Strictly Local Phonological Processes

Total Page:16

File Type:pdf, Size:1020Kb

Strictly Local Phonological Processes STRICTLY LOCAL PHONOLOGICAL PROCESSES by Jane Chandlee A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Linguistics Spring 2014 c 2014 Jane Chandlee All Rights Reserved STRICTLY LOCAL PHONOLOGICAL PROCESSES by Jane Chandlee Approved: Benjamin Bruening, Ph.D. Chair of the Department of Linguistics and Cognitive Science Approved: George H. Watson, Ph.D. Dean of the College of Arts and Science Approved: James G. Richards, Ph.D. Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: Jeffrey Heinz, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: Irene Vogel, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: Benjamin Bruening, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: Herbert Tanner, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: James Rogers, Ph.D. Member of dissertation committee ACKNOWLEDGEMENTS This is actually the hardest section to write, because there simply are no words to convey my gratitude to the people who have seen me through to this point. I am humbled by the extent of their generosity, dedication, and caring. I'll do what I can, but in truth I'll be thanking them all for years to come. First, to Jeff Heinz, whose enthusiasm, kindness, and tireless support never cease to amaze me: thank you. From our very first meeting I have never doubted that I found my mentor. Thanks also to my committee members. To Irene Vogel and Ben Bruening, thank you for setting high standards and inspiring me to meet them by being the kind of scholars I want to be. To Jim Rogers, thanks for your valuable insights and contributions and for helping me to start taking myself seriously as a scholar. And to Bert Tanner, thank you for your support of my work and for opening my eyes to the vast potential of interdisciplinary research. I would also like to thank the professors I worked with throughout my Mas- ter's program at Boston University, for humoring a fiction writer who wanted to learn about linguistics and for giving me the knowledge and confidence to go on to a PhD program. Thanks in particular to Cathy O'Connor, Jonathan Barnes, Paul Hagstrom, and especially Nanette Veilleux of Simmons College. And last but far from least, thank you to my parents, Eileen and Larry, for taking me seriously when I changed my career plans, for not taking me seriously when I said I couldn't do this, and for never once suggesting that I try to get my job at the bank back. And now, onward. iv TABLE OF CONTENTS LIST OF TABLES :::::::::::::::::::::::::::::::: viii LIST OF FIGURES ::::::::::::::::::::::::::::::: ix ABSTRACT ::::::::::::::::::::::::::::::::::: xiii Chapter 1 INTRODUCTION :::::::::::::::::::::::::::::: 1 1.1 Restricting Phonology :::::::::::::::::::::::::: 1 1.2 Locality in Phonology :::::::::::::::::::::::::: 7 1.3 Outline ::::::::::::::::::::::::::::::::::: 8 2 BACKGROUND ::::::::::::::::::::::::::::::: 11 2.1 Empirical Perspective ::::::::::::::::::::::::::: 11 2.2 Computational Perspective :::::::::::::::::::::::: 14 2.2.1 Expressive power of grammars :::::::::::::::::: 15 2.2.2 Finite state descriptions of language patterns ::::::::: 17 2.2.3 Strictly Local languages and the Subregular Hierarchy :::: 24 2.3 Learning Phonology :::::::::::::::::::::::::::: 29 2.3.1 Learning rules ::::::::::::::::::::::::::: 29 2.3.2 Learning in OT :::::::::::::::::::::::::: 30 2.4 Mathematical Preliminaries ::::::::::::::::::::::: 32 2.4.1 Strings, languages, relations, and functions ::::::::::: 32 2.4.2 Finite state automata ::::::::::::::::::::::: 33 2.4.3 Learning framework :::::::::::::::::::::::: 34 v 3 MODELING PHONOLOGICAL PROCESSES WITH STRICTLY LOCAL FUNCTIONS ::::::::::::::::::::::::::: 36 3.1 Input Strictly Local Functions :::::::::::::::::::::: 38 3.2 Output Strictly Local Functions ::::::::::::::::::::: 43 3.3 Word Boundary Processes :::::::::::::::::::::::: 47 3.4 Multiple Targets and Contexts :::::::::::::::::::::: 