La-Peninsula-World-War-II-Part-II-Spring-2017.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Topaz Reunion 98
TOPAZ REUNION 98 ~\;,: ~~ CONTENTS Welcome Message 2 The Committee 3 Schedule of Events 4 Video Schedule 6 Hotel Floor Plan 7 News Writer Describes Life of Japanese Camp 9 Haiku 13 Education in an Internment Camp 15 Directory of Registrants 27 Acknowledgments 37 .... ·· i ~ ~ '"'" TOPAZ REUNION ' 98 DoubleTree Hotel San Jose, California May 29-31, 1998 'We[come Tomi Takakuwa Gyotoku reetings from the Topaz '98 Reunion Committee, and welcome to the AndyHanda "last?" Topaz reunion. Your committee has spent the last 18 months Fumi Manabe Hayashi G Mary Mori Hiromoto preparing for this reunion and planni:Ug the activities. Bill Hirose Yone Kato Ito This reunion is unique in that we have invited our Nikkei counterparts Mimi Kawashima Iwatsu from Canada, Mexico, Peru and Australia providing the stage for a panel to Helen Yamanashi Kato learn first hand about other internment experiences and exchange information Mas Kawaguchi Chuck Kubokawa about our unique historical backgrounds. Jamo Momii Joe Mori The three historical groups: National Japanese American Historical Sam Nakaso Society, Japanese American National Museum, and Topaz Museum have Moses Oshima joined us to provide information and assistance to acquaint us with their Daisy Uyeda Satoda Alice Mori Shibata organization and ways to preserve and document our history. Min Shinoda Anah Yamanashi Sugiyama Activities scheduled for the reunion were planned to provide more than Paul Takata enough things to do to keep everyone busy for the entire weekend, so please Bob Utsumi take advantage of the scheduled events and enjoy yourself The art exhibit, video show, printout of individual camp records, classes in genealogy search, walking tour of the San Jose's Nihonmachi, Japanese stores and restaurants, local museums, Nikkei lobby vendors, etc. -
View / Open Kiehn 2007 Final.Pdf
Dcscr-1 Canvas: 1\n as Commentary at the Tanforan and Topa; Art Schools of1h1.· Japa11cs1.' \111L·ru.:a11 I ntcrnml'nt. I 9--t:?.d.J5 Katharine Kiehn Clark I lonors Colkgc Thesis :Vla_jor: Art 1 listory Primary Ad\ isor: Prol"essor Mondloch Spring 2007 ii Abstract: The Japanese American Internment occurred in the United States from 1942-45, after Japan's First Air Fleet's bombing of Pearl Harbor. President Roosevelt signed Executive Order 9066, which ordered Japanese Americans to be evicted from their homes and re located to the desert forpurposes of national security. While there is much documented research on the historical event, there is little on the visual art that Japanese Americans produced during their confinement. This art, when previously looked at, was used to supplement documentation on the internment, and not appreciated in its own right. This paper looks at this art froman art historical perspective, ascribing equal importance to the art, the artists, and the social/historical context. The art shows a process of shaping a new identity, as Japanese Americans were caught between two cultures in a time of war. Some of the art is characterized by the use of traditional Japanese techniques, and other pieces incorporate more contemporary American styles. The art was also used as a vehicle for social commentary and personal expression during this confusing, lonely,and isolating time period. However, the art fromthe camps was produced by many professionaland established artists of the Japanese American community, and can stand on its own as fine art. This paper looks at the work of fourof these artists: Chiura Obata, Masusaboro and Hisako Hibi, and Mine Okubo. -
No Matter Which Way You're Heading
0 no matter which way you're heading Wherever in the world you plan to do business, you home or halfway around the world-you can rely on will still be within range of the global services of the the local connections of Canada's FirstBank. In all Bank ofMontreal's International Organization. To matters of foreign trade, it will pay you to talk first smooth your way in any foreign market --close to to the B of M. UNITE0 STATES GREA T BRITAIN FRANCE"Ee GERMANY MEXICO JAPAN CARIBBEAN AREA ANDLATIN AMERICA BA:VKING C0RI;ESPONDENTS THROUGHOUT THE WORLD CANADA'S- FIRSTBANK bu... SF& Wd BANKOF MONTREAL 925 BRANCHES FROM COASTTO COAST IN CANADA ASSETSEXCEED $4 BILLION SO-354M CONTENTS 4 Editorial 4 EDITORIALCOMMITTEE 5 The distinguishing quality of John L. Gray, BSA'39, chairman a university education Cecil Hacker, BA'33,pas! chairman John Arneff 7 Our cosmopolitancampus L. E. Barber, BA'37 Mrs. T. R. Boggs, BA29 Leadership 9 conference Mrs. J. J. Cve!kovich, BA'57 Ralph Daly 10 Someimpertinent advice to freshmen S!an Evans, BA'41, BEd'44 Allan Fotheringham, BA'54 12 Cell division in thelibrary Himie Koshevoy, '32 14-1 5 Homecoming Frank P. Levirs, BA'26, MA'31 J. A. (Jock) Lundie, BA'24 16 Ministry to vocationala parish Gordon A. Thom, BCom'56, MBA(Md) Mrs. Frances Tucker, BA'50 18Our literaryquarterly reviewed Publishedquarterly by the Alumni Association of the 20The part alumni play University of BriiishColumbia, Vancouver, Canada. Busi- ness andeditorial offices: 252 BrockHall, U.B.C., Van- couver 8, B.C. -
