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March 22-24 2012 Burbank, Ca
@ Woodbury University DESIGN INNOVATION AT THE NEXUS OF WATER, ENERGY, AND CLIMATE CHANGE MARCH 22-24 2012 BURBANK, CA WELCOME! The Arid Lands Institute at Woodbury University (ALI), in partnership with the California Architectural Foundation (CAF), is proud to welcome you to the 2012 Drylands Design Conference. ALI and CAF share a vision for a future in which the landscapes and communities of the West are environmentally, culturally, and economically resilient in the face of climate change. Design of the built environment has an unrecognized potential to provide vision and leadership within the constraints of water, energy, and climate change in the American West. Retrofitting the West: Adaptation by Design brings together architects, landscape architects, artists and engineers with leading policy analysts, scientists, and environmental leaders to debate a range of design strategies for the future. The conference kicks off with an opening reception at the A+D Architec- ture + Design Museum in Los Angeles on World Water Day, Thursday, March 22. On view through April 26, the exhibition, DRYLANDS DESIGN IN AN AGE OF CHANGE: Visionary Proposals for a Water-Scarce Future, showcases selected work from CAF’s William Turnbull Drylands Design Competition. The exhibition presents a portfolio of adaptive strategies large and small, rural and urban, high tech and low-carbon. The exhibition is scheduled to travel in the US and abroad. In an innovative cross-disciplinary collaboration, ALI and UCLA’s Insti- tute of the Environment and Sustainability provided technical and policy advising to five ALI research award winners chosen from the CAF William Turnbull Drylands Design Competition. -
Beyond the Fortress Embassy
FOCUS EMBASSY SECURITY Davis Brody Bond Architects and Planners BEYOND THE FORTRESS EMBASSY State’s new “Design Excellence” uring the past decade, as the State initiative is intended to improve Department built look-alike embassy America’s presence abroad by compounds that were compared to embracing all elements of citadels and high-security prisons, embassy construction. diplomats complained of isolation and impaired diplomacy; critics in BY JANE C. LOEFFLER and out of government objected to the negative image being conveyed by placeless and undistinguished architecture; and host govern- Dments protested the dismissive attitude that emanated from such facilities. All the while, the one-size-fits-all Standard Embassy Design was touted as the only viable option. Few critics expected change, let alone a full-scale course correction. But in a move that has surprised and pleased critics, includ- ing this author, the department’s Bureau of Overseas Buildings Operations has recently announced a sweeping “Design Excel- 20 DECEMBER 2012 | THE FOREIGN SERVICE JOURNAL Photo courtesy of Bureau of Overseas Buildings Operations, U.S. Department of State lence” initiative that embraces all elements of embassy construc- The design for the new Embassy Jakarta by Davis Brody Bond tion—from location to architect selection, design, engineering Architects and Planners, shown opposite, embodies many of the principles of the “Design Excellence” initiative. The project and building technology, sustainability and long-term mainte- is expected to be completed in 2017. In contrast, Embassy Quito nance needs. (Yost, Grube, Hall, 2008), above, is a Standard Embassy Design The new program sees innovation as an opportunity to that features the prison-like look and high perimeter wall that is typical of SED structures. -
Print Untitled (93 Pages)
