DOCSLIB.ORG

Notre Dame Scholastic, Vol. 98, No. 03

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Notre Dame Scholastic, Vol. 98, No. 03 wmmn\mivymt0^iff rimmimmMmmmmiM''fvm ^ The Notre Dame Scholc^fc October 12, 1956 ii^^^ iiuiJl TOUCHDOWN BY LEWIS!! mmmmmmmmmmmmsm Refreshing new idea in smoking f. -•; ^ .•• Vtfg&. ^•'.: V^- ^- ,„.r /a > 7 '•»^v'i'> ^«<^ ^^^»'al^- - .f' menthol fresh rich tobacco taste most modern filter [Irciif-fl Iiy U. J. K<*>iioMs Tnli.uTo C<iiii|i.tny Taite a puff, it's springtime! Refreshing as this spring scene /ooA;5—that's how new Salem tasles. Full rich tol)acco Havor with a new surprise softness. Try all-new Salem ... first cigarette of its kind. A wonderful new experience! Salem refreshes your taste...you'll love 'em! ^!S^gg^^^^^^^^^^gy^ik4!^ii.sasdb<b.^>)»^dry.-Xi;^fe^^a^ NORTH AMERICAN HAS BUILT MORE AIRPLANES THAN ANY OTHER COMPANY IN THE WORL© T-21 Worthy successor to the world famous AT-6 B-45 America's first four engine Jet homber .rr? F-86 The Sabre Jet that turned the tide in the Korean War F-86D America's first all-weather, one-man interceptor F-lOO America's first operational supersonic fighter Engineers, scientists, physicists, mathematicians... LIKE TO HELP WITH THE NEXT ONE? The North American airplanes of the engineers and to specialists in other sci­ future mil come from the creative poten­ ences. If you want to work on advanced tial of today's young men. Possibly you— projects right from the start... enjoy rec­ or members of your graduating class- ognition and personal rewards... live will help to engineer them. One thing is and work in Southern California... then certain. They will have to be the best to join North American's outstanding engi­ merit the space reserved alongside the neering team. famous North American planes pictured See your Placement Officer today to in this ad. arrange for an appointment with North Designing the best airplanes to meet the American Engineering representatives demands of the future is the challenging ... they wU be on campus on; work North American offers to graduate OCTOBER 17 If you are not available at this time, please write: Dept. Col, Engineering Personnel Office, North American Aviation, Inc., Los Angeles 45, California NORTH ArVIERiCAN AVIATION, INC. lober 12, 1956 d o I. 0 DRESS RIGHT— o YOU CANT AFFORD NOT TO! Fine clothes have been a tradition at Gilbert*s for more than a quar­ ter of a century. Because we feel that no one maker . nor one model . can properly fit or become all men, you will find a variety of makes and models from which to choose. Come in at your con­ venience and let us help you select the rig^it clothes from our vast selection. d GILBERT'S On the Campus—Notre Dame 0 The Scholastic PAY PAY PAY JAN FEB MAR USE YOUR CONVENIENT CAMPUS SHOP CHARGE ACCOUNT Gilbert's Campus Shop knows the value of a good wardrobe to you . and our Campus Shop Charge Account is designed to help you own the kind of a wardrobe college men should have. Because good clothes will open any door, now is the time to think of your future as a junior executive or professional man. Select the clothes you need now . charge them this convenient way and be ready when opportunity knocks on your door. GILBERT'S On the Campus—Notre Dame October 12, 1956 Just like "the proof of the pud­ ding is in the eating" . let us prove to you Parker-Winterrowd, Inc. that Frankie's pizza is the best. Tailors - Clothiers Try Frankie's tonight! m- ^1^^ • • i •'^^ r • • • • ^ The best dressed Notre Dame men f .• : ^- ^^i^^ •' • i ••• JMM^^ •• all over campus rent formal wear y^^^"- Now Available for banquets house ot pizza 1003 N. Notre Dame Ave. I today from Parker-Winterrowd, Inc., i:^'^^l their tailors will fit them perfectly Watch and that they'll save enough to buy Repair their date a beautiful corsage. •'; . • 1-Year Written Guarantee • All Watches Tested Electronically ^^^^^^^^^^^^^^^^^^^^•.... • Specialists in Automatics, Chrono­ graphs and Waterproofs Every garment is spotlessly cleaned ;?• K. • Indiana Registered Watchmaker— 11 Years Experience and pressed. Next time rent all -^^^^^^^B your formal attire from Parker- »P|0^ %4.4r%4. <»«4«L 4A'«^«W9 Winterrowd, Inc. 121 W. Washington Ave. CE 4-1311 ^^^^B ^^^^B ^^^K ^^^1 ^^^^^^H ^^^^^^B impressive and inexpensive For Coming Proms . • Blue tropical tuxedo and trousers. s ^^^^H ^^^^^H cummerbund, shirt, tie, jewelry and ^^^^H "^^^^^H^ suspenders. Louie's i j. Special to N. D. Men $9.00 k ^. :. Tuxedo i Rental Parker-Winterrowd, Inc. 222 Laurel upstairs—North of Oliver Hotel Special Student Rates 115y2-117V2 N. MAIN Phone GE 3-6318 ON THE COVER: Aubrey Lewis takes ofF around left end to score Notre Dame's final six points in a 20-6 triumph over Indiana's Hoosiers. The sequence series was photographed by Bob Early. The Scholastic &4cafim horatio alger by Br jan Woods up-dated I am sure that the purpose of the "Call me Mr. Alperstien, lad, it's more to the latest pop records. Most of them great majority of students in going to respectful. Now, what was that?" sound something like this. If you want college is a seeking of knowledge for its "The turning point in your career, to record it, go ahead. It's sung to the own sake. But for those few who might sir. As I understand it you're worth tune of "Moonlight in Vei-mont." be interested in making money after $30 million today." ,^hey leave, I have managed to get inter­ "Well boy, natui-ally I don't have the MY TEENAGE PRINCESS' views with a number of highly successful exact figures, but I'd guess it's closer She's my teenage princess in the old grads Avhose success stories may be to $31,568,021.54. The turning point? old aiiny shoes, enlightening. That came the next year. 1927 to be She's a rock n'roll teener who's The first of these is Boitley C. exact." the absolute end; Alperstien, prominent financier and "What happened that year, sir?" chairman of the Board of the investment oo-oo-oopa oopa doopa, firm of Boggle & Filch, Inc. "My grandfather died and left me oo-oo-rooty tooty doopa. "Mr. Alperstien, sir, may I have a twenty million. I bought the company Oh yeah ah! minute?" from old Boggle and appointed myself Fungus on her earlobes, "Call me Bortley, son. What can I Board Chairman at $75,000 a year. warts on her nose, 0(chuckle, chuckle) do you for, son?" That's where I've been ever since." but when she starts to rock, "Ha, ha, sir, vei-y funny." "Truly an inspiring story, Mr. Alper­ she go, go, goes. "Thank you, son." stien." She's my teenage princess in her "Sir, would you consider letting the "Thank you, son. But call me Bort­ old anny shoes, students here in on the secret of your ley; Mr. Alpei-stien sounds too dad- a too cool kitty who's success?" blasted fonnal. Just think of me as one the absolute end, "Of course son, where shall I start?" of the boys." "A little background first, Bortley." oo-oo-roopy doopy goopy, "Sure son. I graduated in '21 Avith DREAM GIRL oo-oo-boopy doopy doopa a Bachelor of Arts degree. '21 was a Oh yeah ah! Eveiy healthy American boy needs a ^great year son. You got a fair bunch She's built like a horse, dream girl. She's one of those essentials Vf ballplayers here now, but I think we, and age thirteen. like Mom's apple pie, or the old swimmin' the team that is, would have pushed But she's a real mean, hole. After all we've foug'ht two wai-s them out of the stadium. I say this of real keen teenage queen. in the last 15 years for apple pie and course with all due modesty." She's my teenage princess in her swimming holes, haven't we? If you "Oh then you were on the '21 team, old aiTTiy shoes. don't believe it I can see that you don't ?" She's every teener's dream and sir see many movies. And it's the same the absolute end, "Not exactly, boy, I sold programs at way with dream girls. the gate." Of course styles change in dream oo-oo-hoopa zoopa doopa, "Oh." girls, just like anything else. So if oo-oo-loopy i-oopy doopa. • "Where was I boy?" you've been standing in tvont of the Oh yeah ah! "Graduated." pool hall (or sitting on Sorin's front "Ahem, yes indeed. Well lad, the very porch) yelling "Hubba, hubba, ding, ECHOES FROM THE NROTC next week I went to work for Boggle & ding, baby you've got everything," wise On Winston Churchill's last trip to Filch for $25 a week running errands. up. That went out with double-breasted Afi-ica he was devoui-ed by a tribe of Five years later I had been promoted suits. Try "See ya later, Gila Monster," cannibals. The cannibal chief rubbed to assistant clerk at $40 a week." or "After while Pterodactyl." his gi'easy hands on his fat stomach ^^ "But what was the turning point, The way to really get a line On the and gi-unted, "Ununnrai, Winston tastes •Bortley?" latest styles in dream girls is to listen good, like a prime minister should!" October 12, 1956 The Notre Dame SPECIAL Univers iit y of STUDENT Scholastic RATES Notre Dame Vol. 98 October 12, 1956 No.
Load more

Recommended publications
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola
    [Show full text]
  • Shepherd School Symphony Orchestra
    • SHEPHERD SCHOOL SYMPHONY ORCHESTRA .. TOSHIYUKI SHIMADA, conductor Monday, March 28, 1983 8:00 p.m. in Hamman Hall ... • ' ' PROGRAM Fanfare and Celebration . Samuel Jones (b. 1935) Piano Concerto No. 27 K. V. 595 Wolfgang Amadeus Mozart Allegro (1756-1791) Christina Jacobs, piano Shadow in Light Andrea Martin (b. 1957) Intermission Danses Sacree et Profane Claude Debussy .. (1862-1918) Elaine Barber, harp Warren Friesen, conductor Concerto for Violoncello, Op. 129 Robert Schumann Nicht Zu Schnell (1810-1856) Rebekah Stark, violoncello "Qui La Voce" from I Puratani Vincenzo Bellini (1801-1835) Cathy Guajardo, soprano Photographing and sound recording are prohibited. We further request that audible paging , devices not be used during the performance. Paging arrangements may be made with the ushers. SHEPHERD SCHOOL SYMPHONY ORCHESTRA First Violin Flute Trumpet Shawn Pagliarini Kelly Bolam Adam Bruce Laura Rosky Viviana Guzman Tom Tillotson Debbie Norton Jennifer Harrison Eric Ward Mary Campion Barbara Schreffler .. Donna Poole Piccolo Trombone Doreen Hanrahan Kelly Bolam Robert Harden Laura Fay Steve Ingels Oboe Rick Stout Second Violin Maureen Malone Mary Garcia Pam Markus Tuba Timothy McMillian Janelle Zumwalt Linda Anderson Joe Boylen Carmen Falls English Horn Kevin Dowden Maureen Malone Harp Patricia Ingram Elaine Barber Steve McMillan Clarinet Viola Richard Briglia Timpani Warren Friesen Linda Gall Chrissy Carroll Renee Moore Charles Renfro Jim Long Andrew Levin Percussion Bass Clarinet Chrissy Carroll Jooyong Ahn Linda Gall Kaye
    [Show full text]
  • The Inventory of the Phyllis Curtin Collection #1247
    The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C.
    [Show full text]
  • A Mystical Journey Into the Jungle... and Beyond
    A mystical journey into the jungle... and beyond NOVEMBER 9, 12, 15, 17, 2019 BENEDUM CENTER 2019-20 SEASON SINCE 1893 WHEN OUR CUSTOMERS FACED THE UNEXPECTED WE WERE THERE For over 125 years Henderson Brothers has gone to heroic lengths to provide our customers with peace of mind. Because you can’t expect what tomorrow may bring. That’s why you have us. Commercial Insurance | Personal Insurance | Employee Benefits hendersonbrothers.com LETTER FROM OUR BOARD LEADERSHIP LETTER FROM OUR GENERAL DIRECTOR DEAR FRIENDS, DEAR FRIENDS, Welcome to Pittsburgh Opera’s production of Florencia I am delighted to welcome you to Florencia en en el Amazonas. We are happy to be able to join you in el Amazonas, the first Spanish-language opera in this mystical, magical journey down the Amazon. Pittsburgh Opera’s 81-year history. Like a proud parent, I can’t restrain myself from Our production of this contemporary opera by boasting about this fantastic cast. After a stunning role Mexican composer Daniel Catán illustrates the rich debut as Princess Turandot with us in 2017, our very diversity of the operatic tradition and Pittsburgh own Alexandra Loutsion returns to the Benedum today Opera’s commitment to it. For the first time, Pittsburgh in the title role of diva Florencia Grimaldi. Those of you © Daniel V. Klein Photography © Daniel V. audiences will enjoy an opera in Spanish with a libretto who were here last month for Don Giovanni will no based upon literature in the Latin American genre of doubt recognize Craig Verm (who sang the role of Don Giovanni) as deck-hand/ Magical Realism.
