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“Safe from Destruction by Fire” Isabella Stewart Gardner’S Venetian Manuscripts
“Safe from Destruction by Fire” Isabella Stewart Gardner’s Venetian Manuscripts Anne- Marie Eze Houghton Library, Harvard University ver a decade ago the exhibition Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle explored the rich Pan- OEuropean and American expatriate culture that fl ourished in Venice at the end of the nineteenth century and inspired Isabella Stewart Gardner (1840–1924) to create a museum in Boston as a temple to Venetian art and architecture (fi g. 1). On this occasion, attention was drawn for the fi rst time to the museum’s holdings of Venetian manuscripts, and it was observed that in her day Gardner had been the only prominent American collector of manuscripts to focus on Venice.1 The Isabella Stewart Gardner Museum’s collection of Venetian manuscripts comprises more than thirty items, spanning the fi eenth to eighteenth centuries. The collections can be divided into four broad categories: offi cial documents issued by the Doges; histories of the Most Serene Republic of Venice—called the “Sereni- ssima”—its government, and its patriciate; diplomas; and a statute book of 1 Helena Szépe, “Isabella Stewart Gardner’s Venetian Manuscripts,” in Gondola Days: Isa- bella Stewart Gardner and the Palazzo Barbaro Circle, ed. Elizabeth Anne McCauley, Alan Chong, Rosella Mamoli Zorzi, and Richard Lingner (Boston: Isabella Stewart Gardner Museum, 2004), 233–3⒌ 190 | Journal for Manuscript Studies Figure 1. Veronese Room, Isabella Stewart Gardner Museum, Boston. a lay con aternity.2 Most of the manuscripts contain complete and dated texts, are illuminated, and survive in their original bindings. The Gardner’s collection not only charts the evolution over three centuries of Venetian book production, but also provides a wealth of sources for the study of the history, portraiture, iconography, genealogy, and heraldry of the Republic of Venice. -
Excerpted from Bernard Berenson and the Picture Trade
1 Bernard Berenson at Harvard College* Rachel Cohen When Bernard Berenson began his university studies, he was eighteen years old, and his family had been in the United States for eight years. The Berensons, who had been the Valvrojenskis when they left the village of Butrimonys in Lithuania, had settled in the West End of Boston. They lived near the North Station rail yard and the North End, which would soon see a great influx of Eastern European Jews. But the Berensons were among the early arrivals, their struggles were solitary, and they had not exactly prospered. Albert Berenson (fig. CC.I.1), the father of the family, worked as a tin peddler, and though he had tried for a while to run a small shop out of their house, that had failed, and by the time Berenson began college, his father had gone back to the long trudging rounds with his copper and tin pots. Berenson did his first college year at Boston University, but, an avid reader and already a lover of art and culture, he hoped for a wider field. It seems that he met Edward Warren (fig. CC.I.16), with whom he shared an interest in classical antiquities, and that Warren generously offered to pay the fees that had otherwise prevented Berenson from attempting to transfer to Harvard. To go to Harvard would, in later decades, be an ambition of many of the Jews of Boston, both the wealthier German and Central European Jews who were the first to come, and the poorer Jews, like the Berensons, who left the Pale of Settlement in the period of economic crisis and pogroms.1 But Berenson came before this; he was among a very small group of Jewish students, and one of the first of the Russian Jews, to go to Harvard. -
01 22 14.Pdf (6.700Mb)
imvioa-rER. AND F'UBLISI-IER. OF' "EDUCATIONAL PHOTOGRAPHS And Views from all Parts of the Globe. - SPECIALTY. - Ruins of Ancient Carbon Photographs of European Cathedrals, Abbeys, Castles, Architecture, Arches, Statuary and Old and Modern Masters. 288 5th Avenue, New York. Bet. 30th and 3 1 st Streets. Russell Sturgis, President of the New York Architectural League. Dear Sir: "Your carbon photographs are Can I do anything for you during my next simply invaluable to students of trip abroad? I shall visit, as is my annual they all degrees of attainment, and custom, Ireland, England, France, Switzer- should be hung in full sight of every one who is occupied with land, Italy, Austria, Germany, Holland and thoughts upon the Fine Arts of Belgium. I shall try hard to include Russia the past. and the Scandinavian Countries. Having always met with delightful courtesy on the Professor Moore, of Harvard Uni- part of College Professors, I trust you will versity, writes: not consider it intrusive on my part, if I "Your carbons of architectural what series of that I have ask you to kindly suggest subjects are the finest to yet seen, and they seem to me photographs would be of greatest interest admirably suited to the needs of educators generally. My specialties are Colleges and other institutions, portraits of public men, makers of European where the history and principles History, Educators, Churchmen, Scholars, Fine Arts are taught." of the Great Lights in Art and Literature, the Old -i• Masters, Architecture, Archaeology, Geology, Cardinal Gibbons -
Edward Sturgis of Yarmouth, Massachusetts 1613-1695
EDWARD STURGIS OF YARMOUTH, MASSACHUSETTS 1613-1695 AND HIS DESCENDANTS ROGER FAXTON STURGIS, EDITOR PRINTED FOR PRIVATE CIRCULATION AT THE $tanbope preee BOSTON, MASSACHUSETTS 1914 (PlPase paste in your copy of Book) ADDENDA AND ERRATA. EDWARD STURGIS AND HIS DESCENDANTS. RocrnR FAXTON STURGIS, Editor. p. 22 In thinl line of third paragraph strike out "name m1kn0wn" brackets and substitute "Wendall." p. 22 In reference to Samuel Sturgis (D) strike 011t all after the date 1751 the third paragraph and substitute the following: - ''Fora third wife he marrh•d Abigail Otis a11d had a s011 J (E) born Ot:tuber l':I, 17::i7 aml a daughter l,ncretia CE) l November 11, 1758 (B. '.r. R. 2-275). Administration was grar upon his estate April 25, 1762, he being described as "of llarm:ta gentleman," to .Joseph Otis (his brother-in-law) and to his wi< .Abigail (B. 1'. C. vol. 10, p. 101). His estate was insolve11t am mention is made of children." p. 22 Strike out the reference to Prince Stnrgis (DJ aml sul.JstitutP following paragraph: - " Prince Sturgis (D), the fourth son, married October 12. 1 ElizalJelh Fayerweather and died at Dorchester, Massaeh11se 1779. There was one daughter of this marriage, ElizalJeth lJaptized February 7, 1740 and married December 2fl, liGl, Art Savage. They had five children. The eldest, Faith or Fidt married lkv. Hichard Munkhouse. Tlle others dir,d unmarrirc pp. 22 & 23. Strike out the reference to f-;anrnel (E) beginning at the foo µage 22 and substitute the following: - " Samnel (E), the other so11, married Lydia Crocker, daugl of Cornelius a11d Lydia (.J enkius) Crocker, aml had one child Sn (F) born November 8, 17G0 (4 B. -
Global Vistas: American Art and Internationalism in the Gilded Age
Global Vistas: American Art and Internationalism in the Gilded Age Nicole Williams Honorary Guest Scholar and Postdoctoral Teaching Fellow (2019–2020) in the Department of Art History & Archaeology in Arts & Sciences at Washington University in St. Louis Global Vistas: American Art and Internationalism in the Gilded Age explores the importance of international travel and exchange to American art of the late nineteenth century, a period of transition for the United States marked by the rise of global trade, international tourism, massive waves of immigration, and forces of orientalism and imperialism. Through a selection of paintings, prints, photographs, and decorative arts from the Mildred Lane Kemper Art Museum, as well as other collections at Washington University in St. Louis, this Teaching Gallery exhibition reveals how Americans increasingly defined their nation by looking to the foreign cultures and landscapes of Asia, the Middle East, Europe, and the Caribbean basin. They imbued their art with a modern, multicultural spirit that also announced the country’s emerging status as a global power. In the decades following the Civil War, many Americans eagerly turned away from recent violence at home toward new vistas of adventure and opportunity abroad. A boom in international travel was facilitated by improvements to communication and transportation networks, such as the laying of the first transatlantic cable, the completion of the transcontinental railroad, the opening of the Suez Canal, and the introduction of regular steamship service between San Francisco and Yokohama, Japan. Young American artists flocked to study in Europe’s great art centers, often staying overseas for many years and establishing vibrant expatriate communities. -
<A>Charles Eliot Norton to Henry James
