THE LONE RANGER University of California Press, 1975
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An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history. -
Interview with JIM GILLESPIE Texas Ranger, Retired ©2008, Texas
Interview with JIM GILLESPIE Texas Ranger, Retired ©2008, Texas Ranger Hall of Fame and Museum Project: Texas Rangers Interview Conducted at Mr. Gillespie’s Home Dumas, Texas Thursday—October 30, 2008 Interviewed By: Nancy Ray and Eddie Ray Longview, Texas Present at Interview: Jim Gillespie, Nancy Ray and Eddie Ray 1 This Texas Ranger Hall of Fame E-Book™ is copyrighted 2009, by the Texas Ranger Hall of Fame and Museum. All Rights Reserved. For information contact Director, Texas Ranger Hall of Fame and Museum, PO Box 2570, Waco, TX 76702. Introduction Welcome to the E-Book Project of the Texas Ranger Hall of Fame and Museum (TRHFM). The TRHFM, located in Waco, Texas, is the State-designated Official Historical Center of the Texas Rangers. It is operated as a service of City of Waco by authorization of the Texas Department of Public Safety and the State of Texas. The mission of this project is to provide easy access to books, oral histories dissertations, articles, and other literary works on Texas Ranger history. Public Domain Works: Many of the works in this non-commercial library are in the public domain and may be freely enjoyed—please follow the conditions set forth below. Copyrighted Works: Some works, which are clearly noted, are under copyright. They are in this library through the courtesy and permission of the copyright holders. Please read and enjoy them, but they may not be redistributed, copied or otherwise used without the written permission of the author or copyright holder. Conditions & Statements 1. The Adobe Acrobat™ or other file format in which this work resides may not be redistributed for profit—including commercial redistribution, sales, rentals, or fees for handling, access, download etc. -
7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial
7. Conclusion : Telefilm, Cross-Media Migration, and the Demise of the Film Serial Abstract The conclusion offers an outlook past the 1940s. It places film serials in the context of the shifting cinema landscape in the 1940s and 1950s and the rise of television. The chapter compares the viewer address of film serials to television’s programming in terms of a ‘segmented flow’ and argues that film serials imagined and practiced a televisual mediality before the advent of TV. Serials and television thus became convergent media, which counters the prevalent notion that television killed film serials. The chapter further stresses the adaptability of the film-serial form to varying exhibition and distribution contexts, which helps to explain their continuous reappearance in the multiple ‘new media’ in the second half of the twentieth century and in the digital culture of the twenty-first century. Keywords: television programming, televisual flow, post-WWII film history, independent film production The present moment is an arbitrary one to end a study of film serials. Al- though the heyday of their production is well in the past, serials that were thought to be lost continue to reappear in archives or in private collections. Online fan groups like the serialsquadron.com offer increasing numbers of serials on DVD. Other enthusiasts make them available on youtube or upload them to archive.org, and scholars like Richard Koszarski are making an effort to locate ‘new’ film serials. In the final months of writing, for instance, Pathe’s The House of Hate (1918) was located in Russia, digitalized, and translated back into English. -
Activity #1, Overture to William Tell
STUDENT ACTIVITIES Student Activities – Activity #1, Overture to William Tell William Tell is an opera written by the composer Gioachino Rossini. This famous piece is based upon the legend of William Tell and has been used in cartoons, movies, and even commercials! Listen to the Overture to William Tell and see if you recognize it! https://www.youtube.com/watch?v=YIbYCOiETx0 Read the Legend of William Tell. This was Rossini’s inspiration for writing the opera! THE LEGEND OF WILLIAM TELL William Tell is a Swiss folk hero. As the legend goes, William Tell was known as a mighty man who was an expert with the crossbow. After refusing to pay homage to the Austrian emperor, Tell was arrested and the emperor deemed that William and his son Walter be executed. However, the emperor would let them go free if William was able to shoot an apple off the head of his son! Walter nervously stood against a tree and an apple was placed upon his head. William successfully shot the apple from 50 steps away in front of a crowd of onlookers! William Tell and his never ending fight for liberty helped start the rebellion against the emperor and other tyrants as well. FWPHIL.ORG 1 STUDENT ACTIVITIES Activity #1, Overture to William Tell Listen to the musical excerpt again and answer the 5. Although there are no horses in the following questions. Rossini opera, this music was used as the theme song for “The Lone Ranger” 1. Do you recognize the overture to William Tell? as he rode his galloping horse! It has however, been used in commercials and even cartoons! Where else have you heard this piece? Explain. -
{PDF} Bass Reeves and the Lone Ranger : Debunking the Myth Kindle
BASS REEVES AND THE LONE RANGER : DEBUNKING THE MYTH Author: Martin Grams Jr Number of Pages: 26 pages Published Date: 20 Jan 2018 Publisher: Createspace Independent Publishing Platform Publication Country: none Language: English ISBN: 9781984066725 DOWNLOAD: BASS REEVES AND THE LONE RANGER : DEBUNKING THE MYTH Bass Reeves and The Lone Ranger : Debunking the Myth PDF Book After I joined the Mandel Center at Brandeis University in the Fall of 2003, Avital Feuer assisted me ably in readying the ?nal version of the book. Customize your Windows 10 Anniversary Update experienceInstall and remove hardware and softwareSet up your network and configure securityManage content, connect to printers, and troubleshoot issues Clear your to-do list faster than ever with Cortana voice commands, Windows Ink, Windows Hello, and a cross-platform capability that allows you to integrate a range of platforms including tablets, phones, Raspberry Pi, and even Xbox. citizenship parallels the border crossing story of Carger's first book and illuminates triumphs and tragedies the family, and many other immigrants, experience as they negotiate life in the United States, and as they, all too often, have to forsake their hopes and dreams. This book, available in paperback for the first time, lifts the veil of excessively optimistic propositions covering the whole better regulation agenda. The book gives a state-of-the-art overview of current research and development in parsing technologies. A Practical Approach to Strength Training: 25th AnniversaryAre you stressed out over how to feed your family a nutritious meal at the end of a long, busy day without turning to convenience foods or the drive-through. -
"FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES
THE LONE RANGER: "FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES EVERETT BARNES BARKEEP BANKER THOMAS JUDY MASON MONK SAVAGE TRIG SLIM GLETCHER BILLY JOHNNY U.S. MARSHAL MUSIC:WILLIAM TELL OVERTURE - HORSE GALLOPING LR:"HI HO, SILVER, AWAY!!" FX:SHOTS (6) ANNOUNCER:A FIERY HORSE WITH THE SPEED OF LIGHT, THE CLOUD OF DUST AND A :HEARTY "HI HO SILVER" -- THE LONE RANGER! FX:WILLIAM TELL OVERTURE (THE WHOLE THING) ANNOUNCER:With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early western United States. No where in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. FX:GRADUALLY BRING UP HOOF BEATS ANNOUNCER:From out of the past come the thundering hoof beats of the great horse Silver. The Lone Ranger rides again! FX:LOUD HOOFBEATS LR (from a distance):Come on, Silver! Let's go, big fella! Hi Ho, Silver -- AWAAYY!! FX:HOOFBEATS FADE TO MUSIC - BRING MUSIC UP (KEEP MUSIC UNDER ANNOUNCER) ANNOUNCER:There was death in Piute Basin that afternoon. It's ugly pattern was in the ugly swoop of a single buzzard that hovered high overhead. Its ominous threat was in the stifling heat of a relentless sun and its certainty was in the eyes of a man who lay mortally wounded at the foot of Indian Bluff. His eyes now dimming rapidly saw three horsemen rein up their mounts a short distance from where he lay. -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-06-2017 Grit 2/6 Mon 2/7 Tue 2/8 Wed 2/9 Thu 2/10 Fri 2/11 Sat 2/12 Sun Grit 06:00A The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC Movie: Outlaw Justice Movie: McLintock! 06:00A 06:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC TV-14 V; 1999 TV-PG V; 1963 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: The Last Days Of Frank & Jesse 08:00A 08:30A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; James 08:30A TV-PG D, L, S, V; 1986 09:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: Ten Wanted Men 09:00A CC 09:30A Zane Grey Theatre: -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Golden Ag E W Estern Comics Golden
Golden Age Western Comics Western Golden Age he Wild West has been romanticized in American culture ever since the dime novels capturing the exploits of Jesse James were produced in the years directly Tfollowing the Civil War, and the Western genre continues to enthrall audiences to this day. The stories of frontiersmen, outlaws, cowboys, Indians, prospectors, and marksmen surviving the harshest of environments through wit, skill, and determination, or meeting their end by bullet, noose, or exposure speak to what it means to be American and play an essential part in how we define ourselves as a nation. These mythic stories have been captured and created in almost every popular mass medium of the past century and beyond from tabloids to novels, radio plays, television shows, and movies. Now, powerHouse Books is pleased to present a collection of these uniquely American stories as told through a uniquely American medium…the comic book! Golden Age Western Comics lovingly reproduces in full-color, restored, complete scans of over 40 of the best Western stories created between the years 1948 and 1956. These lavishly illustrated stories of guts and glory, violence and valor, intrigue, romance, and betrayal, on the range and in lawless frontier towns, were created by some of the best artists and writers of the era. The action flies off the page in stories such as “The Tragedy at Massacre Pass,” and “Breakout in Rondo Prison,” from the greatest earliest publishing houses, including: Fawcett, Charlton, Avon, Youthful, and more. Golden Age Western -
Airport Car Rental
City of Waco, Texas Request for Proposal RFP No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum Issue Date: February 11, 2016 Closing Date & Time: March 10, 2016 at 2:00 p.m. Opening Date & Time: March 10, 2016, at 2:01 p.m. RFP Opening Location: Purchasing Services Office, 1415 N. 4th Street, Waco, Texas For Information Contact: Victor Venegas, Purchasing Services, 254-750-8098 Pre-submittal Meeting Location: Texas Ranger Education Center (Behind the Texas Ranger Hall of Fame and Museum) 100 Texas Ranger Trail Waco, TX 76706 On February 24, 2016 at 2:00 PM Purchasing Services Post Office Box 2570 Waco, Texas 76702-2570 Telephone 254 / 750-8060 Fax 254 / 750-8063 www.waco-texas.com City of Waco, Texas Request for Bids/Proposals/Qualifications RFB No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum REGISTER INTEREST You have received a copy of the above described Request document. If you would like to register your interest in this project so that you will receive any future notices or addenda concerning the project, please fill in the information requested below and fax this page to 254-750-8063. You may also scan this page and email to: [email protected]. Company/Firm: Name of Contact Person(s): Email(s): Telephone 1: __________________________________ Telephone 2:_________________________________ Fax: Other: Mailing Address: It is your responsibility to complete and return this form to the City. Failure to do so will result in your not receiving notices and addenda related to this project from the City of Waco. -
Copyright by Avi Santo 2006
Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable.