California Asian American Artists Biographical Survey Records
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Prince of Legend Free
FREE PRINCE OF LEGEND PDF Jack Ludlow | 320 pages | 15 Apr 2014 | ALLISON & BUSBY | 9780749015626 | English | London, United Kingdom Prince of Legend (TV Mini-Series ) - IMDb From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. See the full gallery. Kanade and Takato who live in completely different worlds and have totally opposite personality start to compete for an important thing. Looking for something to watch? Choose an adventure below and discover your Prince of Legend favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Episode List. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Episode Guide. Added to Watchlist. The Evolution of Armie Hammer. Japanese drama. Share this Rating Title: Prince of Legend 5. Use the HTML below. You must be a registered user to use Prince of Legend IMDb rating plugin. Episodes Seasons. Photos Add Image Add an image Do you have any images for this title? Sho 10 episodes, Itsuki Fujiwara Kaiji Hiura 10 episodes, Makoto Hasegawa Riku Odajima 10 episodes, Hiroki Iijima Mitsuhiko Jissoji 10 episodes, Kazuma Kawamura Haru Sagasawa 10 Prince of Legend, Taichi Kodama Taichi 10 episodes, Keita Machida Riichi Yuki 10 Prince of Legend, Seiji Rokkaku Toshiya Suzaku 10 episodes, Reo Sano Aoi Ayanokoji 10 episodes, Mandy Sekiguchi Gabriel Sasazuka 10 episodes, Akihisa Shiono Yuta Hattori 10 episodes, Hokuto Yoshino Edit Storyline Kanade and Takato who live in completely different worlds and have totally opposite personality start to compete for an important thing. -
View / Open Kiehn 2007 Final.Pdf
Dcscr-1 Canvas: 1\n as Commentary at the Tanforan and Topa; Art Schools of1h1.· Japa11cs1.' \111L·ru.:a11 I ntcrnml'nt. I 9--t:?.d.J5 Katharine Kiehn Clark I lonors Colkgc Thesis :Vla_jor: Art 1 listory Primary Ad\ isor: Prol"essor Mondloch Spring 2007 ii Abstract: The Japanese American Internment occurred in the United States from 1942-45, after Japan's First Air Fleet's bombing of Pearl Harbor. President Roosevelt signed Executive Order 9066, which ordered Japanese Americans to be evicted from their homes and re located to the desert forpurposes of national security. While there is much documented research on the historical event, there is little on the visual art that Japanese Americans produced during their confinement. This art, when previously looked at, was used to supplement documentation on the internment, and not appreciated in its own right. This paper looks at this art froman art historical perspective, ascribing equal importance to the art, the artists, and the social/historical context. The art shows a process of shaping a new identity, as Japanese Americans were caught between two cultures in a time of war. Some of the art is characterized by the use of traditional Japanese techniques, and other pieces incorporate more contemporary American styles. The art was also used as a vehicle for social commentary and personal expression during this confusing, lonely,and isolating time period. However, the art fromthe camps was produced by many professionaland established artists of the Japanese American community, and can stand on its own as fine art. This paper looks at the work of fourof these artists: Chiura Obata, Masusaboro and Hisako Hibi, and Mine Okubo. -
Geidai Arts Summit 2012 from Asia to the World -The Development and Cooperation-
GEIDAI ARTS SUMMIT 2012 FROM ASIA TO THE WORLD -THE DEVELOPMENT AND COOPERATION- 10/10/2012 Tokyo University of the Arts 参加大学 Univerity Invited Central Academy of Fine Arts 中央美術学院 Central Conservatory of Music 中央音楽学院 Academy of Arts & Design, Tsinghua University 清華大学美術学院 Shanghai Conservatory of Music 上海音楽学院 China Academy of Art 中国美術学院 Xinjiang Arts Institute 新疆芸術学院 Shanghai Institute of Visual Art, Fudan University 復旦大学上海視覚芸術学院 Tainan National University of the Arts 台南芸術大学 National Taiwan University of Arts 台湾芸術大学 Taipei National University of the Arts 台北芸術大学 College of Fine Arts, Seoul National University ソウル大学校美術大学 College of Music, Seoul National University ソウル大学校音楽大学 Korea National University of Arts 韓国芸術綜合学校 Daegu University 大邱大学校 Korean Academy of Film Arts 韓国映画アカデミー Korea National University of Cultural Heritage 韓國傳統文化大學校 Mongolian State University of Arts and Culture モンゴル国立文化芸術大学 Institut Seni Indonesia Yogyakarta インドネシア芸術大学ジョグジャカルタ校 Institut Seni Indonesia Denpasar インドネシア芸術大学デンパサール校 Vietnam University of Fine Arts ベトナム美術大学 Ho Chi Minh City University of Fine Arts ホーチミン市美術大学 Vietnam National Academy of Music ベトナム国家音楽学院 Silpakorn University シラパコーン大学 LASALLE College of the Arts ラサール芸術大学 National Academy of Arts, Culture & Heritage 国立芸術文化遺産大学 Aichi Prefectural University of Fine Arts and Music 愛知県立芸術大学 Okinawa Prefectural University of Arts 沖縄県立芸術大学 Kanazawa College of Art 金沢美術工芸大学 Kyoto City University of Arts 京都市立芸術大学 Tokyo University of the Arts 東京藝術大学 86 GEIDAI ARTS SUMMIT 2012 Contents 89 President’s Foreword 90 Schedule of -
A a C P , I N C
A A C P , I N C . Asian Am erican Curriculum Project Dear Friends; AACP remains concerned about the atmosphere of fear that is being created by national and international events. Our mission of reminding others of the past is as important today as it was 37 years ago when we initiated our project. Your words of encouragement sustain our efforts. Over the past year, we have experienced an exciting growth. We are proud of publishing our new book, In Good Conscience: Supporting Japanese Americans During the Internment, by the Northern California MIS Kansha Project and Shizue Seigel. AACP continues to be active in publishing. We have published thirteen books with three additional books now in development. Our website continues to grow by leaps and bounds thanks to the hard work of Leonard Chan and his diligent staff. We introduce at least five books every month and offer them at a special limited time introductory price to our newsletter subscribers. Find us at AsianAmericanBooks.com. AACP, Inc. continues to attend over 30 events annually, assisting non-profit organizations in their fund raising and providing Asian American book services to many educational organizations. Your contributions help us to provide these services. AACP, Inc. continues to be operated by a dedicated staff of volunteers. We invite you to request our catalogs for distribution to your associates, organizations and educational conferences. All you need do is call us at (650) 375-8286, email [email protected] or write to P.O. Box 1587, San Mateo, CA 94401. There is no cost as long as you allow enough time for normal shipping (four to six weeks). -
Germany and Japan As Regional Actors in the Post-Cold War Era: a Role Theoretical Comparison
Alexandra Sakaki Germany and Japan as Regional Actors in the Post-Cold War Era: A Role Theoretical Comparison Trier 2011 GERMANY AND JAPAN AS REGIONAL ACTORS IN THE POST-COLD WAR ERA: A ROLE THEORETICAL COMPARISON A dissertation submitted by Alexandra Sakaki to the Political Science Deparment of the University of Trier in partial fulfillment of the requirements for the degree of Doctor of Philosophy Submission of dissertation: August 6, 2010 First examiner: Prof. Dr. Hanns W. Maull (Universität Trier) Second examiner: Prof. Dr. Christopher W. Hughes (University of Warwick) Date of viva: April 11, 2011 ABSTRACT Germany and Japan as Regional Actors in the Post-Cold War Era: A Role Theoretical Comparison Recent non-comparative studies diverge in their assessments of the extent to which German and Japanese post-Cold War foreign policies are characterized by continuity or change. While the majority of analyses on Germany find overall continuity in policies and guiding principles, prominent works on Japan see the country undergoing drastic and fundamental change. Using an explicitly comparative framework for analysis based on a role theoretical approach, this study reevaluates the question of change and continuity in the two countries‘ regional foreign policies, focusing on the time period from 1990 to 2010. Through a qualitative content analysis of key foreign policy speeches, this dissertation traces and compares German and Japanese national role conceptions (NRCs) by identifying policymakers‘ perceived duties and responsibilities of their country in international politics. Furthermore, it investigates actual foreign policy behavior in two case studies about German and Japanese policies on missile defense and on textbook disputes. -
The Tanforan Memorial Project: How Art and History Intersected
THE TANFORAN MEMORIAL PROJECT: HOW ART AND HISTORY INTERSECTED A Thesis submitted to the faculty of San Francisco State University AS In partial fulfillment of 5 0 the requirements for the Degree AOR- • 033 Master of Arts in Humanities by Richard J. Oba San Francisco, California Fall Term 2017 Copyright by Richard J. Oba 2017 CERTIFICATION OF APPROVAL I certify that I have read “The Tanforan Memorial Project: How Art and History Intersected” by Richard J. Oba, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Humanities at San Francisco State University. I Saul Steier, Associate Professor, Humanities “The Tanforan Memorial Project: How Art and History Intersected” Richard J. Oba San Francisco 2017 ABSTRACT Many Japanese Americans realize that their incarceration during WWII was unjust and patently unconstitutional. But many other American citizens are often unfamiliar with this dark chapter of American history. The work of great visual artists like Ansel Adams, Dorothea Lange, Chiura Obata, Mine Okubo, and others, who bore witness to these events convey their horror with great immediacy and human compassion. Their work allows the American society to visualize how the Japanese Americans were denied their constitutional rights in the name of national security. Without their visual images, the chronicling of this historical event would have faded into obscurity. I certify that the Abstract is a correct representation of the content of this Thesis ACKNOWLEDGEMENT I wish to acknowledge the support and love of my wife, Sidney Suzanne Pucek, May 16, 1948- October 16, 2016. -
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways. -
The Cinema of Virtuality: the Untimely Avant-Garde of Matsumoto Toshio
The Cinema of Virtuality: The Untimely Avant-Garde of Matsumoto Toshio by Joshua Scammell A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario © 2016, Joshua Scammell Abstract: Scholarship on the avant-garde in Japanese cinema tends to focus on the 1960s. Many scholars believe that the avant-garde vanishes from Japanese cinema in the early 1970s. This study aims to disrupt such narratives with the example of filmmaker/theorist Matsumoto Toshio. Matsumoto is one of the key figures of the 1960s political avant-garde, and this study argues that his 1970s films should also be considered part of the avant-garde. Following Yuriko Furuhata who calls the avant-garde of the 1960s “the cinema of actuality,” this thesis calls the avant-garde of the 1970s “the cinema of virtuality.” The cinema of virtuality will be seen to emphasize a particular type of contiguity with the spectator. This strategy will be discussed in relation to four of Matsumoto’s short films: Nishijin (1961), For the Damaged Right Eye (1968), Atman (1975), and Sway (1985) and a brief discussion of Funeral Parade of Roses (1969). ii Acknowledgements: In the classical world, artists often had their pupils do the actual work, while they took all the credit for the original idea. Working with Aboubakar Sanogo is almost the opposite. No words can express my gratitude towards his generous commitment of time and energy towards this project, and his nurturing open-mindedness to my more abstract ideas. -
Oral Prpgram(PDF)
Room A Mon. Sep 6 Invited Lecture Masashi Kijima, presiding 10:25 1A04IL Paper-based electronics and sensor Toshiharu Enomae Yoshihiro Kikkawa, presiding 11:15 1A06IL ISO standardization for plastics related to environment Masao Kunioka Ikuyoshi Tomita, presiding 13:20 1A09IL Development of Functional Polymeric Materials by RAFT polymerization and Their Applications Hideharu Mori Hiroki Uehara, presiding 14:10 1A11IL Design of Metal Catalysts and Monomers Aiming for Synthesis of New Polyolefins Daisuke Takeuchi Koji Matsuoka, presiding 15:25 1A14IL The dynamic epitope theory-Vulnerability of proteins induced by posttranslational glycosylation Shin-ichiro Nishimura Jun-ichi Kadokawa, presiding 16:15 1A16IL Invention of Liquid-Crystalline Polymeric Systems and Their Applications Seiji Ujiie Ken Nakajima, presiding 17:05 1A18IL bio-inspired polymer electronic devices Naoki Asakawa Tue. Sep 7 Invited Lecture Atsushi Maruyama, presiding 9:35 2A02IL Development of polymers that control association and phase separation behavior of biomacromolecules and their application to biomaterials Akihiro Kishimura Koichiro Uto, presiding 10:25 2A04IL Development of functional polymers based on degradable aliphatic polycarbonates towards applications in biomaterials Kazuki Fukushima Akihiko Kikuchi, presiding 11:15 2A06IL Design and Application of Polymeric Materials that Exhibit Both High Degradability and Stability Nobuhiro Kihara Hideaki Yokoyama, presiding 13:20 2A09AL Analysis and functionalization of anisotropic changes in structure and properties -
Perceiving and Resisting: the Negotiations of Art And
PERCEIVING AND RESISTING: THE NEGOTIATIONS OF ART AND PHOTOGRAPHY AT THE TANFORAN ASSEMBLY CENTER by Ariel Berg A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2012 Copyright 2012 Ariel Berg All Rights Reserved PERCEIVING AND RESISTING: THE NEGOTIATIONS OF ART AND PHOTOGRAPHY AT THE TANFORAN ASSEMBLY CENTER by Ariel Berg Approved: __________________________________________________________ James C. Curtis, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Department of American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to thank my thesis advisor, Jim Curtis, who inspired this project and then was integral in its fulfillment. Thanks also goes to the librarians at the Bankroft Library, who helped me with my research on Hisako Hibi, and the archivists and employees at The National Archives at San Francisco, in particular Marisa Louie, who provided invaluable aid with the microfilm documents on Tanforan. A number of individuals offered me assistance on sources and topic, including Ken Tokutomi and Delphine -
Curriculum Vitae JANET KAZUKO YAMAMOTO, Ph.D
Curriculum Vitae JANET KAZUKO YAMAMOTO, Ph.D. PRESENT POSITION: RESIDENCE: Professor 4309 SW 77th Street Department of Infectious Diseases & Pathology (ID&P) Gainesville, Florida 32608 College of Veterinary Medicine Phone: (352) 371-9219 University of Florida, PO Box 110880 Fax: (352) 337-0444 Gainesville, FL 32611-0880 Phone: (352) 294-4145 Fax: (352) 392-7128 E-mail: [email protected] EMPLOYMENT HISTORY: 1979-1981 James W. McLaughlin Predoctoral Fellow in Infection and Immunity, Department of Microbiology, The University of Texas Medical Branch, Galveston, (Supervisor, Dr. Howard M. Johnson). Characterized the xenogeneic responses observed during the interaction of human peripheral blood lymphocytes and mouse spleen cells. Identified human natural killer cell activity towards mouse immunocytes, nonspecific soluble helper activity of human T cells towards mouse antibody response, and suppressor cell activity of mitogen and alloantigen-stimulated human T cells towards mouse antibody response. 1981-1982 NIH PHS Postdoctoral Fellow in the laboratory of Drs. Richard W. Dutton and Susan L. Swain, Department of Biology, University of California, San Diego. Evaluated the role of lymphokines (interleukin-2 and interferon-γ) in the developing primary and secondary antibody responses in mice. 1982-1983 Research Associate Scientist in the laboratory of Drs. Robert A. Good and N.K. Day, Oklahoma Medical Research Foundation, Oklahoma City. Analyzed the immunological status of feline leukemia virus (FeLV)-positive cats that were undergoing ex vivo immunoabsorption therapy with protein A column. 1983-1985 Postgraduate Researcher IV in the Department of Medicine, School of Veterinary Medicine, University of California, Davis. Produced and purified feline interferons (α, ß, and γ) and characterized their effect against FeLV. -
Localizing Japanese Video Games for a Globalizing World
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Open World Translation: Localizing Japanese Video Games for a Globalizing World Emily Suvannasankha University of Central Florida Part of the Game Design Commons, and the Technical and Professional Writing Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Suvannasankha, Emily, "Open World Translation: Localizing Japanese Video Games for a Globalizing World" (2019). Honors Undergraduate Theses. 464. https://stars.library.ucf.edu/honorstheses/464 OPEN WORLD TRANSLATION: LOCALIZING JAPANESE VIDEO GAMES FOR A GLOBALIZING WORLD by EMILY N. SUVANNASANKHA A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in English in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term 2019 Thesis Chair: Madelyn Flammia, Ph.D. ABSTRACT The purpose of this thesis is to investigate the most effective ways of handling cultural differences in the Japanese-to-English game localization process. The thesis advocates for applying the Skopos theory of translation to game localization; analyzes how topics such as social issues, humor, fan translation, transcreation, and censorship have been handled in the past; and explores how international players react to developers’ localization choices.