BEFORE THE DISTRICT OF COLUMBIA ZONING COMMISSION WEST END I SQUARE 37 PREHEARING STATEMEN'f IN SUPPORT OF CONSOLIDKfED REVIEW OF PUD EASTBANC- W.D.C. PARTNERS, I~LC Z.C. Case No. 11-12 SEPTEMBER 2, 2011 ZONING COMMISSION . District of Columbia CASE NO. J I ... }d:- EXHIBIT NO. ) :z Holland & Knight LLP 2099 Pennsylvania Avenue, N.W.. Washington, D.C. 20006 (202) 955-3000 ~ ,. - •''"""'"- e ...,., '.,o) ::::X:. < "'".. '.::~-: 0 #10509742_v3 Ul CERTIFICATION OF COMPLIANCE WITH SECTION 3013 OF THE ZONING REGULATIONS The undersigned hereby certifies that, in accordance with Section 3013 of the Zoning Regulations, twenty (20) copies of the following items were filed with the Zoning Commission on September 2, 2011; and, in accordance with Section 3013.8, the application shall not be modified less than twenty (20) days prior to the public hearing. Subsection Description Page/Exhibit 3013.l(a) Information requested by the Zoning Pgs. 3- 10 Commission and the Office of Planning 3013.l(b) List of witnesses prepared to testify on the Pg. 11 Applicant's behalf Exhibit E 3013.1(c) Summary of testimony of witnesses Pg. 11 or reports and area of expertise Exhibits F - K 3013.1(d) Additional information introduced by N/A the Applicant 3013.1(e) Reduced plans Exhibit A 3013.1(f) List of maps, plans, or other documents readily Pg. 11 available that may be offered into evidence Exhibit L 3013.1(g) Estimated time required for presentation Pg.11 of Applicant's case 3013.6(a) Names and addresses of owners of all Pg. 12 Property within 200 feet of the subject property ExhibitM 3013.10 Report by Traffic Consultant Pg. -
HOEVELER, Rejane Carolina
Rejane Carolina Hoeveler (Neo)liberalismo, democracia e “diplomacia empresarial”: a história do Council of the Americas (1965-2019) Tese submetida ao Programa de Pós-Graduação em História Social da Universidade Federal Fluminense para a obtenção do título de Doutora em História Orientadora: Profa. Dra. Virgínia Fontes Niterói 2020 Rejane Carolina Hoeveler (Neo)liberalismo, democracia e “diplomacia empresarial”: a história do Council of the Americas (1965-2019) Tese submetida ao Programa de Pós-Graduação em História Social da Universidade Federal Fluminense para a obtenção do título de Doutora em História Orientadora: Profa. Dra. Virgínia Fontes Niterói 2020 Ficha catalográfica automática - SDC/BCG H693( Hoeveler, Rejane Carolina (Neo)liberalismo, democracia e ?diplomacia empresarial? : a história do Council of the Americas (1965- 2019) / Rejane Carolina Hoeveler ; Virgínia Fontes Fontes, orientador. Niterói, 2020. 646 f. Tese (doutorado)-Universidade Federal Fluminense, Nite- rói, 2020. DO I:http ://dx .do i.org /10.22 40 9/PP GH .202 0.d.22 841 6188 03 1. Imperialismo. 2. Neliberalismo. 3. Conselho das Américas. 4. Diplomacia empresarial. 5. Produção intelec- tual. I. Fontes, Virgínia Fontes, orientador. II. Universidade Federal Fluminense. Instituto de História.III.Título. Gerada com informações fornecidasCDD pelo - au- tor Bibliotecário responsável: Sandra Lopes Coelho - CRB7/3389 Rejane Carolina Hoeveler (Neo)liberalismo, democracia e “diplomacia empresarial”: a história do Council of the Ameri- cas (1965-2019) O presente trabalho em nível de doutorado foi realizado com apoio do CNPq, Conselho Nacional de Desenvolvi- mento Científico e Tecnológico – Brasil, e foi avaliado e aprovado por banca examinadora composta pelos seguin- tes membros: Prof. Dr. Renato Luís do Couto Neto e Lemos (UFRJ) Prof. -
Enrique Norten by Steve Cutler
Architect Profi le The penthouse at One York Street Enrique Norten by Steve Cutler to work in New York: Jean Nouvel, Herzog & de Meuron, Foster’s residential work, the Gramercy Park project by Paw- son. It’s only just happened in the last few years.” Until recently, Norten has been recognized almost exclu- sively for the visionary urban masterworks he has designed in his native Mexico. But since it opened in 2001, the New York offi ce for his fi rm, TEN Arquitectos, has grown larger than its headquarters in Mexico City, which he opened in 1986. It employs 35 people and keeps Norten in New York more than he is in Mexico. And with at least eight important large-scale projects in the works, Norten is about to become a vital force in the architectural life of New York City. Norten’s New York debut will be the stunning One York Street, a condominium at the southern edge of TriBeCa com- posed of a new 14-story glass tower grafted to the center core ow that design has emerged as an amenity in resi- and fl oated over the top of a seven-story pre–Civil War manu- dential high-rises and developers are putting great facturing building, which completely occupies a small block. Narchitects along with cutting-edge international de- “It’s not historic,” says Norten. “It’s old. But the building signers to work on the New York City landscape, have we does have qualities that refer to the texture of the area. There fi nally become a showcase for world-class design? were moments when demolition was being considered, but I “I’m not sure if we’re there yet,” says architect Enrique pushed hard to keep it.” In the end, he says, “it’s always an Norten, “but there are six or seven residential projects in New economic reason. -
