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Televising the South: Race, Gender, and Region in Primetime, 1955-1980
TELEVISING THE SOUTH: RACE, GENDER, AND REGION IN PRIMETIME, 1955-1980 by PHOEBE M. BRONSTEIN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Phoebe M. Bronstein Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Courtney Thorsson Core Member Meslissa Stuckey Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Phoebe M. Bronstein This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License iii DISSERTATION ABSTRACT Phoebe Bronstein Doctor of Philosophy Department of English September 2013 Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation traces the emergence of the U.S. South and the region’s role in primetime television, from the post-World War II era through Reagan’s election in 1980. These early years defined, as Herman Gray suggests in Watching Race, all subsequent representations of blackness on television. This defining moment, I argue, is one inextricably tethered to the South and the region’s anxiety ridden and complicated relationship with television. This anxiety was rooted in the progress and increasing visibility of the Civil Rights Movement, concern over growing white southern audiences in the wake of the FCC freeze (ended in 1952), and the fear and threat of a southern backlash against racially progressive programming. -
Batman in the 50S Free
FREE BATMAN IN THE 50S PDF Joe Samachson,Various,Edmond Hamilton,Bill Finger,Bob Kane,Dick Sprang,Stan Kaye,Sheldon Moldoff | 191 pages | 01 May 2002 | DC Comics | 9781563898105 | English | United States Batman in the Fifties (Collected) | DC Database | Fandom An instantly recognizable theme song, outrageous death traps, ingenious gadgets, an army of dastardly villains and femme fatales, and a pop-culture phenomenon unmatched for generations. James Bondright? When it first premiered inBatman was the most faithful adaptation of a bona fide comic book superhero ever seen on the screen. It was a nearly perfect blend of the Saturday matinee movie serials where most comic book characters had their first Hollywood break and the comics of its time. But the TV series, particularly during its genesis, was both a product of its own time, and that of an earlier era. Both Flash Gordon and Dick Tracy had made the leap to the big screen before Superman had even hit newsstands, and both saw their serial adventures get two sequels. While Flash Gordonparticularly the first one, was a faithful within the limitations of its budget translation of the Alex Raymond comic strips, Dick Tracy was less so. Years before Richard Donner and Christopher Reevethis one made audiences believe a man could fly, and featured a perfectly cast Tom Tyler in the title role, but was still rather beholden to serial storytelling conventions and the aforementioned budgetary limitations. Ad — content continues below. Batman and Robin are portrayed much as they are in the comics, despite some unfortunately cheap costumes, and less than physically convincing actors in the title roles. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Bruce Lee Name in Chinese: 李小龙 [李小龍]
Name in English: Bruce Lee Name in Chinese: 李小龙 [李小龍] Name in Pinyin: Lǐ Xiǎolóng Gender: Male Birth Year: 1940-1973 Birth Place: San Francisco, California Philanthropy: Y Profession (s): Actor, martial artist, philosopher, instructor Education: B.A., Philosophy, 1963, University of Washington Award(s): 1958, Boxing Champion; 1997, #100 top movie star, Empire Magazine’s Top 100 Movie Stars of All Time; 1999, named one of the 100 most important people of the century, Time Magazine. Contribution(s): Bruce Lee was an American icon who popularized the martial arts film genre and sparked a continuing interest in Asian martial arts and Asian cultures in general across the world. He wrote several books on the philosophy of martial arts and founded the Jeet Kune Do style of martial arts. To this day, Bruce Lee is seen as the most influential martial artist of all time by many people. Bruce Lee was born in San Francisco in November 1940 while his parent’s Cantonese opera troupe was performing there. He was a quarter German through his maternal grandfather. His family returned to Hong Kong when he was three months old and they lived under Japanese occupation during World War II. As a child and teenager he appeared in twenty Hong Kong films. He returned to the US in 1959 at the age of 18 and after a brief stay in San Francisco left to complete his high school education in Seattle while working at Ruby Chow's restaurant as a waiter. After completing high school he went to study at the University of Washington in Seattle. -
Oct., 2007 Vol
page 2 ...................... Opinion page 12.............SRDA Menu page page 4 & 20..................Weird News Coming Up 13......................Senior Safety page 5..................Health Breast Cancer Stories page 15...............Travel page 8............Light for the Journey October Is Breast Cancer page 22.....Fremont/Custer Menu page 11...............Finances Awareness Month page 24...............Social Security & You SeniorIF YOU ARE 50 OR OLDER YOUBeacon SHOULD READ IT!! SB Oct., 2007 Vol. 26: No. 3 Established Aug., 1982 303 Consecutive Months! FOUR WOMEN TELL OF THEIR BATTLES “We Fought Back Against Breast Cancer!” by Sandra Gordon cancer fund-raisers. “Rachel recently A breast cancer diagnosis can be spearheaded an event for the Susan G. terrifying, bringing with it an endless list Komen Cancer Foundation that raised of unanswerable questions and fears. But $32,000,” Sandi says proudly. important lessons often come from fac- “We faced our fears.” ing harrowing experiences. In this breast Growing up, Diane Greene and cancer report, six inspiring women share her three sisters, Laura McGowan, Car- the stories of how their battles made them ol Wolkiewicz, and Linda Phaneuf, first stronger and wiser. learned about breast cancer when they “I was determined to treat my were teens. Their mother and her brother cancer my way.” and sister were diagnosed with the dis- Lynette Bisconti, 43, was over- ease—all three died between the ages joyed late in 1997 when she learned she of 50 and 60. “We hoped the cause was was pregnant. But a month later that hap- environmental, not genetic,” says Diane, piness turned to heartache. After having 47, the mom of two teenage boys. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Airport Car Rental
City of Waco, Texas Request for Proposal RFP No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum Issue Date: February 11, 2016 Closing Date & Time: March 10, 2016 at 2:00 p.m. Opening Date & Time: March 10, 2016, at 2:01 p.m. RFP Opening Location: Purchasing Services Office, 1415 N. 4th Street, Waco, Texas For Information Contact: Victor Venegas, Purchasing Services, 254-750-8098 Pre-submittal Meeting Location: Texas Ranger Education Center (Behind the Texas Ranger Hall of Fame and Museum) 100 Texas Ranger Trail Waco, TX 76706 On February 24, 2016 at 2:00 PM Purchasing Services Post Office Box 2570 Waco, Texas 76702-2570 Telephone 254 / 750-8060 Fax 254 / 750-8063 www.waco-texas.com City of Waco, Texas Request for Bids/Proposals/Qualifications RFB No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum REGISTER INTEREST You have received a copy of the above described Request document. If you would like to register your interest in this project so that you will receive any future notices or addenda concerning the project, please fill in the information requested below and fax this page to 254-750-8063. You may also scan this page and email to: [email protected]. Company/Firm: Name of Contact Person(s): Email(s): Telephone 1: __________________________________ Telephone 2:_________________________________ Fax: Other: Mailing Address: It is your responsibility to complete and return this form to the City. Failure to do so will result in your not receiving notices and addenda related to this project from the City of Waco. -
Copyright by Avi Santo 2006
Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable. -
Points of Interest
Serenity Assisted L i v i n g & M e m o r y C a r e Dilworth, MN On January 31, 1933, a Detroit radio station hit broadcasting gold Points of when it aired the first episode of a western series called The Lone Ranger. Interest: It was an instant hit, and 2,956 radio episodes were produced, followed by a series of books and television shows, a half-dozen movies, and countless • January games and toys. The Lone Ranger phenomenon became a cultural touch- stone for an American nation hungry to romanticize its Wild West roots. Birthdays Perhaps the greatest appeal of the Lone Ranger was in his strict moral code. • Activity He may have hidden behind his signature black mask, but he never hid his desire for truth and justice. The Lone Ranger always used perfect grammar Calendar and never swore or used slang. He never drank or smoked. Scenes never took place in rough saloons but in restaurants serving food rather than • Snapshot liquor. The Lone Ranger had a pistol, as any western hero should, but he never shot to kill. He instead used his gun to disarm others and bring them to Photos jail. Criminals were never glamorized with wealth or fame, nor did they enjoy positions of power. These decisions were made deliberately by the show’s • Movies of creators, Fran Striker and George W. Trendle. They intended The Lone Ranger to be wholesome family entertainment with a hero destined to the Month become an honorable American icon. The Lone Ranger hit the American public during a particularly fragile time. -
2005 Our 30Thfinnil/Ersary
The Old Time Radio Club Established 1975 b Number 329 April 2005 1975 - 2005 Our 30thfinnil/ersary p FRAN STRIKER "Buffalos Lone Henqer" The Illustrated Press Membership Information Club Officers and Librarians New member processing: $5 pius club membership President of $17.50 per year from January 1 to December 31. Jerry Collins (716) 683-6199 Members receive a tape library listing, reference 56 Christen Ct. library listing and the monthly newsletter. Lancaster, NY 14086 Memberships are as follows: If you join January [email protected] March, $17.50; April-June, $14; JUly-September, $10; October-December, $7. All renewals should be Vice President & Canadian Branch sent in as soon as possible to avoid missing Richard Simpson (905) 892-4688 newsletter issues. Please be sure to notify us if you 960 16 Road R.R. 3 have a change of address. The Old Time Radio Fenwick, Ontario Club meets on the first Monday of the month at7:30 Canada, LOS 1CO PM during the months of September through June at St. Aloysius School Hall, Cleveland Drive and Treasurer, Videos & Records Century Road, Cheektowaga, NY.There is no meet Dominic Parisi (716) 884-2004 ing during the month of July, and an informal meet 38 Ardmore PI. ing is held in August at the same address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Time Radio Network. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct.