Lancaster County Super Fair TEXTILE DEPARTMENT
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Temple University Vendor List
Temple University Vendor List 19Nine LLC Contact: Aaron Loomer 224-217-7073 5868 N Washington Indianapolis, IN 46220 [email protected] www.19nine.com Number Type Status Contracts: 1112269 Standard Effective Products: Otherwear - Shorts Stationary, Greeting Cards & N - Stickers T-Shirts - T-Shirts 3Click Inc Contact: Joseph Domosh 833-325-4253 PO Box 2315 Bala Cynwyd, PA 19004 [email protected] www.3clickpromotions.com Number Type Status Contracts: 1114550 Internal Usage Effective Products: Housewares - Water Bottles Miscellaneous - Koozie Miscellaneous - Cell Phone Accessory Item Miscellaneous - Sunglasses School Supplies - Pen Short sleeve - t-shirt short sleeve Stationary, Greeting Cards & N - Notepad 47 Brand LLC Contact: Kevin Meisinger 781-320-1384 15 Southwest Park Westwood, MA 02090 [email protected] www.twinsenterprise.com Number Type Status Contracts: 1013854 Standard Effective 1013856 Co-branded/Operation Hat Trick Effective 1013855 Vintage Marks Effective Products: Accessories - Gloves Accessories - Scarf Fashion Apparel - Sweater Fashion Apparel - Rugby Shirt Fleece - Sweatshirt Fleece - Sweatpants Headwear - Visor Headwear - Knit Caps 01/21/2020 Page 1 of 79 Headwear - Baseball Cap Mens/Unisex Socks - Socks Otherwear - Shorts Replica Football - Football Jersey Replica Hockey - Hockey Jersey T-Shirts - T-Shirts Womens Apparel - Womens Sweatpants Womens Apparel - Capris Womens Apparel - Womens Sweatshirt Womens Apparel - Dress Womens Apparel - Sweater 4imprint Inc. Contact: Karla Kohlmann 866-624-3694 101 Commerce -
Clothing Construction Registration Form
Due June 15 Due June 15 CLOTHING CONSTRUCTION REGISTRATION FORM Name___________________________ Birthdate________________ Telephone Number (___)_____________ County___________________________ Club ____________________________________________________ ---Enter all items you will bring to be judged by marking the appropriate box(es) on this sheet. Enter each class only one time.--- General Clothing STEAM Clothing 2 - Simply Sewing ❑ Clothing Portfolio ❑ Design Basics, Understand Design Principles ❑ Textile Science Scrapbook ❑ Pressing Matters ❑ Sewing for Profit ❑ Upcycled Garment ❑ Upcycled Clothing Accessory Beyond the Needle ❑ Textile Clothing Accessory ❑ Beginning Embellished Garment ❑ Top (vest acceptable) Beginning Textile Clothing Accessory Bottom (pants or shorts) ❑ ❑ ❑ Upcycled Garment ❑ Skirt ❑ Design Portfolio ❑ Lined or Unlined Jacket (non-tailored) ❑ Color Wheel ❑ Dress (not formal wear) ❑ Embellished Garment with Original Design ❑ Romper or Jumpsuit ❑ Original Designed Fabric Yardage ❑ Two-Piece Outfit ❑ Item Made from Original Designed Fabric ❑ Alter Your Pattern ❑ Textile Arts Garment or Accessory ❑ Garment Made from Sustainable or Unconventional Fibers ❑ Beginning Fashion Accessory Other Garment or Accessory ❑ Advanced Fashion Accessory ❑ Wearable Technology Garment ❑ STEAM Clothing 3 - A Stitch Further ❑ Wearable Technology Accessory ❑ Upcycled Garment STEAM Clothing 1 - Fundamentals ❑ Upcycled Clothing Accessory Textile Clothing Accessory ❑ Clothing Portfolio ❑ Sewing Kit ❑ Dress or Formal ❑ Skirted Combination ❑ Fabric -
Fashion Collection, 1900 - Bulk Dates: 1940-1960
Fashion Collection, 1900 - bulk dates: 1940-1960 Special Collections Department/Long Island Studies Institute Contact Information: Special Collections Department Axinn Library, Room 032 123 Hofstra University Hempstead, NY 11549 Phone: (516) 463-6411, or 463-6404 Fax: (516) 463-6442 E-mail: [email protected] http://www.hofstra.edu/Libraries/SpecialCollections Compiled by: [J. Boucher] Last updated by: Date Completed: [2003] [M. O’Connor] [Aug. 24, 2006] Fashion Collection, 1900 - (bulk dates, 1940-1960) 11 c.f. The Fashion Collection was established by a donation from Eunice Siegelheim and her sister Bernice Wolfson. The core of the collection is 16 hats from the 1930s through the 1950s. The sisters, Eunice and Bernice wore these hats to social events on Long Island. Many were made and purchased in Brooklyn and other parts of New York. The Fashion Collection captures the spirit of various eras with artifacts and illustrations showing how people dressed for various social events. Many of the items in the Fashion Collection correspond to items in other collections, such as photographs from the Image Collection as well as the Long Island History of Sports Collection. Photographs of street scenes in the Image Collection show women of different eras on the sidewalk promenades of Long Island Towns. The Long Island History of Sports Collection includes photographs and programs from Belmont Park’s circa 1910. In addition to the hats, the collection contains other clothing artifacts such as men’s ties, hatboxes, dresses and shoes, from Ms. Siegelheim as well as other donors. The collection also supports fashion research with a run of American Fabrics Magazine, a trade publication that served the garment industry in the 1940s and 1950s. -
