Case 1:15-Cv-09188-VEC Document 125 Filed 06/20/19 Page 1 of 56

Total Page:16

File Type:pdf, Size:1020Kb

Case 1:15-Cv-09188-VEC Document 125 Filed 06/20/19 Page 1 of 56 Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 1 of 56 81,7('67$7(6',675,&7&2857 )257+(6287+(51',675,&72)1(:<25. %(1-$0,10,&+$(/0(55<0$1$0< &,9,/$&7,2112FY9(& :+,7$.(50(55<0$175867% 0(55<0$1$1'$0(55<0$17+ *(1(5$7,215(0$,1'(575867$1' &+(67(5&2817<(03/2<((6 5(7,5(0(17)81'LQGLYLGXDOO\DQGRQ EHKDOIRIDOORWKHUVVLPLODUO\VLWXDWHG 3ODLQWLIIV Y -3025*$1&+$6(%$1.1$ 'HIHQGDQW '(&/$5$7,212)6+$5$11,508/,168332572) , 3/$,17,))6¶027,21 )25),1$/$33529$/2)352326('&/$66$&7,216(77/(0(17$1'3/$1 2)$//2&$7,21$1' ,, /($'&2816(/¶6027,21)25$1$:$5'2) $77251(<6¶)((6$1'5(,0%856(0(172)/,7,*$7,21(;3(16(6 Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 2 of 56 7$%/(2)&217(176 3DJH , 35(/,0,1$5<67$7(0(17 ,, %$&.*5281'2)7+(/,7,*$7,21 $ 6XPPDU\RIWKH&ODLPV$VVHUWHG$JDLQVW'HIHQGDQWLQWKH /LWLJDWLRQ % 5HOHYDQW3URFHGXUDO+LVWRU\ ,QYHVWLJDWLRQDQG&RPPHQFHPHQWRIWKH/LWLJDWLRQ -30¶V0RWLRQWR'LVPLVV 7KH&RXUW¶V5XOLQJRQ'HIHQGDQW¶V0RWLRQWR'LVPLVV 3ODLQWLIIV¶0RWLRQIRU5HFRQVLGHUDWLRQ 3ODLQWLIIV¶$PHQGHG&RPSODLQWDQGWKH6HFRQG0RWLRQWR 'LVPLVV 3URWHFWLYH2UGHUDQG6FKHGXOLQJ2UGHU & 7KH3DUWLHV¶([WHQVLYH'LVFRYHU\(IIRUWV ' 3ODLQWLIIV¶'LVFRYHU\3URSRXQGHGRQ'HIHQGDQW 3ODLQWLIIV¶'RFXPHQW5HTXHVWV 7KH3DUWLHV¶1HJRWLDWLRQV5HJDUGLQJ(IILFLHQW'RFXPHQW 'LVFRYHU\ ,PSOHPHQWDWLRQRI5HYLHZ3URWRFRO 'HSRVLWLRQV :ULWWHQ'LVFRYHU\ 3ODLQWLIIV¶'LVFRYHU\3URSRXQGHGRQ1RQ3DUWLHV ( 'HIHQGDQW¶V'LVFRYHU\3URSRXQGHGRQ1DPHG3ODLQWLIIV ) 3ODLQWLIIV¶6LJQLILFDQW:RUNZLWK([SHUWV * 0RWLRQ3UDFWLFH $QWLFLSDWHG0RWLRQIRU&ODVV&HUWLILFDWLRQ $QWLFLSDWHG0RWLRQVIRU6XPPDU\-XGJPHQW ,,, 6800$5<2)3/$,17,))6¶:25.$6&/$66 5(35(6(17$7,9(6 ,9 7+(5,6.62)&217,18('/,7,*$7,21 $ 5LVNVRI&HUWLI\LQJD&ODVV % 5LVNVRI(VWDEOLVKLQJ/LDELOLW\ & 5LVNV&RQFHUQLQJ'DPDJHV L Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 3 of 56 9 6(77/(0(17',6&866,2161(*27,$7,212)6(77/(0(17 '2&80(176$1'6&+('8/,1*2)),1$/$33529$/ +($5,1* 9, 7+(3/$12)$//2&$7,21,6)$,5$1'$'(48$7( 9,, /($'&2816(/¶6&203/,$1&(:,7+7+(&2857¶6 35(/,0,1$5<$33529$/25'(5$1'127,&(02',),&$7,21 25'(5$1'7+(&/$66¶65($&7,2172'$7( 9,,, /($'&2816(/¶6)(($1'(;3(16($33/,&$7,21 $ /HDG&RXQVHO¶V)HH5HTXHVW,V)DLUDQG5HDVRQDEOHDQG:DUUDQWV $SSURYDO 7KH5LVNVRI/LWLJDWLRQDQGWKH1HHGWR(QVXUHWKH $YDLODELOLW\RI&RPSHWHQW&RXQVHOLQ+LJK5LVN &RQWLQJHQW/LWLJDWLRQ 7KH:RUNRI3ODLQWLIIV¶&RXQVHODQGWKH/RGHVWDU&URVV &KHFN 7KH4XDOLW\RI/HDG&RXQVHO¶V5HSUHVHQWDWLRQ % /HDG&RXQVHO¶V5HTXHVWIRU/LWLJDWLRQ([SHQVHV:DUUDQWV $SSURYDO /HDG&RXQVHO6HHNV3D\PHQWRI,WV5HDVRQDEOHDQG 