Nina Hagen in Ekstasy Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Nina Hagen In Ekstasy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: In Ekstasy Country: Mexico Released: 1985 Style: New Wave, Synth-pop MP3 version RAR size: 1171 mb FLAC version RAR size: 1454 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 139 Other Formats: WAV RA DXD MOD DMF MP2 XM Tracklist Hide Credits A1 Universal Radio A2 Gods Of Aquarius A3 Russian Reggae My Way A4 Producer – Richard Burgess* A5 1985 Ekstasy Drive Prima Nina In Ekstasy B1 Vocals [Duetting] – Afrika Bambaataa & Soulsonic Force, Shango Spirit In The Sky B2 Backing Vocals – Paul Eknes B3 Atomic Flash Deluxe B4 The Lord's Prayer B5 Gott In Himmel Credits Bass, Keyboards, Drums, Arranged By – Karl Rucker Drums – Alex Laroque, Peter Krause Guitar – Billy Liesegang Keyboards – Roger Craig* Keyboards, Arranged By [Horns] – Michael McEboy Piano [Grand] – Balis Jiouraitis Producer – Adam Kidron (tracks: A1 to A3, A5 to B2, B4, B5) Saxophone – Alan Guillard* Trumpet – Eric Le Lane* Notes Manufactured by CBS/Columbia Internacional. Tracks titles in English and Spanish Other versions Category Artist Title (Format) Label Category Country Year BFC 40004 Nina Hagen In Ekstasy (LP, Album) Columbia BFC 40004 US 1985 40-26421 Nina Hagen In Ekstasy (Cass, Album) CBS 40-26421 Portugal 1985 28-3P-605 Nina Hagen In Ekstase (LP, Album) Epic International 28-3P-605 Japan 1985 BCT 40004 Nina Hagen In Ekstasy (Cass, Album) Columbia BCT 40004 US 1985 S.E. 8739 Nina Hagen In Ekstasy (LP, Album) CBS Discos S.E. 8739 Peru 1985 Related Music albums to In Ekstasy by Nina Hagen Nina Hagen - Fearless Nina Hagen - Nunsexmonkrock / Nina Hagen Band Afrika Bambaataa & The Soul Sonic Force - Looking For The Perfect Beat Afrika Bambaataa & The Soul Sonic Force Music By Planet Patrol - Planet Rock Afrika Bambaataa & The Soulsonic Force - Dont Stop...Planet Rock The Remix EP Bee Gees - This Is Where I Came In Nina Hagen - Nina Hagen Nina Astrom - Real Life.

Copy Link

Recommended publications

The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory.
[Show full text]
II Decalogo Di Prodi
UM5M/KMW NMiaU8aiKmi9M-L.lJ5MMLi.3M Verlice govemosindacati-industriali. Domani la manovra Russia: nuove alleanze in vista del ballottaggio «Patto per f Europa» Eltsin chiama Lebed: patto II decalogo di Prodi anti-Ziuganov Sicilia: FI dimezzata, vince Tex Dc • MOSCA 1 numeri non sono cambiati di molto alia fine dello scrutinio delle schede per • ROMA «Un patto per portare I'ltalia in termini del concordato fiscale eleggere il presidente della Russia. Boris Eltsin Europa». II presidente del Consiglio incon- La giomata politica e stata dominata dai ha il 35,02% dei voti contro il 31,95% raggiunto II crepuscolo tra imprenditori e sindacati e illustra la sua risultati elettorali siciliani, che ha visto la ca- dallo sfidante piu agguernto, Ghennadi Ziuga- ricetta per risanare i conti pubblici e rilan- rica del centra ex Dc Confermati i dati del- nov Ora i due sono gia al lavoro per il ballottag di Berlusconi ciare 1'economia. Si tratta di un «decalogo» 1'altra sera, il Polo avra la maggioranza nel- gio di luglio. E tutte le attenzioni sono rivolte al di proposte, rilancio dell'occupazione e I'assemblea, ma al suo intemo c'e stato un generate Lebed. Eltsin si e mosso perprimo Ha lotta all'inflazione le pnorita. Secondo le fortissimo travaso di voti. Forza Italia e la convocato il detentore del pacchetto piu consi- previsioni del governo, nel '97 1'inflazione grande sconfitta della competizione, esce stente (14,73%) dei voti tra gli esclusi e gli ha aiAMHinoccA dovrebbe crescere solo del 2,596, mentre il dimezzata quanto a consenso mentre cre- proposto di far parte del prossimo governo.
