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Plays similar to or like The Desperate Hours (play) 1990 American neo-noir suspense action thriller film, and a remake of the 1955 William Wyler crime drama of the same title. Both films are based on the 1954 novel by Joseph Hayes, who also co-wrote the script for this film with Lawrence Konner and Mark Rosenthal. Wikipedia. American playwright, novelist and screenwriter born in Indianapolis, Indiana, the son of Harold Joseph, a furniture dealer, and Pearl M. Arnold Hayes. Hayes entered a Benedictine monastery at the age of thirteen, attending St. Meinrad Seminary High School in southern Indiana for two years, but graduated from Arsenal Technical High School in Indianapolis in 1936. Wikipedia. 1955 film noir starring Humphrey Bogart and Fredric March. Produced and directed by William Wyler and based on the 1954 novel and 1955 play of the same name, written by Joseph Hayes, which were loosely built on actual events. Wikipedia. Play by Simon Stephens based on the novel of the same name by Mark Haddon. Surpassed by Harry Potter and the Cursed Child in 2017 with nine wins). Wikipedia. Play by Enid Bagnold that premiered in the US in 1955 and was produced in Britain the following year. Mystery that is solved during the action of the play. Wikipedia. 1948 play based on the 1946 Thomas Heggen novel of the same name. The novel began as a collection of short stories about Heggen's experiences aboard and in the South Pacific during World War II. Wikipedia. Stage musical based on the 1988 children's novel of the same name by Roald Dahl. Adapted by Dennis Kelly, with music and lyrics by Tim Minchin and directed for the stage by Matthew Warchus. Wikipedia. 1948 play in three acts written by William Wister Haines, and formed the basis for his best-selling novel of the same title. Produced by Kermit Bloomgarden and directed by John O'Shaughnessy, it ran for 409 performances from October 1, 1947 to September 18, 1948 at the Fulton Theatre in New York City. Wikipedia. Play written by Truman Capote based on his novel of the same name. Producer Saint Subber staged it on Broadway in 1952. Wikipedia. Satirical play by the American author Joseph Heller, first produced in 1971 and based on his 1961 novel of the same name. The story follows Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier, and a number of other characters. Wikipedia. List of plays that have been adapted into feature films followed by a list of feature films based on stage plays or musicals. The Guinness Book of Records lists 410 feature-length film and TV versions of William Shakespeare's plays as having been produced, which makes him the most filmed author ever in any language. Wikipedia. Play by Reginald Rose adapted from his 1954 teleplay of the same title for the CBS Studio One anthology television series. Staged in a 1964 London production, the Broadway debut came 50 years after CBS aired the play, on October 28, 2004, by the Roundabout Theatre Company at the American Airlines Theatre, where it ran for 328 performances. Wikipedia. 1954 play by American playwright Maxwell Anderson, adapted from the 1954 novel of the same name by American writer William March. Able to charm her way into getting just about anything she wants. Wikipedia. Play by Jack Kirkland first performed in 1933, based on the 1932 novel of the same name by Erskine Caldwell. The play ran on Broadway for a total of 3,182 performances, surpassing Abie's Irish Rose to become the longest-running play in history at the time. Wikipedia. 1959 musical based on the 1933 Eugene O'Neill play Ah, Wilderness, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell. The idea to musicalize Ah, Wilderness came to David Merrick when George M. Cohan came through St. Louis with the original production of the O'Neill play. Wikipedia. 1985 play by Christopher Hampton adapted from the 1782 novel of the same title by Pierre Choderlos de Laclos. The plot focuses on the Marquise de Merteuil and the Vicomte de Valmont, rivals who use sex as a weapon of humiliation and degradation, all the while enjoying their cruel games. Wikipedia. Play written by Augustus and Ruth Goetz based on the novel of the same name by André Gide. The original production starred James Dean, Louis Jourdan, and Geraldine Page. Wikipedia. Play by Brian Clark adapted from his 1972 television play of the same title, which starred Ian McShane. The stage version premiered in 1978 at the Mermaid Theatre in London, and subsequently opened on Broadway in 1979. Wikipedia. Play by Bernard Slade, author of Same Time, Next Year. Getting married. Wikipedia. 1920 play adapted by American author Zona Gale from her novel of the same title. Miss Lulu Bett premiered on Broadway at the Belmont Theatre on December 27, 1920 and closed on June 18, 1921 after 198 performances. Wikipedia. A list of American films released in 1955. The United Artists film Marty won the Academy Award for Best Picture for 1955. Wikipedia. 1981 drama film based on the novel of the same title by Klaus Mann. Directed by István Szabó, produced by Manfred Durniok, with a screenplay written by Péter Dobai and Szabó, Mephisto follows a German stage actor who finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. Wikipedia. Play written by James Lapine, based on Moss Hart's 1959 autobiography of the same title. The play premiered on Broadway in 2014. Wikipedia. Four-act play written by Michael Arlen as an adaptation of his 1924 novel of the same name. Producer A. H. Woods staged it on Broadway, where it opened at the Broadhurst Theatre on September 15, 1925. Wikipedia. Joseph Hayes, 88, Author of ‘The Desperate Hours,’ Dies. Joseph Hayes, who wrote the novel “The Desperate Hours,” which he later turned into a Tony Award-winning play and a movie, died on Sept. 11 in St. Augustine, Fla., where he lived. He was 88. Mr. Hayes died in a nursing home of complications from Alzheimer’s disease, said his son Daniel Hayes. Though Mr. Hayes had already made it to Broadway in 1949 with a short-lived play, “Leaf and Bough,” he was catapulted to fame with “The Desperate Hours,” his 1954 suspense novel about a suburban family taken hostage at home by three escaped convicts. In his review in The New York Times, the critic Orville Prescott called it “an expert study of the agonizing dilemma of a group of sharply delineated and deeply understood characters.” Immediately after the book’s debut, Mr. Hayes joined with an actor-turned-producer, Howard Erskine, to bring the theatrical version to Broadway. Their production, based on Mr. Hayes’s adaptation and starring a young Paul Newman, won the 1955 Tony Award for best play. Mr. Hayes also developed the novel into a screenplay; the movie, directed by William Wyler, with Humphrey Bogart in the role that Mr. Newman originated and Fredric March as the homeowner, won an Edgar Award in 1956. The film was remade in 1990 by Michael Cimino. The story recounted in “The Desperate Hours” was inspired by a number of true episodes around the country. Mr. Hayes was sued several times by families who claimed he had based his novel on their experiences, though all of those suits were unsuccessful. In 1955, for a photographic display accompanying an article about the Broadway play, Life magazine posed some of the actors in a house outside Philadelphia, where a similar home invasion had taken place three years earlier. James J. Hill, the father of the family that had been taken hostage, sued Time Inc., Life’s parent company, arguing that the article and photographs had conflated his story with the fictional, and very different, events in Mr. Hayes’s book, entitling the Hill family to damages. In 1967, the case went before the United States Supreme Court, where Mr. Hill was represented by Richard M. Nixon, then a Wall Street lawyer. The court ruled in favor of Time, citing the absence of proof of “actual malice.” (Actual malice is a legal term meaning knowledge of falsity or reckless disregard for the truth.) The ruling expanded the proof of malice requirement to cases involving people who are not public figures but are in the news, a significant decision in First Amendment law. Though he never again experienced the success he had with “The Desperate Hours,” Mr. Hayes continued over the next three decades to work in theater and write books, most of them crime fiction. With Mr.
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