1HFHVVDU\/LWLJDWLRQ([SHQVHVIURPWKH6HWWOHPHQW)XQG 6HUYLFH$ZDUGVWR3ODLQWLIIV$UH)DLUDQG5HDVRQDEOH ,; &21&/86,21 LL Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 4 of 56 ,6+$5$11,508/GHFODUHDVIROORZVSXUVXDQWWR86& ,DPDSDUWQHURIWKHODZILUPRI.HVVOHU7RSD]0HOW]HU &KHFN//3 ³.HVVOHU 7RSD]´ .HVVOHU 7RSD] KHUHLQ UHIHUUHG WR DV ³/HDG &RXQVHO´ UHSUHVHQWV %HQMDPLQ 0LFKDHO 0HUU\PDQ$P\:KLWDNHU0HUU\PDQ7UXVWDQG%0HUU\PDQDQG$0HUU\PDQWK*HQHUDWLRQ 5HPDLQGHU7UXVW FROOHFWLYHO\WKH³0HUU\PDQ3ODLQWLIIV´ DVZHOODV&KHVWHU&RXQW\(PSOR\HHV 5HWLUHPHQW)XQG ³&KHVWHU&RXQW\´DQGWRJHWKHUZLWKWKH0HUU\PDQ3ODLQWLIIVWKH³3ODLQWLIIV´ LQWKHDERYHFDSWLRQHGFODVVDFWLRQ WKH³/LWLJDWLRQ´ ,KDYHSHUVRQDONQRZOHGJHRIWKHPDWWHUV VHW IRUWK KHUHLQ EDVHG RQ P\ DFWLYH VXSHUYLVLRQ RI DQG SDUWLFLSDWLRQ LQ WKH SURVHFXWLRQ DQG UHVROXWLRQRIWKH/LWLJDWLRQ ,UHVSHFWIXOO\VXEPLWWKLV'HFODUDWLRQLQVXSSRUWRI3ODLQWLIIV¶PRWLRQSXUVXDQWWR 5XOH H RI WKH )HGHUDO 5XOHV RI &LYLO 3URFHGXUH WKH ³)HGHUDO5XOHV´RU³5XOH´ IRUILQDO DSSURYDO RI WKH SURSRVHG VHWWOHPHQW WKH ³6HWWOHPHQW´ ZLWK -30RUJDQ &KDVH %DQN 1$ ³'HIHQGDQW´RU³-30´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³6WLSXODWLRQ´ (&)1R -30DQG3ODLQWLIIVDUHUHIHUUHGWRKHUHLQDVWKH³3DUWLHV´ Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 5 of 56 RU VXFFHVVRU VHFXULWLHV IURP 1RYHPEHU WR -XO\ LQFOXVLYH 7KH &RXUW SUHOLPLQDULO\DSSURYHGWKH6HWWOHPHQWDQGGLUHFWHGQRWLFHRIWKH6HWWOHPHQWWRWKH6HWWOHPHQW&ODVV E\2UGHUHQWHUHG-XO\ WKH³3UHOLPLQDU\$SSURYDO2UGHU´ (&)1R7KHUHDIWHUWKH &RXUWRQ0DUFKHQWHUHGDQ2UGHUDSSURYLQJFHUWDLQPRGLILFDWLRQVWRWKHQRWLFHSODQDQG VFKHGXOHIRUDSSURYDORIWKH6HWWOHPHQW WKH³1RWLFH0RGLILFDWLRQ2UGHU´ (&)1R , DOVR UHVSHFWIXOO\ VXEPLW WKLV 'HFODUDWLRQ LQ VXSSRUW RI WKH SURSRVHG SODQ IRU DOORFDWLQJWKHQHWSURFHHGVRIWKH6HWWOHPHQWWRHOLJLEOH6HWWOHPHQW&ODVV0HPEHUV WKH³3ODQRI $OORFDWLRQ´RU³3ODQ´ DQG/HDG&RXQVHO¶VPRWLRQRQEHKDOIRI3ODLQWLIIV¶&RXQVHOIRUDQDZDUG RIDWWRUQH\V¶IHHVDQGUHLPEXUVHPHQWRI/LWLJDWLRQ([SHQVHV WKH³)HHDQG([SHQVH$SSOLFDWLRQ´ LQFOXGLQJ6HUYLFH$ZDUGVWR3ODLQWLIIVIRUWKHLUHIIRUWVLQFRQQHFWLRQZLWKWKHSURVHFXWLRQRIWKH /LWLJDWLRQ )RU WKH UHDVRQV GLVFXVVHG EHORZ DQG LQ WKH DFFRPSDQ\LQJ PHPRUDQGD, UHVSHFWIXOO\VXEPLWWKDW L WKHWHUPVRIWKH6HWWOHPHQWDUHIDLUUHDVRQDEOHDQGDGHTXDWHLQDOO UHVSHFWVDQGVKRXOGEHDSSURYHGE\WKH&RXUW LL WKHSURSRVHG3ODQRI$OORFDWLRQLVIDLUDQG UHDVRQDEOH DQG VKRXOG EH DSSURYHG E\ WKH &RXUW DQG LLL /HDG &RXQVHO¶V )HH DQG ([SHQVH $SSOLFDWLRQLVUHDVRQDEOHDQGVXSSRUWHGE\WKHIDFWVDQGODZDQGVKRXOGEHJUDQWHGLQDOOUHVSHFWV &HUWDLQSHUVRQVDQGHQWLWLHVDUHH[FOXGHGIURPWKH6HWWOHPHQW&ODVVDVSURYLGHGLQ PP RIWKH6WLSXODWLRQ 