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NYU Urban Design & Architecture Studies New York Area Calendar of Events September 2018 SUN MON TUE WED THU FRI SAT 2 3 4 5 6 7 8 First Friday Open Past, Present, and House Future Tour Art Gallery Show New York Transit Museum Highlights Transit Walk: Malbone Street Greenwich Village Walking Tours 9 10 11 12 13 14 15 Past, Present, and Cooper Union M. Breakfast & Books Bodys Isek Creating More Past, Present, and Future Tour Arch II 2018 with Kingelez’s Urban Housing Without Future Tour Graduate Thesis Drake/Anderson Dreamscapes New Construction New York Transit Exhibition New York Transit Museum Temples of Power, 1:1 / drawing, Museum Highlights Highlights The Lower Temples of design, and Manhattan Skyline, Pleasure: Stanford communication Greenwich Village Prospect Park with & without the White’s Manhattan Walking Tours History Walking Twin Towers School Program Tour Celebrate NYC: Tour The Hunt: Greenwich Transformed EnerPHit Showcase Village Scavenger Bodys Isek Overnight: The Creating Homes Hunt Kingelez’s Urban Impact of 9/11 Thomas Jefferson: and Retreats: From Dreamscapes Planting the Arts in Residence to Relais Late Night Vertical America & Châteaux Tour @ St. John the A Walking Tour of Divine Historic 19th Enrique Norten at Century NoHo the Glass House Alive at Art Deco New Green-Wood York: The Architects Speak NYC's Gilded Age Mansions, Stories of Opulent Lifestyles & Family Scandals 16 17 18 19 20 21 22 Past, Present, and Disaster Magnificent Gilded Manhattan's Little Envisioning the Past, Present, and Future Tour Preparedness -
Featured Releases Fall Highlights 82 Specialty
Photograph by Landon Nordeman, from Landon Nordeman: Out of Fashion, published by Damiani. See page 52. FEATURED RELEASES 2 Journals 78 Limited Editions 80 CATALOGUE EDITOR Thomas Evans FALL HIGHLIGHTS 82 ART DIRECTOR Art 84 Stacy Wakefield Writings & Group Exhibitions 114 IMAGE PRODUCTION Photography 120 Kyra Sutton Architecture 140 COPY WRITING Janine DeFeo, Thomas Evans, Annabelle Maroney, Design 150 Kyra Sutton PRINTING SPECIALTY BOOKS 152 Sonic Media Solutions, Inc. Art 154 FRONT COVER IMAGE Group Exhibitions 168 Hilma af Klint, “Altarpiece, No.1, Group X,” 1915. From Hilma af Klint: Photography 171 Painting the Unseen, published by Koenig Books. See page 42. BACK COVER IMAGE Karma Backlist 176 Samuel Friede, “Coney Island Dome,” 1906. From Never Built New York, Reel Art Press Backlist 177 published by Metropolis Books. See page 5. Also from The Coney Island Backlist Highlights 178 Amateur Psychoanalytic Society and Its Circle, published by Christine Burgin. See page 71. Index 183 Robert Rauschenberg EditedwithtextbyLeahDickerman,AchimBorchardt-Hume.Textby Yve-AlainBois,AndriannaCampbell,HalFoster,MarkGodfrey,Hiroko Ikegami,BrandenJoseph,EdKr ˇcma,MichelleKuo,PamelaLee,Emily Liebert,RichardMeyer,HelenMolesworth,KateNesin,SarahRoberts, “Painting relates to both CatherineWood. The early 1950s, when Robert Rauschenberg launched his career, was art and life. Neither can be the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new intermedia made. (I try to act in the forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this gap between the two.)” defining figure, this book offers fresh perspectives on Rauschenberg’s —Robert Rauschenberg widely celebrated Combines (1954–64) and silkscreen paintings (1962–64). -
Press Release