[Show full text]
Music Making Politics: Beyond Lyrics
Politik Nummer 1 | Årgang 23 | 2020 Music making politics: beyond lyrics M.I. Franklin, Professor of Global Media and Politics, Goldsmiths University of London In this article I argue that considering how any sort of music is made more closely - as sonic material, performance cultures, for whom and on whose terms, is integral to pro- jects exploring the music-politics nexus. The case in point is “My Way”, a seemingly apo- litical song, as it becomes repurposed: transformed through modes of performance, unu- sual musical arrangements, and performance contexts. The analysis reveals a deeper, underlying politics of music-making that still needs unpacking: the race, gender, and class dichotomies permeating macro- and micro-level explorations into the links between music, society, and politics. Incorporating a socio-musicological analytical framework that pays attention to how this song works musically, alongside how it can be reshaped through radical performance and production practices, shows how artists in diverging contexts can ‘re-music’ even the most hackneyed song into a form of political engage- ment. Introduction In 2016, Bob Dylan was awarded the Nobel Prize for Literature. In 2018 Kendrick Lamar became the first Rap artist to win the Pulitzer Prize for Music. Between these two medi- atized moments of public recognition, across the race and genre divides of contemporary culture lie many musico-political timelines, recording careers, playlists, and embodied musicalities. This article aims to show why, and how theory and research into the rela- tionship between (the study of) politics and music-making need to move beyond indica- tors of political relevance that are based on lyrics, an artist’s public persona, public profile or critical acclaim.
[Show full text]
With Nina Hagen (The Extended Ver
Venus: "On the Road" with Nina Hagen (the extended ver... http://www.venuszine.com/stories/music_interviews/462 "On the Road" with Nina Hagen (the extended version) A conversation with the legendary musician until 3 a.m. about her fans-slash-friends, plans for a talk show, and UFOs. And that's just the tip of the Ricola lozenge. Seriously. by Charlotte Robinson It's difficult to describe the insanity that surrounds Nina Hagen on the night of her first appearance in Chicago in many years. Equal parts diva, punk rocker, outrageous comedienne, devoted spiritualist, activist, and nurturing mother (to Cosma Shiva, 22, and Otis, 13), Hagen arouses near-religious fervor in her "friends" (she refuses to call them fans). On this night (in the summer of 2003), she plays to a capacity crowd at the Double Door, belting out three decades' worth of material ranging from punk originals to Indian chants to her versions of "Ave Maria" and "My Way." Now 48, Hagen can still shock and frighten with her multi-octave voice, which sounds like an angel one minute and the devil the next. After a two-hour show, I head backstage where a number of people are waiting in front of Hagen's closed dressing room door. One is the editor of a Goth magazine who tries to convince Nina's manager that she should play his annual holiday festival ("It's called AlcoHoliday. All my friends have different beliefs, but the one thing they have in common is drinking."). Another is an 11-year-old girl named Christina, dressed a little like a prostitute and overzealously bragging about the demo she's just recorded with The Matrix.