OPEN CLASS Fruits – Vegetables – Crops Department Superintendent – Susan Gilland
OPEN CLASS Fruits – Vegetables – Crops Department Superintendent – Susan Gilland General Rules 1. All exhibits in the Fruits, Vegetables, and Crops Department are to be entered from 7:00 a.m. until noon on Friday, July 27, 2018. 2. All grain and legume samples, except corn and soybeans, should be grown in 2018. 3. Vegetables should be brushed, wiped clean, or washed gently. 4. Where class designates plate, use an 8-10 inch paper plate or foam plate. 5. All premiums will be pro-rated on a point system and will be paid on a blue, red, and white grouping. 6. All exhibitors will be limited to one entry in each class. 7. Exhibitors are limited to residents of Monroe County and parents/guardians of active 4- H/FFA members in Monroe County. 8. Entry tags should be picked up from the Monroe County Extension Office, 219 B Avenue West, (641-932-5612) before the date of the fair. They should be filled out and attached to the exhibit before entering. 9. No responsibility will be taken for loss or damage to exhibits. 10. There will be one over all Best of Show ribbon for the entire department. 11. Entries cannot be exhibited in the “other than named” class if there is a specified class for the item. 12. Exhibitors are welcome to pick up exhibits on Sunday but must be picked up by 9:30 a.m. Monday. 13. All Fruit, Vegetable, and Crop entries will be judged according to the criteria: quality, maturity at the time of the fair, and crop season. -
Home Arts - Needlework Place / Rank Name City/State Club/Farm Name
Publicity Report - Premium Placing Western Idaho Fair Standard Page 1 August 20-29, 2021 Department - 17 Home Arts - Needlework Place / Rank Name City/State Club/Farm Name Department 17 - Home Arts - Needlework Division 1 - Fair Theme Class 1 - Fair Theme 1st Judy Lamb Boise, ID 1st Dawn Rash Boise, ID 3rd Irma Atkinson Meridian, ID Division 2 - Crochet Class 4 - Thread-Doily, under 10" 1st Andrea Baer Nampa, ID 1st Kristen Hodges Boise, ID 2nd Sandra Raeder Boise, ID 3rd Sandy E Miller Eagle, ID Firebird Class 5 - Thread-Doily, 10" - 17" 1st Kristen Hodges Boise, ID 2nd Andrea Baer Nampa, ID 3rd Sandra Raeder Boise, ID 3rd Sandy E Miller Eagle, ID Firebird Class 6 - Thread-Doily, over 17" 2nd Kristen Hodges Boise, ID 3rd Andrea Baer Nampa, ID Class 7 - Household acc.-poth./dishcloth 1st Linda Marie Hilton Boise, ID Class 8 - Household acc-place/t.runnr/dr 1st Andrea Baer Nampa, ID 2nd Judy Lamb Boise, ID 2nd Sandra Raeder Boise, ID 3rd Sandy E Miller Eagle, ID Firebird Class 9 - Household acc-not listed 1st Sandy E Miller Eagle, ID Firebird Class 10 - Thread-Tablecloth 3rd Andrea Baer Nampa, ID Class 11 - Thread-Animal, Doll or Toy 2nd Judy Lamb Boise, ID 2nd Sandy E Miller Eagle, ID Firebird 3rd Sandra Raeder Boise, ID Class 12 - Thr.Any item with crochet trim 1st Megan Kasper Melba, ID Class 14 - Thread-Booties 2nd Sandra Raeder Boise, ID Class 15 - Thread-Fashion Accesory (cont.) Printed At 8/31/2021 2:10:13 PM Publicity Report - Premium Placing Western Idaho Fair Standard Page 2 August 20-29, 2021 Department - 17 Home Arts - Needlework -
Dress Code Policy
Robison Middle School Dress Code Policy Robison Middle School encourage its students to “dress for respect.” Personal appearance should not disrupt or detract from the educational environment of the school. The school administration has the right to designate which types of dress or appearance are not acceptable. The Robison Middle School and Clark County School District (Regulation 5131) Dress Code Policy is: Pants/Skirts/Dresses/Shorts All shorts, skirts, and dresses must be a minimum length of three inches above the top of the kneecap. Remember: Clothing (short skirts and some dresses) slip up when walking. Pants/shorts may not sag nor may any pants be worn which allow underwear to show. Pants/shorts must be worn at the hip and be no more than one size larger than what the student would normally wear. Students should wear a belt to assist with this issue. Pants/shorts may not be torn or ripped three inches above the kneecap. Patches that cover such tears, or leggings worn underneath such tears, are allowed. Pajamas/lounge pants are not permitted. Leggings may be worn if they are a dark color or have an appropriate print. White leggings will not be permitted unless a top is worn over that goes to three inches above the kneecap. Shirts All clothing must be sufficient to conceal all undergarments. No skin will show between the bottom of a shirt/blouse and the top of pants or skirts at any time. Prohibited tops include, but are not limited to, tank tops that have straps that are less than three inches in width, razorback tops, crop tops, strapless tops, low-cut clothing, clothing with slits, or new design tops and outfits that provide minimum coverage. -
Les Coiffures
Semaine 14 – ORTHOGRAPHE ET VOCABULAIRE Les coiffures 1. Trouvez les 30 fautes d’orthographe cachées dans ce teste extrait de la revue Animagine : Louis XIII perdit ses cheveux à trente ans et inaugura le porc port de la perruque. L’usage de ces postiches faits de faux cheveux était fréquent pour les vieillards des classes privilégiées, par contre un jeune noble aurait eu honte de porter cet attribut. Mais ce que le Roi fait devient coutume et la nouvelle coife coiffe royale faite de cheveux artificiels fut adoptée par la Cour. Louis XIV possédait une perruque différente pour chaque occupation de la journée, cette mode perdurat perdura sous Louis XV. Pendant le règne de Louis XVI, toute la bonne société portait perruque et les perruquiers pouvaient vivre heureux. A cette époque, on comptait environ douze cents perruquiers qui tenaient leur privilège(s) de Saint Louis et employaient six mille personnes. La poudre à perruque était un amidon vendu à prix d’or. Les parfumeurs assuraient détenir un extraordinaire secret de fabrication, alors qu’il ne s’agissait que d’un amidon réduis réduit en poudre et passer passé au travers d’un tamis de soie très serrée. Les boutiques de perruques n’étaient pas réputées pour leur hygiène… C’est la révolution de 1789 qui sonna le glas des perruques, le symbole d’une noblesse vieillissante. Alors, l’expression « tête a à perruque » désignait les vieillards obstinés et nostalgiques qui conservaient l’habitude des faux cheveux, et plus généralement toute personne démodée et vieillotte. Il fallut attendre la fin du XIXème siècle pour voir ressurgir resurgir une profession qui avait quasiment disparu(e). -
Dress Code.Pdf
Lititz Area Mennonite School 1050 E. Newport Road Lititz, PA 17543 2016-2017 Dress Standards Revised June 2016 “....do all to the glory of God.” I Cor. 10:31b With the desire to glorify God and promote Biblical modesty and unity, the following dress standards have been recommended by the dress committee and adopted by the board of Lititz Area Mennonite School. Due to the ever-changing fashion trends, administration may challenge and/or prohibit all fashion accessory trends and fads in spite of whether they appear in the present dress code. We request that parents approach administration with dress code changes prior to students wearing them. These administrative decisions will be reviewed by the dress committee at their next meeting. A. Clothing to be worn. (See page 4 for exceptions to standards for Out of Uniform Days) 1. ALL STUDENTS in Kindergarten through Grade 8 – Boys and Girls a. Sweaters, sweater vests, cardigans, and sweatshirts (pullovers or zip-ups) in standard NAVY, BLACK, WHITE, OR GRAY ONLY. Navy or gray LAMS logoed sweatshirts are also permissible; however, NO OTHER LOGOS ARE PERMITTED. b. Socks in NAVY, BLACK, WHITE, OR GRAY ONLY c. GIRLS shorts, leggings, sweatpants, tights, knee socks, or nylons in NAVY, BLACK, WHITE, OR GRAY ONLY. In keeping with modesty, all girls MUST wear something under their uniform jumpers or skirts. d. No open toed shoes are to be worn. 2. Grade 6 through Grade 8- Girls a. Standard navy polo, 3 style options available, must be ordered from LAND’S END ONLY! b. Shirts must be tucked in. -
Ancient Andean Headgear: Medium and Measure of Cultural Identity Niki R
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1994 Ancient Andean Headgear: Medium and Measure of Cultural Identity Niki R. Clark Jefferson County Historical Museum Amy Oakland Rodman California State University at Hayward Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Clark, Niki R. and Rodman, Amy Oakland, "Ancient Andean Headgear: Medium and Measure of Cultural Identity" (1994). Textile Society of America Symposium Proceedings. 1055. https://digitalcommons.unl.edu/tsaconf/1055 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Clark, Niki R., and Amy Oakland Rodman. “Ancient Andean Headgear: Medium and Measure of Cultural Identity.” Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994 (Los Angeles, CA: Textile Society of America, Inc., 1995). ANCIENT ANDEAN HEADGEAR; MEDIUM AND MEASURE OF CULTURAL IDENTITY Niki R. Clark Amy Oakland Rodman Jefferson County Historical Museum Art Dept., California State University 210 Madison, Port Townsend, WA 98368 at Hayward, Hayward, CA 94542 Introduction From the earliest recorded periods of southern Andean history, distinctive clothing styles have served to identity specific socio-cultural groups and provide clues about cultural origins. -
Dress Code: Latvian
Dress Code: Latvian 1 Cover photo: National dress is an integral part of Latvia’s heritage. If you have ever looked at one, you must have noticed Contemporary remake that more attention was paid to beauty than practicality. The many colourful layers, ornaments, brooches of a Rucava region folk and embroideries probably did not make life easier for Latvians of the past. Yet even today, when you spot dress made out of 9 belts, someone in such a costume, you will sense the elegance and grace radiating from both the wearer and 4 trousers, 3 crocheted garments. blankets, a jacket, shirt, sweater and a bicycle Of course, garments that have survived up to the present are costumes worn on festive occasions. They gearwheel. Recycled.lv have been handed down from generation to generation as treasured heirlooms. Nowadays, you are most collection Etnography, likely to come across people dressed in these timeless jewels during the Nationwide Song and Dance cel- 2014. ebration. All participants of choirs and dance ensembles are likely to wear costumes from their respective region of ancestry. Upper right: Contemporary At its essence, a traditional Latvian costume was the dress worn by the indigenous inhabitants of Latvia – accessories with the Balts and Livs. It includes everything that its owner hand-made for the various seasons and occasions. traditional Latvian graphic In contemporary Latvia, artists and designers still draw inspiration from the countless ornaments, symbols, symbols. Each sign has colour combinations and designs, the knowledge of which has been kept alive throughout the centuries. its own meaning and was The oldest models date back to as early as the 13th century. -
Hats and Headdresses
Hats and Headdresses WN 704 $17.00 WN 701 $10.00 14th-15th Century Hennin Wimple Hat Two styles of Hennin Includes Wimple, Hood, coif, and veil Two styles of Hennin. Popular for a variety of medieval looks. WN 702 $10.00 th th Templer Hat during the 14 and 15 century, Features padded roll with false many noble women shaved their coxcomb, templer back and head so that the Hennin would false liripipe. This hat wear properly. High foreheads reminiscent of medieval Dutch were considered beautiful. Modern headwear. hair can be pulled under the Hennin for a period look. WN 703 $10.00 FF 02 $17.00 Men’s Hats and Caps Headwear Extraordinaire Pattern includes a variety of Contains patterns for 3 bag hats, flat men’s headwear from 14th-16th cap, mob cap, Robin Hood hat, century as shown. PP 52 $22.00 jester’s hood, wizard hat, th Tudor Era Headdresses Renaissance cap, and two 19 A variety of headdresses as century crowned bonnets suitable for pictured covering the time period Dickens event. 1490-1580 AD MR GB $6.00 MR RH $10.00 Glengarry Bonnet Randulf’s The Glengarry is a Scottish MR Coif $4.00 Round Hats bonnet with a military flair. This Randulf's Arming Coif This pattern contains many hats cap is said to have been Sizes: Multisized popular at Renaissance faires and invented by McDonnell of This is a simple pattern for a two- Highland games: flat cap, muffin Glengarry for King George IV’s panel, stretchy, close-fitting hood. It cap, Beret, Tam O’Shanter, 1828 visit to the highlands.