THE FRICK COLLECTION ANNOUNCES PLAN TO ENHANCE AND RENOVATE ITS MUSEUM AND LIBRARY Proposal Continues the Frick’s Classical-Style Architectural Evolution to Fulfill Its Founder’s Long-Standing Vision of Public Access and Art Education Plan Calls for Opening the Historic Mansion’s Second Floor to the Public for the First Time The Frick Collection today unveiled a plan to enhance and renovate its museum and library to further fulfill founder Henry Clay Frick’s long-standing vision to offer public access to its works of art and educational programs. The proposal derives from the Frick’s history of architecturally cohesive expansions and alterations. It includes the construction of a new addition in keeping with the scale and design of the original house and the library wing, and the renovation and expansion of interior spaces added in the 1930s and 1970s. A centerpiece of the new plan will be the opening of the museum’s second floor to the public for the first time. The result will preserve the intimate visitor experience in an extraordinary mansion that has delighted art lovers for nearly eight decades. Davis Brody Bond Architects and Planners, the New York–based firm that was responsible for the 2011 award-winning transformation of an exterior loggia into the museum’s Portico Gallery, will design the project (above, rendering of enhancements from Fifth Avenue*). 1 In addition to converting several of the museum’s historic second-floor rooms into galleries, the Frick’s proposal calls for the construction of an architecturally respectful addition to the East 70th Street side of the museum, consistent with the style, history, and design of the original 1913–14 mansion and previous expansions. -
NOVEMBER 20, 2015, NEW YORK, NY: PACWTC Chairman John Zuccotti and President/ Director Maggie Boepple Today Announced the Select
(Credit: Matthias Vriens McGrath) NOVEMBER 20, 2015, NEW YORK, NY: PACWTC Chairman John Zuccotti and President/ Director Maggie Boepple today announced the selection of the Brooklyn-based firm REX as the lead architect for The Performing Arts Center at the World Trade Center. Scheduled to open in 2019, PACWTC will serve as a major new addition to New York's cultural landscape, producing and premiering works of theater, dance, music, musical theater, opera, and film, as well as productions that cross multiple disciplines. The roughly 80,000 square-foot building, which will incorporate leading edge technology, will also serve as a home for the Tribeca Film Festival during its annual run. The selection of REX follows last week's re-affirmation of support for the PACWTC by the Lower Manhattan Development Corporation (LMDC), which released the first $10 million of the $99 million that the LMDC has pledged to the project. The balance of the project cost - which will be determined once the design process is complete - will be funded through private sources. "The selection of REX and the LMDC's renewed commitment are critical milestones in our collective effort to create a vibrant new cultural and community anchor for all of Lower Manhattan," said Zuccotti. "We are now two important steps closer to completing the World Trade Center and fully realizing our vision of Lower Manhattan as the world's most dynamic, 24/7 urban community." TH ONE LIBERTY PLAZA, 29 FLOOR NEW YORK, NY 10006 REX, led by Joshua Prince-Ramus, was selected after a rigorous invitational process that focused on architectural firms that have gained distinction through their celebrated work on performing arts houses. -
Oz Contributors
Oz Volume 22 Article 12 1-1-2000 Contributors Follow this and additional works at: https://newprairiepress.org/oz This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (2000) "Contributors," Oz: Vol. 22. https://doi.org/10.4148/2378-5853.1356 This Back Matter is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact cads@k- state.edu. Contributors Alice Aycock was born in Harrisburg, of Architecture in 1991 and has been Swiss Polytechnical Institute (ETH), He currently holds the Miller Chair Pennsylvania. She received a B.A. from associated with Laurent Beaudouin Zurich with Aldo Rossi and Mario at the University of Pennsylvania. He Douglass College and an M.A. from since 1988. Campi. Markus Peter was born in has been a member of the Mexican Hunter College. Her large-scale, site Zurich in 1957. From 1980-1981 he Institute of Architects and the Mexi- specific sculptures are represented in Marlon Blackwell is an architect and studied at the Freie Universitat in Ber- can Society of Architects since 1986 major museums, galleries, and private Associate Professor at the University lin where he was a visiting student and was a founding member of the collections in the Americas, Europe, of Arkansas in Fayetteville. His work in the Department of Philosophy. He magazine Arquitectura. and Asia. Recently she has designed a has received national and international studied architecture at the Technical sculptural roof installation, East River recognition through AIA design awards Institute in Winterthur, graduating Sheila O’Donnell and John Tuomey Roundabout, in New York City (with and architectural publications includ- in 1984. -
