the motels download remastered - The Motels Scarica Album. Beta Hi-Fi Stereo (Mono Compatible) Running Time 14 Minutes Published by Clean Sheets Music - BMI except 3 Published by Excessive Music / Clean Sheets Music - BMI (C) 1984 , Inc. A Picture Music International Production A Video 45 release of the Sony Corporation Of America. Codici a barre. Rights Society: BMI. Codici a barre. Published By – Clean Sheets Music Published By – Excessive Music Copyright (c) – Capitol Records, Inc. Video. Album. Motels is the first studio album by new wave band The Motels, recorded in the spring of 1979 and released in the fall. It was produced by John Carter. It peaked at 175 on Billboard's album chart in December. On the 12th of May 1979 Mother's Day, the Motels signed with Capitol Records. The band began recording on the 14th of the same month and finished within the first week of September. The band consisted of lead vocals, guitar, Jeff Jourard lead guitar, Marty Jourard. No Vacancy: The Best Of The Motels - The Motels. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Motels: все альбомы, включая The Motels Live at the : 50th Anniversary Special , Suddenly Last Summer - Single , Sweet Dreams Are Made Of This и другие. The Motels is a fairly cold, almost robotic affair which trades in lyrics that explore the darker side of life in Los Angeles. There are a few tracks that bear repeated listens like the frantic Kix and Celia, a warning to a woman involved with the wrong guy. Total Control, a big hit for the band in Australia and later covered by Tina Turner, is the album's standout with its menacing lyrics of possession delivered by Martha Davis. The Motels. The iconic LA band who first defined MTV with Top Ten hits Only the Lonely and Suddenly Last Summer, continues to tour & a new. Listen to music from The Motels like Only The Lonely - Remastered 1999, Suddenly Last Summer & more. Find the latest tracks, , and images from The Motels. There are three bands called The Motels. 1 An 80s new wave band from Los Angeles, California. 2 An alternativeindie band from Rio de Janeiro, Brazil 3 A punkfunk band from Glasgow, Scotland 1 The Motels are a New Wave music band from the Los Angeles area best known for Only the Lonely and Suddenly, Last Summer, both of which peaked at 9 on the in 1982 and 1983, respectively. Album 1978 10 Songs. The Motels The Motels. Motels - Footsteps Album: 91983 Martha Davis vocals, guitar Brian Glascock drums Michael Goodroe bass Marty Motels - The Motels 1979. To favorites 1 Download album. Listen album. New Wave. Songs in album The Motels - The Motels 1979. The Motels - Anticipating. The Motels - Kix. The Motels - Total Control. The Motels - Love Don't Help. The Motels - Closets And Bullets. The Motels - Atomic Cafe. The Motels - Celia. The Motels - Porn Reggae. The Motels - Dressing Up. Play jigsaw puzzles for free Home. The Motels, 2009. Total Control, 05:54. Love Don't Help, 01:58. Closets & Bullets, 04:24. Atomic Cafe, 02:48. Celia, 03:06. Porn Reggae, 04:17. Dressing Up, 05:04. All Four One. The Motels' third album All 4 One finds the group working the fine line between mainstream arena-rock and quirky new wave pop. Their roots lie in the sleek, polished Californian hard rock that dominated late-'70s and early-'80s album-oriented radio, but All Four One has a shiny new wave production, complete with keyboards and processed guitars. Still, it plays like arena rock, especially since Martha Davis oversings each track, but its best moments -- "Take the L" (out of lover and it's over) and the single "Only the Lonely" -- are embarrassingly catchy guilty pleasures that make the album an entertaining nostalgia piece. [One Way's CD reissue is even more attractive, since it adds the group's two other big singles, "Suddenly Last Summer" and "Shame," as bonus tracks.] The motels all four one album download remastered. Much of this album was recorded for an unreleased record. I had no idea that was the in case until doing some research. Read the wikipedia entry. "After the mild success of their second album Careful, The Motels went back into the studio in early 1981 to record album three with the then up and coming producer Val Garay. The band at this time consisted of Martha Davis on vocals and guitar, Tim McGovern on lead guitar, Marty Jourard on keyboards, Michael Goodroe on bass and Brian Glascock on drums. Wanting to stretch the limits as to what they could do artistically and musically, the band recorded some of its most dark and heavy music to date. Despite having Garay as producer for the album, the songs were basically arranged and handled by McGovern. The results were mixed. While some arrangements on the tracks were outstanding rock numbers ("Mission of Mercy," "Schneekin'" and "So L.A."), some were a little too experimental and not as well produced ("Sweet Destiny" and the first version of "Only the Lonely"). Neither the band nor Garay ever submitted any of the recordings to Capitol Records while the recording process was going on. When the band submitted the final tapes to Capitol, the label rejected it stating that it was "not commercial," essentially meaning it was a dead record. The band had begun getting local gigs in the L.A. area to try out their new material, but by the end of 1981, McGovern officially left the band for personal and private reasons, leaving The Motels