have Huangmei opera are difficult to be employed, and the cast impregnable position in the public’s mind, but playing and crew are paid low. The salary of the secondary actors old drama day by day is clearly lagging behind social in some professional troupes in Anqing is only 800 yuan development. Huangmei opera’s development is a process before the reform of in 2007, and they can get some extra of innovation, in the past many folk troupes improvised pay when there are performances. when they performed. But now with the creative work Huangmei opera must be integrated into the market, specialized, the script innovation is confined to live. and the transformation of traditional cultural development Creative repertoire is gradually difficult to keep pace requires professional management talents to operate, but with times, and stay on the interpretation of the historical now the theater managers are often part-time jobs of actors, themes, less reflecting the characteristics of the times. who are lack of professional management experience and prior ideas of management and marketing, resulting in Even if there are some new works, it seems that they walk the relatively loose internal organizational structure and into a misunderstanding and live away of masses’ life, can not make the right response when face to the market which pursuit mainstream and elegance in content, and shocks. This situation shows the importance of requiring non-drama and luxury in expression form. The creation comprehensive management talent of Huangmei opera. of the script tried to pull Huangmei opera away from the rank of the “vulgar” culture, pushing it into the so-called 1.3 Reducing Professional Troupes, Poor noble culture. Survival Status of Folk Troupes, and Reducing Performances 1.5 Lack of Funding Leads to Shortage of Huangmei opera troupes apparently can not be spared in Material Equipment and Non-Material Information the big wave of troupes reform. But the problem is that In recent decades, Huangmei opera obtained few the designers and implementers of reform often lack a funding. Investment in infrastructure construction and comprehensive understanding of the arts community, and equipment is basic salary for staff and mainly rely on cannot estimate all the possible consequences caused the performance to maintain balance. Building a theater by the reform. The reform of uniformity is obviously group of the hundreds of million for a Huangmei opera problematic. Regardless of Huangmei opera as a troupe is a fantasy. In the interior, quota management traditional cultural form holding the cultural responsibility and staff salaries are not guaranteed. Updates on the for public welfare, the reformers’ mind is good for reform usual equipment and personnel recruitment for the itself, focusing on the government and the market to troupe are not so easy, Huangmei opera performance promote theater to marketability. But the reality is, there groups have failed to completely get rid of limiting are many retired personnel who made contribution and be government funding after 30 years of reform and taken care more care of in the theater before the reform, so when the funding ends, it makes troupe which has no opening up, which is the bottom line of the living of money accumulated worse. Furthermore, this model is not Huangmei opera groups. It is the funding shortage leads conducive to staff’s creation to a certain extent. Currently, to the overall decline of Huangmei opera’s professional the national professional Huangmei opera troupes reduced research and creation. There is a saying in Huangmei from more than 50 to more than 20, but only half of them opera “36 drama, 72 opera”. According to survey of operate normally, and the remaining 10 troupes only deal CCTV, Huangmei opera ranks best in the audience with a few sporadic performances. Overall, the trend has rating. However, our theoretical research still stuck not been effectively curbed. (Chen, 2013). in the mature stage, while the script writing and staff In contrast, survival of civil troupes is more difficult, training lags behind which leads to a lack of material they do not have a fixed government fund with entirely equipment and non-material information. Copyright © Canadian Research & Development Center of Sciences and Cultures 30 ZHANG Hui (2014). Higher Education of Social Science, 6(2), 29-32 2. STRATEGIES The modern mass media provides audience with unprecedented convenience with the technical advantages 2.1 Merge in Civilian Life, Make Good Cultural of dissemination. “In many operas, Huangmei opera Orientation, and Improve the Quality of contacts with various media most frequently, and has the Performances highest frequency of receiving a transplant”(Shao, 2013). The famous dramatist Wang Zengqi once talked about Marriage between mass communication media and opera crisis: “There is a rule in the history of literature, opera has a long history.