5HIHUHQFHVKHUHLQWR³3ODLQWLIIV¶&RXQVHO´LQFOXGHV.HVVOHU7RSD]DORQJZLWKDGGLWLRQDO FRXQVHO*&KDGG0DVRQ(VTRI3UHYRVW6KDII0DVRQ &DUQV3//& IRUPHUO\RI0DVRQ/DZ )LUP3/& DQG$P\&0DUWLQ(VTRI$P\&0DUWLQ3$ IRUPHUO\RI(YHUHWW:DOHVDQG &RPVWRFN ,Q DGGLWLRQ WR WKLV 'HFODUDWLRQ 3ODLQWLIIV DQG /HDG &RXQVHO DUH VXEPLWWLQJ L WKH 0HPRUDQGXP RI /DZ LQ 6XSSRUW RI 3ODLQWLIIV¶ 0RWLRQ IRU )LQDO $SSURYDO RI 3URSRVHG &ODVV $FWLRQ 6HWWOHPHQW DQG 3ODQ RI $OORFDWLRQ WKH ³6HWWOHPHQW 0HPRUDQGXP´ DQG LL WKH 0HPRUDQGXPRI/DZLQ6XSSRUWRI/HDG&RXQVHO¶V0RWLRQIRUDQ$ZDUGRI$WWRUQH\V¶)HHVDQG 5HLPEXUVHPHQWRI/LWLJDWLRQ([SHQVHV WKH³)HH0HPRUDQGXP´ Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 6 of 56 , 35(/,0,1$5<67$7(0(17 )ROORZLQJWKUHH\HDUVRIKDUGIRXJKWOLWLJDWLRQDQGVHYHUDOPRQWKVRIDUP¶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¶ H[SHUW FDOFXODWHG -30 HDUQHG IURP WKH IRUHLJQ H[FKDQJH ³);´ SUDFWLFHV IRU WKH UHOHYDQW $PHULFDQ'HSRVLWDU\5HFHLSWVRUVHFXULWLHV ³$'5V´ LHDSSUR[LPDWHO\PLOOLRQ 8SXQWLODUHVROXWLRQZDVUHDFKHGLQ$SULOWKLV/LWLJDWLRQZDVDFWLYHO\DQG YLJRURXVO\OLWLJDWHGE\WKH3DUWLHVDQGDWWKHWLPHWKH6HWWOHPHQWZDVUHDFKHG3ODLQWLIIVZHUH DFWLYHO\ SUHSDULQJ WKHLU PRWLRQ IRU FODVV FHUWLILFDWLRQ DQG KDG EHJXQ DVVHPEOLQJ WKH SURRIV QHFHVVDU\IRUVXPPDU\MXGJPHQW3ULRUWRUHDFKLQJWKH6HWWOHPHQW/HDG&RXQVHOKDGDPRQJRWKHU WKLQJV L FRQGXFWHG D VLJQLILFDQW OHJDO DQG IDFWXDO LQYHVWLJDWLRQ LQWR WKH ); FRQYHUVLRQ RI GLYLGHQGVDQGFDVKGLVWULEXWLRQVLQFRQQHFWLRQZLWK$'5KROGLQJV ³&RQYHUVLRQV´ DWLVVXHLQWKH FDVH LL GUDIWHGWKUHHFRPSODLQWVLQFOXGLQJWKHGHWDLOHGRSHUDWLYHFRPSODLQW LLL IXOO\EULHIHG WZRPRWLRQVWRGLVPLVV LY EULHIHGDPRWLRQIRUUHFRQVLGHUDWLRQRIWKH&RXUW¶V6HSWHPEHU 2UGHU RQ 'HIHQGDQW¶V PRWLRQ WR GLVPLVV Y HQJDJHG LQ H[WHQVLYH GLVFRYHU\ HIIRUWV LQFOXGLQJ UHYLHZLQJ DQG DQDO\]LQJ RYHU SDJHV RI GRFXPHQWV SURGXFHG E\ -30 7KH 6HWWOHPHQW $PRXQW ZDV UHFHLYHG DQG GHSRVLWHG LQWR DQ LQWHUHVWEHDULQJ HVFURZ DFFRXQWRQ-XO\ Case 1:15-cv-09188-VEC Document 125 Filed 06/20/19 Page 7 of 56 SDUWLFLSDWLQJLQQXPHURXVPHHWDQGFRQIHUVZLWK-30¶VFRXQVHOLQDQHIIRUWWRUHVROYHYDULRXV GLVFRYHU\GLVSXWHVDQGGHSRVLQJVL[IDFWDQG E ZLWQHVVHV YL FRQVXOWHGZLWKDQH[SHUWWR GHYHORSDFODVVZLGHGDPDJHVPHWKRGRORJ\DQG YLL HQJDJHGLQVHYHUDOPRQWKVRIVHWWOHPHQW GLVFXVVLRQV ZLWK 'HIHQGDQW¶V &RXQVHO $V D UHVXOW RI WKHVH HIIRUWV /HDG &RXQVHO KDG D GHHS XQGHUVWDQGLQJRIWKHVWUHQJWKVDQGZHDNQHVVHVRIWKH3DUWLHV¶UHVSHFWLYHSRVLWLRQVDWWKHWLPHWKH 6HWWOHPHQWZDVUHDFKHG 3ODLQWLIIVDQG/HDG&RXQVHOFDUHIXOO\FRQVLGHUHGWKHVLJQLILFDQWULVNVDVVRFLDWHG ZLWK DGYDQFLQJ WKHLU FDVH WKURXJK WKH FRPSOHWLRQ RI GLVFRYHU\ FODVV FHUWLILFDWLRQ VXPPDU\ MXGJPHQWWULDODQGWKHLQHYLWDEOHSRVWWULDODSSHDOVEHIRUHDJUHHLQJWRUHVROYHWKH/LWLJDWLRQ$W WKHWLPHWKH6HWWOHPHQWZDVUHDFKHGWKH3DUWLHVKDGQHDUO\FRPSOHWHGIDFWGLVFRYHU\EHJDQH[SHUW GLVFRYHU\DQG3ODLQWLIIVZHUHMXVWZHHNVDZD\IURPILOLQJWKHLUPRWLRQIRUFODVVFHUWLILFDWLRQ² WKH RXWFRPH RI ZKLFK ZDV IDU IURP FHUWDLQ DQG FDUULHG VLJQLILFDQW ULVNV )RU H[DPSOH LQ LWV 6HSWHPEHU0HPRUDQGXP2SLQLRQDQG2UGHUJUDQWLQJLQSDUWDQGGHQ\LQJLQSDUW-30¶V 0RWLRQWR'LVPLVVWKH&RPSODLQW ³07'2UGHU´ (&)1RWKH&RXUWKDGDOUHDG\GHWHUPLQHG WKDW3ODLQWLIIVODFNHGFODVVVWDQGLQJWRUHSUHVHQWWKHFODLPVRI$'5KROGHUVZKRKDGQRWSXUFKDVHG WKHVDPHVHFXULWLHVILQGLQJWKDW3ODLQWLIIV¶FODLPVGLGQRWLPSOLFDWHWKH³VDPHVHWRIFRQFHUQVDV WKHFODLPVRIWKHDEVHQWFODVVPHPEHUV´see idDWPDNLQJLWSRVVLEOHWKDWWKH&RXUWDWFODVV FHUWLILFDWLRQFRXOGKDYHOLPLWHG3ODLQWLIIV¶FODVVVWDQGLQJHYHQIXUWKHUUHVWULFWLQJWKHLUDELOLW\WR UHSUHVHQWDFODVVRIRQO\WKRVH$'5KROGHUVWKDWUHFHLYHGWKHVDPH&DVK'LVWULEXWLRQVDV3ODLQWLIIV
Recommended publications
  • Umphrey's Mcgee
    Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
    [Show full text]
  • Ground Control - Ween - [CD & DVD]
    Ground Control - Ween - [CD & DVD] http://groundcontrolmag.com/detail/3/1330/ Avg Ween Fan IQ=103 Give Singing Success Can you beat this score? Take the challenge Limited time! Give Brett Manning's Singing now! Success at a huge discount SIGN UP LOG IN > ALBUMS REVIEWS: WEEN - [CD & DVD] ARTIST: Ween - [CD & DVD] DATE: 12-12-08 REVIEW BY: Bill Adams ALBUM: At Cat\\\'s Cradle, 1992 LABEL: Chocodog/MVDAudio Now Playing: 'Buckingham Green' from At Cat's Cradle, 1992 If all you’ve seen of Ween from a live performance standpoint is the fantastic DVD released in 2004 that presents an inspired set by the current line-up of Mickey Melchiondo (aka Dean Ween) on guitar, Aaron Freeman (aka Gene Ween) on vocals and guitar, drummer Claude Coleman (also known as very possibly the most gifted percussionist on Earth today), bassist Dave Dreiwitz and keyboardist Glenn McClelland, you’ve seen a pretty incredible show, but you don’t know the whole story. Without going into a spectacular amount of detail, Ween did not come out readymade as the dynamic outfit that took the stage in Chicago early in the millennium – it took a lot of work to get to that point. In the embryonic years (from their first show in 1987 until the release of Chocolate And Cheese in 1994), Ween had a line-up of just Gene and Dean who, along with a Yamaha tape deck stocked with pre-recorded drums and bass parts that they’d play to fill out the mixes on stage, were determined to win converts to the band’s banner by presenting a performance piece of playful and infectious perversion.