Charles Eliot Norton to Henry James, 27 May 1869, from Antwerp ALS Houghton, bMS Am 1094 (370) 1 Antwerp. May 27, 1869. 2 3 My dear Harry 4 I was sorry not to find time to answer before leaving London your very pleasant 5 & kind note. But our last days in England were crowded with pleasures & affairs,—and a 6 way had to be opened with vigorous hands through the thicket of engagements ∧in[∧] 7 which we found ourselves entangled. It was really hard to say Good bye to such friends 8 as we left behind, & my heart was rather heavy as the odours of the London smoke grew 9 fainter & fainter as we steamed down the river last Tuesday. The East Wind set itself 10 against our going, & turned the North Sea into an ocean of discomfort. Poor Susan & 11 Grace passed most wretched nights, & were pretty well exhausted when we reached here 12 in the early morning. 13 Mackay came most pleasantly from the Hague to be with us here, & we have 14 enjoyed these two days greatly. 15 The Cathedral tower is one of the noblest pieces of Gothic construction & 16 proportion that I know. It dominates the picturesque & prosperous city, reinforcing its 17 character, turning its pleasant, cleanly, streets into pathways of poetry, & redeeming even 18 the vulgarity of the petty tradesmen. I begin to wonder when Americans will ever build 19 anything half so fine. 20 Rubens is in great force here. His pictures positively compel intrude upon you, 21 however quietly disposed you may be. -
Paul-Wright-Article.Pdf
HARVARD LIBRARY BULLETIN ! M"#$%##"’& C'() '* T+',-& B"-#"’& T!" N#$%&#' H()$*&+ *, $!" S-"&. W!#'" -./ 0+" C',('&%0%'. '* M*/+-D(01 Steven Olsen-Smith 12 T+" P3"&%/".0 M""0& 0+" P3'(+"0: C+-3#"& W. E#%'0’& !2!4 E.5'6.0"3 7%0+ K-+#%# G%83-. Paul M. Wright 29 Notes on Contributors Fall 2010 Volume 21: Number 3 <e President Meets the Prophet: Charles W. Eliot’s =;=> Encounter with Kahlil Gibran Paul M. Wright . D"5",8"3 =;=> K-+#%# G%83-.—8"&0 ?.'7. 0' 6& 0'/-) -& 0+" author of the cult classic 2e Prophet (=;@A), reputed to be the all-time bestseller Iin American publishing history—was a struggling, twenty-seven-year-old artist and poet.= He had immigrated to the United States in =B;C at the age of twelve with his mother, sisters, and brother, leaving his native town of Besharri in Lebanon, then conDated in the American mind with Syria as a province of the Turkish empire. AEer a brief internment at Ellis Island the family found a modest tenement home on Oliver Place in one of Boston’s immigrant ghettos, the multiethnic, polyglot South End.@ Young Gibran, pushed and pulled by the neighborhood’s swirling street life, found a refuge at Denison House, one of the pioneering “social settlements” established in major urban areas such as Chicago, New York, and Boston to assist immigrants in accommodation and assimilation to American ways. At Denison House his native talent was recognized by members of the staF, and he was eventually taken up as a = His name, properly Gibran Kahlil Gibran, was truncated by the Boston Public School system. -
Why George Washington's Library Is Not at Harvard
Why George Washington’s Library Is Not at Harvard The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Carpenter, Kenneth E. 2020. Why George Washington’s Library Is Not at Harvard. Harvard Library Bulletin 2020, https:// nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366376. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366376 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Harvard Library Bulletin, November 2020 https://harvardlibrarybulletin.org Why George Washington’s Library Is Not at Harvard By Kenneth E. Carpenter [ORCID iD: 0000-0001-9336-6367] INTRODUCTION In 1991, at the opening of an exhibition to celebrate the fiftieth anniversary of Houghton Library, Roger Stoddard related “How Harvard Didn’t Get Its Rare Books and Manuscripts”— why Harvard has no library of medieval manuscripts, no major European literary archive, and no early library. Most of us in what is now Houghton Library’s Edison and Newman Room were saddened to learn that Harvard almost came into possession of the Si Thomas Phillipps collection of manuscripts, a major European literary archive, and a sixteenth-century library.1 Yet another collection that Harvard almost acquired is a portion of George Washington’s own library, which is housed instead across the river at the Boston Athenæum. Although the Harvard-connected scholars who took the lead in negotiating for the library first turned to Harvard to acquire it, their major goal was to keep the books in the United States. -
Newsletter Index of Authors and Subjects
