Tori Sparks Additional Press Quotes
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Pet Shop Boys Introspective (Introspectivo) Mp3, Flac, Wma
Pet Shop Boys Introspective (Introspectivo) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Introspective (Introspectivo) Country: Ecuador Released: 1988 Style: Synth-pop MP3 version RAR size: 1773 mb FLAC version RAR size: 1773 mb WMA version RAR size: 1819 mb Rating: 4.9 Votes: 443 Other Formats: MP3 MMF ASF ADX AHX AC3 VQF Tracklist Hide Credits Hago Lo Que Se Me Antoja (Left To My Own Devices) A1 Producer – Stephen Lipson, Trevor HornVocals – Sally Bradshaw Quiero Un Perro (I Want A Dog) A2 Mixed By – Frankie Knuckles La Danza Del Dominó (Domino Dancing) A3 Mixed By – Lewis A. Martineé, Mike Couzzi, Rique AlonsoProducer – Lewis A. Martineé No Tengo Miedo (I'm Not Scared) B1 Producer – David Jacob (Siempre En Mi Mente / En Mi Casa) (Always On My Mind / In My House) B2 Producer – Julian MendelsohnWritten-By – Christopher*, James*, Thompson* Está Bien (It's Alright) B3 Producer – Stephen Lipson, Trevor HornWritten-By – Sterling Void Companies, etc. Manufactured By – Ifesa Distributed By – Fonorama Other versions Category Artist Title (Format) Label Category Country Year PCS 7325, 79 Pet Shop Introspective (LP, Parlophone, PCS 7325, 79 UK 1988 0868 1 Boys Album) Parlophone 0868 1 Pet Shop Introspectivo (Cass, 66312 EMI 66312 Argentina 1988 Boys Album, RE) Pet Shop Introspectivo (Cass, 20059 EMI 20059 Argentina 1988 Boys Album) 080 79 0868 Parlophone, 080 79 0868 Pet Shop Introspective (LP, 1, 080 7 EMI, 1, 080 7 Spain Unknown Boys Album) 90868 1 Parlophone, EMI 90868 1 Introspective (CD, Pet Shop Not On Label 13421 Album, -
Flowers for Algernon.Pdf
SHORT STORY FFlowerslowers fforor AAlgernonlgernon by Daniel Keyes When is knowledge power? When is ignorance bliss? QuickWrite Why might a person hesitate to tell a friend something upsetting? Write down your thoughts. 52 Unit 1 • Collection 1 SKILLS FOCUS Literary Skills Understand subplots and Reader/Writer parallel episodes. Reading Skills Track story events. Notebook Use your RWN to complete the activities for this selection. Vocabulary Subplots and Parallel Episodes A long short story, like the misled (mihs LEHD) v.: fooled; led to believe one that follows, sometimes has a complex plot, a plot that con- something wrong. Joe and Frank misled sists of intertwined stories. A complex plot may include Charlie into believing they were his friends. • subplots—less important plots that are part of the larger story regression (rih GREHSH uhn) n.: return to an earlier or less advanced condition. • parallel episodes—deliberately repeated plot events After its regression, the mouse could no As you read “Flowers for Algernon,” watch for new settings, charac- longer fi nd its way through a maze. ters, or confl icts that are introduced into the story. These may sig- obscure (uhb SKYOOR) v.: hide. He wanted nal that a subplot is beginning. To identify parallel episodes, take to obscure the fact that he was losing his note of similar situations or events that occur in the story. intelligence. Literary Perspectives Apply the literary perspective described deterioration (dih tihr ee uh RAY shuhn) on page 55 as you read this story. n. used as an adj: worsening; declining. Charlie could predict mental deterioration syndromes by using his formula. -
25 Actual Hits from the 80S That Mr. Moderator Liked
25 Actual Hits From The 80s That Mr. Moderator Liked Even During Those Days When He Was "Too Cool for School": Song Artist Suggested by: 1.) Don't You Want Me Human League Mr. Moderator 2.) True Spandau Ballet Mr. Moderator 3.) Missing You John Waite Mr. Moderator 4.) Like a Virgin Madonna Mr. Moderator 5.) Temptation New Order Mr. Moderator 6.) What You Need INXS Mr. Moderator 7.) Tainted Love Soft Cell funoka 8.) I Melt with You Modern English Mr. Moderator 9.) Faith George Michael Mr. Moderator 10.) She Drives Me Crazy Fine Young Cannibals Mr. Moderator 11.) Always Something There to... Naked Eyes Ohmstead 12.) Age of Consent New Order Slim Jade 13.) Rhythm is Gonna Get You Gloria Estefan Slim Jade 14.) (You Gotta) Fight for Your Right... Beastie Boys Mr. Moderator 15.) So Alive Love and Rockets andyr 16.) Looking for a New Love Jodi Watley jeangray 17.) Pass the Dutchie Musical Youth alexmagic 18.) Antmusic Adam and the Ants alexmagic 19.) Goody Two Shoes Adam Ant alexmagic 20.) Love Plus One Haircut 100 andyr 21.) Paper in Fire John Cougar Melloncamp Mr. Moderator 22.) (Keep Feeling) Fascination Human League alexmagic 23.) Material Girl Madonna Mr. Moderator 24.) Sweet Dreams (Are Made of This) Eurythmics alexmagic 25.) Church of the Poison Mind Culture Club Mr. Moderator Rock Town Hall 80s Master Playlist Song Artist Suggested by: 1.) A Message to You Rudy The Specials ladymisskirroyale 2.) A New England Kristy MacColl Suburban kid 3.) AEIOU Sometimes Y Ebn-Ozn jeangray 4.) Addicted to Love Robert Palmer ladymisskirroyale 5.) Ah! Leah! Donnie Iris Sgt. -
A Meditation on Boredom
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Running head: A MEDITATION ON BOREDOM A meditation on boredom: Re-appraising its value through introspective phenomenology Dr. Tim Lomas, University of East London, School of Psychology, [email protected] Note: This article may not exactly replicate the final version published in Psychology, Public Policy, and Law. It is not the copy of record. 2 Running head: A MEDITATION ON BOREDOM Abstract Boredom is almost universally regarded as a dysphoric mental state, characterised by features such as disengagement and low arousal. However, in certain quarters (e.g., Zen Buddhism), boredom is seen as potentially having great value and even importance. The current study sought to explore boredom through a case study involving introspective phenomenology. The author created conditions in which he would experience boredom for an hour, and recorded his experience in real-time using a variant of the Experiencing Sampling Method. The data were analysed using an adaptation of Interpretative Phenomenological Analysis. The results indicated that the state of boredom contained three main sources of value: (a) altered perception of time; (b) awakened curiosity about the environment; and (c) exploration of self. Consequently, the paper offers a re-appraisal of boredom, suggesting that rather than necessarily being a negative state, if engaged with, boredom has the potential to be a positive and rewarding experience. Keywords: boredom; meditation; phenomenology; introspection; wellbeing. 3 Running head: A MEDITATION ON BOREDOM The problem of boredom Boredom is almost universally regarded as a negative mental state. -
QUALM; *Quoion Answeringsystems
DOCUMENT RESUME'. ED 150 955 IR 005 492 AUTHOR Lehnert, Wendy TITLE The Process'of Question Answering. Research Report No. 88. ..t. SPONS AGENCY Advanced Research Projects Agency (DOD), Washington, D.C. _ PUB DATE May 77 CONTRACT ,N00014-75-C-1111 . ° NOTE, 293p.;- Ph.D. Dissertation, Yale University 'ERRS' PRICE NF -$0.83 1C- $15.39 Plus Post'age. DESCRIPTORS .*Computer Programs; Computers; *'conceptual Schemes; *Information Processing; *Language Classification; *Models; Prpgrai Descriptions IDENTIFIERS *QUALM; *QuOion AnsweringSystems . \ ABSTRACT / The cOmputationAl model of question answering proposed by a.lamputer program,,QUALM, is a theory of conceptual information processing based 'bon models of, human memory organization. It has been developed from the perspective of' natural language processing in conjunction with story understanding systems. The p,ocesses in QUALM are divided into four phases:(1) conceptual categorization; (2) inferential analysis;(3) content specification; and (4) 'retrieval heuristict. QUALM providea concrete criterion for judging the strengths and weaknesses'of store representations.As a theoretical model, QUALM is intended to describ general question answerinlg, where question antiering is viewed as aerbal communicb.tion. device betieen people.(Author/KP) A. 1 *********************************************************************** Reproductions supplied'by EDRS are the best that can be made' * from. the original document. ********f******************************************,******************* 1, This work-was -