    [Show full text]
  • For Immediate Release September 2016 Umphrey's
    FOR IMMEDIATE RELEASE SEPTEMBER 2016 UMPHREY’S MCGEE ANNOUNCE THE NOVEMBER 11 RELEASE OF INNOVATIVE MASH-UP ALBUM ZONKEY RECORDED WITH LIVE INSTRUMENTATION AND NO SAMPLES USED COLLECTION INCLUDES MUSIC BY BEASTIE BOYS, BECK, FLEETWOOD MAC, METALLICA, MGMT, MICHAEL JACKSON, RADIOHEAD, TALKING HEADS, THE WEEKND, FRANK ZAPPA AND MANY MORE “Umphrey's McGee are a veteran act steeped in prog musicianship, metal power and genre-jumping inventiveness that thinks in terms of album-length statements.” - Rolling Stone Nashville, TN – Genre-defying progressive sextet Umphrey’s McGee announce the November 11 release of ZONKEY, a truly unique collection of 12 innovative mash-ups; conceived, arranged and performed in their entirety without the use of any samples. Always a band to challenge the boundaries of live performance, Umphrey’s McGee began a tradition eight years ago when the group started performing live mash-ups during their annual Halloween concerts. The event has become a fan favorite with sold out shows and highly coveted tickets. ZONKEY marks the first time the group has taken songs spanning 40+ years of popular music from 70’s Reggae to 80’s Pop to 90’s Metal and beyond, and recorded them in the studio. Only a band with the caliber of musicians such as Umphrey’s McGee could pull off these ambitious compositions that include “National Loser Anthem” (Radiohead’s "National Anthem" + Beck’s "Loser" + Phil Collins "In The Air Tonight”), “Can't Rock My Dream Face” (Michael Jackson’s "Rock With You" + The Weeknd’s "Can't Feel My Face" + Fleetwood Mac’s "Dreams"), “Strangletage” (Ted Nugent’s "Stranglehold" + Beastie Boys "Sabotage") or “Life During Exodus” (Talking Heads’ "Life During Wartime" + Bob Marley ‘s "Exodus" + Frank Zappa’s "City of Tiny Lites" + Chicago’s "25 or 6 to 4").
    [Show full text]
  • Hip-Hop: Spotlight on Khary,Phantogram Rains
    Roots Report: Milk and bread, baby! Okee dokee folks…We had a blizzard. Wasn’t that fun? This latest storm was like the Super Bowl for the local TV weather folks. They love to hype them. Milk and bread, baby — they must be getting kickbacks. I don’t mind the snow, but I don’t like the hype. Yes, it is a LOT of work to clean up, but it is sort of meditative — for me anyway. Snow is peaceful. Well, at least until the snow-blowers start up. They are obnoxious, but a necessity. I use one — cleaning the snow out of my driveway is akin to shoveling a swimming pool (and I always wear headphones to protect my ears and keep them warm). Snow can be a pain in the ass, and storms cancel plans. If you have intentions to see a show when it snows, you should check in before heading out. Sometimes you just have to stay home. But I always have plenty to do at home –I really don’t understand cabin fever. A few years back I was scheduled for a songwriter show and had to write a song about cabin fever. It was not one of my better songs. When I was younger I hated winter, but I’ve found a way to like it. Embrace the positive! Besides, winter lasts for three months. That’s not very long. You can all mock me during the summer when I complain about the heat. I hate summer! You know what gets me through the summer? Outdoor concerts.
    [Show full text]
  • FS Program Debated
    Check out Weekend for a review of the Inside in NewS...WARC's back This week's Perspectives... naughty animated film "El Dorado," Gail on the air; plus, further information Jason Cashing, a senior and an EMT, Giewont's triumphant return and the story on on the debate about the first-year on why those sirens on North Main Livingston Taylor's visit to campus. seminars and advising. and Park never stop. since 1876 "Liberty not Vol. 123, No. 20 exercised is Thursday liberty lost." April 13, 2000 —Gene Policinski IBatter Up FS Program Debated By KARA HARCHUCK all the faculty are trained to teach completed prior to a student's News Editor writing and speaking, in particular, formal declaration of major. so we have to go to workshops to This component of the First As the first full year of the new learn to do it." Seddig said that and Second Seminar requirement First and Second Seminar program this lack of training would not is in addition to three others—FS comes to a close, students, faculty apply to all faculty, but it would to 101, FS 102 and FS 201. The pur- and administrators are sharply some. pose of these three classes is to divided on whether or not the pro- Most faculty that responded to enhance analytical and critical gram is either credible or an im- questioning regarding these meet- skills, along with written and oral provement on previous programs. ings and workshops found them to communication skills. According to Professor of Re- be useful and of some assistance; The topics vary from year to ligious Studies Carl Olson, "When however, one faculty member, year as well as the instructors.
    [Show full text]
  • Ocean Man Lyrics – Ween
    Ocean Man Lyrics – Ween | The Mollusk | FunMeLoud : Lyrics Ocean man lyrics – Ween : “Ocean Man” is a song by American experimental rock band Ween on their 1997 Elektra album The Mollusk. Allmusic referred to this song as an example of Ween’s, “array of silly jokes and musical parody is richer and more diverse than most of its alternative rock contemporaries.” Song : Ocean Man Artist : Ween Produced by : Andrew Weiss Album : The Mollusk Ocean Man Lyrics [Verse 1] {Ocean man, take me by the hand, lead me to the land That you understand {Ocean man, the voyage to the corner of the globe Is a real trip [Chorus 1] {Ocean man, the crust of a tan man imbibed by the sand Soaking up the thirst of the land [Verse 2] {Ocean man, can you see through the wonder of amazement At the Oberman? Ocean man, the crust is elusive when it casts forth To the childlike man [Chorus 2] {Ocean man, the sequence of a life form braised in the sand Soaking up the thirst of the land [Bridge] {Ocean man Ocean man Ocean man [Guitar Solo] {Ocean man lyrics [Verse 1] {[Ocean man, take me by the hand, lead me to the land That you understand {Ocean man, the voyage to the corner of the globe Is a real trip (trip trip trip trip trip) [Chorus 1] {Ocean man, the crust of a tan man imbibed by the sand Soaking up the thirst of the land [Verse 2] {Ocean man, can you see through the wonder of amazement At the Oberman? {Ocean man, the crust is elusive when it casts forth To the childlike man [Chorus 2] {Ocean man, the sequence of a life form braised in the sand Soaking up the thirst of the land {Ocean man Ocean man lyrics Ocean Man Video Songs Read More Songs Lyrics MOONLIGHT LYRICS – XXXTENTACION | FunMeLoud : LYRICS Fade Into You Lyrics – Mazzy Star | So Tonight That I Might See The Hills Lyrics – The Weeknd | Beauty Behind the Madness | FunMeLoud Bad and Boujee Lyrics – Migos Ft.
    [Show full text]
  • An Interview with the Pharcyde, Page 4A. Plus, the Finest in Incredibly Strange Music, Page 5A
    AN INTERVIEW WITH THE PHARCYDE, PAGE 4A. PLUS, THE FINEST IN INCREDIBLY STRANGE MUSIC, PAGE 5A. 2A Thursday, November 10,1994 Daily Nexus TREE ClOTMNfi with Coupon ▼ 'THE WINTER Buy 1 Get 1 Free THAT NEVER ENDS'* of equal or lesser value Various Artists take out a second mort­ A- •Jeans • Blouses The Best of Kansas City gage on the wide-screen •Pants «Vintage K-TEL TV? The answer is A, none •Collectibles »Clothing of the above. You won’t Imagine if you could pay $500 for this invest­ THURSDAY New Arrivals Daily hear all your favorites ment — you won’t even singing “Kansas City” on pay $2501 Nov. 10 8 & 10PM THRIFT $5 Gen, $4 Student one single album. Well, If you order now, we’ll Sponsored by UCSB Sid Club friends, have I got a deal throw in “Kansas City” by CENTER for you! the luscious Peggy Lee and 5718 Hollister Ave. This hot little number is yet another version by the Downtown Goleta ironically called The Best tender (although once in a Next to Wendy’s Of Kansas City. Now, you while salty and over­ get “Kansas City” per­ cooked) Wilbert Harrison. formed by the great Little If you order sooner, we’ll H 5 SEASON Willie Littlefield. If that even throw in this won­ wasn’t enough, you also derful canying case made get this song called “Kan­ of real plastic. Notice how sas City” by the mighty Joe the cover is clear, so you Williams! But wait, there’s can see right through it! If morel You also get the you are nice, we’ll let you blissfully talented Everly have the two-page story of Brothers doing a song Kansas City, absolutely better! Order this very in­ ceive this handsome called “Kansas City.” How free.