[Show full text]
Giorgio Moroder Legendary Godfather of Electronica Announces Australian and New Zealand Headline Shows
GIORGIO MORODER LEGENDARY GODFATHER OF ELECTRONICA ANNOUNCES AUSTRALIAN AND NEW ZEALAND HEADLINE SHOWS Frontier Touring is delighted to confirm that iconic production pioneer Giorgio Moroder has announced three headline shows this month in Melbourne, Sydney and Auckland alongside his appearances as special guest for Kylie’s upcoming Kiss Me Once Australian tour. An Academy Awardwinning composer, superstar DJ, worldrecognized songwriter and prolific producer, Giorgio Moroder is one of the most influential and innovative artists of the 20th and 21st centuries. Having engineered the disco landscape of the seventies, Moroder brought electronic music to the mainstream with frequent collaborator Donna Summer and their anthemic hits ‘Love To Love You Baby’, ‘Hot Stuff’ and ‘I Feel Love’. As well as his title as godfather of dance, Moroder has composed some of the most recognizable film scores in cinema history, including The Never Ending Story, American Gigolo, Cat People, Superman III, Scarface, Rambo III, and Beverly Hills Cop II as well as hit soundtrack singles ‘Take My Breath Away’ by Berlin (Top Gun), ‘Flashdance’ by Irene Cara and ‘Call Me’ by Blondie (American Gigolo). His work for film has seen him win no less than three Academy Awards that sit proudly alongside his four Golden Globes, four Grammys and in 2004 was an inductee into the Dance Music Hall of Fame for his outstanding contribution to the music industry. As well as his own esteemed work as a solo artist Moroder has worked with a veritable who’s who of icons including Elton John, Cher, Janet Jackson, Freddy Mercury, David Bowie, Chaka Khan, Cheap Trick, and Pat Benatar.
[Show full text]
Sportfreunde Stiller A-Team Ed Sheeran After Dark
A Alive - Pearl Jam Aint no sunshine – Bill Withers Applaus applaus – Sportfreunde Stiller A-Team Ed Sheeran After Dark – Tito & Tarantula Angel - Sarah Mclaughlan All of me – John Legend All of me – Gerald Marks All along the watchtower – B. Dylan Ace of spades – Motörhead All around the world - Lisa Stansfield 80 Millionen – Max Giesinger Ain't no mountain – Marvin Gaye Ain't got you - Alicia Keys Ain't nobody – Chaka Khan Ave Maria – Franz Schubert An deiner Seite – Sunny Dale Are you gonna be my girl – Jet Accidentally in Love – Counting Crows All you need is Love – The Beatles American Jesus - Bad Religion Another Sad Song – Bandits Amelie Theme – Jan Thiersen Angels – Robbie Williams Auf uns – Andreas Bourani A thousand years – Christina Perri Awake my soul – Mumford & Sons B Baby im a fool – Melody Gardot Better together - Jack Johnson Budapest - George Ezra Baby can I hold you - Tracy Chapman Back in black – AC DC Billy Jean – Michael Jackson Blackbird – Beatles Bubbly - Colbie Caillat Bottle of wine – Maria Mena Big in Japan - Ane Brun version Bang Bang - Nancy sinatra Bridge over trouble water – Simon & Garfunkel Blame it on me – George Ezra Bologna – Wanda Bitte hör nicht auf zu träumen – Xavier Naidoo Big yellow taxi – Joni Mitchell Book of Love – Peter Gabriel Back to black – Amy Winehouse Bussi Baby – Wanda Basket Case - Green Day Blister in the Sun – Violent Femmes Because the night - Patty Smith Bei meiner Seele - Xavier Naidoo Baby can i hold you - Tracy Chapman Black Velvet – Alannah Myles Brenna duads guad – Hubert von Goisern Barfuss am Klavier - AnnenMayKantereit Be my baby – The Ronettes Bed of Roses – Bon Jovi C Crazy Love - Bob Dylan Chasing cars - Snow Patrol Can You feel the love tonight – Elton John Come fly with me – Michael Buble Cant help falling in love – Elvis Presley Crazy - Aerosmith Catch Me - Bandits Clocks - Coldpay Colourblind – Counting Crows Cheap thrills – Sia Cocain – J.J.