Load more

Recommended publications
  • China Study Journal
    CHINA STUDY JOURNAL CHINA DESK Churches Together in Britain and Ireland Sh- churches ìogethe AU r IN BRITAIN AND I II i u « 0® China Study Journal Autumn/Winter 2008 Editorial Address: China Desk, Churches Together in Britain and Ireland, Bastille Court, 2 Paris Garden, London, SEI 8ND, United Kingdom Email: [email protected] ISSN 0956-4314 Cover: Nial Smith Design, from: Shen Zhou (1427-1509), Poet on a Mountain Top, Ming Dynasty (1368-1644). Album leaf mounted as a hand scroll, ink and water colour on paper, silk mount, image 15 lA x 23 % inches (38.74 x 60.33cm). © "The Nelson-Arkins Museum of Art, Kansas City, Missouri. Purchase: Nelson Trust, 46-51/2. Photograph by Robert Newcombe. Layout by raspberryhmac - www.raspberryhmac.co.uk Contents Editorial Section 1 Articles Zhuo Xinping Societal Changes and Religious Reconstruction in Contemporary China Li Shunhua Another Aspect of Chinese Rural Christianity — Based on a field survey of a rural church in north Henan province Chen Shengbai A Minority amongst a minority: an investigation into the situation of [Protestant] Christianity in Southern Gansu Section 2 Documentation Editor: Edmond Tang Managing Editor: Lawrence Braschi Translators: Cinde Lee, Lawrence Breen, Alison Hardie, Lawrence Braschi Abbreviations ANS : Amity News Service (HK) CASS : Chinese Academy of Social Sciences (Beijing) CCBC : Chinese Catholic Bishops' Conference CCC : China Christian Council CCPA : Chinese Catholic Patriotic Association CM : China Muslim (Journal) CPPCC : Chinese People's Consultative Conference FY : Fa Yin (Journal of the Chinese Buddhist Assoc.) SCMP : South China Morning Post(HK) SE : Sunday Examiner (HK) TF : Tian Feng (Journal of the China Christian Council) TSPM : Three-Seif Patriotic Movement UCAN : Union of Catholic Asian News ZENIT : Catholic News Agency ZG DJ : China Taoism (Journal) ZGTZJ : Catholic Church in China (Journal of Chinese Catholic Church) Note: the term lianghui is used in this journal to refer to the joint committees of the TSPM and CCC.
    [Show full text]
  • Introduction of Master Supervisors In
    Introduction of Master Supervisors In College of Economics and Management (1) Professor Xu Zhao 赵旭； (2) Professor Jianhua Zhao 赵建华； (3) Professor Xiaoyan Zhang 张晓燕； (4) Professor Cailing Xue 薛才玲 (5) Professor Jiangtao Tan 谭江涛； (6) Professor Chaohui Qin 覃朝晖； (7) Professor. Lina Luo 罗丽娜； (8) Professor Zhengwei Huang 黄正伟； (9) Professor Ying Hu 胡莺； (10) Professor Xuemei Han 韩雪梅； (11) Professor Yuefang Duan 段跃芳； (12) Professor Xuefeng Ding 丁雪峰； (13) Professor Houqing Cai；蔡厚清； Curriculum Vitae Associate Professor Xu ZHAO PERSONAL & CONTACT DETAILS Name Xu ZHAO Academic Title PhD Management Science and Engineering Master of Management Bachelor of Engineering Postal Address College of Economics and Management,No.8 Daxue Road, Yichang City, Hubei Province, P.R. China 443002 Office Address Room G1602, G building ， College of Economics and Management, China Three Gorges University Date/place of birth: August, 1982/ Yichang City, Hubei Province, P.R. China Telephone (Office): +86 - 717 -639 9458,mobile phone +86 18671785266 E-mail: [email protected] TERTIARY EDUCATION September 2010 – Huazhong University of Science and Technology, Wuhan, P.R. June 2014 China PhD February 2005 – China Three Gorges University, Yichang, P.R. China July 2008 Master of Management September 2000 – WUHAN University, Wuhan, P.R. China July 2004 Bachelor of Engineering Associate Professor XU ZHAO EMPLOYMENT July 2014 – Present College of Economics and Management ,China Three Gorges University. o Associate Professor at the College of Economics and Management o Research fellow of Research Centre for Reservoir Resettlement—the Key Humanities and Social Sciences Research Base of Hubei Province, China. o Teach the following subjects: Management Research Method, logistics system simulation, Computational Social Science, Social Network Analysis.