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans. -
Eric Singer: Road Warrior
EXCLUSIVE! KISS DRUMMERS TIMELINE KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSTHE WORLD’SKISS KISS #1 DRUMKISS RESOURCEKISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS ERICKISS KISS KISSSINGER: KISS KISS KISS ROADKISS KISS KISS WARRIOR KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS2020 KISS KISSMD KISS READERS KISS KISS KISS KISSPOLL KISS KISS KISS KISS KISSSS KISSKIS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSSS KISSKIS KISS KISS KISSBALLOT’S KISS KISS KISS KISSOPEN! KISS KISS KISS KISS KISS KISS KISSSS KISS KIS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSREMO KISS SUBKISS MUFF’LKISS KISS REVIEWED KISS KISS KISS KISS KISS KISS KISS KISSJANUARY KISS 2020 KISS KISS2019 KISS CHICAGO KISS KISS DRUM KISS KISS SHOW KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSCREATIVE KISS KISS PRACTICE KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSSTANTON KISS KISS MOORE KISS KISS GEARS KISS UPKISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS What’s Old is New Again. -
Clarifying Translanguaging and Deconstructing Named Languages: a Perspective from Linguistics
Applied Linguistics Review 2015; 6(3): 281–307 Ricardo Otheguy*, Ofelia García and Wallis Reid Clarifying translanguaging and deconstructing named languages: A perspective from linguistics DOI 10.1515/applirev-2015-0014 Abstract: The concept of translanguaging is clarified, establishing it as a particular conception of the mental grammars and linguistic practices of bilinguals. Translanguaging is different from code switching. Under translanguaging, the mental grammars of bilinguals are structured but unitary collections of features, and the practices of bilinguals are acts of feature selection, not of grammar switch. A proper understanding of translanguaging requires a return to the well known but often forgotten idea that named languages are social, not linguistic, objects. Whereas the idiolect of a particular individual is a linguistic object defined in terms of lexical and structural features, the named language of a nation or social group is not; its boundaries and membership cannot be established on the basis of lexical and structural features. The two named languages of the bilingual exist only in the outsider’s view. From the insider’s perspective of the speaker, there is only his or her full idiolect or repertoire, which belongs only to the speaker, not to any named language. Translanguaging is the deployment of a speaker’sfull linguistic repertoire without regard for watchful adherence to the socially and politically defined boundaries of named (and usually national and state) languages. In schools, the translanguaging of bilinguals tends to be severely restricted. In addition, schools confuse the assessment of general linguistic proficiency, which is best manifested in bilinguals while translanguaging, with the testing of profi- ciency in a named language, which insists on inhibiting translanguaging. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
American Boxer Club, Inc. May 10 – 11, 1999
American Boxer Club, Inc. May 10 – 11, 1999 BOXERS JUDGE: Dr. William Truesdale BOXERS. Futurity, 6 & Under 9 Months, Brindle Dogs. 6 SPRINGBROOKS CASTING SHADOWS. WP 87552403. 09-09-98 By Ch Sirrocco's Night's Candles - Shoney's Pooch For Moose. Owner: Mary Dohm, Channahon, IL 60410. Breeder: Mary Dohm. (Diane Mallett, Agent). 4 7 KEIL'S FIRE STORM. WP 86877803. 08-21-98 By Ch Keil's Wildfire - Ch Keil's China Doll. Owner: Kriste Kaemmlein, Sanddle River, NJ 07458. Breeder: John Keil & Michele Keil. 8 CACHET'S PREFERRED STOCK. WP 88072205. 09-04-98 By Jaeger House's Worth A Gamble - Cachet's Jasmine. Owner: Leonard Magowitz, Troy, NY 12180. Breeder: C L Bradt & D Bradt & L Magowitz & S Magowitz. (Lou-Ann Tibbitts-Ridings, Agent). 9 RIONS POWER PLAY. WP 88169702. 