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Tintern Abbey Revisiting Tintern Abbey Group 5 Cindy Chang Helen Kuo David Wang Lucius Wang Geoff Besse Paul Wang Sherry Wu Stephanie Chao Outline Background Information Nature Romanticism Romanticism in us Analyzing the poem Discussion Muldimedia Conclusion Background Info • Nature • Romanticism Stephanie Chao Helen Kuo Nature • Industrialism • Spoiled nature • Created an urban social life different from the pastoral life • Development of Sensitiveness to Nature and Physical Surroundings • Attractiveness of nature • Wordsworth: What nature can do for the urban man Nature • Did you know? • There were ironwork factories near Tintern Abbey and River Wye, which caused pollution to the latter. • Yet Wordsworth believed that the “wreaths of smoke sent up, in silence from among the trees” was caused by “vagrant dwellers in the houseless woods” or a Hermit. - From “The Song of the Earth” by Jonathan Bate Nature- The Objective vs. The Subjective • The Picturesque : Rise of Modern Tourism • Late 18th century: to travel and look for scenery in nature that resembles paintings by masters became popular among the society. • Appreciate nature according to a set of rules • Ruined abbeys are claimed the most picturesque in English Landscape • Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey” • Does not mention the abbey • Appreciates nature through personal emotions, experiences and memories - From “The Song of the Earth” by Jonathan Bate Romanticism • The end of 18th century-19th century • Artistic, literary • Against • Industrial revolution • Age of Enlightenment • Scientific rationalization of nature • Emphasizes emotion and imagination • Pursuit of “Heroic figure” Romantic Period Painting •The Sublime Wanderer Above the Sea of Fog, by Caspar David Friedrich, 1818. http://artofmanliness.com/2011/03/03/the-basics-of-art- the-romantic-period/ •Freedom Liberty Leading the People, by Eugène Delacroix, 1830. http://emptyeasel.com/2007/11/20/romanticism-the-emotional-art-movement-of-the-18th-and-19th-century/ •Nostalgias The Chancel and Crossing of Tintern Abbey, Looking Towards the East Window, by JMW Turner, 1794. http://artofmanliness.com/2011/03/03/the-basics-of- art-the-romantic-period/ Romanticism in British Literature • Started- 1798 Lyrical Ballads • Ended- 1837 Queen Victoria • Emotions and imaginations prior to reasons and rules. • Emphasizes the love of nature, shows respect for nature. • Interested in Medieval, supernatural, mystical, gothic, and the exotic. Romanticism in Us Stephanie Chao Helen Kuo Analysis(Line 1-57) Sherry Wu Title “Lines Composed a Few Miles Above Tintern Abbey” Q: Why does William Wordsworth ignore Tintern Abbey in the poem? Ans: -Focus: beautiful reality ignore social reality -artificial ruins ”genuine” discussion with nature Analysis • 3 parts -stanza 1&2: flashback to the first visit five years ago -stanza 3&4: present visit to the river Wye -stanza 5: see nature with a broader perspective Emphasize that FIVE years have past; five 5summers, years is a with the length pretty long time The speaker is able to Of five long winters! and again I hear hear and see all the beautiful stuff that he remembers from his 1st These waters, rolling from their mountain-springsvisit With a soft inland murmur.--OnceThe again word indicates the tranquil feeling and the Do I behold these steep and loftyself cliffs,-solitude 5 That on a wild secluded scene impress Thoughts of more deep seclusion; andReinforce connect the idea that he has been The landscape with the quiet of thehere sky. before The day is come when I again repose Here, under this dark sycamore, and view 10 These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves Mid groves and copses. Once again I see These hedge-rows, hardly hedge-rows, little lines 15 Of sportive wood run wild: these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, 20 Or of some Hermit’s cave, where by his fire The Hermit sits alone. Flashback These beauteous forms, Positive tone Through a long absence, have not been to me As is a landscape to a blind man’s eye: But oft, in lonely rooms, and ‘mid the din 25 Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:--feelings too 30 The memory of his view Of unremembered pleasure: such, alongperhaps, the Wye could restore him to tranquilty or As have no sight or trivial influencecalmness On that best portion of a good man’s life, His little, nameless, unremembered, acts Of kindness and of love. Nor Theless, analogy I trust, of nature to 35 god: spiritual support To them I may have owed another(heal people gift, by its power) Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, 40 Is lightened:--that serene and blessed blood, In which the affections gently lead us on,-- Until, the breath of this corporeal frame (physical body) And even the motion of our human blood Almost suspended, we are laid asleep 45 In body, and become a living soul: While with an eye made quiet by the power No longer distracted by Of harmony, and the deep powerour surroundings of joy, We see into the life of things. Worry about false If this belief Be but a vain belief, yet, oh! how oft— 50 In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart-- How oft, in spirit, have I turned to thee, 55 Sylvan Wye! Thou wandered thro’ the woods, How often has my spirit turned to thee! Analysis (Line 58-111) Lucius Wang Vague Memories And now, with gleams of half-extinguished 58 thought, With many recognitions dim and faint, And somewhat of a sad perplexity, 60 The picture of the mind revives again: From Present to Future While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was 65 when first I came among these hills; The Importance of the Nature to His Childhood when like a roe Simile I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man 70 Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. 75 Interruption – I cannot paint What then I was. 75-76 Nature Is Everything for His Childhood Simile The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me 80 An appetite; a feeling and a love, Metaphor That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye. The Reward of His Mature Mind – That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this 85 Faint I, nor mourn nor murmur, other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes 90 The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime 95 Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels 100 All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world 105 Of eye, and ear, – both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul 110 Of all my moral being. Metaphor Q: Why does Wordsworth ignore Tintern Abbey? A: Because he feels ruins are artificial, so he concentrates on the genuine "discussion" with nature. Analysis(Line 111-159) Cindy Chang • Nor perchance, 111 If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch 116 The language of my former heart, and read Metaphor My former pleasures in the shooting lights Of thy wild eyes. Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, 121 Knowing that Nature never did betray The heart that loved her; 'tis her privilege, • Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress 126 With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, 131 Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
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