    [Show full text]
  • Catalogue Number [Of the Bulletin]
    WELLESLEY COLLEGE BULLETIN CALENDAR NUMBER 1929 - 1930 WELLESLEY, MASSACHUSETTS NOVEMBER, 1929 WELLESLEY COLLEGE BULLETIN CALENDAR NUMBER 1929- 1930 Bulletins published eight times a year by Wellesley College, Wellesley, Massachusetts. February, 1 number; April. 2; May, 3; October, 1; November. 1. Entered as second-class matter, February 12, 1912, at the Post Office at Boston, Massachusetts, under the Act of July, 1894. Volume 19 Number 2 CORRESPONDENCE All inquiries regarding admission should be addressed to the Secretary to the Board of Admission. As Director of the Personnel Bureau, Associate Professor Wood is prepared to furnish information in regard to the qualifications and ex- perience of former members of the College who have registered with the Bureau as candidates for teaching or other vocations. All former students of the College may, by registering, have the aid of the Personnel Bureau in securing positions. Inquiries for general information should be addressed to the Secretary to the President. TABLE OF CONTENTS PAGE PAGE Correspondence 2 Courses of Instruction.—Cont. Calendar .... 5 History 91 Board of Trustees 6 Hygiene and Physical Educa- tion 98 Standing Committees 7 Italian 106 Officers of Instruction an Latin 108 Government . Standing Committees 17 Mathematics . .112 Music 115 Foundation and Purpose . 19 Admission .... 20 Philosophy and Psychology . 120 Methods .... 22 Physics 125 Examinations 23 Reading and Speaking . 129 Definition of Requirements 25 Spanish 130 Zoology and Physiology . .132 To Advanced Standing . 35 Of Candidates for Master Examinations (College) . 138 Degree .... 36 Expenses 138 Of Students not Candidates Residence 141 for a Degree . 37 Health 141 Degrees:— Fellowships and Scholarships:— Requirements for B.A.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H.
    [Show full text]
  • Lost in the Stars
    REVIEWS Performances Lost in the Stars Washington National Opera and the production rocked the house. In musical terms, the 2016 version is even stronger, especially 12–20 February 2016 the contributions of the orchestra, due in great part to the added forces supplied by the Kennedy Center and WNO, particularly the dark richness of added violas. Conductor John DeMain’s Kurt Weill and Maxwell Anderson’s Lost in the Stars sailed into authoritative command of Weill’s score brought the powerful the Kennedy Center this February captained by Washington music to the forefront. National Opera’s Artistic Director Francesca Zambello. The The sound of the men in the Chorus reminds me of the production was an important event in the nation’s capital, not powerful South African tradition of male ensembles, rooted in only amplifying pressing conversations about race and unequal the practice of corralling Black miners in stockades, with music justice but broadening an artistic question in what has become their only emotional outlet. Through the choral writing, the a rich musical-theater nexus—what is musical theater? Lost nation itself becomes a character, with the first act establishing the in the Stars has been a challenge to define since it debuted on context and letting music invoke the work’s panoramic feel and Broadway, where it met mixed critical response. It has continued grand themes. The audience is challenged to feel the loneliness of to perplex many critics who try ungraciously to fit it into a pre- living in fear of “the other,” and to consider how fear and greed existing genre.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    "£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura
    [Show full text]
  • S!Jr~Rd RICE UNNERSITY School of Music PROGRAM
    I J FACULTY RECITAL FRANCES BIBLE, Mezzo-Soprano JEANETTE LOMBARD, Soprano THOMAS JABER, Piano Monday, April 16, 1990 8:00p.m. in Hamman Hall s!Jr~rd RICE UNNERSITY SchOol Of Music PROGRAM Ombra maifu (Serse) George Frideric Handel (1685-1759) Miss Bible -f --r Lebe wohl Hugo Wolf In dem Schatten meiner Locken ( 1860-1903) Verborgenheit Ich hab in Penna einen Liebsten wohnen ~ ~ Miss Lombard . t.. ~ Barcarolle from Tales of Hoffman Jacques Offenbach (1819-1880) Miss Lombard and Miss Bible Two arias from Samson et Dalila Camille Saint-Saens Amour, viens aider mafaiblesse! ( 1835-1921) M on coeur s 'ouvre a ta voix ~ · Miss Bible z t~ ~6 INTERMISSION ~..,- ~ ~ ,, Chanson d'Avril Georges Bizet ( 1838-1875) La Cloche Camille Saint-Saens Miss Lombard ' r Litanei Franz Schubert ~ ~~ Die Manner sind mechant ( 1797-1828) ~ ........- Du bist wie eine Blume Robert Schumann """ ·~~ Widmung . (1810-1856) Miss Bible " . r-< Two arias from Tosca Giacomo Puccini Non Ia sospiri Ia nostra cas etta (1858-1924) Vissi d'arte Miss Lombard Fu Ia sorte dell'armi Giuseppe Verdi ( 1813-1901) Miss Lombard and Miss Bible BIOGRAPHIES FRANCES BIBLE is Artist-in-Residence at The Shepherd School ofMusic. Miss Bible is a graduate of the Institute of Musical Art ofthe lui/liard School, receiving the Alice Breen Memorial Prize for the highest rating in singing and a five-year • Fellowship at the lui/liard Graduate School . Miss Bible was a member of the New York City Opera from 1948 to 1980 (7nd is the only singer to receive a citation commemorating her artistic contribution to that company.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
    TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D.
    [Show full text]