11-02-98 By Ch Barbary Lane Dare Be Bold - Ch Rions Leather N Lace Of Turo. Owner: Richie Wiggers & T Donald Teague, Columbia, SC 292032539. Breeder: Richie Wiggers & T Donald Teague. 10 RAKLYNS SMOKY TOPAZ. WP 87419204. 08-25-98 By Ch Raklyns Rainmaker - Raklyns Keepsake. Owner: Debbie Struff, Bolton, CT 06043. Breeder: Debbie Struff & Donna Merolla. 11 SYRR RUN'S PAYDAY FOR CHATO. WP 87038301. 08-14-98 By Ch Syrr Run's Line Of Credit - Ch Syrr Run's Fortune Cookee. Owner: Ramiro Chavez, Lawrenceville, GA 30044. Breeder: Beckie Horne & Kay Horne. (Susan A Lichtenberger, Agent). 14 DOO DAH'S CUT ABOVE. WP 88355402. 10-14-98 By Ch Karjean's Austin At Heart Acres - Doo Dah's Raisin Kayne. Owner: Sheryll & Jim Frederick, Montezuma, IA 501710267. -
Download Catalogue
ARTWORK * AUTOGRAPHS & DOCUMENTS ELIZABETH’S AUCTIONS Sale 151 Ephemera and Books Monday, March 19, 2018 at 6:00PM The Auburn Elks 754 Southbridge St., Auburn, Mass. Preview: 3:00PM to 6:00PM LOT DESCRIPTION PRINTS * HISTORICAL ARCHIVES * SHEET MUSIC * BILLHEADS & LETTERHEADS * TRADE HISTORY* THE SALE WILL BEGIN WITH PICK LOTS OF BOOKS AND OTHER MILITARY * CIVIL WAR * PAMPHLETS * POSTERS * UNCATALOGUED INTERESTING MATERIAL . ADVERTISING * POSTAL HISTORY * PHOTOGRAPHS TRAVEL * MANY LARGE LOTS OF POSTCARDS 001 [Abraham Lincoln (3)] Three prints: “Abraham Lincoln,” ___________________________________________________________ Published by William Smith, Philadelphia. Large folio lithograph, 22”x28.” ca 1861. * “Death of President Lincoln. At Washington D.C., 010 American postcards (450-500). New England city and town April 15, 1865.” Currier and Ives, NY, 1865. Medium folio, 16”x12”. views, holidays, topicals including ships, expositions, realphoto, etc. Mild damp stains. * Novelty portrait of Lincoln, by N. Chasin. 16”x18”. Early to linen periods. Fine. (est. $100-150) Figural details composed of words from speeches. Cropped.* Must be seen. (est. $100-150) 011 American postcards (300-325). New England local views, including Massachusetts, New Hampshire, and Connecticut; holiday and 002 [Abraham Lincoln] “The Nation in Tears, In Memoriam.” topical cards. Early and white-border periods. VG overall. Music by Konrad Treuer, Words by R.C. ca 1865 by W. Jennings (est. $100-150) Demorest. 9.5”x11.5” folio sheet with large wood-cut portrait of Lincoln. Archival tape repairs. Must be seen. (est. $125-175) 012 American postcards (425-450). US local views, holidays, exposition and transportation topicals. Early to chrome periods. Fine. 003 Action Comics, illustration art. -
The Strutter
The Strutter VOLUME 30 NUMBER 4 Traditional Jazz in the Philadelphia Tri-State Area OCTOBER 2019 Porter’ and ‘what kind of music IS this?’ We combine OUR NEXT CONCERT vintage pop, western swing, traditional jazz and even tango in the programs we put together. If you're Buck and a Quarter Quartet curious about our name,” continues Bianchi, “we Sunday, October 13, 2019 started out as a trio (The Three-Quarter Quartet) and 2:00 to 4:30 pm quickly added two additional musicians.” Community Arts Center, Wallingford, PA John Bianchi – Vocals, Clarinet, Saxes, Ukulele, Song- writer, Leader John Landry – Violin, Vocals, Songwriter Angus Loten – Tenor Banjo, Guitar, Percussion, Bird Whistle Ben Mealer – Ukulele, Percussion, Vocals Brian Nalepka – Bass, Tuba, Vocals Michaela Gomez – Guitar Visit the Buck and a Quarter ($1.25) website Watch the band perform ”The Very Thought of You” Some welcome silliness – ”Frankfurter Sandwiches” Member admission is $10, general admission is $20. Introductory offer - start a new, first-time TSJS annual Photo by Saskia Kahn membership ($20) at the door and receive free admission to this concert (this offer is not applicable to The Buck and a Quarter Quartet is the Brooklyn and renewing or reactivating membership.) Full-time Manhattan-based string band that appears several students with ID and children accompanied by a paying times every month at leading clubs and venues throughout New York City and the surrounding area. adult are free. There are no advance sales or Since the band’s founding in 2014, gigs have included reservations. Dancing is welcome at all performances.