This is a repository copy of Introduction: Gesture in Film. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/117513/ Version: Accepted Version Book Section: Chare, N orcid.org/0000-0003-2093-6327 and Watkins, L (2017) Introduction: Gesture in Film. In: Chare, N and Watkins, L, (eds.) Gesture and Film: Signalling New Critical Perspectives. Routledge , London, UK . ISBN 9781138900196 © 2017 – Routledge. This is an Accepted Manuscript of a book chapter published by Routledge in Gesture and Film: Signalling New Critical Perspectives on 23 May 2017, available online: http://www.routledge.com/9781138900196. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ Introduction: Gesture in film Nicholas Chare and Liz Watkins In his classic study, Gesture, Adam Kendon describes the visible actions that comprise utterances (Kendon, 2004, pp. 1–2). These visible utterances can occur in conjunction with, or independently to, speech.