49 4 METATHESIS :::::::::::::::::::::::::::::::: 62 4.1 Decomposing metathesis ::::::::::::::::::::::::: 65 4.2 Local Metathesis ::::::::::::::::::::::::::::: 73 4.3 Long-Distance Metathesis :::::::::::::::::::::::: 76 4.4 Displacement ::::::::::::::::::::::::::::::: 79 4.5 Summary ::::::::::::::::::::::::::::::::: 90 5 WORD FORMATION PROCESSES :::::::::::::::::: 95 5.1 Affixation ::::::::::::::::::::::::::::::::: 95 5.2 Reduplication ::::::::::::::::::::::::::::::: 98 5.2.1 Partial reduplication ::::::::::::::::::::::: 98 5.2.2 Full reduplication ::::::::::::::::::::::::: 106 6 LEARNING STRICTLY LOCAL FUNCTIONS ::::::::::: 109 6.1 The Onward Subsequential Transducer Induction Algorithm (OSTIA) 110 6.1.1 Modifying OSTIA to learning phonological mappings ::::: 113 6.2 The ISL Function Learning Algorithm (ISLFLA) ::::::::::: 115 6.2.1 The algorithm ::::::::::::::::::::::::::: 116 6.2.2 Identification in the limit ::::::::::::::::::::: 120 6.2.3 Complexity results :::::::::::::::::::::::: 123 6.2.3.1 Time complexity :::::::::::::::::::: 123 vi 6.2.3.2 Size of the characteristic sample :::::::::::: 123 6.3 Demonstrations :::::::::::::::::::::::::::::: 124 6.3.1 Substitution :::::::::::::::::::::::::::: 124 6.3.1.1 German final devoicing ::::::::::::::::: 124 6.3.1.2 English flapping :::::::::::::::::::: 125 6.3.2 Greek fricative deletion :::::::::::::::::::::: 126 6.3.3 Dutch schwa epenthesis :::::::::::::::::::::: 127 6.3.4 Discussion of learning results ::::::::::::::::::: 129 7 DISCUSSION ::::::::::::::::::::::::::::::::: 138 7.1 Empirical Coverage of SL Functions ::::::::::::::::::: 138 7.2 Implications of Learning Results ::::::::::::::::::::: 147 7.3 Explanations of Typology :::::::::::::::::::::::: 151 8 CONCLUSION :::::::::::::::::::::::::::::::: 154 BIBLIOGRAPHY :::::::::::::::::::::::::::::::: 156 Appendix FORMAL CHARACTERIZATIONS AND PROPERTIES OF STRICTLY LOCAL FUNCTIONS ::::::::::::::::::: 176 vii LIST OF TABLES 3.1 Mapping by Mode of Application ::::::::::::::::::: 37 3.2 Subregions of the Class of ISL Functions ::::::::::::::: 57 4.1 Summary of Displacement Processes ::::::::::::::::: 91 5.1 Summary of Computational Properties of Partial Reduplication Patterns ::::::::::::::::::::::::::::::::: 106 viii LIST OF FIGURES 2.1 Rule-based derivations of plural and past tense allomorphy ::::: 13 2.2 Fragment of a constraint-based grammar ::::::::::::::: 14 2.3 FSA for the language Laa ::::::::::::::::::::::: 18 2.4 A finite state transducer :::::::::::::::::::::::: 20 2.5 Relationship between regular relations and subsequential functions (to be revised) ::::::::::::::::::::::::::::: 21 2.6 Subsequential finite state transducer ::::::::::::::::: 22 2.7 Left and Right subsequential functions :::::::::::::::: 23 2.8 Relationship between subsequential and SL functions (to be revised) 24 2.9 Subregular Hierarchy of formal languages (LTT = Locally Threshold Testable, TSL = Tier-based Strictly Local, LT = Locally Testable, PT = Piecewise Testable, SL = Strictly Local, SP = Strictly Piecewise) :::::::::::::::::::::::::::::::: 25 2.10 Canonical SL-2 finite state acceptor :::::::::::::::::: 26 3.1 TISL for the simultaneous application of (1), k = 3, Σ = fa, bg ::: 43 3.2 TOSL for the left-to-right application of (1), k = 3, Σ = fa, bg ::: 44 3.3 TOSL for (8), k = 2, Σ = fN, D, Vg :::::::::::::::::: 46 3.4 TSL for (11), k = 3, Σ = fa, bg :::::::::::::::::::: 48 3.5 TSL for (12), k = 3, Σ = fa, bg :::::::::::::::::::: 49 3.6 TISL for Tonkawa glide vocalization, k = 2, Σ = fC, j, wg ::::: 53 ix 3.7 TISL for (21), k = 3, Σ = fa, b, cg :::::::::::::::::: 54 3.8 TISL for (23), k = 2, Σ = fa, bg :::::::::::::::::::: 56 3.9 TOSL for (23), k = 2, Σ = fa, bg ::::::::::::::::::: 56 3.10 Relationship among left subsequential, right subsequential, OSL, and ISL functions :::::::::::::::::::::::::::::: 57 3.11 TSL for Coeur d'Alene n-deletion, k = 2, Σ = fs, n, ?, ìg :::::: 59 3.12 TSL for Czech j -epenthesis, k = 2, Σ = f?, V, j, ig :::::::::: 