The Work of TEN Arquitectos — Enrique Norten
The Work of TEN Arquitectos Enrique Norten Lorch Professor of Architecture Michigan Architecture Papers Three MAP Three · TEN Arqu itectos Published on the occasion of the appointment of Enrique Norten as Lorch Professor of Architecture. Design: Christian Unverzagt Manufactured in the United States of America Printed by Goetzcraft Printers, Inc., Ann Arbor Printed on Mountie Matte 80# text and cover Typeset in Berkeley and Trade Gothic © 1997 The University of Michigan College of Architecture+ Urban Planning and Enrique Norten I TEN Arquitectos, Mexico City IS BN 0-9614792-8-0 College of Architecture + Urban Planning The University of Michigan 2000 Bonisteel Boulevard Ann Arbor, Michigan 48109-2069 USA Contents Foreword 7 Introduction 8 Immaterial Architecture Enrique Norten 10 Selected Projects Lighting Center 18 House 0 22 Workers' Housing 26 Cultural Space 32 National Theatre School 36 TELEVISA Mixed Use Building 44 Natural History Museum 50 House LE 52 Postscript Nursing and Biomedical Sciences Building 60 Enrique Norten 67 Emil Lorch 70 Acknowledgments 72 Foreword The architect Emil Lorch began teaching at the University of Michigan in September, 1906. His courses were initially taught in the College of Engineering and two years later, largely through Lorch's efforts, the architecture program became a department. In 1931, also as a result of his endeavors, the department became the College of Architecture. One of Lorch's significant contributions to the College was his initiation of international programs. In 1921, he sent student work from Michigan to the first Pan American Institute of Architects Competition. The authors of that work were awarded a Gold Medal and several other prizes. -
2018 AIA Fellowship
This cover section is produced by the AIA Archives to show information from the online submission form. It is not part of the pdf submission upload. 2018 AIA Fellowship Nominee Ronald J. Tomasso Organization US Department of State Location Washington, DC Chapter AIA Washington DC Category of Nomination Category Four - Government Summary Statement Ron Tomasso makes accessibility synonymous with diplomacy. Through strategic thinking and leadership, Ron ensures that international facilities for staff and visitors in U.S. Embassies worldwide are accessible. Education The Catholic University of America, School of Architecture, Washington, DC. Master of Architecture 1983 (2 year program completed part time); Bachelor of Science in Architecture 1979 (4 year program) Licensed in: District of Columbia (ARC4252) Employment U.S. Department of State, Bureau of Overseas Buildings Operations (OBO), 26 years (1992 to present) U.S. Transportation and Barriers Compliance Board (The Access Board), 2 years (1991-1992) Wentworth Associates Architects, 3 years (1988-1991) David M. Schwarz Architectural Services, 5 years (1984-1988) Leo A. Daly Architects, 4 years (1981-1984) Ron Tomasso makes accessibility synonymous with diplomacy. Through strategic thinking and leadership, Ron ensures that international facilities for staff and visitors in U.S. Embassies worldwide are accessible. Ron Tomasso’s work in accessibility has contributed to over two thousand accessible buildings, located in 275 U.S. diplomatic posts, in every region of the world. These facilities serve hundreds of thousands of staff and visitors. Ron is internationally recognized for his accomplishments in making accessibility a natural extension of U.S. Public Diplomacy. Many U.S. diplomats and their visitors now experience culturally sensitive accessibility at U.S.