imvioa-rER. AND F'UBLISI-IER. OF' "EDUCATIONAL PHOTOGRAPHS And Views from all Parts of the Globe. - SPECIALTY. - Carbon Photographs of European Cathedrals, Abbeys, Castles, Ruins of Ancient Architecture, Arches, Statuary and Old and Modern Masters. 288 5th Avenue, New York. Bet. 30th and 3 1 st Streets.

Russell Sturgis, President of the New York Architectural League. Dear Sir: "Your carbon photographs are Can I do anything simply invaluable to students of for you during my next all degrees of attainment, and they trip abroad? I shall visit, as is my annual should be hung in full sight of custom, Ireland, England, , Switzer- every one who is occupied with land, Italy, Austria, Germany, Holland and thoughts upon the Fine Arts of Belgium. I shall try hard to include the past. Russia and the Scandinavian Countries. Having always met Professor Moore, of Harvard Uni- with delightful courtesy on the versity, writes: part of College Professors, I trust you will "Your carbons of architectural not consider it intrusive on my part, if I subjects are the finest that I have ask you to kindly suggest what series of yet seen, and they seem to me photographs would be of greatest interest to admirably suited to the needs of educators generally. My specialties are Colleges and other institutions, portraits of public where the history and principles men, makers of European of the Fine Arts are taught." History, Educators, Churchmen, Scholars, Great -i• Lights in Art and Literature, the Old Masters, Cardinal Gibbons writes: Architecture, Archaeology, Geology, Ethnology, and "The invitation given to me by Zoology. Would there be a the President of the Johns Hop- demand for large photographs of Universities, kins University to inspect your Art Galleries, Palaces and Town Halls, and photographs of European Cathe- If so, are there any in particular? As I drals and other monumental build- have been in this business in ings has since enabled me to witpess 1874 and in New York the excellence and fidelty to the since 1883, and having great originals of these works of travelled all over Europe again and again, art." I fancy I know almost every nook and corner • whence Educational Photographs may be President Gilman, Johns Hopkins obtained. Since May 1st I have decided University, writes: to concentrate and confine my efforts to "Your large carbon photographs studying the wants of Educational Institu- are admirably adapted to the illus- tions. Shall have tration of civic and ecclesiastical complete lines of photo- architecture, and would make a graphs ranging from 8x10 inches to 18x24, most valuable decoration on the 24x36 and 36x48, the last three my publica- walls of any College or Univer- tions and printed in permanent carbon only. sity." now located -f• Am in the heart of Fifth Avenue, between 30th and 31st This unique series is published in Streets, where I am three sizes, 36x48, 24x36 and 18x24. most accessible and where I shall be glad to The subjects are exceptionally suitable welcome you whenever you visit . for the library, hall or staircases, and Believe me, the plates having been made for edu- Faithfully yours, cational institutions, are highly wel- comed as valuable gifts to public libraries, schools and academies. a144 potte al/Lb 2uttiAez of Ni9ft f.0 affr 1ors 1r1iu,XuBrattittp k,Aolortuttm, Specialty 36 x 48 Carbon Photographs of EUROPEAN CATHEDRALS, ABBEYS AND CASTLES. Unmounted Photographs of every description, and Views from all Parts of the Globe. HEADQUARTERS FOR THE KODAK AND OTHER LEADING CAMERAS. 1 52 Broadway, New York. , 2nd Door Above Liberty Street.

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Importer and Publisher of als. Gators, Itilatils, Xnyanittp riployauurn, Unmounted:Photographs of every description, and Views from all Parts of the Globe. HEADQUARTERS FOR THE KODAK AND OTHER LEADING CAMERAS. 152 Broadway, New York. 2d Door above Liberty Street.

Dear Sir: For several years past it has been repeatedly suggested to me by the leading architects of this country as also by quite a number of Professors of Architecture in the principal Universities of the U.S. to photograph on a large scale the choicest historic dgens of mediaeval and later ecclesiastical and civic architecture. I now take much pleasure in informing you that after a seven months' journey through Europe, begin- ning last Winter with Spain, I have succeeded in producing a series of over three hundred plates, three feet by four, most completely presenting the beauties and grandeur of the subjects chosen. The choice of subjects provides examples of the contrasting styles of the Roman, the early and later Gothic, the Mauresque, and the Renaissance creations of the master architects of England, France, Italy, Spain, Flanders and the German Empire. In addition to complete views, I photographed many of the various details of these marvelous master- pieces of architecture, especially those of the most celebrated Cathedrals which are so essential and indispensable for the proper comprehension and study of architecture as a Fine Art, and of architecture at a period when, as an art, it was at its loftiest standard and in its most important phases of transi- tion from one style to another. In presenting these INALTERABLE Carbon Prints upon the ample scale of THIRTY-SIX BY FORTY-EIGHT INCHES, which must be seen to be appreciated, it has been my object to produce them with the highest attainable degree of perfection both in execution and in the dimensions necessary to render them of the utmost utility to the student for study, to the scholar for reference and comparison, and to the art lover for the intrinsically noble artistic qualities which the originals possess. I shall be happy to have you and your friends inspect about fifty subjects now ready at the above address, or submit them by appointment at your desire and selection of a place of greater convenience to yourself. Very faithfully yours, FRANK HEGGER.

From The Collector, October 15th, 1893. One result of Mr, Frank Hegger's last trip to Europe has been the production by him of a series of carbon prints of historic gems of architecture, extraordinary both for the dimensions in which they are presented and their magnificent artistic character and perfection of execution. Among the most noteworthy subjects may be mentioned the Cathedrals of Cologne, Bourges, Toledo, Rheims, Amiens, Milan, Beauvais, Chartres, the Certosa of Pavia, showing the cloisters and courtyard, and St. Mark's at Venice. Not only do these include general views,on the scale of 3 by 4 feet, but a variety of details on the same grand dimensions The Doge's Palace at Venice provides several subjects, including a remarkable view of the Council Chamber, and others are the Town Hall at Louvain, the Hall of the Drapers at Ypres, the Alcazar at Seville, the Mosque at Cordova, the Bourse at Antwerp, details of the two famous lateral portals of Rheims Cathedral, etc. In the selection of his point of view Mr. Hegger has been invariably happy, and the elaborate accuracy with which the details of the architecture, down to the most minute features of ornamentation, have been carried out, is beyond praise. Whether regarded from the architectural, the archaeological or the artistic standpoint, it may safely be said that no such collection, in size of prints, intrinsic beauty, or educational value, has been yet offered to the public. Apart from their interest for private collectors, these superb prints must prove of inestimable importance to our colleges and public galleries. Each is an object lesson in itself, besides being a thing of delight to the eye. Phases of early and later French, Spanish, German, Flemish and Italian gothic and renaissance of Moorish and of Roman architecture, hitherto only known by description or at least by incomplete and unsatisfactory representations, are displayed upon a scale calculated to fully develop their merits of conception and execution, and to readily facilitate that study and comparison of ideas, style and methods, which is of such paramount importance to the student, and of such absorbing interest to the scholar. The series, as far as it has been completed, may be examined at Mr. Hegger's establishment, 152 Broadway, this city. HAWARDEN CASTLE ESTABLISHED IN LONDON 1874. NEW YORK 1883.

IMPORTER AND PUBLISHER OF' UNMOUNTED PHOTOGRAPHS OF EVERY DESCRIPTION, AND VIEWS FROM ALL PARTS OF THE GLOBE.

. . . SPECIALTY . . . CARBON PHOTOGRAPHS OF RUINS OF ANCIENT ARCHITECTURE, EUROPEAN CATHEDRALS, ABBEYS, CASTLES, ARCHES, STATUARY AND OLD AND MODERN MASTERS.

288 5TH AVENUE, NEW YORK. BET. 30TH AND 31ST STS.

DEAR SIR: I take much pleasure in sending you the above fac-simile of a letter I have received, written by Mr. Gladstone's daughter, Mrs. Drew, and signed also by the Right Hon. gentleman himself, acknowledging the receipt of several large carbon photographs of Ruins of Ancient Architecture and European cathedrals, which, I am proud to say, will be hung on the walls of St. Deiniol's Theological and General Library at Hawarden, of which he is the founder and patron. The subjects which I sent to Mr. Gladstone are examples of the work I have been engaged upon during the last three years in the interests of the architectural and archaeological departments of several of the leading universities in America, viz., photographing the choicest master- pieces of historic ancient, medieval and later ecclesiastical architecture in Europe and the East. In presenting these permanent carbon prints upon the ample scale of thirty-six by forty-eight inches, as also in smaller sizes, it has been my object to produce them with the highest attainable degree of perfection, both in execution and in the dimensions necessary to render them of the utmost utility to the student for study, to the scholar for reference and comparison, and to the art lover for enjoyment of the noble artistic qualities which the originals possess. I shall be happy to have you and your friends inspect about one hun- dred and fifty plates now ready, or submit by appointment the subjects you desire, at any place which you may select as convenient to yourself. Very Faithfully Yours, FRANK HEGGER. The following list is representative of this unique series, consisting of over three hundred subjects, and the photographs may be obtained in three sizes,-36 x 48, $30.00; 24 x 36, $15.00; and 18 x 24 inches,$6.00 each. They are exceptionally suitable for the library, hall or staircases, and the plates having been made for Educational Institutions are highly welcomed as valuable gists to public libraries, schools and academies.

