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Broadcast Actions 5/29/2014
Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N AM STATION APPLICATIONS FOR RENEWAL GRANTED NY BR-20140131ABV WENY 71510 SOUND COMMUNICATIONS, LLC Renewal of License. E 1230 KHZ NY ,ELMIRA Actions of: 04/29/2014 FM STATION APPLICATIONS FOR MODIFICATION OF LICENSE GRANTED OH BMLH-20140415ABD WPOS-FM THE MAUMEE VALLEY License to modify. 65946 BROADCASTING ASSOCIATION E 102.3 MHZ OH , HOLLAND Actions of: 05/23/2014 AM STATION APPLICATIONS FOR RENEWAL DISMISSED NY BR-20071114ABF WRIV 14647 CRYSTAL COAST Renewal of License. COMMUNICATIONS, INC. Dismissed as moot, see letter dated 5/5/2008. E 1390 KHZ NY , RIVERHEAD Page 1 of 199 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 05/23/2014 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED NY BAL-20140212AEC WGGO 9409 PEMBROOK PINES, INC. Voluntary Assignment of License From: PEMBROOK PINES, INC. E 1590 KHZ NY , SALAMANCA To: SOUND COMMUNICATIONS, LLC Form 314 NY BAL-20140212AEE WOEN 19708 PEMBROOK PINES, INC. -
Shepherd School Symphony Orchestra
• SHEPHERD SCHOOL SYMPHONY ORCHESTRA .. TOSHIYUKI SHIMADA, conductor Monday, March 28, 1983 8:00 p.m. in Hamman Hall ... • ' ' PROGRAM Fanfare and Celebration . Samuel Jones (b. 1935) Piano Concerto No. 27 K. V. 595 Wolfgang Amadeus Mozart Allegro (1756-1791) Christina Jacobs, piano Shadow in Light Andrea Martin (b. 1957) Intermission Danses Sacree et Profane Claude Debussy .. (1862-1918) Elaine Barber, harp Warren Friesen, conductor Concerto for Violoncello, Op. 129 Robert Schumann Nicht Zu Schnell (1810-1856) Rebekah Stark, violoncello "Qui La Voce" from I Puratani Vincenzo Bellini (1801-1835) Cathy Guajardo, soprano Photographing and sound recording are prohibited. We further request that audible paging , devices not be used during the performance. Paging arrangements may be made with the ushers. SHEPHERD SCHOOL SYMPHONY ORCHESTRA First Violin Flute Trumpet Shawn Pagliarini Kelly Bolam Adam Bruce Laura Rosky Viviana Guzman Tom Tillotson Debbie Norton Jennifer Harrison Eric Ward Mary Campion Barbara Schreffler .. Donna Poole Piccolo Trombone Doreen Hanrahan Kelly Bolam Robert Harden Laura Fay Steve Ingels Oboe Rick Stout Second Violin Maureen Malone Mary Garcia Pam Markus Tuba Timothy McMillian Janelle Zumwalt Linda Anderson Joe Boylen Carmen Falls English Horn Kevin Dowden Maureen Malone Harp Patricia Ingram Elaine Barber Steve McMillan Clarinet Viola Richard Briglia Timpani Warren Friesen Linda Gall Chrissy Carroll Renee Moore Charles Renfro Jim Long Andrew Levin Percussion Bass Clarinet Chrissy Carroll Jooyong Ahn Linda Gall Kaye -
The Westfield Leader 8 Pm
School Bomrd Meet* Tuesday THE WESTFIELD LEADER 8 PM. Tk* UmdUg mi Matt WUdy Cirrmlmud WmUy Nempmpt f» tnlon County ec<md CIHBI Pottage Paid EIGHTY-THIRD YEAR—No. 16 at We.tfleld. N. 3. • Published WESTFIELD, NEW JERSEY, THURSDAY, NOVEMBER 30,1972 Every Thuriday 32 Pago—10 Cents B of E,CARES Carter, Phillips Seek Agreement Stand on Suit Endorsed by JCC A "hand* off" policy as comments from several far as the current con- councilmen, including his The Joint Civic Com- troversy and lawsuit on fourth ward council mittee has voted to endorse On Yule Programs holiday programs in local colleague, John J. Tucker, Dr. Arthur M. FsttNMb, public schools was voiced by who urged "work toward the incumbent, John A, Carter members of the Town harmonious solution of the Jr., and Richard Phillips u An attempt to provide constitutionality of having remove the case from court, Council Tuesday night. community problem in a candidates for the Board of some resolution to the holiday programs in public if possible. An anticipated resolution spirit of good will and Education. At a meeting on current problem regarding schools. from Councilman Patrick 0. mutual respect" and the Monday evening, holiday programs in U.S. Federal Judge A second meeting was scheduled for last night. Minogue failed to reach the restraint of "actions or nominating petitions lor die Westfield's public schools i« Frederick B. Lacey in a floor for action because of statements that could, by three were signed by being made by a committee hearing last week requested "Additional meetings for "no popular support." polarizing community members of the JCC. -
Catalogue Number [Of the Bulletin]
WELLESLEY COLLEGE BULLETIN CALENDAR NUMBER 1929 - 1930 WELLESLEY, MASSACHUSETTS NOVEMBER, 1929 WELLESLEY COLLEGE BULLETIN CALENDAR NUMBER 1929- 1930 Bulletins published eight times a year by Wellesley College, Wellesley, Massachusetts. February, 1 number; April. 2; May, 3; October, 1; November. 1. Entered as second-class matter, February 12, 1912, at the Post Office at Boston, Massachusetts, under the Act of July, 1894. Volume 19 Number 2 CORRESPONDENCE All inquiries regarding admission should be addressed to the Secretary to the Board of Admission. As Director of the Personnel Bureau, Associate Professor Wood is prepared to furnish information in regard to the qualifications and ex- perience of former members of the College who have registered with the Bureau as candidates for teaching or other vocations. All former students of the College may, by registering, have the aid of the Personnel Bureau in securing positions. Inquiries for general information should be addressed to the Secretary to the President. TABLE OF CONTENTS PAGE PAGE Correspondence 2 Courses of Instruction.—Cont. Calendar .... 5 History 91 Board of Trustees 6 Hygiene and Physical Educa- tion 98 Standing Committees 7 Italian 106 Officers of Instruction an Latin 108 Government . Standing Committees 17 Mathematics . .112 Music 115 Foundation and Purpose . 19 Admission .... 20 Philosophy and Psychology . 120 Methods .... 22 Physics 125 Examinations 23 Reading and Speaking . 129 Definition of Requirements 25 Spanish 130 Zoology and Physiology . .132 To Advanced Standing . 35 Of Candidates for Master Examinations (College) . 138 Degree .... 36 Expenses 138 Of Students not Candidates Residence 141 for a Degree . 37 Health 141 Degrees:— Fellowships and Scholarships:— Requirements for B.A. -
Lost in the Stars
REVIEWS Performances Lost in the Stars Washington National Opera and the production rocked the house. In musical terms, the 2016 version is even stronger, especially 12–20 February 2016 the contributions of the orchestra, due in great part to the added forces supplied by the Kennedy Center and WNO, particularly the dark richness of added violas. Conductor John DeMain’s Kurt Weill and Maxwell Anderson’s Lost in the Stars sailed into authoritative command of Weill’s score brought the powerful the Kennedy Center this February captained by Washington music to the forefront. National Opera’s Artistic Director Francesca Zambello. The The sound of the men in the Chorus reminds me of the production was an important event in the nation’s capital, not powerful South African tradition of male ensembles, rooted in only amplifying pressing conversations about race and unequal the practice of corralling Black miners in stockades, with music justice but broadening an artistic question in what has become their only emotional outlet. Through the choral writing, the a rich musical-theater nexus—what is musical theater? Lost nation itself becomes a character, with the first act establishing the in the Stars has been a challenge to define since it debuted on context and letting music invoke the work’s panoramic feel and Broadway, where it met mixed critical response. It has continued grand themes. The audience is challenged to feel the loneliness of to perplex many critics who try ungraciously to fit it into a pre- living in fear of “the other,” and to consider how fear and greed existing genre. -
