Medieval - Renaissance
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1 FADE in EXT. CITY DAY the City of Erinol, Capital of the Kingdom Marinia. Everything Is Prosperous and Peaceful. Outside
1 FADE IN EXT. CITY DAY The city of Erinol, capital of the kingdom Marinia. Everything is prosperous and peaceful. Outside a large, cathedral-like building a banner is hung reading "DungeonCon - All Weekend" on the front. TITLE SEQUENCE INT. CONVENTION HALL DAY Inside the convention hall it's packed with adventurers. THEODORA the duelist buys a chainmail bikini from one of the vendors selling more of the same. She's wearing leather pants, bucket boots and a white poet shirt with a black vest with gold embroidery. A bandana holds her long, curly red hair back. CIARAN the bard walks up. He's wearing a blue shirt and black trousers and boots, his shirt partially unlaced. A lute is slung over his back. He has long, messy dark hair and a short-trimmed beard. CIARAN Never thought I'd see you with one of those things, Theo. THEODORA Come again? CIARAN I know duelists like to travel light, but that thing wouldn't stop a mouse with a toothpick. THEODORA (smirking) What makes you think I'll be wearing it into combat? CIARAN (beat) Oh. Kinky. At a different booth, ELATHIL the elven scout is considering getting a portrait done in front of a fake dragon hoard. His long blond hair is tied in a braided ponytail slung over one shoulder. He wears earth tones with a cloak and black leather vest over his shirt. CELESTE (O.C.) Elathil! He turns to face CELESTE the nature priestess. She's wearing a simple green dress with a long skirt and carrying her staff of polished, 2 gnarled wood. -
GI Journal No. 75 1 November 26, 2015
GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
FASA JUNE News 2
CreativeConnections June 2011 June fiber artists of san antonio FASA Meeting June 13 Our June program will be presented by Lalon and Theresa Alexander, owners of Elephant Embellishments, which Calendar of Events June 13: Elephant Embellishments specializes in hand embroidery and July: FASA members Showcase beadwork of various techniques. After August: Oscar Silva living all over the U.S. and Europe September: October: Ilze Aviks, ! FASA Annual Show obtaining their educations and experience, November: Cobweb Sale the two sisters returned to their hometown Feb. 24-26, 2012 : Texas Federation of Fiber Artists of Lockhart to start their own business. Conference Their resumes are extensive: Lalon has a B.S. in Fashion Design from Texas Tech Table of Contents: University, a MFA in Costume Design Runway Show Images…..2-4 from Carnegie Mellon University and has FASA Members News.....5-7 completed various courses from The London FASA Membership form...8 Fiber Arts Community.....9 Meet the Board....10-12 Texas Federation of Fiber Artists Call for Vendors….13-14 Check the FASA Website for: http://fiberartists.weebly.com/index.html College • Call for Entries of Fashion, The Paris Fashion Institute, • Forms to enter The Texas Federation of Fiber Fashion Institute of Technology, Ecole Lesage, Artists Conference & Juried Exhibition and the Japanese Embroidery Center. Before • FASA Members websites & blogs Elephant Embellishments, she worked • Runway Show photos for some of the great costume houses: • Fiber Arts related Classes Tricorne of New York and The Royal Opera House of Covent Garden in FASA Membership Renewal England. She is currently an adjunct Deadline: June 1, 2011. -
Clothing Docum.Indd
1545 Italian Courtesan Clothing by Baroness Briana Etain MacKorkhill hen we think of Italy, we should remember that in the period we are discussing, it was divided into various duchies, princedoms, Papal Wstates and even a Republic. Such divisiveness contributed to the political intrigue and economic situations that kept such territories in a state of flux and contention with each other. Each state not only vied for economic advantages, but also scrambled for Papal sponsorship and favor. A new role for women gainst this tumultuous background, there arose a new role a woman could Aassume, that of the “honest” courtesan. Giovanni Burchard, the chronicler of Alexander VI (Borgia) was perhaps the first to use the phrase “courtesanae honestae” making explicit its derivation from the papal curia. He differentiated between them and common prostitutes, offering some piquant accounts of some of the games played at social affairs. And in Rome, according to a document in the Archivo di Stato Florentino the “honest courtesan” held the first of 3 classes of prostitutes. They were the “regents and goddesses” from nearly the beginning. An honest courtesan was independent, strong-willed, well-educated, liberated and often elevated to be an aristocratic companion. She was frequently fluent in several languages, achieved prominence in the arts – as poets, musicians, etc. – and would use her knowledge of classical literature to enhance her image. She was at once, companion, lover, confidant, and even advisor in matters both political and economic. “Continual dualism of free and yet bound”, best describes the balancing of a courtesan’s life. This all in a time when women had very little freedom otherwise. -
Spanish Farthingale Dress
Spanish Farthingale Dress This dress has a separate bodice, under skirt and over skirt, as well as a partlet at the neck.. The bodice opens in the back, the under skirt opens at the side, and the over skirt opens in the front. There are no fitting seams in the bodice. Although I did not add boning to the bodice, you certainly could. It would help to keep the front point down and add some body to the front of the bodice. The under skirt was made with muslin in the back to conserve fabric, which was certainly done in the 16th Century. The over skirt closes in the front under the point of the bodice. The straight sleeves have a gathered cap. This dress is worn with a Spanish farthingale and can also have a bum roll in the back for the support of the cartridge pleating. (see the bum roll pattern under the French Farthingale Dress Spanish Farthingale Cut 2 from each of the pattern pieces, adding ¼” for seam allowance (This can be made using muslin or similar fabric) When tracing the pattern, make sure that you mark all of the lines for the boning. Sew the seams for each set of the pattern so that you end up with two single layer farthingale skirts. Then stitch the two together at the bottom with right sides together. Finish the side openings by turning the seam allowance in and hand or machine stitching it closed. The top is finished with a piece of bias tape, leaving enough at the sides in order to tie the farthingale into place. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Tudor Sumptuary Laws and Academical Dress: an Act Against Wearing of Costly Apparel 1509 and an Act for Reformation of Excess in Apparel 1533
Transactions of the Burgon Society Volume 6 Article 2 1-1-2006 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 Noel Cox Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Cox, Noel (2006) "Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533," Transactions of the Burgon Society: Vol. 6. https://doi.org/10.4148/2475-7799.1047 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 6 (2006), pages 15–43 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 by Noel Cox In the United Kingdom, as in other modern liberal democracies, there are few, if any, restrictions upon one’s choice of habiliment.1 There have in the past, however, been repeated attempts in most countries and civilizations—from the Romans (and indeed earlier civilizations) onwards—to strictly control aspects of apparel, by legislation.2 They were motivated by political, moral or economic considerations. However, these sumptuary laws, as they were known,3 were generally a failure, for many reasons. Those who wished to ignore them often could do so with impunity.4 The frequency of such legislation is a sign both of the perceived importance of The author would like to acknowledge the assistance of Professor Bruce Christianson and Ms Susan North in the preparation of this paper. -
The Well Dress'd Peasant
TheThe WWellell DrDress’dess’d Peasant:Peasant: 1616thth CenturCenturyy FlemishFlemish WWorkingwomen’orkingwomen’ss ClothingClothing by Drea Leed The Well-Dress’d Peasant: 16th Century Flemish Workingwoman’s Dress By Drea Leed Costume & Dressmaker Press Trinidad, Colorado ACKNOWLEDGEMENTS The author and publisher wish to thank the following institutions for their help with the color images for the cover and interior color plates. Copyright for these images is retained by them, in accordance with international copyright laws. The images are used with permission. Cover A Marketwoman and Vegetable Stand, by Pieter Aertsen © Bildarchiv Preüssuscher Kulturbesitz Märkishes Ufer 16-18 D-10179 Berlin Germany Inside front cover Harvest Time by Pieter Aertsen and Plates 1, 3 The Pancake Bakery by Pieter Aertsen Harvest Time (A Vegetable and Fruit Stall) by Pieter Aertsen © Museum Boijmans van Beuningen Museumpark 18-20 CX Rotterdam The Netherlands Plate 2 (Centerfold) The Meal Scene (Allegorie van de onvoorzichtigheid) by Joachim Beuckelaer © Koninklijk Museum voor Schone Kunsten Plaatsnijderstraat2, B-2000 Antwerp Belgium © November 2000 by Drea Leed © November 2000 by Costume & Dressmaker Press Published by Costume & Dressmaker Press 606 West Baca Street Trinidad Colorado 81082 USA http://www.costumemag.com All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means - graphic, electronic or mechanical, including scanning, photocopying, recording, taping or information storage -
An Exploration of 16Th Century French Dress by Lady Alliette Delecourt (Mka Irina Lubomirska) 1
An exploration of 16th century French dress By Lady Alliette Delecourt (mka Irina Lubomirska) 1 A copy of this paper and more images/information can be found on http://frenchrenaissancecostume.com What this paper covers: • This paper covers 16th century female fashions in France. • It covers mostly upper class dress with some middle class. Things to bear in mind: • France was not one homogenous country • It was a collection of regions, under feudal allegiance to the French crown • Those regions had different cultures, wealth and even languages. There were regional dress variations, but they are beyond the scope of this paper. 1 First quarter of 16 th century Early in the century the French fashions became strongly influenced by Italian fashion, due to Francis I's interest in renaissance arts coming from Italy and ongoing wars which led to increase in communication and exposure to Italian fashions. So in this early period you see the heavier bulkier French fashions and the lighter, more elegant Italian fashions. A good illustration is in this early 1500s tapestry (in Cluny museum): The lady on the left is dressed in the Italian style. The lady on the right is in the typical early 16th century French style. 1 This paper is copyright of Irina Lubomirska. It may be used for any study or SCA related purposes, with appropriate attribution. It may not be used for any commercial or other purposes without express permission of the author. 1 1.1 Gown The bodice of the gowns is mostly undecorated, with a square neckline. The neckline is quite high on the French-style gowns early in the century and gets lower and wider towards the later part of the first quarter of the century.