ANCIENT ARCHITECTURE, ARCHES AND STATUARY. 1. Sphinx and the Pyramids. 2. The Parthenon. 3. Acropolis from the Philopappos Hill. 4. Hermes of Praxiteles. 5. The Elgin Marbles. 6. The Roman Forum. 7. The Pantheon. 8. Coloseum, Exterior. 9. The Interior. TO, Castle and Bridge of St. Angelo, showing St. Peter's. II. The Titus Arch. 12, Constantine. 13. Septimus Severus. 14. The Forum in Pompei and Vesuvius. 15. Statue of Apollo Belvedere. 16. The Laocoon. 17. Octavius Caesar. 18. Venus of Milo. 19. Venus of Medici. EUROPEAN CATHEDRALS, CASTLES AND ABBEYS. 20. St. Peter's, Rome, Exterior. 21. Interior. 22. St. Paul's Interior. 23. The Cloisters. 24. The Raphael Frescoes in the Vatican. 25. The Vatican Library. 26. Siena Cathedral. 27. Orvieto. 28. Florence. 29. San Miniato. 30. St Mark's, Exterior. 3t. Interior. 32. Milan. 33. La Certosa in Pavia. 34. The Cloisters. 35. Pisa Cathedral, Baptistery and Leaning Tower. 36. The Lanzi Loggia, Florence. 37. St. Appollinare, Interior, Ravenna. 38. Santa Maria Salute, Venice. SPAIN. 39. Seville Cathedral. 40. Toledo. 41. Burgos. 42. Leon. 43. Sala- manca. 44, 45, 46. Details of the Alhambra, Granada. 47. The Interior of the Mosque in Cordova. 48. The Giralda. FRANCE. 49. Notre Dame, , Exterior. 50. Interior. 51. La Madeleine, Paris. 52. Amiens. 53. Rheims. 54. Chartres. 55. Bourges. 55a. Beauvais. 56. Rouen. 57. Orleans. 58. Laon. 59. Abbeville. 6o. Arc de Triomphe. GERMANY. 61. Cologne Cathedral, Facade. 62. Cologne, South Side. 62a. Interior. 63. Strasburg Cathedral. 64. Heidelberg Castle. BELGIUM. 65. Antwerp Cathedral. 66. The Cloth Hall in Ypres. 67. The Town Hall, Louvain. 67a. Hotel de Ville, Brussels. ENGLAND. 68. St. Paul's, London. 69. Westminster Abbey. 69a. The Houses of Parliament. 69b. The Tower of London. 70. Canterbury. 71. Durham. 7 ta. Interior. 72. York Minster. 73. Salisbury. 74. Lincoln. 75. Lichfield. 76. Peterboro. 77. Exeter. 78. Wells. 79. Worcester. 80. Gloucester. 81. Ely. 82. Chester. 83. Norwich. 84. Rochester. 85. Hadden Hall. 86. Windsor Castle 87. Chatsworth. 88. Kenilworth. 89. Edinbro' Castle. 90. Melrose Abbey. 9t. Tinturn. 92. Bolton. 93. Shakespeare's House. 94. Ann Hathaway Cottage. MISCELLANEOUS. 95. Guido Reini's Aurora. 96. The Sistine Madonna, Dresden. 96a. King Arthur. 96b. Theodoric, Bronzes in Innsbruck. 97. Rembrandt's Portrait, National Gallery. 98. Queen Louise. 99. Meissonier's r8o7. Ioo. The Matterhorn. tot. The Weisshorn. 102. Niagara Falls. 103. Garden of the Gods, Colorado. Mt. Hood. Mt. Shasta. Mt. Tacoma. Taj Mahal, India Complete Series of Statesmen, Scientists, Poets, and Composers. Rev. Almon Gunnison, D. D., President Board of Directors, Free Public Library, Worcester, Mass., writes: "The set of your Carbon Photographs of the Cathedrals of Europe, which we recently purchased of you, has been received. The photographs are of great excellence and admirably give not only the general features _ of the buildings but the minutest architectural details. They are creating much interest and are invaluable in the work of popular education which our Library is trying to accomplish."

Mr. Russell Sturgis, President of the New York Architectural League, writes: "Your carbon photographs are simply invaluable to students of all degrees of attainment, and they should be hung in full sight of every one who is occupied with thoughts upon the Fine Arts of the past."

