DOCSLIB.ORG

Programa De Mano

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Programa De Mano JOSÉ LUIS DÉSIRÉE SOLA KAREL MARK RANCATORE TENOR CHICHON SOPRANO DIRECTOR GALA LÍRICA 24 NOVIEMBRE 2019 20:00H XVII HOMENAJE A ALFREDOORQUESTA FILARMÓNICA KRAUS DE GRAN CANARIA CON LA COLABORACIÓN DE: DÉSIRÉE RANCATORE, Soprano Nacida en Palermo, estudia violín y piano antes Royal Philharmonic Orchestra de Londres o de comenzar, a los dieciséis años, sus estudios la Liverpool Philharmonic Orchestra, bajo la de canto con su madre en Palermo y luego con dirección de Riccardo Muti y Ottavio Dantone. Margaret Baker Genovesi en Roma. Tres años más tarde debuta como Barbarina en Le Nozze Entre sus recientes actuaciones: La fille du di Figaro en el Festival de Salzburgo. régiment y la Gran Misa en Do menor en el Massimo de Palermo y La Traviata en gira Désirée Rancatore ha cantado en los teatros a Tokyo con el mismo teatro; Rigoletto en más importantes del mundo, incluyendo la Hannover, Taormina, Cagliari, Barcelona y en Scala de Milán, Festival de Salzburgo, Royal gira a Japón con el Comunale de Bolonia; Die Opera House - Covent Garden de Londres, Lustige Witwe en el Filarmónico de Verona; Opéra National de París, Opernhaus de Maria Stuarda, Norma y Don Pasquale en el Zúrich, Wiener Staatsoper, Real de Madrid, Carlo Felice de Génova; Le Cinesi de Gluck Accademia Nazionale di Santa Cecilia, Rossini en Valencia; La Traviata en Praga y en gira a Opera Festival de Pésaro, como así también Japón con el Teatro Verdi de Trieste. Entre sus en Florencia, Venecia, Parma, Génova, Turín, futuros compromisos: Liù en Turandot (Trieste) Bologna o Palermo, entre muchos otros. y Anna Bolena (Génova). Ha trabajado con directores de la talla de Fabio Biondi, Myung-Whun Chung, James Desirée Rancatore ha sido galardonada con Conlon, Charles Mackerras, Lorin Maazel o el Premio Especial Ester Mazzoleni, el Premio Riccardo Muti. En el repertorio sinfónico, ha Internacional Mimosa d’Oro, el primer Oscar sido solista en la Petite Messe Solennelle de de la Ópera por la Arena de Verona, el Premio Rossini, la Gran Misa en Do menor y el Réquiem Zenatello a la mejor soprano de la temporada de Mozart o el Stabat Mater de Pergolesi, 2008 y el Premio Bellini d’Oro de la ciudad de con la Orchestra Filarmonica della Scala, Catania en 2019. la Orchestra Sinfonica della RAI de Turín, la JOSÉ LUIS SOLA, Tenor Comienza sus estudios musicales en la Siviglia en Murcia; Il Turco in Italia en Wildbad Escolanía Niños Cantores de Navarra, bajo (Alemania); La Sonnambula en Pamplona; la dirección del Padre Goicoechea y estudia El Relámpago en el Teatro Nacional de la impostación y repertorio con el tenor Ricardo Zarzuela; Le diable á Sèville en Valencia; Krol Visus. En 2002 gana una beca extraordinaria Roger en Bilbao y Manaos; Die entführung aus del Gobierno de Navarra y una bolsa de dem Serail en la Ópera de Las Palmas de Gran estudios en el Concurso Internacional de Canto Canaria; El Caserío en el Arriaga de Bilbao y los Julián Gayarre y también obtiene el II Premio Teatros del Canal de Madrid. Ha estrenado y Masculino, premio especial de la crítica y una grabado la ópera Juan José de Sorozábal en el beca de estudios al mejor intérprete español Auditorio Kursaal de San Sebastián y Auditorio en el Concurso Internacional de Canto de Nacional de