S!Jr~Rd RICE UNNERSITY School of Music PROGRAM
I J FACULTY RECITAL FRANCES BIBLE, Mezzo-Soprano JEANETTE LOMBARD, Soprano THOMAS JABER, Piano Monday, April 16, 1990 8:00p.m. in Hamman Hall s!Jr~rd RICE UNNERSITY SchOol Of Music PROGRAM Ombra maifu (Serse) George Frideric Handel (1685-1759) Miss Bible -f --r Lebe wohl Hugo Wolf In dem Schatten meiner Locken ( 1860-1903) Verborgenheit Ich hab in Penna einen Liebsten wohnen ~ ~ Miss Lombard . t.. ~ Barcarolle from Tales of Hoffman Jacques Offenbach (1819-1880) Miss Lombard and Miss Bible Two arias from Samson et Dalila Camille Saint-Saens Amour, viens aider mafaiblesse! ( 1835-1921) M on coeur s 'ouvre a ta voix ~ · Miss Bible z t~ ~6 INTERMISSION ~..,- ~ ~ ,, Chanson d'Avril Georges Bizet ( 1838-1875) La Cloche Camille Saint-Saens Miss Lombard ' r Litanei Franz Schubert ~ ~~ Die Manner sind mechant ( 1797-1828) ~ ........- Du bist wie eine Blume Robert Schumann """ ·~~ Widmung . (1810-1856) Miss Bible " . r-< Two arias from Tosca Giacomo Puccini Non Ia sospiri Ia nostra cas etta (1858-1924) Vissi d'arte Miss Lombard Fu Ia sorte dell'armi Giuseppe Verdi ( 1813-1901) Miss Lombard and Miss Bible BIOGRAPHIES FRANCES BIBLE is Artist-in-Residence at The Shepherd School ofMusic. Miss Bible is a graduate of the Institute of Musical Art ofthe lui/liard School, receiving the Alice Breen Memorial Prize for the highest rating in singing and a five-year • Fellowship at the lui/liard Graduate School . Miss Bible was a member of the New York City Opera from 1948 to 1980 (7nd is the only singer to receive a citation commemorating her artistic contribution to that company. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
Microfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has -been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
Cross Gender Roles in Opera
Boys Will Be Girls, Girls Will Be Boys: Cross Gender Roles in Opera University at Buffalo Music Library Exhibit October 1, 2003-January 9, 2004 An exhibit focusing on the high-voiced male castrato singers and on “pants roles,” in which women sing male roles. Created in conjunction with “Gender Week @ UB” 2003. Curated by Nara Newcomer CASE 1: Castrati : Introduction The opera stage is one place where gender roles have always been blurred, disguised, even switched – possibly multiple times within the course of an opera! Italian composers of seventeenth and eighteenth century opera seria (“serious opera” – as distinguished from comic opera) were especially free in this regard, largely connected with the high-voiced male castrati. Such traditions are not solely confined to that era, however. This exhibit will examine gender roles in opera, focusing on the castrati and upon operatic travesty, specifically upon breeches parts (“pants roles”). The photographs in the section of the exhibit on breeches parts come from the Music Library’s J. Warren Perry Collection of Memorabilia which includes over 2,000 photographs, largely operatic. Many of the photographs bear the singer’s autographs and are inscribed to Dr. Perry. A castrato is a type of high-voiced male singer, produced by castrating young boys with promising voices before they reached puberty. Castrati rose to prominence in the Italian opera seria of the 17th and 18th centuries. They were the prima donnas, even the rock stars, of their day. Somewhat ironically, however, the era of castrati both began and ended in the church. Castrati are known to have existed in Western Europe by the 1550’s and were present for centuries before in the Byzantine church. -