    [Show full text]
  • Shinola, Vol. 1 > Overview ))) Page 1 of 3
    allmusic ((( Shinola, Vol. 1 > Overview ))) Page 1 of 3 » New Releases » Editors' Choice » Music Videos » Writers' Bloc » Top Searches » Whole Note Artist/Group » ClassicalYou Corner are not logged in. » Artist SpotlightLogin or Register » Top Composers » Classical Reviews Overview Review Credits Chart & Awards Buy Send to Shinola, Vol. 1 Friend Ween Review by Stephen Thomas Erlewine Shinola, Vol. 1 is the first in a projected series of rarities and oddities from Ween's substantial vaults. Take note that this is not the same thing as a collection of officially released non-LP tracks and B-sides — in fact, on this first volume, there are no previously released tracks at all, so anybody expecting this to be a clearing house for such terrific compilation-only cuts as "Beacon Light" (from the X-Files movie soundtrack), or B-sides like "Who Dat," or oddities as their rejected Pizza Hut commercial "Where'd the Cheese Go?" will be disappointed. But they won't be disappointed for long, since Shinola, Vol. 1 delivers something better: a bunch of unheard and excellent Ween songs. Of the 12 tracks here, a few have circulated on the net, either as individual songs or as part of the semi-sanctioned Available On: Priced from $9.99 to $24.07 boot Craters of the Sac, but even that handful of familiar tunes have never sounded as See all 8 sellers finished as they do on this comp. Although there are no liner notes here, no details of when the songs were recorded, the music sounds as if it could have been recorded anywhere Album Browser between 1992's Pure Guava and 2003's Quebec, and the music is, not surprisingly, all over < Previous Next > the map, ranging from infectiously silly throwaways to some of the best songs they've ever Artist written.
    [Show full text]
  • Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018
    Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018 Concert Name Date G-Eazy with Trippie Redd, Phora and Anthony Russo 3/8/2018 AARP Presents Lake Street Dive and Bruce Hornsby (solo) 11/10/2017 LCD Soundsystem with Traxx 11/9/2017 alt-J with Bishop Briggs 10/20/2017 Queens of the Stone Age with Royal Blood 10/14/2017 Gorillaz with Vince Staples and Danny Brown 9/20/2017 Logic with Joey Bada$$ and Big Lenbo 8/16/2017 WWE Presents: NXT Live 7/29/2017 Bethel Music Worship Night 6/19/2017 The 1975 5/17/2017 NEEDTOBREATHE with Mat Kearney, Parachute and Welshly Arms 10/27/2016 Brand New with The Front Bottoms and Modern Baseball 10/23/2016 Megadeth with Amon Amarth, Suicidal Tendencies, Metal Church and 10/4/2016 Butcher Babies WWE Presents: NXT Live 9/18/2016 WEEN 9/15/2016 Shawn Mendes with James TW 8/2/2016 The 1975 with Wolf Alice and The Japanese House 5/25/2016 Zedd with A-Trak and Alex Metric 10/31/2015 Disclosure with Claude VonStroke and Pomo 10/13/2015 Of Monsters and Men with Highasakite 10/1/2015 alt-J with San Fermin 9/17/2015 Hozier with Caroline Smith 9/10/2015 Sam Smith with George Ezra 1/24/2015 Bastille with Grizfolk 10/19/2014 Queens of the Stone Age with Chelsea Wolfe 5/6/2014 Paramore with Hellogoodbye and Metric 11/23/2013 My Bloody Valentine with Variety Lights 11/1/2013 A Day to Remember with All Time Low, Pierce The Veil and The Wonder 10/1/2013 Years Imagine Dragons with The Neighbourhood 9/30/2013 The National with Daughter 8/6/2013 The Postal Service with Mates of State 8/2/2013 The Killers with The Virgins 8/1/2013 Alice In Chains with Chevelle and Monster Truck 7/9/2013 Sigur Ros with Oneohtrix Point Never 4/3/2013 fun.
    [Show full text]
  • CAMECO CORPORATION (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 40-F ANNUAL REPORT PURSUANT TO SECTION 13(a) or 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011 Commission file number: 1-14228 CAMECO CORPORATION (Exact name of Registrant as specified in its charter) CANADA (Province or other jurisdiction of incorporation or organization) 1090 (Primary Standard Industrial Classification Code Number) 98-0113090 (I.R.S. Employer Identification) 2121 - 11th Street West, Saskatoon, Saskatchewan, Canada, S7M 1J3, Telephone: (306) 956-6200 (Address and telephone number of Registrant’s principal executive offices) James Dobchuk, Cameco Inc., One Southwest Crossing, Suite 210, 11095 Viking Drive Eden Prairie, Minnesota, USA, 55344, Telephone: (952) 941-2470 (Name, address, (including zip code) and telephone number (including area code) of agent for service in the United States) Securities registered pursuant to Section 12(b) of the Act: Title of Class: Common Shares, no par value Name of Exchange where Securities are listed: New York Stock Exchange Securities registered or to be registered pursuant to Section 12(g) of the Act: None Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None Information filed with this Form: Annual Information Form Audited annual financial statements Number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the annual report: 394,745,423 Common Shares outstanding as of December 31, 2011 Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • No Drive-In Christian Wiggenhauser
    No Drive-in Christian Wiggenhauser Ween hält die Tradition des musikalischen Gemischtwarenladens aufrecht. Die amerikanische Band klingt auf einer einzigen Platte wie viele verschiedene Bands, und das jedes Mal mehr oder we- niger stilecht. Wenn so etwas wie James Last, dann richtig James Last. Aber nur 2 Minu- ten und 14 Sekunden lang, das reicht. Ween spielt die Sache etwas be- schwingter. Und schräger. So beginnt sie ihr neues Album. Auf schräg folgt melodisch, auf Rock folgt Easy Listening, auf karibische Limbo-Rhythmen folgen mexikanische Ausflüge. Ob ungepflegter Jazz, verrauchter Reggae, verschrummelter Indie-Rock und immer wieder überdrehter Country, Ween bleibt dem Genre stets treu. Sie friesst nie unter der Hecke durch. Sie veräfft es, manchmal auch weniger offensichtlich. Und sie hält es radikal von Fremdeinflüssen frei. Aber nie werden Stile vermischt. In dieser Beziehung ist sie schon fast stur, denn Ween macht das seit mindestens 16 Jahren. Sie sieht wohl auch alles etwas anders. Die Band stammt aus dem Hinterland der US- Ostküste und gab sich zuerst mal eine Fiktion: Die Besetzung sollten Brüder sein, man nannte sich Dean Ween (eigentlich Mickey Melchiondo) und Gene Ween (eigentlich Aaron Freeman). Später kam auch noch ein Mean Ween (eigentlich Mark Kramer) dazu, aber er macht auf dem neuen Album nicht mehr mit. „La Cucaracha“ heisst es, aufgenommen in ihrer Heimat Pennsylvania und angeblich in einem 200 Jahre alten, total verschimmelten Farmhaus. Kinder und Hunde sollen Hausverbot erhalten haben, die ungleichen Brüder eine Atemwegsinfektion und anschliessend nur noch den Wunsch, dass ein Bulldozer die Bude abreissen würde. Man glaubt ihnen so wenig wie ihren Texten, voller Ironie, Boshaftigkeit und Geschmacklosigkeit.
    [Show full text]
  • The Dean Ween Group – Rock2
    The Dean Ween Group – Rock2 (38:41, CD,Schnitzel Records/Indigo, 2018) Dean Ween kennt man vor allem zusammen mit Gene Ween als Band Ween. Die Band gibt es seit 1984 (mit Pausen), beide haben auch mit vielen anderen namhaften Künstlern zusammengearbeitet wie den Queens Of The Stone Age oder Yoko Ono. Vor etwa vier Jahren gründete Dean Ween, oder auch The Deaner, seine Dean Ween Group, um in einer der Bandpausen live auftreten zu können. 2016 veröffentlichte The Dean Ween Group das erste Album „The Deaner Album“, nun folgt das zweite „Rock2“. Laut The Deaner stammen die Stücke hierzu hauptsächlich aus dem Herbst 2016, er hat aber noch viel mehr auf Lager. Seit über 30 Jahren geht er, wenn seine Frau arbeitet oder schläft, ins Studio und nimmt alles auf, was ihm unter den Fingern brennt. Laut ihm sind alle Dinge, die er je gelernt hat und alle Einflüsse irgendwo auf diesem Album versteckt. Und neben seiner Band und den anderen „50 üblichen Verdächtigen“ hat er alle Ween- Musiker als Backing-Band dabei. ‚Showstopper‘ rockt und groovt voran und zelebriert die Gitarre, mit Ausnahme einer treibenden Percussion-Drums- Passage. Ein Showstopper ist dieses Lied ganz sicher nicht! Dafür ein umso gelungenerer Album-Opener. Bei ‚Fingerbangin“ mit seinen schrägen Bläsertönen (und ebenfalls einer Percussion-Drums-Passage) bangen nicht nur die Finger. ‚Don’t Let The Moon Catch You Crying‘ beginnt mit „Radio-Effekt“, dann kommt eine gemütliche Country-Americana-Nummer. Zeit verschwenden tut man auch bei dem mehrstimmigen ‚Waste Station 9‘ nicht und das instrumentale ‚Love Theme From „Skinheads Kicking Your Ass“‚ setzt musikalisch genau das um und ist gleichzeitig einer der Anwärter für den besten Songtitel.
    [Show full text]