Madrid, prosiguiendo con Don Bilbao. Pasquale en la Ópera de Oviedo, Viva Madrid en los Teatros del Canal de Madrid, L’equivoco José Luis Sola comienza entonces stravagante en Bilbao, El dominó azul en una prometedora y exitosa carrera Pamplona o La Gran Duquesa de Gerolstein en artística interviniendo en los roles La Zarzuela de Madrid, entre otros. principales de su cuerda de Don Pasquale en Cesena (Italia), Pamplona y Málaga; Lucia Como solista en el repertorio sinfónico de Lammermoor y Faust en Barcelona; Rita y vocal, José Luis Sola participa en la Messe L’arbore di Diana en el Real de Madrid; Lucrezia Solennelle de Sainte-Cécile de Gounod, la Borgia, La Traviata, Manon y Les dialogues Petite Messe Solennelle de Rossini, el Requiem des Carmélites en Oviedo; Don Giovanni en el y la Misa de la Coronación de Mozart, Stabat Teatro Colón de Guatemala, Mahón, Sevilla y Mater de Haydn, IX Sinfonía de Beethoven, Pamplona; Die Zauberflöte en Bilbao, Málaga Liebeslieder Walzer de Brahms o la Messa y Oviedo; Doña Francisquita en el Arriaga di Gloria de Puccini, ofreciendo numerosos de Bilbao; Falstaff en el Teatro Nacional de conciertos por España y Estados Unidos. Costa Rica y Bilbao; Les pêcheurs de perles en Recientes y futuras actuaciones incluyen Pamplona; Cyrano de Di Chiera en la Michigan Don Pasquale en Pamplona, Viva Madrid en Opera; Rigoletto y Faust en Varsovia y en Costa Omán, El Juez en Viena, Les pêcheurs de perles Rica; La fille du régiment en Jerez; L´Italiana en Dubai, I Capuleti e i Montecchi en Oviedo, in Algeri en Jerez, Córdoba y Costa Rica; Il Don Giovanni en Bilbao, así como diferentes Concilio dei Pianeti con Claudio Scimone giras de conciertos y recitales. e I Solisti Veneti en Padua; Il barbiere di ORQUESTA FILARMÓNICA DE GRAN CANARIA Siguiendo una tradición que se remonta a La OFGC ha participado en los más 1845, la Orquesta Filarmónica de Gran Canaria importantes ciclos sinfónicos españoles y ha (OFGC) surge como tal al amparo de la hecho giras a Alemania, Austria, Suiza, Japón fundación pública del mismo nombre creada y China. Asimismo, ofrece una importante por el Cabildo de Gran Canaria en 1980. actividad en los eventos musicales más destacados de las islas, así como en las Entre las figuras más destacadas que han temporadas de ópera y zarzuela de Las dirigido la orquesta cabe señalar a Rudolf Palmas de Gran Canaria y en conciertos Barshai, Frans Brüggen, Rafael Frühbeck multitudinarios en el Festival de Teatro, Música de Burgos, Bernhard Klee, Leopold Hager, y Danza de Las Palmas de Gran Canaria, el Christopher Hogwood, Thomas Hengelbrock, Estadio de Gran Canaria o el Gran Canaria Raymond Leppard, Jesús López Cobos, Iván Arena. Martín, John Nelson, Trevor Pinnock, Mstislav Rostropovich, Pinchas Steinberg, Ralf Weikert, La Orquesta Filarmónica de Gran Canaria Antoni Wit, así como Adrian Leaper, que fue realiza una intensa labor de difusión de la su director titular entre 1994 y 2002, y Pedro música en los diferentes municipios de Gran Halffter, director artístico y titular entre 2004 Canaria y acciones y proyectos de carácter y 2016. social. Entre los solistas que han actuado con la Su discografía incluye registros para Deutsche OFGC, cabe citar las grandes voces de la Grammophon, Warner Music, Arte Nova, ASV y lírica: Montserrat Caballé, José Carreras, la colección “La mota de polvo” de AgrupArte. Plácido Domingo, Elina Garanca, Matthias Goerne, Alfredo Kraus, Petra Lang, Felicity La OFGC ofrece una programación ejemplar Lott, Anne Sofie von Otter, René Pape, o los de conciertos educativos dirigidos a escolares más reconocidos instrumentistas: Joaquín y familias, a través de un Servicio Pedagógico Achúcarro, Steven Isserlis, Janine Jansen, específico. Isabelle van Keulen, Katia y Marielle Labèque, Alicia de Larrocha, Nikolai Lugansky, Mischa Karel Mark Chichon es Director Artístico y Maisky, Sabine Meyer, Daniel Müller-Schott, Titular de la Orquesta Filarmónica de Gran Eldar Nebolsin, Cécile Ousset, Maria João Canaria desde mayo de 2017, cargo en el que Pires, Mstislav Rostropovich, Fazil Say o Frank ha sido renovado hasta 2023. Peter Zimmermann. Günther Herbig es Director Honorario de la OFGC desde la pasada temporada 2019-2019. La OFGC es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS). KAREL MARK CHICHON, Director artístico y titular Nacido en Londres en 1971, Karel Mark Viena, Deutsche Oper en Berlín, Ópera Estatal Chichon procede de Gibraltar. Estudió en la de Baviera, Teatro dell’Opera di Roma, Teatro Royal Academy of Music de la capital británica Comunale di Bologna, Teatro Real de Madrid y fue director asistente de Giuseppe Sinopoli y Gran Teatre del Liceu, y a orquestas como y Valery Gergiev. En reconocimiento por sus la Royal Concertgebouw de Ámsterdam, servicios a la música, la Reina Isabel II de Sinfónica de Londres, English Chamber Inglaterra le nombró Oficial de la Excelentísima Orchestra, Filarmónica de la Radio Holandesa, Orden del Imperio Británico (OBE) en junio de Sinfónica de la Radio de Berlín, Sinfónica 2012. En 2016 fue elegido Miembro de la Royal de Viena, Sinfónica de la Radio de Viena, Academy of Music como reconocimiento a su Sinfónica de la NHK de Tokio, Suisse Romande, labor en la profesión. Nacional de Bélgica, Sinfonica Nazionale della RAI, Filarmónica de Monte Carlo y Orquesta En mayo de 2017 fue nombrado Director Nacional de Rusia. Artístico y Titular de la Orquesta Filarmónica de Gran Canaria, cargo en el que ha sido Dirige habitualmente en escenarios como renovado hasta 2023. la Philharmonie en Berlín, Musikverein y Konzerthaus en Viena, Concertgebouw en Director Titular y Artístico de la Orquesta Ámsterdam, Royal Festival Hall en Londres, Sinfónica Nacional de Letonia (2009-2012) y Théâtre des Champs-Élysées en París, Director Titular de la Orquesta Sinfónica de Philharmonie en Múnich, Laeiszhalle en Graz en Austria (2006-2009), entre 2011 a Hamburgo, Alter Oper en Frankfurt, Gran 2017 fue Director Titular de la Deutsche Radio Sala del Conservatorio de Moscú, Auditorio Philharmonie Saarbrücken Kaiserslautern, Nacional de Música en Madrid y Seoul Arts siendo aclamado por su innovador trabajo, Center en Corea del Sur. reflejado en el éxito de sus primeros tres volúmenes de las obras orquestales de Dvorák Desde 2006 a 2010 fue Director Musical de los que grabará para Hänssler Classics. conciertos “Navidades en Viena” celebrados anualmente en la Konzerthaus vienesa. Ha dirigido a los conjuntos de teatros como la Metropolitan Opera de Nueva York, en la Es artista habitual del prestigioso sello Deutsche que debutó en 2016 con Madama Butterflyy Grammophon, para el que ha grabado tres discos adonde volverá esta temporada con La Traviata y un DVD.
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • CONDUCTOR Rico Saccani
    如 • 歌 • 文 • 化 Ruge Artists Management 扫描关注微信订阅号 CONDUCTOR Rico Saccani ARTISTIC ACHIEVEMENTS Rico Saccani is the most recently served as Music Director/Artistic Adviser of the Budapest Philharmonic Orchestra and was principal guest conductor of the Hungarian State Opera. He won top prize in the Herbert von Karajan International Conducting Competition in Berlin. He was immediately engaged to perform with the Berlin and Stuttgart Radio Orchestras, the Royal Danish Philharmonic and the Spoleto Festival. His opera debut came in 1985 in Verdi’s Un Giorno di Regno at the Teatro Filarmonico di Verona. La Traviata at the Paris Opera and the Vienna State Opera, Il Turco in Italia at the Rossini Festival in Pesaro plus La Bohème at the Philadelphia Opera with Luciano Pavarotti for the PBS American television network immediately followed. PERFORMANCES He has returned on numerous occasions as a guest conductor with the most important symphony orchestras around the globe, such as Bavarian Radio Orchestra, Czech Philharmonic Orchestra, Cologne Gurzenisch Symphony and Opera Orchestras, Houston Symphony, Oslo Philharmonic, Royal Philharmonic of Denmark, Tokyo Philharmonic, Yomiuri Symphony Orchestra. He has also worked with many of the world’s greatest solo artists, such as Alicia De Larrocha, Stephen Isserlis, Denis Matsouev, Sabine Meyer, Kun Woo Paik, Dimitri Sitkovetsky, Maxim Vengerov, Julian Lloyd-Weber, Pinchas Zuckerman, etc, as well renowned Beaux Arts Trio. Maestro Saccani has also appeared at the Hamburg State Opera, the Lyon Opera, the Monte-carlo Opera, the Arena de Nimes Festival, the Paris Opera Comique, Rome, Dresden and Cologne Operas. He made his Metropolitan Opera debut in Il Trovatore and re- engaged for the first international radio broadcast of Traviata and Aida.
    [Show full text]
  • Montserrat Caballé En El Teatro De La Zarzuela
    MONTSERRAT CABALLÉ EN EL Comedia musical en dos actos TEATRO DE LA ZARZUELA Victor Pagán Estrenada en el Teatro Bretón de los Herreros de Logroño, el 12 de junio de 1947, y en el Teatro Albéniz de Madrid, el 30 de septiembre de 1947 Teatro de la Zarzuela Con la colaboración de ontserrat Caballé M en el Teatro de la Zarzuela1 1964-1992 1964 1967 ANTOLOGÍA DE LA TONADILLA Y LA VIDA BREVE LA TRAVIATA primera temporada oficial de ballet y teatro lírico iv festival de la ópera de madrid 19, 20, 21, 22, 24 de noviembre de 1964 4 de mayo de 1967 Guión de Alfredo Mañas y versión musical de Cristóbal Halffter Música de Giuseppe Verdi Libreto de Francesco Maria Piave, basado en Alexandre Dumas, hijo compañía de género lírico Montserrat Caballé (Violetta Valery) La consulta y La maja limonera (selección) Aldo Bottion (Alfredo Germont), Manuel Ausensi (Giorgio Germont), Textos y música de Fernando Ferrandiere y Pedro Aranaz Ana María Eguizabal (Flora Bervoix), María Santi (Annina), Enrique Suárez (Gastone), Juan Rico (Douphol), Antonio Lagar (Marquese D’Obigny), Silvano Pagliuga (Dottore Grenvil) Mari Carmen Ramírez (soprano), María Trivó (soprano) Ballet de Aurora Pons Coro de la Radiotelevisión Española La vida breve Orquesta Sinfónica Municipal de Valencia Música de Manuel de Falla Dirección musical Carlo Felice Cillario, Alberto Leone Libreto de Carlos Fernández Shaw Dirección de escena José Osuna Alberto Lorca Escenografía Umberto Zimelli, Ercole Sormani Vestuario Cornejo Montserrat Caballé (Salud) Coreografía Aurora Pons Inés Rivadeneira (Abuela),
    [Show full text]
  • N E W S R E L E a S E
    N E W S R E L E A S E CONTACT: Katherine Blodgett/The Philadelphia Orchestra Director of Public/Media Relations phone: 215.893.1939 e-mail: [email protected] FOR IMMEDIATE RELEASE DATE: December 19, 2008 THE PHILADELPHIA ORCHESTRAORCHESTRA,, WITH CHRISTOPH ESCHENBACHESCHENBACH CONDUCTING, TOURS EUROPE AND THE CANARY ISLANDS ThreeThree----weekweek tour includes visits to the Canary Islands, Spain, Portugal, Luxembourg, Hungary, and Austria ––– violinist Leonidas Kavakos joins tour as soloist (Philadelphia, December 19, 2008) – The Philadelphia Orchestra embarks on its 2009 Tour of Europe and the Canary Islands on January 26, 2009. Under the leadership of Christoph EschenbachEschenbach, the Orchestra visits nine cities in five countries making first visits to Santa Cruz de TenerifeTenerife, Las Palmas de Gran CanariaCanaria, LuxembourgLuxembourg, and BudapestBudapest. The three-week tour, which concludes February 14, also includes performances in BarcelonaBarcelona, LisbonLisbon, MadridMadrid, ValenciaValencia, and ViennaVienna. Violinist Leonidas Kavakos joins The Philadelphia Orchestra for eight of the tour’s concerts. ToToTourTo ur Repertoire and Artists On the 2009 tour, The Philadelphia Orchestra performs Prokofiev’s Fifth Symphony, Schubert’s Symphony in C major (“Great”), Pintscher’s Osiris , Bruckner’s Sixth Symphony, Schoenberg’s Chamber Symphony No. 1, and Beethoven’s Overture to Egmont . Guest soloist Leonidas Kavakos performs Bartók’s Violin Concerto No. 2 with the Orchestra on concerts in Santa Cruz de Tenerife, Las Palmas de Gran Canaria, and Luxembourg, and performs Sibelius’s Violin Concerto on concerts in Lisbon, Madrid, Valencia, Budapest, and Vienna. Conductor Christoph EschenbachEschenbach, music director of The Philadelphia Orchestra from 2003 to 2008, leads the 2009 Tour of Europe and the Canary Islands.
    [Show full text]
  • JOAN MATABOSCH Artistic Director
    JOAN MATABOSCH Artistic Director Artistic Director of the Teatro Real de Madrid since the 2013-2014 season. From 1997 to 2013 he acted as Artistic Director of the Gran Teatre del Liceu. He had earlier served as Assistant Artistic Director of the Dramatic Arts department for the same theatre, having also worked as a journalist and opera, theatre, music and dance critic for different publications. He has a graduate degree in Piano, Song and Harmony; and also in Information Sciences from the Universitat Autònoma de Barcelona. He was the founder, treasurer and president of Opera Europa, a member of the Artistic Board of the INAEM (Spanish Ministry of Culture) and is a member of juries on renowned international cultural, musical and lyrical competitions: Princess of Asturias Award in Arts (Oviedo), Operalia, Belvedere, Concurs Internacional “Francisco Viñas” (Barcelona), Fedora Award (Paris), “Les Mozart de l’Opéra” (Théâtre des Champs-Elysées, Paris), International Opera Awards (London), Glyndebourne Opera Cup, Concours International de Chant de la Ville de Toulouse, Concorso “Ottavio Ziino” (Roma), Voci Verdiane (Busseto), Grand Prix de l’Opéra (Bucarest), “Maria Kraja” Competition (Tirana), Concurs Internacional de Cant Alfredo Kraus (Las Palmas de Gran Canaria), “El Ojo Crítico” by Radio Nacional de España, the “mecomprounaobra” initiative of the ARCO Foundation (Madrid), etc. Masters’ degrees, conferences, postgraduate courses and lectures at Opera America, Réunion des Opéras de France, RESEO, National Centre for the Performing Arts (NCPA)
    [Show full text]
  • Love Forbidden, Not Forgotten
    2011-2012 Season Love forbidden, not forgotten Luisa Fernanda La rondine Rigoletto Roméo & Juliette LUISA FERNANDA SUBSCRIBERS SEE © Javier del Real for Teatro Real LA RONDINE 4 OPERASFORTHEPRICEOF © Carol Rosegg for New York City Opera RIGOLETTO © Ken Howard for San Diego Opera ROMÉO & JULIETTE 3 © Michal Daniel for The Minnesota Opera Dear Florida Grand Opera Subscriber, I am delighted to invite you to join us for Florida Grand Opera’s 2011-2012 season, which will begin with our first-ever presentation of a zarzuela, Federico Moreno Torroba’s Luisa Fernanda, in a remarkable production from Madrid’s Teatro Real. Zarzuela, a traditional form of Spanish musical theater, has been championed by the world’s great Hispanic opera singers, including Montserrat Caballé, Pilar Lorengar, Alfredo Kraus, and Teresa Berganza. The great tenor Plácido Domingo actually began his magnificent career singing zarzuela and has kept it in his repertory over the years. This Teatro Real production has been seen at Milan’s La Scala, Washington National Opera, and Los Angeles Opera, and we are proud to be able to present it to our Maestro Ramon Tebar and Bob Heuer South Florida audience. It promises to be a highlight of the season. The season will also include Florida Grand Opera’s first-ever production of Puccini’s La rondine, which has been enjoying renewed worldwide popularity, and truly remarkable artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette. I hope you will join me in welcoming FGO’s new Music Director, Ramon Tebar, who will assume that role during the 2011-2012 season.
    [Show full text]
  • Präsentation CARRERAS COLLECTION 09012014
    M▪▪▪R▪▪▪A Media Rights Agency M▪▪▪R▪▪▪A Media Rights Agency presents TOTAL BUY OUT OF A UNIQUE TV-CLASSIC PORTFOLIO Programs with JOSÉ CARRERAS and more of the major stars of classical-music! M ▪▪▪ R ▪▪▪ A M▪▪▪R▪▪▪A Media Rights Agency Preface Dear CEO ´s and Content Buyers, Make a safe investment in this exclusive cultural television rights for a sensational total buy-out price, now! We, MRA, Media Rights Agency, have, for the beginning of 2014, a one-time offer for you! 1,000 minutes of airtime Classic as a total buy-out. Starring JOSÉ CARRERAS! And also: MONTSERRAT CABALLÉ, DANIELA DESSI, RUGGERO RAIMONDI, THOMAS HAMPSON, ROLANDO VILLAZON, ZUBIN METHA and many other stars of the classical world . Our client is a major European TV producer, long-time exclusive television producer of the Spanish star tenor José Carreras. The company's CEO leaves after 40 years of active media into retirement and sells its television rights portfolio in 2014 completely. MRA, Media Rights Agency, is tasked to offer this unique and exclusive TV-package to the major media companies, TV channels, rights-holders, license buyers, distributors etc. - Buy the exceptional stock now, moving then on sustainable long-term evaluate. 1.000 minutes of airtime, consisting of 11 television productions : TV galas, open-air concerts and documentaries from 1988 to 2013. Together with a recent cross-section of all 11 productions from 2013 "Best of!" ( All productions are converted in HD format, 16:9, English subtitles). A very special offer - limited until 28th February 2014! We will gladly make you an individual offer for each of your desired scope of rights (Countries, TV Channels, Media Platforms etc.) and also for the entire world rights of the copyright stock.
    [Show full text]
  • Alfredo KRAUS
    Alfredo KRAUS Encore une grande voix ! Une voix reconnaissable entre toutes, comme toutes les grandes voix ! Un ténor exceptionnel, d’une grande élégance physique, morale et vestimentaire ! Une élégance artistique, faite de retenue, de discrétion personnelle (cet homme célèbre n’était pas un « people » ! Enfin, c’était une grande voix espagnole », parmi une grande école de voix, les Miguel FLETA, Plácido DOMINGO, Victoria de LOS ANGELES, José CARRERAS, Montserrat CABALLE, Giacomo ARAGALL, Pilar LORENGAR, Teresa BERGANZA, et j’en oublie, qu’ils me le pardonnent, je les aime tous ! Mais j’aime particulièrement les discrets et les réservés ! Comme son nom l’indique, notre héros était à la fois espagnol et d’origine germanique (autrichienne) (Alfredo Kraus Trujillo, nom des deux parents, comme d’usage en Espagne. Alfredo KRAUS est ne le 24 novembre 1927 à Las Palmas de Gran Canarias (capitale des Iles Canaries), où sur la grand Place figure sa statue, et il est mort le 10 septembre 1999 à Madrid. C’était d’abord un artiste de « bel canto » (Donizetti, Bellini), qui s’était voué au répertoire italien et français. Mais d’abord et depuis l’âge de 4 ans, leçons de piano, puis à partir de 8 ans, il chanta dans des chœurs, à commencer par celui de son école, puis dans d’autres choeurs comme adolescent. Il n’était pas le seul de la famille à chanter puisque son frère Francisco chantait aussi comme baryton et étudia avec lui la musique et l’Opéra. Après ses études de chant, d’abord à Barcelone, puis à Valence puis à Milan avec Mercedes Llopart, professeur de chant, notamment des grandes cantatrices Renata Scotto, Fiorenza Cossotto et de l’américaine Anna MOFFO, ce fut le temps des concours et il remporta le Concours de chant de Genève.
    [Show full text]
  • Teresa Verdera
    OperaManager.com - Teresa Verdera Born in Ibiza.She began her music education at the Real Conservatorio Profesional de Música y Danza de Palma de Mallorca, where she studiedviolin, piano and singing. Later she went to live in Madrid, where studied technical singing whith Julián Molina & Marimí del Pozo, Vocal repertoire with Felix Lavilla and Miguel Zanetti and scenic interpretation with Rafael Perez Sierra, Rodriguez Aragón and José Luis Alonso. Languages aplied to singing : Italian, English, French and German. She obtained scholarship from the Banco de España, and went to Milan to inscribe in the "Piccola Scala" and improve her operistic technical and stile with giulietta Simionato, after in Siena in the Chigiana Music Academy whith the maestro Giorgio Favaretto and later in the Conservatorio de Música de Osimo With Katia Ricciarelli. Already into her career she contnues perfecting her technic in magisterial classes with Alfredo Kraus, Montserrat Caballé, Teresa Berganza, Poul shilavsky & Gerard Soused. AWARDS _ Second reward 3rd "Concurso internacional de Canto" in the city of Oporto (Portugal). _ Second reward in the Concurso Internacional de Canto "María Canals" of Barcelona (Spain). _ Laureado y Bolsa de Estudios in the category of Lied-Oratorio in the Concurso internacional de Canto "Francisco Viñas" of Barcelana (Spain) _ Second reward in the "Concurso Internacional de Canto of La Loire" in France. _ Second reward in the Singing Festival of T.V European of Gante (Belgium). _ First reward and Special Reward from the public in the Concurso Internacional de Canto "Alfredo Kraus" of las Palmas de Gran Canaria. _ Second Reward in the Concurso Internacional de Canto "Belvedere" in Vienn (Austria).
    [Show full text]
  • The Baritone to Tenor Transition
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 The Baritone to Tenor Transition John White University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Pedagogy Commons, and the Music Performance Commons Recommended Citation White, John, "The Baritone to Tenor Transition" (2018). Dissertations. 1586. https://aquila.usm.edu/dissertations/1586 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. THE TENOR TO BARITONE TRANSITION by John Charles White A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. J. Taylor Hightower, Committee Chair Dr. Kimberley Davis Dr. Jonathan Yarrington Dr. Edward Hafer Dr. Joseph Brumbeloe ____________________ ____________________ ____________________ Dr. J. Taylor Hightower Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2018 COPYRIGHT BY John Charles White 2018 Published by the Graduate School ABSTRACT Many notable opera singers have been virtuosic tenors; Franco Corelli, Plácido Domingo, James King, José Carreras, Ramón Vinay, Jon Vickers, and Carlo Bergonzi. Besides being great tenors, each of these singers share the fact that they transitioned from baritone to tenor. Perhaps nothing is more destructive to the confidence of a singer than to have his vocal identity or voice type challenged.
    [Show full text]
  • Biography Alfredo Kraus
    Introduction Rosa KRAUS LEY Chair Fundación Internacional Alfredo Kraus The international career of tenor Alfredo Kraus has a highly qualified jury at an event hosted in the city of always been a point of pride for his home island of his birth. This initiative had taken shape by 2016 and Gran Canaria and the city of his birth, Las Palmas became a reality in 2017, when the sixth Competition de Gran Canaria. From the mid-1950s to 1999, the was organised with backing from local institutions name Alfredo Kraus was renowned at the greatest and funding from the Gran Canaria Island Council in opera theatres and concert halls, resulting in an an ongoing tribute to the island’s cultural ambassador extensive range of recordings that can be heard today par excellence. on films, radio and television. After his death, Kraus became a legend, a status few artists achieve. For new As the guardian of the tenor’s artistic legacy, the generations of singers who missed the opportunity to Fundación Internacional Alfredo Kraus has sought to hear him live, he remains a figure of reference. And ensure the new Competition follows the ideals of its for professional singers and his countless admirers, founder. Eighteen years after the last event, the sixth Kraus is closely identified with Gran Canaria. Competition will host the semi-final and final rounds in the Auditorio Alfredo Kraus, the iconic auditorium Alongside his artistic activity, Alfredo Kraus was opened by Kraus in 1997. Following Kraus’ original intensely involved in teaching, initially giving master idea, the preliminary rounds will be held in different classes and finally holding a Chair at the Queen Sofía cities every year.
    [Show full text]