[Show full text]
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
[Show full text]
Vinyls-Collection.Com Page 1/64 - Total : 2469 Vinyls Au 23/09/2021 Collection "Pop/Rock International" De Lolivejazz
Collection "Pop/Rock international" de lolivejazz Artiste Titre Format Ref Pays de pressage 220 Volt Mind Over Muscle LP 26254 Pays-Bas 50 Cent Power Of The Dollar Maxi 33T 44 79479 Etats Unis Amerique A-ha The Singles 1984-2004 LP Inconnu Aardvark Aardvark LP SDN 17 Royaume-Uni Ac/dc T.n.t. LP APLPA. 016 Australie Ac/dc Rock Or Bust LP 88875 03484 1 EU Ac/dc Let There Be Rock LP ALT 50366 Allemagne Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc High Voltage LP 50257 France Ac/dc For Those About To Rock We Sal...LP ATL 50851 Allemagne Ac/dc Fly On The Wall LP 781 263-1 Allemagne Ac/dc Flick Of The Switch LP 78-0100-1 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Blow Up Your Video LP Inconnu Ac/dc Back In Black LP ALT 50735 Allemagne Accept Restless & Wild LP 810987-1 France Accept Metal Heart LP 825 393-1 France Accept Balls To The Walls LP 815 731-1 France Adam And The Ants Kings Of The Wild Frontier LP 84549 Pays-Bas Adam Ant Friend Or Foe LP 25040 Pays-Bas Adams Bryan Into The Fire LP 393907-1 Inconnu Adams Bryan Cuts Like A Knife LP 394 919-1 Allemagne Aerosmith Rocks LP 81379 Pays-Bas Aerosmith Live ! Bootleg 2LP 88325 Pays-Bas Aerosmith Get Your Wings LP S 80015 Pays-Bas Aerosmith Classics Live! LP 26901 Pays-Bas Aerosmith Aerosmith's Greatest Hits LP 84704 Pays-Bas Afrika Bambaataa & Soulsonic F..
[Show full text]
Collection "Hard, Punk, Hardcore Etc..80'S 90'S 2K Et +" De Boosty
Collection "Hard, Punk, Hardcore etc..80's 90's 2K et +" de boosty Artiste Titre Format Ref Pays de pressage (hed) Pe Broke 2LP RR12-88146 Japon Ac/dc Powerage LP ATL 50 483 France Ac/dc Let There Be Rock LP ATL 50 366 Portugal Ac/dc If You Want Blood You've Got I...LP 50 532 France Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50 257 Allemagne Ac/dc For Those About To Rock (we Sa...LP ATL K 50 851 France Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Back In Black LP ATL 50 735 Allemagne Agnostic Front Another Voice LP DMR 0021-1 Etats Unis Amerique Alice Cooper Trash LP 465130 1 Pays-Bas Alice Cooper Raise Your Fist And Yell LP 255 074-1 Allemagne Alice Cooper Constrictor LP 254 253-1 Allemagne Almighty (the) Powertrippin' LP 519 104-1 Royaume-Uni Almighty (the) Crank LP 7243 8 30820 1 8 Royaume-Uni Angry Samoans Back From Samoa LP AG 0014 Allemagne Annihilator Ballistic, Sadistic LP SLM066P46 EU Bad Brains I Against I LP INLP 4.00231 J Allemagne Bad Brains Bad Brains LP RUSLP8223 Etats Unis Amerique Badlands Voodoo Highway LP 7567-82251-1 Allemagne Badlands Badlands LP 781 966-1 Allemagne Balance In For The Count LP 85787 Pays-Bas Biohazard Urban Discipline 2LP RRCAR 8290-1 Allemagne Biohazard State Of The World Address LP 9362-45595-1 Allemagne Biohazard New World Disorder LP MOVLP539 EU Biohazard Biohazard LP ML 1067 Etats Unis Amerique Black Country Communion Black Country Communion 2LP M 7319 1 Pays-Bas Black Country Communion Bcciv 2LP M75321 EU Black Country Communion Afterglow LP M 7398
[Show full text]
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.