GASKELL SOCIETY NEWSLETTERS INDEX OF AUTHORS AND SUBJECTS. Aber. Pen y Bryn. Lindsay, Jean. Elizabeth and William’s Honeymoon in Aber, September 1832. [illus.] No.25 March 1998. Adachi, Matsuko. Gaskell Society of Japan. [Tribute to Joan Leach]. No.51 Spring 2011. Adlington Hall, Cheshire. Yarrow, Philip J. The Gaskell Society’s outing – 8 October 1989. No.9 March 1990. Alfrick Court, Worcestershire, [home of Marianne Holland]. All the Year Round. Lingard, Christine. French Songs. [Gaskell’s contributions to All the Year Round]. No.61. Spring 2016p.31-32]. Allan, Janet. The Gaskells’ bequests. No.32. Autumn 2001. The Gaskells’ shawls. No.33. Spring 2002.Allan, Robin. Elizabeth Gaskell and Rome. No.55. Spring 2013. Allan, Lynne. The Gaskells and the Portico Library. No 54. Autumn 2017. p7-10. Alps. Lingard, Christine. Primitive, cheap and bracing: the Gaskells in the Alps. No.58. Autumn 2014. Alston, Jean. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. [illus.] No.58. Autumn 2014. Gaskell Society Tour to Worcester, Malvern and Alfrick, p51-52. Gaskell-Nightingale tour, 30 May 2012. No.54. Autumn 2012. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. No.58. Autumn 2014. Marianne and her family in Worcestershire. No.59. Spring 2015 More on Monkshaven. No 62 Autumn 2016 p39-42. A further note on Monkshaven. No 63 Spring 2017 p.24. [illus.] Samuel Bamford & South Lancashire dialect. No 65 Spring, 2018, p10-12. Tour in Scottish Lowlands, 7-11 July 2008. [illus.] No.46. Autumn 2008. Una Box, who died 14 November 2010, aged 71 years, [obituary]. -
<A>Charles Eliot Norton to Henry James
Charles Eliot Norton to Henry James, 11 April 1869, from Liverpool ALS Houghton, bMS Am 1094 (369) 1 Liverpool. Sunday. 2 April 11, 1869. 3 My dear Harry 4 Your note from Malvern to me was very welcome as you have already heard. We 5 have not ceased to miss you, & whenever we have had, since you left us, any particularly 6 pleasant experience we have wished for you to share it with us. At Queen’s Gate Terrace 7 affairs go on in their usual pleasant course. The days pass too swiftly, & we are already 8 looking forward with some regret to our departure from London. Not altogether with 9 regret,—for the gloom of London life becomes darker, seems more general, more 10 unbroken, the more familiar one becomes with the place & its people. 11 I left London on Thursday to go to Manchester for a day or two before coming 12 here to attend the banquet given to Dickens last night. The banquet was a great success. 13 It was held in St. George’s Hall, one of the finest halls in the country,—& one which is 14 well suited to display to advantage such an brilliant assemblage of men & women as were 15 gathered in it last night. I have never seen a more brilliant feast,—the decorations of 16 fruits and flowers & flags all culminating in the bright dresses of the maidens & dames 17 who sat around the tables that sparkled with colored glass. 18 Most of the speeches were of a commonplace kind, but Dickens’s speech was full 19 of the great qualities of his genius & his heart, and Lord Dufferin spoke like “a gentleman 20 and a scholar.” Lord Houghton made two speeches, the first of them pretty good, & the 21 last a mere meandering flow of words, not ideas, inspired by too much champagne. -
University Microfilms International 300 North Zeeb Road Ann Arbor Michigan 48106 USA St
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The Nature of Sacrifice:A Biography of Charles Russell Lowell, Jr
Civil War Book Review Summer 2005 Article 20 The Nature of Sacrifice:A Biography of Charles Russell Lowell, Jr. Richard F. Miller Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Miller, Richard F. (2005) "The Nature of Sacrifice:A Biography of Charles Russell Lowell, Jr.," Civil War Book Review: Vol. 7 : Iss. 3 . Available at: https://digitalcommons.lsu.edu/cwbr/vol7/iss3/20 Miller: The Nature of Sacrifice:A Biography of Charles Russell Lowell, Jr Review Miller, Richard F. Summer 2005 Bundy, Carol The Nature of Sacrifice:A Biography of Charles Russell Lowell, Jr.. Farrar, Straus and Giroux, $30.00 hardcover ISBN 374120773 Gentleman soldier The real story behind the eulogized Yankee The South lost its cause and its men; a victorious North lost only men. For some Northerners however, not all losses were equal. Some deaths left larger legacies, usually by virtue of high birth, membership in families that could afford to publish posthumous memorials, or who boasted connections with the era's literati. Farmers, mechanics, and Harvard men had all streamed to the colors in 1861 and many did not return. But it is the Harvardians who have come down to us in Memorial Hall's stained glass windows, eulogized in the Harvard Memorial Biographies and often celebrated in poetry by Ralph Waldo Emerson, James Russell Lowell, Oliver Wendell Holmes, Sr., and Herman Melville. In the half century after Appomattox this warrior-elite was further embedded in the national consciousness by living memorials such as William Francis Bartlett, in celebrated speeches by the likes (if not the very life) of Oliver Wendell Holmes, Jr.