60 4.1 TSL for Rotuman copying, k = 4, Σ = fC, ag :::::::::::: 74 4.2 TSL for Rotuman deletion, k = 5, Σ = fC, ag :::::::::::: 75 4.3 SFST for Greek copy process, Σ = fC, r, Vg ::::::::::::: 83 4.4 SFST for Greek deletion process, Σ = fC, r, Vg ::::::::::: 85 4.5 TSL for Rotuman metathesis, k = 4, Σ = fC, Vg :::::::::: 92 5.1 TSL for English un-prefixation, k = 2, Σ = f?g :::::::::::: 96 5.2 TSL for English ing-suffixation, k = 2, Σ = f?g ::::::::::: 97 5.3 TSL for Tagalog um-infixation, k = 4, Σ = fC, V, Mg :::::::: 97 5.4 Schematized TSL for Tagalog partial reduplication, k = 3, Σ = fC, Vg 99 5.5 TSL for Tagalog partial reduplication,
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Lecture Notes for Math 222A
    LECTURE NOTES FOR MATH 222A SUNG-JIN OH These lectures notes originate from the graduate PDE course (Math 222A) I gave at UC Berkeley in the Fall semester of 2019. 1. Introduction to PDEs At the most basic level, a Partial Differential Equation (PDE) is a functional equation, in the sense that its unknown is a function. What distinguishes a PDE from other functional equations, such as Ordinary Differential Equations (ODEs), is that a PDE involves partial derivatives @i of the unknown function. So the unknown function in a PDE necessarily depends on several variables. What makes PDEs interesting and useful is their ubiquity in Science and Math- ematics. To give a glimpse into the rich world of PDEs, let us begin with a list of some important and interesting PDEs. 1.1. A list of PDEs. We start with the two most fundamental PDEs for a single real or complex-valued function, or in short, scalar PDEs. • The Laplace equation. For u : Rd ! R or C, d X 2 ∆u = 0; where ∆ = @i : i=1 The differential operator ∆ is called the Laplacian. • The wave equation. For u : R1+d ! R or C, 2 u = 0; where = −@0 + ∆: Let us write x0 = t, as the variable t will play the role of time. The differential operator is called the d'Alembertian. The Laplace equation arise in the description of numerous \equilibrium states." For instance, it is satisfied by the temperature distribution function in equilibrium; it is also the equation satisfied by the electric potential in electrostatics in regions where there is no charge.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Morphophonology of Magahi
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 SJIF (2019): 7.583 Morphophonology of Magahi Saloni Priya Jawaharlal Nehru University, SLL & CS, New Delhi, India Salonipriya17[at]gmail.com Abstract: Every languages has different types of word formation processes and each and every segment of morphology has a sound. The following paper is concerned with the sound changes or phonemic changes that occur during the word formation process in Magahi. Magahi is an Indo- Aryan Language spoken in eastern parts of Bihar and also in some parts of Jharkhand and West Bengal. The term Morphophonology refers to the interaction of word formation with the sound systems of a language. The paper finds out the phonetic rules interacting with the morphology of lexicons of Magahi. The observations shows that he most frequent morphophonological process are Sandhi, assimilation, Metathesis and Epenthesis. Whereas, the process of Dissimilation, Lenition and Fortition are very Uncommon in nature. Keywords: Morphology, Phonology, Sound Changes, Word formation process, Magahi, Words, Vowels, Consonants 1. Introduction 3.1 The Sources of Magahi Glossary Morphophonology refers to the interaction between Magahi has three kind of vocabulary sources; morphological and phonological or its phonetic processes. i) In the first category, it has those lexemes which has The aim of this paper is to give a detailed account on the been processed or influenced by Sanskrit, Prakrit, sound changes that take place in morphemes, when they Apbhransh, ect. Like, combine to form new words in the language. धमम> ध륍म> धरम, स셍म> सꥍ셍> सााँ셍 ii) In the second category, it has those words which are 2.