Connecticut College News Vol. 27 No. 1
Connecticut College Digital Commons @ Connecticut College 1941-1942 Student Newspapers 10-19-1941 Connecticut College News Vol. 27 No. 1 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1941_1942 Recommended Citation Connecticut College, "Connecticut College News Vol. 27 No. 1" (1941). 1941-1942. 7. https://digitalcommons.conncoll.edu/ccnews_1941_1942/7 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1941-1942 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. G? 2>1'6~I"'\{p .C--\G2Qr c.C Dc~\0.""\- 'm..,/ Iq"'A- ,. ONNECTICUT EWS Z86 OLLEGE Vol. 27-No. 1 lew Loudon, Connecticut, eduesday, 50 per Copy Noted Philosopher Thirty-nine ewMembersJoin To Be Lecturer At Faculty And Administration Important Appointments First Convocation Students To Tr)· Made In Almost Every Out For Fall Play Dr. Lowith, Professor, 'Trv-ours for the Fall Play, Department On Campus Author, Theologian, "Superstition," will be heid Along with new freshman faces Thursday, {:30-5 :30; Thurs- To Speak On Oct. 7 on campus, there are new faces day, 7 :30-8 :{5; Monday, among the faculty. According to Dr. Karl Lowirb, one of the 8: 15-9 :00, in speech room the fall announcement thir-ty-nine leading younger German philoso- 202, auditorium. new faculty and administrative ap- phers, will open the 19.P-.P con- Freshmen and transfers pointments and assignments have vocation series in Palmer Auditori- may not have speaking parts been made. -
Columbia Blue Great Urban University
Added 3/4 pt Stroke From a one-room classroom with one professor and eight students, today’s Columbia has grown to become the quintessential Office of Undergraduate Admissions Dive in. Columbia University Columbia Blue great urban university. 212 Hamilton Hall, MC 2807 1130 Amsterdam Avenue New York, NY 10027 For more information about Columbia University, please call our office or visit our website: 212-854-2522 undergrad.admissions.columbia.edu Columbia Blue D3 E3 A B C D E F G H Riverside Drive Columbia University New York City 116th Street 116th 114th Street 114th in the City of New York Street 115th 1 1 Columbia Alumni Casa Center Hispánica Bank Street Kraft School of Knox Center Education Union Theological New Jersey Seminary Barnard College Manhattan School of Music The Cloisters Columbia University Museum & Gardens Subway 2 Subway 2 Broadway Lincoln Center Grant’s Tomb for the Performing Arts Bookstore Northwest Furnald Lewisohn Mathematics Chandler Empire State Washington Heights Miller Corner Building Hudson River Chelsea Building Alfred Lerner Theatre Pulitzer Earl Havemeyer Clinton Carman Hall Cathedral of Morningside Heights Intercultural Dodge Statue of Liberty West Village Flatiron Theater St. John the Divine Resource Hall Dodge Fitness One World Trade Building Upper West Side Center Pupin District Center Center Greenwich Village Jewish Theological Central Park Harlem Tribeca 110th Street 110th 113th Street113th 112th Street112th 111th Street Seminary NYC Subway — No. 1 Train The Metropolitan Midtown Apollo Theater SoHo Museum of Art Sundial 3 Butler University Teachers 3 Low Library Uris Schapiro Washington Flatiron Library Hall College Financial Chinatown Square Arch District Upper East Side District East Harlem Noho Gramercy Park Chrysler College Staten Island New York Building Walk Stock Exchange Murray Lenox Hill Yorkville Hill East Village The Bronx Buell Avery Fairchild Lower East Side Mudd East River St.