Mr. Chas. H. Moore, Professor of Art and Architecture, at Harvard University, writes: "Your carbons of architectural subjects are the finest that I have yet seen, and they seem to me admirably suited to the needs of Colleges and ther institutions, where the history and principles of the Fine Arts are taught."

Cardinal Gibbons writes: "The invitation given to me by the President of the Johns Hopkins University to inspect your photographs of European Cathedrals and other monumental buildings has enabled me to witness the excellence and fidelity to the great originals of these works of art."

President Gilman, Johns Hopkins University, writes: "Your large carbon photographs are admirably adapted to the illustration of civic and ecclesiastical architecture, and would make a most valuable decoration on the walls of any College or University." IMPORTANT To GOLLEGE PBOFESSORS, COLLECTORS AND TOU4ISTS. Unmounted Photographs may be Purchased in New York without the Continual Worry of Collecting them while Travelling in Europe, at

152 131Z0A_DAVA_Y. General Repository in the U.S. for Unmounted Photographs OF EVERY POSSIBLE DESCRIPTION, AND VIEWS FROM ALL PARTS OF THE GLOBE.

N. B.—As I visit all the Art Centres of Europe every summer, and being in continual correspondence with the leading European Publishers and Photographers, I am in a position to supply orders or commissions for Etchings, Engravings and Photographs without delay.

From the Collector, March 15, 1892. I wonder, by the way, if all of our collectors appreciate the extraordinary resources, the variety and quality of interest which are embodied in Mr. Hegger's establishment. The place itself is unique, and the business it houses is equally so. Of the masterpieces of carbon photography, the superb Matterhorn and the other great Alpine views; from the noble pictures of the great cathedrals and palaces of Europe to the remotest wonders of the archi- tecture and scenery of the Orient; of portraits, character studies, reproduc- tions of immortal works of art, this spacious shop is a magazine gorged to bursting. Two things are especially marked about it. It is always abreast with the time, and the selections which continually replenish its stock are always made with the taste and judgment of a man of travel and a knowl- edge of the best that one sees as a traveler. It is a case of a man fitted by every natural inclination and gift to his avocation, and who has become con- spicuous among us by the natural development and vast public utility of his business. The absence of the Hegger establishment from New York would leave an aching void to the eyes of thousands to whom his show-windows and his portfolios are a perpetual source of intellectual refreshment and oesthetical delight. I have seen, again and again, when the Broadway side- walk was blockaded by the throng attracted by his ever freshly renewed and ever novel and interesting displays, and I have seen brokers and business men, hot with the fever of mid-day business, break suddenly away from their drive for gain to "run in and see what Hegger has new," and jostle grave divines and ponderous college professors in their investigations of the huge sample books. IQDAK HEADQUARTERSAND OTHER QADING FOR THE AMER AS. A SUMMARY.

The multiplicity of Photographs renders it commercially undesir- able to print catalogues in detail, but the following brief summary of the different collections kept in stock may be found acceptable. A most complete collection of Views of New York, Boston, Phila- delphia, Washington, , Niagara Falls, Hudson River, Lake George and the Adirondack and White Mountains. Eastern Depot for all the leading series of Western Views—Color- ado, Yellowstone Park, Yosemite Valley, Northern Pacific, Canadian Pacific, Washington Territory, Alaska, California, New and Old Mex- ico. FOREIGN COLLECTIONS.

(1) A complete assortment of Cabinet Portraits of Celebrated Men and Women, Royalties, Political, Literary, Scientific, Musical artd Dramatic Celebrities. (2) Unmounted (ORIGINAL) Photographs of scenery and most in- teresting objects in England, Scotland, Ireland and Wales. (3) Cathedrals, Castles and. Abbeys. (4) Architectural and Decorative Details. (5) Views of France, Germany, The Rhine, Belgium, Holland. Norway and Sweden. (6) Switzerland, Italy, Algeria, Spain and Portugal. (7) The Holy Land, Egypt, The Nile, India, China and Japan and South Africa. (8) Copies of Paintings in the 'Annual Paris Salon. (These in three sizes—Braun's carbons, medium size and cabinets.) (9) The National Gallery—London, the Louvre, Luxembourg and Versailles Galleries. (10) The Berlin, , Madrid and the Italian Galleries, both old and modern masters. (11) Figure, Landscape. Wild and Domestic Animal Studies. (12) Surf and Yacht Studies. (Sole Agent for West's English Yachts and Men o' War.

Artistic Framingland Mounting ofPhotographs into'Albums

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