    [Show full text]
  • The Primary Laryngeal in Uralic and Beyond
    JUHA JANHUNEN THE PRIMARY LARYNGEAL IN URALIC AND BEYOND 1. Laryngeals in synchronic systems Many languages, though not all, have in their phonemic inventory one or more segments that may be classifi ed as “laryngeals”, that is, as segments belonging to what may be called the “laryngeal range” of the consonantal paradigm. In a narrow sense of the term, the laryngeal range would comprise of only seg- ments produced with a laryngeal (glottal) primary articulation, but in a broad understanding this may be conveniently defi ned as comprising of any velar or postvelar consonants that are distinct from the basic velar stops [k ɡ] in terms of either the place or manner of articulation. Most laryngeals are continuants produced as either fricatives (with a relatively strong frication) or spirants (with a relatively weak frication) in the velar, uvular, pharyngeal, epiglottal or glottal zones of the vocal tract (cf. e.g. Ladefoged & Maddieson 1996: 39–46), though there are also non-continuant laryngeals produced as stops or affricates in the uvular and glottal zones. With the exception of the glottal stop [ʔ], which is pro- duced with a closure of the vocal chords, the segments classifi able as laryngeals can be either voiced or voiceless. It is synchronically typical of laryngeals that they often involve a consider- able lability of the articulatory parameters. Most languages have a very limited set of segments classifi able as laryngeals, which is why features such as place of articulation and voice are rarely fully exploited to distinguish one laryngeal from another. Many languages have only one segment in the laryngeal range, in which case its phonetic value can vary within a broad range.
    [Show full text]
  • A Typological Study of the Role of Syllable Contact in Romance Languages1
    AUTHOR’S COPY | AUTORENEXEMPLAR It is all downhill from here: A typological study of the role of Syllable Contact in Romance languages1 CLÀUDIA PONS-MOLL Abstract The main purpose of this paper is to show that Syllable Contact is responsible for the application of an extensive set of processes drawn from Romance lan- guages and to explore the nature and effects of this constraint within Optimality Theory (OT) on the basis of the analysis of these phenomena. All the processes under examination entail a change in manner of articulation and are the fol- lowing: a) regressive manner assimilation in some varieties of Catalan and in Languedocian Occitan, b) alveolar fricative rhotacism in Majorcan Catalan, dialects of Sardinian and dialects of Galician and c) alveolar fricative gliding in Languedocian Occitan. The analysis of these processes leads to two important theoretical implica- tions. First, it provides strong empirical evidence that SYLLABLE CONTACT cannot be regarded as a single constraint which categorically bans coda-onset 1. Different versions of this paper have been presented at the XIII Col·loqui Internacional de Llengua i Literatura Catalanes (Girona, 2003), the 13th Manchester Phonology Meeting (Manchester, 2005), the Conference on Manner Alternations in Phonology (Berlin, 2005), the 10LabPhon (Paris, 2005) and the Cuny Phonology Forum (New York, 2008). For valu- able discussion on this paper, I am grateful to Eulàlia Bonet, Elisenda Campmany, Pere Gri- malt, Maria-Rosa Lloret, John Kingston, Joan Mascaró, John J. McCarthy, Anna Pineda, Laia Querol, Daniel Recasens, Donca Steriade, Francesc Torres-Tamant and to the audience of the aforementioned conferences (especially to Stuart Davis, Chiara Frigeni and Robert Ladd).
    [Show full text]
  • Downloaded License
    Indo-European Linguistics (2021) 1–59 brill.com/ieul The phonetic value of the Proto-Indo-European laryngeals A computational study using deep neural networks Frederik Hartmann | orcid: 0000-0002-6649-5371 University of Konstanz, Konstanz, Germany [email protected] Abstract Discussion of the exact phonetic value of the so-called ‘laryngeals’ in Proto-Indo- European has been ongoing ever since their discovery, and no uniform consensus has yet been reached. This paper aims at introducing a new method to determine the qual- ity of the laryngeals that differs substantially from traditional techniques previously applied to this problem, by making use of deep neural networks as part of the larger field of machine learning algorithms. Phonetic environment data serves as the basis for training the networks, enabling the algorithm to determine sound features solely by their immediate phonetic neighbors. It proves possible to assess the phonetic features of the laryngeals computationally and to propose a quantitatively founded interpreta- tion. Keywords Proto-Indo-European – laryngeals – machine learning – deep neural networks 1 Introduction Ever since Ferdinand de Saussure (1879) proposed to reconstruct a series of additional sounds for Proto-Indo-European (pie) on the basis of indirect reflexes in the daughter languages, the phonetic nature of those sounds has remained a puzzle of Indo-European linguistics. What has come to be known as the “laryngeal theory” is almost universally accepted today, and the scien- tific community has identified three ‘laryngeals’, written h1, h2, and h3, as well © frederik hartmann, 2021 | doi:10.1163/22125892-bja10007 This is an open access article distributed under the terms of the cc by 4.0Downloaded license.
    [Show full text]
  • Phonetic Properties of Oral Stops in Three Languages with No Voicing Distinction
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Phonetic Properties of Oral Stops in Three Languages with No Voicing Distinction Stephanie M. Kakadelis The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2871 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PHONETIC PROPERTIES OF ORAL STOPS IN THREE LANGUAGES WITH NO VOICING DISTINCTION by STEPHANIE MARIE KAKADELIS A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 STEPHANIE MARIE KAKADELIS All Rights Reserved ii Phonetic Properties of Oral Stops in Three Languages with No Voicing Distinction by Stephanie Marie Kakadelis This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Juliette Blevins Chair of Examining Committee Date Gita Martohardjono Executive Officer Supervisory Committee: Douglas H. Whalen Jason Bishop Claire Bowern (Yale University) THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Phonetic Properties of Oral Stops in Three Languages with No Voicing Distinction by Stephanie Marie Kakadelis Advisor: Juliette Blevins Almost all studies on the phonetics of oral stop voicing patterns focus on languages with a voicing distinction. This gives rise to some debate regarding which aspects of voicing patterns arise from inherent articulatory effects related to the production of a voicing distinction, and which aspects are intentional adjustments by speakers meant to enhance a phonological contrast.
    [Show full text]
  • Malaysian Dialect Geography in Sambas and Mempawah River Flow Areas
    CORE Metadata, citation and similar papers at core.ac.uk Provided by International Institute for Science, Technology and Education (IISTE): E-Journals Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.10, 2015 Malaysian Dialect Geography in Sambas and Mempawah River Flow Areas Patriantoro 1 D. Edi Subroto Inyo Yos Fernandez Ir. Sutami Street, no. 36A Kentingan-Surakarta; Sebelas Maret University E-mail: [email protected] Abstract This research aimed to describe the geography of Malayan dialect in Sambas and Mempawah River Flow Areas. This study was descriptive quantitative in nature using dialectometry formulation measurement and descriptive qualitative using in-depth top-down reconstruction. The data of research was collected using in-depth interview. The data was analyzed using synchronic comparative method for language mapping, phonologically or lexically. The data reconstruction was analyzed using diachronic comparative method with top-down reconstruction technique to find retention and innovation. The diachronically data analysis was carried out utilizing Isodore Dyen’s Proto Austronesia (PAN) (1970). The result of research was presented in a descriptive text about the geography of Malayan dialect in Sambas and Mempawah rivers’ flow areas. Language mapping carried out phonologically found 5 dialects, while the one lexically found 7 dialects. Two lexicon reconstructions were found: (1) ‘relict’ retention and (2) retention. Prefix retention only found innovation. The highest retention distribution in Sambas and Mempawah River Flow Area was in TP 5 (Karangan), while the lowest one was in TP 4 (Sambas). The highest innovation distribution was in TP 1 (Seluas) and TP 6 (Menjalin), while the lowest one was in TP 4 (Sambas).
    [Show full text]
  • The Phonology and Micro-Typology of Arabic R Islam Youssef University of South-Eastern Norway, NO [email protected]
    a journal of Youssef, Islam. 2019. The phonology and micro-typology general linguistics Glossa of Arabic R. Glossa: a journal of general linguistics 4(1): 131. 1–36. DOI: https://doi.org/10.5334/gjgl.1002 RESEARCH The phonology and micro-typology of Arabic R Islam Youssef University of South-Eastern Norway, NO [email protected] The R sound exhibits considerable variability both across and within Arabic dialects; one that covers place and manner of articulation, as well as the notorious emphatic-plain distinction. Some R phones are in contrastive distribution, while others are contextually conditioned or free variants. This article aims to establish the underlying R phonemes in the spoken varieties of Arabic, evidence of which is sought in R’s dialect-specific phonological behavior: in minimal pair contrasts, distributional phenomena, loanword phonology, and phonological processes that target or are triggered by R. Investigation of such evidence reveals four major patterns based on the nature and number of R phonemes, consequently classifying Arabic dialects into four types: the split-R dialects (primarily Maghrebi and Egyptian dialect groups), the emphatic-R dialects (the Levantine group), the plain-R dialects (the Gulf group together with most peripheral dialects), and the uvular-R dialects (the qeltu-dialects of Mesopotamia). The analysis employs a minimalist, contrast-based model of feature geometry to characterize aspects of the attested R’s – such as emphatic-ness, coronality, dorsality, and sonority – and shows that the typology is directly mirrored in the representation. This has theoretical implications as well. Diverse rhotic representations within closely related language varieties demonstrate that distinctive features should not be interpreted as rigidly as is often assumed, and call attention to the semi-arbitrary relationship between phonetics and phonology.
    [Show full text]