Firmenhistorien Zur Rechentechnik
Biographien von Herstellern zur Rechentechnik in der rechentechnischen Sammlung des Geodätischen Instituts der Leibniz Universität Hannover In alphabetischer Reihenfolge Inhalte ohne Anspruch auf Vollständigkeit von Rainer Heer 1 Ascota (Astra) VEB 1919 Mechaniker-Werkstatt von John E. Greve in Chemnitz, Schlossstraße 2, 1921 Gründung der Astra-Werke AG in Chemnitz, Herbertstraße 9, Eintragung in HR Blatt 8209, dann HRB 23, Vorstand: John Greve, erste Mustermaschine des Modells A mit Einfachtastatur, erste deutsche und eu- ropäische Zehnertastatur. 1922 Fertigungsverlagerung in die Reitbahnstraße 40 1923 Beginn der Serienfertigung Modell A, (produziert bis 1939 mit 1 451 Stück) 1924 Modell B (Addier- und Subtrahiermaschine), Weiterent wicklung Modell A - D mit elektrischem Antrieb, Stellenan- zeiger und Sprungwagen 1928 Steigerung der Belegschaft von 175 im Jahr 1923 auf 407 Mitarbeiter. Jahresprodukti- on: Modell A: 446 Stück, Modell B: 1 183 Stück, Modell C: 810 Stück, Modell D: 313 Stück. 1928 Duplexmaschine in verschiedener Ausstattung, ab 1938 als Klasse 3/Modell 320 bis 340 (Buchungsmaschine mit 1 Saldierwerk und 1 Duplexwerk) Bild 1: Fertigungsstätte Astra-Werke 1929 1928 Triplexmaschine in verschiedener Ausstattung: ab 1938 als Klasse 4/Modell 420 und 430 (3 Zählwerke) 1929 Inbetriebnahme der neuen Fertigungsstätte im Bauhausstil auf der Altchemnitzer Straße 41 (siehe Bild 1); neue Modelle der Pultmaschinen und der Symbol-Buchungsmaschine: (Modelle J, K, L) 1930 Multiplex - Buchungsautomat mit bis zu 16 Registern, 1938-41 Produktion -
A a C P , I N C
A A C P , I N C . Asian Am erican Curriculum Project Dear Friends; AACP remains concerned about the atmosphere of fear that is being created by national and international events. Our mission of reminding others of the past is as important today as it was 37 years ago when we initiated our project. Your words of encouragement sustain our efforts. Over the past year, we have experienced an exciting growth. We are proud of publishing our new book, In Good Conscience: Supporting Japanese Americans During the Internment, by the Northern California MIS Kansha Project and Shizue Seigel. AACP continues to be active in publishing. We have published thirteen books with three additional books now in development. Our website continues to grow by leaps and bounds thanks to the hard work of Leonard Chan and his diligent staff. We introduce at least five books every month and offer them at a special limited time introductory price to our newsletter subscribers. Find us at AsianAmericanBooks.com. AACP, Inc. continues to attend over 30 events annually, assisting non-profit organizations in their fund raising and providing Asian American book services to many educational organizations. Your contributions help us to provide these services. AACP, Inc. continues to be operated by a dedicated staff of volunteers. We invite you to request our catalogs for distribution to your associates, organizations and educational conferences. All you need do is call us at (650) 375-8286, email [email protected] or write to P.O. Box 1587, San Mateo, CA 94401. There is no cost as long as you allow enough time for normal shipping (four to six weeks). -
New Technology from Sony
Tips, guides and reports for people repairing televisions and electronic equipment TELEYISIO AND HOME ELECTRONICS REPAIR JUNE 2003 £3.20 New technology from Sony Low -drop linear regulators The ChipQuick desoldering technique Build this PAT tester 06 The Panasonic Euro-4H chassis 97700326413 Satellite, Audio, Monitor, TV, VCR and DVD faults Ifever youneeded proof that thererea substitute for the original Dave here may look somewhat like the man himself, but when he breaks into song you'll agree, he'll never be a patch on the original. Illustratingour pointperfectlythat sometimes a substitute justisn't good enough. That's why the comprehensive and cost effective range of Classic DVD and CD lasers are all originals, making them the obvious choice. Contact your usual Classic, distributor quoting the type number of the laser you require and ask for the Classic original. Watch your post for your free copy of our laser listing or contact us for an advance copy. For more information on the entire Classic range or details of a distributor near you, call 01635 278678, visit us on the web; www.classic-electronics.co.uk or email us at sales©classic-electronics.co.uk classic Technical helpline 01635 278678 CONTENTS June 2003 Vol. 53, No. 8 451 Comment 478 All about low -drop linear An adventurous life. regulators Editor 452 Teletopics If you are not careful you can get instability problems with low -drop linear voltage regulator John A. Reddihough The analogue TV switch -off. Grundig's insolvency. ICs. The reasons for this lie in the frequency and Combined screen/speaker system. -