without a lead guitarist. Unwilling to give up, the remaining members forged on back into the studio with Val Garay at the controls. This time Garay had more liberty to mold the band's sound to a more commercial venue. Studio musicians were added to fill the lead guitar void for several of the tracks, as well as to flesh out the sound of the recordings. Adrian Peritore (who went by the name Guy Perry because his former producer had misspelled his name on an album cover) was hired in late January and played lead guitar to some of the tracks, including "He Hit Me." The album was retitled All Four One because the band had recorded four albums but one would not be released, and also because the four remaining members had stayed together to complete the album ("all for one and one for all!"). it was released in April 1982 on Capitol Records. The result was the biggest selling album for The Motels. The album spurred both American and International hits. The album was certified gold in several countries including the United States and Canada by the end of 1982. The hits from the album included "Mission of Mercy," "Only the Lonely," "Take the L," "Forever Mine," "So L.A.," and "Art Fails." I usually don't just rip off stuff from Wikipedia, but I thought this story was interesting enough that I figured it was worth the copy and paste job. So enough about what some Wikipedia writer says about the record, let's get on to what I think about the record. Let me just start by saying that I think Martha Davis has one of the great voices in pop music, especially in the 80's. "Mission Of Mercy" starts the record off with some upbeat new wave synth and guitar driven pop. As a song, it is okay, but certainly not great. It does introduce you to Martha's voice in a way that some may not be used to because this is a rock and roll song and not a slow ballad like "Only The Lonely" or "Suddenly Last Summer". "Take The L" is going to sound like more familiar territory as the band slows down a little. The passionate singing that drove The Motels to the top is also present here. The song is a nice transition from the opening rocker and "Only The Lonely" because it still kind of rock. It is a sort of hybrid of the two styles and works nicely into "Only The Lonely". "Only The Lonley" is a pitch perfect song from those opening keyboard notes and Martha's sultry vocals to the end fade out on the saxophone. I love the opening lyrics and over the simple notes. I love the way Davis sings and pronounces "No intention". For some reason that bit has stuck with me sense I first heard the song as a kid. Then when the drum kicks in and she sings "We lied" I get warm fuzzies all over. Part of that is nostalgia, but I'm pretty sure I felt that when I heard this song back in 1982. The the bridge, let's not forget that great saxophone solo. I've mentioned it before here on the blog, but the 80's had some great saxophone music. This being one of the prime examples. "At Fails" starts out with a slight Asian theme going on. Maybe I'm just hearing things, but I get a Kyoto song vibe from it. Think "Hong Kong Garden" from Siouxsie, but a little more new wave and Californian. I like this track. Track 5 "Change My Mind" is a torch song in every sense of the word. I picture Martha Davis on a lonely stage in a small club, spotlit illuminating her face and ruby red lipstick accenting the image. If you saw Dark City with Jennifery Connelly playing a club singer, that is what comes to mind. I think you might consider this the real hidden gem of the record if you only know their radio hits. Side 2 starts off with a favorite new wave topic, Los Angeles. Brings to mind songs like "Walking in LA" by Missing Persons. Overall I can't say the song is great, but I do actually really like the way the chorus unfolds. The rest of the song is kind of forgettable. "Tragic Surf" has a whole surf thing going for it. Another great product of the West Coast. The song is very dramatic in the vein of the great car accident tragedy songs of the 50's and 60's. The band continues their exploration of different styles on "Apocalypso". Here's they mix calypso with an ominous heavy rock sound. The Sax on this is more haunting on this track. There is a sense of impending doom, which makes for an interesting combination. The song is big, ballsy and full. While track five may be my pick for a hidden gem, this track gives it a good run for it's money. "He Hit Me (And It Felt Like A Kiss)" is a darkly disturbing song that is catchy and unforgettable. Once you hear it I don't think you'll be able to put it out of your mind, because the lyrics about this weird abusive relationship are very unsettling. In a weird way it is sort of a twisted cousin to "Hit Me With Your Best Shot" by Pat Benatar. "Forever Mine" starts off reminding me of "A Town Called Malice" with it's bouncy rythms. I don't want to oversell the song getting you excited that it as good as "Malice" because it certainly is not. It just has an upbeat feel, which ends the record on a high note. I'm sure the logic in the track sequencing had something to do with not wanting to end on the super dark note of "He Hit Me (And It Felt Like A Kiss)" So there you have it, a rather full run down of the entire record. Haven't done that in a while. Now get to listening and see what you think. Classic Masters. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 13.99€ The Motels' volume of Capitol's Classic Masters series does an excellent job of summarizing the group's hit-making peak in the early '80s. Not only are their big hits "Only the Lonely," "Shame," and "Suddenly Last Summer" here, so are MTV favorites like "Take the L" and select album tracks, plus a nice representation of their nervy, early days as an underground L.A. new wave band. In addition to this, leader Martha Davis contributes the track-by-track liner notes and the sound is first-rate, making this arguably the best Motels hits package assembled to date. © Stephen Thomas Erlewine /TiVo. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then €19.99 / month. Val Garay, Producer, Engineer, StudioPersonnel - Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2001 Capitol Records, LLC. Martha Emily Davis, Composer - Carter, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Val Garay, Producer - Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Richie Zito, Producer - Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Jeff Jourard, Composer - Martha Emily Davis, Composer - Carter, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Val Garay, Producer - Martha Emily Davis, ComposerLyricist - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Martha Emily Davis, Composer - Carter, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - Clarence Georger Carter, Producer - The Motels, MainArtist - Tim McGovern, Composer. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Val Garay, Producer - John Carter, Composer - Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist - Marty R Jourard, Composer. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Robert Vosgien, Mastering Engineer, StudioPersonnel - Martha Davis, Composer - Clarence Georger Carter, Mastering Engineer, StudioPersonnel - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Val Garay, Producer - Martha Emily Davis, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - The Motels, MainArtist - Scott Troy Thurston, Composer. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Val Garay, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - Martha Davis, Composer - The Motels, MainArtist. (C) 2002 Capitol Records, LLC ℗ 2002 Capitol Records, LLC. Album Description. The Motels' volume of Capitol's Classic Masters series does an excellent job of summarizing the group's hit-making peak in the early '80s. Not only are their big hits "Only the Lonely," "Shame," and "Suddenly Last Summer" here, so are MTV favorites like "Take the L" and select album tracks, plus a nice representation of their nervy, early days as an underground L.A. new wave band. In addition to this, leader Martha Davis contributes the track-by-track liner notes and the sound is first-rate, making this arguably the best Motels hits package assembled to date. © Stephen Thomas Erlewine /TiVo. About the album. 1 disc(s) - 12 track(s) Total length: 00:45:34. © 2002 Capitol Records, LLC This Compilation ℗ 2002 Capitol Records, LLC. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Chopin : Piano Concertos. Chopin - Brahms - Schumann. Suddenly Last Summer. Random Access Memories (Hi-Res Version) Chemtrails Over The Country Club. Pick Me Up Off The Floor. Fifty years after its release on March 24th, 1971, and thirty years after its creator's death, we look back at the conception and progression of one of Serge Gainsbourg's greatest albums, "Histoire de Melody Nelson", a conceptual story set to music alongside his accomplice Jean-Claude Vannier. The Alice Cooper story is, first and foremost, an extraordinary tale of “split personality”. Like something straight out of “The Strange Case of Dr Jekyll and Mr Hyde”, singer Vincent Furnier surrendered to the domination of showman Alice Cooper. But by his own admission, the man who always speaks of “Alice” in the third person in interviews remains a simple, completely normal guy in private, far from the stage where he enacts his excesses and provocations. Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial… David Bowie, star and genius, never stopped reinventing himself throughout his fascinating, shape-shifting musical career. A unique case in the history of rock. Essential Collection. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £11.49. Capitol's 2005 Essential Collection compilation replaces their 2002 Classic Masters as the Motels greatest-hits album that's available in the marketplace in the 2000s. Essential Collection has 15 tracks compared to 12 on Classic Masters. All but three of the songs on the 2002 disc are on this 2005 comp, yet the new disc still misses their first and last charting singles -- 1982's "Forever Mine" and 1985's "Shock" -- as well as the 1983 radio hit "Little Robbers." None of these three songs was on Classic Masters either, so there really isn't much difference between the two discs, aside from Martha Davis' solid track-by-track annotation here. So, it's a good Motels compilation, covering all the major hits, but the original 1990 hits comp No Vacancy: The Best of the Motels remains the best, simply because it covered more ground and had more hits. Alas, that's now out of print, but truth be told, it's not really worth hunting down since Essential Collection or Classic Masters will give most listeners the Motels songs they want. © Stephen Thomas Erlewine /TiVo.