[Show full text]
Basler Zeitung
Basel. Stadt. | Donnerstag, 16. Mai 2013 | Seite 16 «Das Wort Gottes ist wie ein Schwert» Nina Hagen, die morgen an der Nacht des Glaubens auftritt, über Frieden und eine Generation ohne Krieg Von Andreas Schneitter reit, alles Universelle mitzumachen, Das Tolle an Jesus ist ja, dass er gesagt und so hat mich der liebe Gott quasi hat: Passt mal auf, Leute, egal ob ihr BaZ: Frau Hagen, Sie treten an der bei seinem Widersacher vorbeige Jude oder Nichtjude seid oder Männ Nacht des Glaubens auf. Ist das ein schickt, einem Lügner und Manipula lein oder Weiblein, wir sind alle eins in besonderes Konzert für Sie? tor. Zum Glück ging ich daran nicht der Liebe und Gott ist in uns. Das ist der Nina Hagen: Nun, ich werde dort in zugrunde. Danach hatte ich das Be Grund, warum ich immer noch so herz Basel aufwachen, mir die Zähne put dürfnis, mich noch einmal zu Jesus zerreissend singe. Weil es sogar Atheis zen und rausgehen, und dann werde Christus zu bekennen. Und zu taufen. ten gibt, die an die Menschen glauben ich sehen, was ich dort mache. Es Und die Ufos? Ein weiterer Umweg? und der Menschheit zutrauen, die Welt wird ein Konzert im Zeichen des Frie Wie soll ich diese Frage beantworten, wieder auf die Beine zu bringen. dens, mit den Friedensliedern von ich bin doch keine Maschine, die sich Nacht des Glaubens: Freitag, 17. Mai, ab Brecht, von Wolf Biermann und Bob selbst analysieren kann! Heute denke 20 Uhr in Basels Innenstadt. Nina Hagen tritt Dylan, und am Ende der Tour treten ich, diese ganzen UfoGeschichten um 21 Uhr auf dem Barfüsserplatz auf.
[Show full text]
Airwaves (1983-12 and 1984-01)
AIR\XAVES A Service of Continuing Education and Extension University of Minnesota, Duluth Volume 4 Number 6 December 1983-January 1984 Tom .Paxton Thursday, Dec. 1 Marshall Performing Arts Center, UMD I\UMI) 103.Jfm Station Manager .... Tom Livingston Program Director ...... John Ziegler Asst. Program Director . Paul Schmitz Engineering ........... Kirk Kersten Re or¾ lo the Listener Producer/ Outreach .... Jean Johnson ~olunteer itaff By Tom Livingston, Station Manager Bill Agnew, Jay Anderson, Kath like " Bottle of Wine," "Ram bl in Boy, " Anderson, Mark Anderson, Bob "The Last Thing on My Mind," and Andresen, Leo Babeu, Chris Baker, Fall Fund Drive Concert Serles: Koko Taylor, Botto; "I'n:t Changing My Name to Chrysler" Todd Borstad, Dave Brygger, Jeff By just about every count our fall fund Paxton Coming Up . are just a few of the dozens he ha~ Cherne, Jan Cohen, Katrina drive was a great success. The Beatles Our second concert in the series that is written that are sung and p layed all over DeConcini, Bruce Eckland, Pat Eller, day and the Koko Taylor concert were funded in part by the Arrowhead the wor1d. We are proud to be Phil Enke, Doug Fifield, Susanna highlights and the hundreds of people Regional Arts Council featured Koko sponsoring this event, and hope you'll Frenkel, Matt Fust, Bev Garberg, Stan who called in with pledges made the Taylor and her Blues Machine. The join us December I, at the Marshall Goltz, Doug Greenwood, Jim Gruba, drive both emotionally and financially band was hot, and the large audience Performing Arts Center. Paul Hanson, Gordon Harris; Dean rewarding for the station and the staff.
[Show full text]