The Tanforan Memorial Project: How Art and History Intersected
THE TANFORAN MEMORIAL PROJECT: HOW ART AND HISTORY INTERSECTED A Thesis submitted to the faculty of San Francisco State University AS In partial fulfillment of 5 0 the requirements for the Degree AOR- • 033 Master of Arts in Humanities by Richard J. Oba San Francisco, California Fall Term 2017 Copyright by Richard J. Oba 2017 CERTIFICATION OF APPROVAL I certify that I have read “The Tanforan Memorial Project: How Art and History Intersected” by Richard J. Oba, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Humanities at San Francisco State University. I Saul Steier, Associate Professor, Humanities “The Tanforan Memorial Project: How Art and History Intersected” Richard J. Oba San Francisco 2017 ABSTRACT Many Japanese Americans realize that their incarceration during WWII was unjust and patently unconstitutional. But many other American citizens are often unfamiliar with this dark chapter of American history. The work of great visual artists like Ansel Adams, Dorothea Lange, Chiura Obata, Mine Okubo, and others, who bore witness to these events convey their horror with great immediacy and human compassion. Their work allows the American society to visualize how the Japanese Americans were denied their constitutional rights in the name of national security. Without their visual images, the chronicling of this historical event would have faded into obscurity. I certify that the Abstract is a correct representation of the content of this Thesis ACKNOWLEDGEMENT I wish to acknowledge the support and love of my wife, Sidney Suzanne Pucek, May 16, 1948- October 16, 2016. -
Dorothea Lange's Censored Photographs of the Japanese
Volume 15 | Issue 3 | Number 1 | Article ID 5008 | Feb 01, 2017 The Asia-Pacific Journal | Japan Focus Dorothea Lange’s Censored Photographs of the Japanese American Internment Linda Gordon Abstract: Bloch; she was then married to prominent artist Maynard Dixon, and she socialized with While Dorothea Lange has long been widely artists, bohemians, and her wealthy clients. known and acclaimed for her photographs When Diego Rivera made his first visit to the depicting the impact of the Great Depression US in 1930, he fell in with that crowd and on farmers and laborers, her documentation of Lange loaned her studio to Frida Kahlo. the Japanese American internment was long impounded by the US army. This article tells In 1935, restless and bored with her studio the story and shows some of the signature photography, she took a job with the Farm images contained in her documentation of the Security Administration (FSA) of the internment as well as explaining their long Department of Agriculture. Her assignment suppression. was to document the impact of the depression on farmers and farmworkers; these photographs were widely published as a means of building support for President Franklin Roosevelt’s agricultural policies. These photographs, however, then appeared without Shortly after Franklin Roosevelt ordered the the name of their creator. Since then, however, internment of Japanese Americans in 1942, the she has become most famous for this work: her War Location Authority hired photographer photographs of migrant farmworkers and Dorothea Lange to document the process. I sharecroppers have been so widely published strongly suspect that whoever made the that those who do not know her name almost decision knew little about her previous work, always recognize her pictures. -
Then They Came for Me Incarceration of Japanese Americans During WWII and the Demise of Civil Liberties ALPHAWOOD GALLERY, CHICAGO JUNE 29 to NOVEMBER 19, 2017
Then They Came for Me Incarceration of Japanese Americans during WWII and the Demise of Civil Liberties ALPHAWOOD GALLERY, CHICAGO JUNE 29 TO NOVEMBER 19, 2017 ALPHAWOOD FOUNDATION STATEMENT Alphawood Foundation is the proud sponsor of the exhibition Then They Came for Me: Incarceration of Japanese Americans during WWII and the Demise of Civil Liberties. Why did we feel it was important to share this story with the Chicago community? Alphawood exists to help create a more equitable, just and humane society for all of us. A difficult but essential part of that mission is to shine a light on great injustice, great inhumanity and great failure to live up to the core principles underlying our society. Then They Came for Me presents the shameful story of the United States government’s imprisonment of 120,000 people, most of them American citizens, solely based on their ethnic background. Think about that. Then think about what is occurring in our country right now, and what might be just around the corner. George Santayana wrote “those who cannot remember the past are condemned to repeat it.” The Japanese American incarceration represents a moment when we collectively turned our backs on the great promise and responsibility of our Constitution. We denied equal protection under the law to our fellow Americans and legal residents because of their ancestry alone. We tell this story because we love our country. We care deeply about its past, present and future. We know that America is better than the racism and xenophobia that triggered the events depicted in this exhibition. -
