The Inventory of the Humphrey Bogart Collection #1764
The Inventory of the Humphrey Bogart Collection #1764 Howard Gotlieb Archival Research Center Bogart, Humphrey #1764 Dec. 28, 2009 Box 1 Folder 1 I. Manuscripts. A. Screenplays; all leather-bound presentation copies with black and white film stills included. 1. “The Barefoot Contessa,” by Joseph L. Mankiewicz, 153 p., Oct. 2, 1953. Folder 2 2. “Battle Circus,” by Richard Brooks, 118 p., June 25, 1952; completed June 27, 1952. Folder 3 3. “Dark Passage,” by Delmer Daves, 152 p., Oct. 15, 1946. Folder 4 4. “Deadline: U.S.A.,” by Richard Brooks, final draft, 124 p., Sep. 17, 1951. Folder 5 5. “The Desperate Hours,” by Joseph Hayes, revised final, draft, 173 p., Sep. 20, 1954. Folder 6 6. “In a Lonely Place,” by Andrew Solt, final draft, 145 p., Oct. 18, 1949. Folder 7 7. “Knock on Any Door,” by Daniel Taradash, revised final, draft, ca. 120 p., July 24, 1948. 2 Box 1 cont’d. Folder 8 8. “Sabrina,” by Billy Wilder, Samuel Taylor, and Ernest Lehman, final “white” script, 134 p., Oct. 7, 1953. Folder 9 9. “Tokyo Joe,” by Cyril Hume, final draft, 122 p., Dec. 23, 1948. Folder 10 10. “We’re No Angels,” by Ranald MacDougall, final revised script, 124 p., June 16, 1954. Envelope 1 II. Photographs. A. Images of HB. 1. Portraits of HB by Yusuf Karsh. a. Print, black and white, 10.5 x 13.5,” n.d. b. Two negatives, HB’s head only, black and white, 8 x 10”, n.d. 2. Photos of Jean Negulesco’s pencil portrait of HB.
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