    [Show full text]
  • Assessing the Spatial Accessibility of Healthcare Services in Huangmei County Using GIS
    Assessing the Spatial Accessibility of Healthcare Services in Huangmei County using GIS Haoyun Wang Final Paper for Theory and Practice of Public Informatics Professor Clinton Andrews December 17, 2018 1 Assessing the Spatial Accessibility of Healthcare Services in Huangmei County using GIS Abstract: Large disparities exist in the development of urban and rural areas in China, especially in the field of healthcare. It is common to see remote rural areas suffer from a shortage of medical resources while urbanized cities and towns enjoy a higher level of accessibility to healthcare service. This research uses Huangmei County, the author’s hometown, as a case study and aims to define and evaluate spatial accessibility and spatial inequity (i.e. unequal spatial accessibility in healthcare services for rural and urban areas) through ArcGIS. Finally, it proposes recommendations for decision-makers in healthcare planning to increase people’s spatial accessibility to healthcare services. Keyword: healthcare services, GIS, spatial accessibility, spatial equity 1. INTRODUCTION Although China has witnessed great progress in economic development during the past decade, large disparities still exist in the development of urban and rural areas in China, especially in the distribution of public services, such as schools, hospitals, and transit. It is common to see remote rural areas suffer from a shortage of public services while urbanized cities and towns enjoy a higher level of accessibility to public services. The Chinese government has proposed the equalization of public services at the National Congress to spur efforts to increase public services in undeveloped areas and other places that need them most Among the host of public services, healthcare service is considered as one of the fundamental services.
    [Show full text]
  • China Reform Monitor No. 1426 | American Foreign Policy Council
    China Reform Monitor No. 1426 August 5, 2020 Joshua Eisenman Related Categories: Democracy and Governance; Economic Sanctions; Human Rights and Humanitarian Issues; International Economics and Trade; China; Taiwan CHINA FACES MASSIVE FLOODS... In the first week of July, torrential rains in Hubei affected some 3.5 million people, resulting in an economic loss of $644 million. About 100 miles downriver from Wuhan, in Huangmei county, rainfall triggered a landslide that buried nine villagers. In Hubei, Hunan, and Jiangxi, tens of thousands of personnel have been mobilized and thousands of families have been relocated. To ease pressure on the swollen Yangtze River, the Three Gorges Dam is reducing the amount of water it releases downstream. "As long as I can remember, this year is the hardest one for me in the past 50 years," said one Hubei resident. (Wall Street Journal, July 9, 2020) ...RAISING QUESTIONS ABOUT THE THREE GORGES DAM As the Yangtze River, its tributaries and lakes (including Dongting and Poyang) have hit record water levels, a fierce debate has arisen about the Three Gorges Dam. About 2.9 billion cubic meters of floodwater has been stored by the dam, and "detailed scheduling" of water discharges has "effectively reducing the speed and extent of water level rises on the middle and lower reaches of the Yangtze," said Vice Minister of Water Resources Ye Jianchun. But others disagree. "One of the major justifications for the Three Gorges Dam was flood control, but less than 20 years after its completion we have the highest floodwater in recorded history. The fact is that it cannot prevent these severe events.
    [Show full text]
  • Research on the New Ways of the Spread of Traditional Operas in the Wechat-Era
    2019 International Conference on Humanities, Cultures, Arts and Design (ICHCAD 2019) Research on the New Ways of the Spread of Traditional Operas in the Wechat-Era Ou Yangmei Hunan Institute of Traffic Engineering, Hengyang, Hunan 421219, China Keywords: Wechat-era, Drama, Communication, New approach Abstract: The opera is one of the traditional Chinese art and is unique in the history of world drama. It has a long history and a profound mass base, and is an important carrier for expressing and inheriting the fine traditional Chinese culture. This paper attempts to explore how to use the characteristics of micro-era communication to make more extensive dissemination and development of opera art by using the latest mobile new media communication methods. 1. Introduction Chinese opera and Greek tragedy and comedy, Indian scriptures and the world's three ancient drama cultures, compared to the other two ancient drama cultures, Chinese operas are produced later, but the first two ancient drama cultures have been long The history of the river has disappeared one after another, and it no longer exists. However, although Chinese opera has experienced thousands of years of enthusiasm and rise and fall, it is still full of vitality and vitality. It is not only a treasure of the excellent traditional culture of the Chinese nation, but also plays an important role in the treasure house of world culture and art. Historically, traditional Chinese opera has continued to be passed on by word of mouth. Although in the hundreds of years, the channels of the drama are very simple and difficult, but it does not affect the people's love for the opera.