California Asian American Artists Biographical Survey Records
http://oac.cdlib.org/findaid/ark:/13030/kt4d5nf319 Online items available Guide to the California Asian American Artists Biographical Survey Records Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California October 2010 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Note This encoded finding aid is compliant with Stanford EAD Best Practice Guidelines, Version 1.0. Guide to the California Asian SC0929 1 American Artists Biographical Survey Records Overview Call Number: SC0929 Creator: Stanford University Title: California Asian American artists biographical survey records Dates: circa 1850-2007 Physical Description: 25 Linear feet Summary: The collection contains biographical files on more than 1000 artists active in California between 1850 and 1965, biographical files for 91 artists not active in California, and reference files. Biographical files contain exhibition records, catalogs, press coverage, and examples of art work (in the form of slides or photographs); in some cases there is also correspondence and/or interviews. Some materials may be photocopies. The reference files contain similar materials but are arranged by subject. Because of date range of the project and the nature of immigration before the 1970s, artists of Chinese and Japanese ancestry predominate in these files. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc Information about Access This collection is open for research. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. -
Perceiving and Resisting: the Negotiations of Art And
PERCEIVING AND RESISTING: THE NEGOTIATIONS OF ART AND PHOTOGRAPHY AT THE TANFORAN ASSEMBLY CENTER by Ariel Berg A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2012 Copyright 2012 Ariel Berg All Rights Reserved PERCEIVING AND RESISTING: THE NEGOTIATIONS OF ART AND PHOTOGRAPHY AT THE TANFORAN ASSEMBLY CENTER by Ariel Berg Approved: __________________________________________________________ James C. Curtis, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Department of American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to thank my thesis advisor, Jim Curtis, who inspired this project and then was integral in its fulfillment. Thanks also goes to the librarians at the Bankroft Library, who helped me with my research on Hisako Hibi, and the archivists and employees at The National Archives at San Francisco, in particular Marisa Louie, who provided invaluable aid with the microfilm documents on Tanforan. A number of individuals offered me assistance on sources and topic, including Ken Tokutomi and Delphine -
Pacific Citizen
PAClFlCCITIZEN.ORG HISTORIC ISlAND HOLE-IN-ONE! Help fund the new House agrees to 'Saving Face' writer/ Get out those golf P.e. Web site. fund Angel Island director Alice Wu clubs and support Support the S.C.! restoration. talks about love. Nat'l JACL. PAGE 2 PAGE 3 . PAGE 9 PAGE 10 Since1929 __________~--~~----------------- Michelle Kwan to go for Olympic gold ITIZEN in 2006. The National Publication of the Japanese American Citizens League PAGE 7 Starbucks include Cafe Tan Tan and IN FOCUS Benkyodo, a coffee and manju shop Not In Our Backyard that has been in Bobby Okamura's family for close to 100 years . ing the occasional visit to the annu S.F. Japantown merchants "It's not a good idea, community al Cherry Blossom festival or an and community groups say and business-wise," said Okamura, outing to a favorite restaurant. no to a proposed Starbucks. 50, of Starbucks moving into Today, like most often these days, Japantown. "I think the commuiiity business at Cafe Hana is slow with By CAROLINE AOYAGI is dead against it." only a trickling of customers com Executive Editor "I think my customers are pretty prised of workers from the loyal but [having a Starbucks] might Japantown area or the occasional Carol Murata has owned Cafe affect my new customers," added Hana, located in the heart of San tourist. With the recent news that Okamura, who currently owns Francisco's Japantown, for close to coffee magnate Starbucks is about Benkyodo with his brother. to open shop across the street, two decades now; her sister runs It was early last month that neighboring May's Coffee Shop, Murata fears for the survival of her Japantown merchants and commu which has been in the family for business.