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Arte Contemporânea E Meio Ambiente No Museu Inhotim
Pelaes, Maria Lúcia Wochler; Stori, Norberto. Arte contemporânea e meio ambiente no museu Inhotim. GeoGraphos. [En línea]. Alicante: Grupo Interdisciplinario de Estudios Críticos y de América Latina (GIECRYAL) de la Universidad de Alicante, 2 de junio de 2016, vol. 7, nº 87 (23), 26 p. [ISSN: 2173-1276] [DL: A 371-2013] [DOI: 10.14198/GEOGRA2016.7.87(23)]. <http://web.ua.es/revista-geographos-giecryal> Vol. 7. Nº 87 (23) Año 2016 ARTE CONTEMPORÂNEA E MEIO AMBIENTE NO MUSEU INHOTIM Maria Lúcia Wochler Pelaes1 Doutoranda em Educação, Arte e História da Cultura. Universidade Presbiteriana Mackenzie – São Paulo- Brasil Norberto Stori2 Professor do Programa Stricto Sensu em Educação, Arte e História da Cultura. Universidade Presbiteriana Mackenzie – São Paulo- Brasil 1 Maria Lúcia Wochler Pelaes: Doutoranda em Educação, Arte e História da Cultura da Universidade Presbiteriana Mackenzie- São Paulo- Brasil, e pesquisadora da CAPES. Licenciada em Arte pela FAAP- Fundação Armando Álvares Penteado, e em Pedagogia, Mestre em Educação pela USF- Universidade São Francisco. E-mail: [email protected] 2 Norberto Stori: Prof. Titular do programa de Pós-Graduação em Educação, Arte e História da Cultura da Universidade Presbiteriana Mackenzie- São Paulo- Brasil. Livre docente em Artes Visuais/IA-UNESP/SP. Mestre e Doutor pela Universidade Presbiteriana Mackenzie. E-mail: [email protected] 1 RESUMO Este estudo apresenta uma breve análise sobre o Museu Inhotim, considerado o maior museu a céu aberto do mundo. Nele, são expostas obras de Arte Contemporânea inseridas no meio ambiente, num processo de diálogo com a natureza, presente numa reserva florestal que era uma antiga fazenda. -
ICLIP & MAIL Tornadoes Rip Path of Death
PAGE SIXTEEN - EVENING HERALD. Tues.. April 10, 1978 Frank and Emaat EDUCATIONAL TV DINNERS T H f t Y ' P E *'epueArioN AL" i B c n u s B Police Malting Plans Panel Passes Measure Residents Not in Tune Caldwell Stops RSox, r- 1 IF y o u BAT O N E, For the Energy Crisis To Create Gaming Czar To Song of the Rails Jackson Sparks Yanks Page 3 Page 10 Y o u 'L l S e Page 12 Page 13 N B x r t i m b . Strv/CM O lltr td 31 S » n lc 0M OUtrad 31 Painting-Papering 32 Building Contracting 33 E X P E R T PAIN T IN G and INCOME TAX .) P. LEWIS & SON- Interior LEON CIESZYNSKI LANDSCAPING Specializlnf; and Exterior painting, paper BUILDER- New Homes. Ad THW/ti 4-10 Haudipfitpr PREPARATION in Exterior House Painting. hanging, rcmcxieling. carpen ditions. Remodeling. Rec Tree pruning, spraying, try. Fully insured 649-9658. Rooms. 'Garages, FHtchenq Fair Tonight, mowing, wcemng. Call 742- Remodeled. Ceilings. Bath Dogs-BIrdt-Pelt 43 Apaifmentt For Bant 53 Wanted to Bent 57 Autos For Sale 61 ftliSINESS A INDIVIDUAL 7947. ' PERSONAL Paperhanging Tile. Dormers, Roofing Sunny Thursday INCOiME TAXES For particular people, by Residential or Commercim, COCKER SPANIEL THREE BEDROOM USED GAR SPECULS Dick. Call 643-5703 anytime, 649-4291. PUPPIES - AKC Registered. DUPLEX- Stove, I’HEPAHKD - In the com- 1975 nyMOUTH D U tm Details on page 2 Inrl of your home or office, Have shots. Great Easter refrigerator, dishwasher. I'/z TEACHERS- Experienced baths. -
Universalmuseum Joanneum Press Office Media.Art.Collecting
Universalmuseum Joanneum Press office Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-316/8017-9211 www.museum-joanneum.at media.art.collecting Perspectives of a collection Kunsthaus Graz, Space 02, Lendkai 1, 8020 Graz Opening: 15.06.2012, 7pm Duration: 15.06.2012-02.06.2013 Curators: Günther Holler-Schuster, Katrin Bucher Trantow, Katia Huemer Information: +43-316/8017-9200, [email protected] How does media art define itself in the course of an almost 40-year-old collection? What changes, what comes to form a whole, what was overlooked and where does it go from here? Audiovisual Messages – the 1973 edition of the trigon Biennal – placed a major emphasis on media art, putting local artists in direct relation to international developments. This exhibition marked the beginning of a dynamic that made Graz appear a special place for media art. With influential works by artists such as Nam June Paik, Keith Sonnier, Gottfried Bechtold, Trisha Brown and Bruce Naumann, what emerges is a web of topics that have captivated media art from the beginning, including space-time penetration, media discussion and -reflection or the painterly/musical qualities of new media – topics showing a clearly traceable development in relation to more recent work. Thus the exhibition media art collecting deals with collecting activities at the Neue Galerie Graz in the area of media art, the essence of which becomes evident in the spectrum of exhibitions held over the past 40 years. Building on the 2009 exhibition Rewind/Fast Forward at the Neue Galerie Graz and its first-ever survey of the institution’s video art collection, the current exhibition media.art.collecting. -
University of Groningen Hellenistic Rural Settlement and the City of Thurii, the Survey Evidence (Sibaritide, Southern Italy) A
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Groningen University of Groningen Hellenistic Rural Settlement and the City of Thurii, the survey evidence (Sibaritide, southern Italy) Attema, Peter; Oome, Neeltje Published in: Palaeohistoria DOI: 10.21827/5beab05419ccd IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Attema, P., & Oome, N. (2018). Hellenistic Rural Settlement and the City of Thurii, the survey evidence (Sibaritide, southern Italy). Palaeohistoria, 59/60, 135-166. https://doi.org/10.21827/5beab05419ccd Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 13-11-2019 PALAEOHISTORIA ACTA ET COMMUNICATIONES INSTITUTI ARCHAEOLOGICI UNIVERSITATIS GRONINGANAE 59/60 (2017/2018) University of Groningen / Groningen Institute of Archaeology & Barkhuis Groningen 2018 Editorial staff P.A.J. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam ................................................................................................................. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE -
Biography • Paul Mccarthy Paul Mccarthy • Biography
BIOGRAPHY • PAUL MCCARTHY PAUL MCCARTHY • BIOGRAPHY 1945 Born in Salt Lake City, UT 1973 University of Southern California, Los Angeles, CA 1969 San Francisco Art Institute, San Francisco, CA 1966-1968 University of Utah, Salt Lake City, UT Lives and works in Los Angeles, CA Solo exhibitions: 2017 Kukje Gallery, ‘Cut Up and Silicone, Female Idol, WS’, Seoul, South Korea Hauser & Wirth 'WS Spinoffs, Wood Statues, Brown Rothkos’ Los Angeles, CA Fundació Gaspar, 'WS & CSSC, Drawings and Paintings', Barcelona, Spain Fondazione Giorgio Cini, ‘Paul McCarthy and Christian Lemmerz: New Media (Vir- tual Reality Art)’, Venice, Italy Deitch Projects, ‘Paul McCarthy and Mike Kelley: Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992’, New York, NY 2016 Hauser & Wirth, 'Paul McCarthy. Raw Spinoffs Continuations', New York, NY Xavier Hufkens, 'Paul McCarthy. White Snow & Coach Stage Stage Coach Spin- offs', Brussels, Belgium Lokremise, 'Paul McCarthy', St. Gallen, Switzerland Henry Art Gallery, 'Paul McCarthy: White Snow, Wood Sculptures', Seattle, WA 2015 Nasher Museum of Art at Duke University, 'Full Exposure: Paul and Damon Mc- Carthy's Pirate Party', Durham, NC The Renaissance Society, 'Paul McCarthy. Drawings', Chicago, IL Volksbühne, 'Paul McCarthy and Damon McCarthy. Rebel Dabble Babble', Berlin, Germany Schinkel Pavillon, 'Paul McCarthy', Berlin, Germany Economou Collection, ‘Inbetween. Baselitz – McCarthy’, Athens, Greece Hauser & Wirth, ‘Paul McCarthy: Spin Offs: White Snow WS, Caribbean Pirates CP’, -
Lynn Crosbie Fonds (F0691)
York University Archives & Special Collections (CTASC) Finding Aid - Lynn Crosbie fonds (F0691) Generated by Access to Memory (AtoM) 2.4.1 Printed: September 13, 2019 Language of description: English York University Archives & Special Collections (CTASC) 305 Scott Library, 4700 Keele Street, York University Toronto Ontario Canada M3J 1P3 Telephone: 416-736-5442 Fax: 416-650-8039 Email: [email protected] http://www.library.yorku.ca/ccm/ArchivesSpecialCollections/index.htm https://atom.library.yorku.ca//index.php/lynn-crosbie-fonds Lynn Crosbie fonds Table of contents Summary information .................................................................................................................................... 19 Administrative history / Biographical sketch ................................................................................................ 19 Scope and content ......................................................................................................................................... 20 Arrangement .................................................................................................................................................. 20 Notes .............................................................................................................................................................. 20 Access points ................................................................................................................................................. 21 Collection holdings ....................................................................................................................................... -
The Ancient People of Italy Before the Rise of Rome, Italy Was a Patchwork
The Ancient People of Italy Before the rise of Rome, Italy was a patchwork of different cultures. Eventually they were all subsumed into Roman culture, but the cultural uniformity of Roman Italy erased what had once been a vast array of different peoples, cultures, languages, and civilizations. All these cultures existed before the Roman conquest of the Italian Peninsula, and unfortunately we know little about any of them before they caught the attention of Greek and Roman historians. Aside from a few inscriptions, most of what we know about the native people of Italy comes from Greek and Roman sources. Still, this information, combined with archaeological and linguistic information, gives us some idea about the peoples that once populated the Italian Peninsula. Italy was not isolated from the outside world, and neighboring people had much impact on its population. There were several foreign invasions of Italy during the period leading up to the Roman conquest that had important effects on the people of Italy. First there was the invasion of Alexander I of Epirus in 334 BC, which was followed by that of Pyrrhus of Epirus in 280 BC. Hannibal of Carthage invaded Italy during the Second Punic War (218–203 BC) with the express purpose of convincing Rome’s allies to abandon her. After the war, Rome rearranged its relations with many of the native people of Italy, much influenced by which peoples had remained loyal and which had supported their Carthaginian enemies. The sides different peoples took in these wars had major impacts on their destinies. In 91 BC, many of the peoples of Italy rebelled against Rome in the Social War. -
PAUL Mccarthy
PAUL McCARTHY Born in 1945 in Salt Lake City (Utah, USA) Lives and works in Los Angeles (California, USA) SELECTED SOLO EXHIBITIONS 2012 Propo, Hauser & Wirth, Zurich, Switzerland White Snow, Peder Lund, Oslo, Norway Paul McCarthy. The Box, Neue Nationalgalerie, Berlin, Germany Rebel Dabble Babble, Los Angeles CA, USA Paul McCarth, Nine Dwarves, Kukje Gallery, Seoul, South Korea 2010! Fondazione Trussardi, Milan, Italy 2009! White Snow, Hauser & Wirth New York, New York, NY, USA Paul McCarthy – Air Pressure, De Uithof, City of Utrecht, The Netherlands! Paul McCarthy, Hauser & Wirth, Zurich, Switzerland! Paul McCarthy & Benjamin Weissman – Quilting Sessions, KUMU Eesti Kunstimuuseum, Tallinn, Estonia (Travelling Exhibition)! Contemporary trends in video art – Paul McCarthy, Salt Lake Art Center, Salt Lake City UT, USA Paul McCarthy & Benjamin Weissman – Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (Travelling Exhibition) 2008! Three Installations, Two Films, Whitney Museum of American Art, Central Symmetrical Rotation Movement, New York, NY, USA! Paul McCarthy & Benjamin Weissman – Quilting Sessions, Galleria Civica di Arte Contemporanea, Trento, Italy (Travelling Exhibition) ! 2007 Paul McCarthy’s Chocolate Factory, Maccarone Gallery, New York, NY, USA Head Shop/Shop Head, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; Paul McCarthy – Head Shop / Shop Head, Moderna Museet, Stockholm, Sweden; ARoS – Aarhus Museum of Art, Denmark (Travelling Exhibition) Paul McCarthy: Tokyo Santa, The Essl Collection,