    [Show full text]
  • The Equality of Kowtow: Bodily Practices and Mentality of the Zushiye Belief
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo Journal of Cambridge Studies 1 The Equality of Kowtow: Bodily Practices and Mentality of the Zushiye Belief Yongyi YUE Beijing Normal University, P.R. China Email: [email protected] Abstract: Although the Zushiye (Grand Masters) belief is in some degree similar with the Worship of Ancestors, it obviously has its own characteristics. Before the mid-twentieth century, the belief of King Zhuang of Zhou (696BC-682BC), the Zushiye of many talking and singing sectors, shows that except for the group cult, the Zushiye belief which is bodily practiced in the form of kowtow as a basic action also dispersed in the group everyday life system, including acknowledging a master (Baishi), art-learning (Xueyi), marriage, performance, identity censorship (Pandao) and master-apprentice relationship, etc. Furthermore, the Zushiye belief is not only an explicit rite but also an implicit one: a thinking symbol of the entire society, special groups and the individuals, and a method to express the self and the world in inter-group communication. The Zushiye belief is not only “the nature of mind” or “the mentality”, but also a metaphor of ideas and eagerness for equality, as well as relevant behaviors. Key Words: Belief, Bodily practices, Everyday life, Legends, Subjective experience Yongyi YUE, Associate Professor, Folklore and Cultural Anthropology Institute, College of Chinese Language and Literature, Beijing Normal University, Beijing, 100875, PRC Volume
    [Show full text]
  • An Investigation of the Huangmei Opera Film Genre Through the Documentary Film Medium
    Yeong-Rury Chen A Fantasy China: An Investigation of the Huangmei Opera Film Genre through the Documentary Film Medium DDes 2006 Swinburne A Fantasy China: An Investigation of the Huangmei Opera Film Genre through the Documentary Film Medium A Doctoral Research Project Presented to the National Institute of Design Research Swinburne University of Technology In Partial Fulfilment of the Requirements for the Degree of Doctor of Design by Yeong-Rury Chen August 2006 Declaration I declare that this doctoral research project contains no material previously submitted for a degree at any university or other educational institution. To the best of my knowledge, it contains no material previously published or written by another person, except where due reference is made in the text of the project. Yeong-Rury Chen A B S T R A C T This doctoral research project intends to institute the study of the unique and significant Huangmei Opera film genre by pioneering in making a series of documentaries and writing an academic text. The combination of a documentary series and academic writing not only explores the relationship between the distinctive characteristics of the Huangmei Opera film genre and its enduring popularity for its fans, but also advances a film research mode grounded in practitioner research, where the activity of filmmaking and the study of film theory support and reflect on each other. The documentary series, which incorporates three interrelated subjects – Classic Beauty: Le Di, Scenic Writing Director: Li Han Hsiang and Brother Lian: Ling Po – explores the remarkable film careers of each figure while discussing the social and cultural context in which they worked.
    [Show full text]
  • The Legend, the Play, and the Movie the Chinese University Press
    I. Introduction: The Legend, the Play, and the Movie Following the Communist conquest of the Chinese mainland and the estab- lishment of the People’s Republic of China (PRC) in 1949, the Chinese movie industry (studios, distribution, and cinemas) was quickly nationalized.1 Like all other media, film was expected to serve the Revolution. As a result, the majority of movies produced in the 1950s celebrated China’s struggle for national independence against foreign foes and inside China the struggle of Materials the laboring masses against their masters. Against this background, the block- buster success in 1956 and thereafter of the 1955 movie Married to a Heavenly Immortal (Tianxian pei 天仙配; released as The Marriage of the Fairy Princess, but also referred to as The Heavenly Match or The Fairy Couple) is even more Copyrighted remarkable. The movie was based on the legend of the filial son Dong Yong 董永. But filial piety (xiao 孝), the foundational value of traditional Chinese Press: society, by this time had already been decried for almost half a century as the source of all of China’s trials and tribulations. Moreover, the movie, closely based on the Huangmei 黃梅 Opera play of the same title, and starring the Huangmei Opera performersUniversity Yan Fengying 嚴鳳英 (1930–1968) and Wang Shaofang 王少舫 (1920–1986), was not an example of the realistic staging pre- ferred by socialist realism—the Soviet-inspired dominant doctrine in the arts. Chinese From the very beginning, both its scriptwriter Sang Hu 桑弧 (1916–2004) and its director ShiThe Hui 石揮 (1915–1957) conceived of the movie as “a fairy-tale film with song and dance.” The Huangmei Opera play Married to a Heavenly Immortal was a great success at the East China Theater Festival of October 1954.2 At that time Huangmei Opera was not a prestigious form of traditional opera.
    [Show full text]
  • Huangmei Opera in Anqing City,Anhui Province,China Meng
    Huangmei Opera in Anqing City,Anhui Province,China Meng Liu A Thesis Submitted in Partial Fulfillment of Requirements for degree of Doctor of Philosophy in Music February 2021 Copyright of Mahasarakham University ฮวงเหมย่ โอเปร่า ในเมืองอนั ช่ิง จังหวัดอันฮุย ประเทศจีน วิทยานิพนธ์ ของ Meng Liu เสนอต่อมหาวทิ ยาลยั มหาสารคาม เพื่อเป็นส่วนหน่ึงของการศึกษาตามหลกั สูตร ปริญญาปรัชญาดุษฎีบัณฑิต สาขาวิชาดุริยางคศิลป์ กุมภาพันธ์ 2564 ลิขสิทธ์ิเป็นของมหาวทิ ยาลยั มหาสารคาม Huangmei Opera in Anqing City,Anhui Province,China Meng Liu A Thesis Submitted in Partial Fulfillment of Requirements for Doctor of Philosophy (Music) February 2021 Copyright of Mahasarakham University The examining committee has unanimously approved this Thesis, submitted by Ms. Meng Liu , as a partial fulfillment of the requirements for the Doctor of Philosophy Music at Mahasarakham University Examining Committee Chairman (Assoc. Prof. Wiboon Trakulhun , Ph.D.) Advisor (Prof. Arsenio Nicolas , Ph.D.) Committee (Asst. Prof. Sayam Chuangprakhon , Ph.D.) Committee (Asst. Prof. Khomkrit Karin , Ph.D.) Committee (Assoc. Prof. Phiphat Sornyai ) Mahasarakham University has granted approval to accept this Thesis as a partial fulfillment of the requirements for the Doctor of Philosophy Music (Asst. Prof. Khomkrit Karin , Ph.D.) (Assoc. Prof. Krit Chaimoon , Ph.D.) Dean of College of Music Dean of Graduate School D ABSTRACT TITLE Huangmei Opera in Anqing City,Anhui Province,China AUTHOR Meng Liu ADVISORS Professor Arsenio Nicolas , Ph.D. DEGREE Doctor of Philosophy MAJOR Music UNIVERSITY Mahasarakham University YEAR 2021 ABSTRACT This dissertation is a study of Huangmei opera in Anqing City, Anhui Province, China. It describes the characteristics of its music, its history, and its preservation, promotion and transmission in the context of contemporary times. Huangmei opera has a history of more than 200 years from the Qianlong period of the Qing Dynasty to the present.
    [Show full text]
  • Paper Title (Use Style: Paper Title)
    HK.NCCP International Journal of Intelligent Information and Management Science ISSN: 2307-0692, Volume 8, Issue 4, August, 2019 International Journal of Intelligent Information and Management Science Volume 8, Issue 4, August, 2019 http://www.hknccp.org -------------------------------------------------------------------------------- President: Zhang Jinrong Chief Planner: Hu Yuejuan Executive Chief Editor: Chen Lihua, Cui Shuzhen, Shuyu Chen Editorial Board: Li Shu, Xu Ya, Gao Shufen, Ya Hui, Su Daqi, Albert, Yu Borui, Souza, Pei Liu, Chun Hao, Li Dhidai, Meng Yu Audit Committee: Lin Lichan, Xu Lijuan, Dong Peiwang, Su Jianmin, Ali Coskun, You Wenying, Chen Xingeng, An Xin, Yan Yanhui, Tang Ming, Yang Ming, Zhi Zhong, Xiao Han, Sun Wenjun, Yoon-seon Lee, Bom Sook Kim, Chang-Duk Jun, Jin Hong Cha, Tan Ker Kan, Tian-Hua Huang, Jorge Serra Colina, Yong Shao, Vikram Kate Publisher: HongKong New Century Cultural Publishing House Address: Unit A1, 7/F, Cheuk Nang Plaza, 250 Hennessy Road, Wanchai, Hong Kong -------------------------------------------------------------------------------- Copyright© 2019 HongKong New Century Cultural Publishing House -All Rights Reserved HK.NCCP International Journal of Intelligent Information and Management Science ISSN: 2307-0692, Volume 8, Issue 4, August, 2019 HK.NCCP International Journal of Intelligent Information and Management Science ISSN: 2307-0692, Volume 8, Issue 4, August, 2019 Contents The Creative Features and Aesthetic Significance of Liu Wenjin’s Erhu Opera "Sanmen Gorge Rhapsody" Jihou Yu………………………………………………………………………………………………………………………………(1)
    [Show full text]
  • The Platform Sutra Introduction
    Table of Contents Also translated and with commentary by Red Pine Title Page The Platform Sutra Introduction The Platform Sutra with Commentary PART I (SECTIONS 1-11) PART II (SECTIONS 12-37) PART III (SECTIONS 38-44) PART IV (SECTIONS 45-57) Appendix Copyright Page Also translated and with commentary by Red Pine Lao-tzu’s Taoteching The Diamond Sutra The Heart Sutra The Platform Sutra The Mahaprajnaparamita Sutra of the Direct Teaching of the Southern School of the Supreme Mahayana, The Platform Sutra Delivered at Tafan Temple in Shaochou by the Sixth Patriarch, Master Hui-neng, in one volume, compiled and recorded by Fa- hai, recipient of the Formless Precepts and advocate of the Dharma. 1. Master Hui-neng took his seat in the lecture hall of Tafan Temple to expound the teaching of Mahaprajnaparamita and to transmit the Formless Precepts. Seated below him on that occasion were more than ten thousand monks, nuns, and laypeople, along with Magistrate Wei Ch’u of Shaochou and more than thirty officials and thirty scholars. Together they asked the Master to explain the teaching of Mahaprajnaparamita. The magistrate then instructed the Master’s disciple Fa-hai to make a record to pass down to future generations so that students of the Way who carry on its guiding principle and who transmit it to others might have this testament as their authority. 2. When he spoke this Platform Sutra, Master Hui-neng said, “Good friends, purify your minds by reciting the teaching of Mahaprajnaparamita.” Then the Master stopped speaking, while he purified his own mind.
    [Show full text]
  • Research on Urban Network of Wuhan Metropolitan Area in China Based on Social Network Analysis
    International Journal of Culture and History, Vol. 3, No. 1, March 2017 Research on Urban Network of Wuhan Metropolitan Area in China Based on Social Network Analysis Jing-Xin Nie, Ya-Ping Huang, and Pei Chen according to enterprise organizations [22], [23]. Abstract—This article is based on the retrospect of theoretical The essence of urban network is intercity relation, and way and analysis method of town correlation measure, relational data is always applied in urban network research. summarized the advantages and disadvantages. Then the article With the rapid development of information and proposed the social network analysis method with network data of express, in order to analyze the town correlation measure. communication technology, distance of space and time Taking Wuhan metropolitan area in china as practical between cities is greatly compressed, and the connections experiment objects, and found out the network characteristics of between cities are more and more closely. Excavating it, which dominance and polarization coexisted, axes and relational data has become a new trend in research of urban corridors gathered in space. In the view of social network, the network. Social Network Analysis, SNA for short, is a urban system of Wuhan metropolitan area has not been methodology which describes the whole form, characteristics completed, though the inner core group has formed, but the connection between the low-level nodes is not strong enough. and structure of network. SNA has obvious advantage in relation expression; a network can be regarded either as a Index Terms—Express network, social network analysis, whole or a part, so that reveals the integration and hierarchy of Wuhan metropolitan area, urban network.
    [Show full text]