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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Sociotechnical Security As an Analytic Framework
Entanglements and Exploits: Sociotechnical Security as an Analytic Framework Data & Society Research Institute Columbia University Matt Goerzen, Elizabeth Anne Watkins, Open Technology Fund Research Fellow Gabrielle Lim, Abstract Unfortunately, platform-linked violence like the incidents in The rise of social media platforms has produced novel Christchurch and San Diego are not uncommon and are security threats and vulnerabilities. Malicious actors can unlikely to subside in the near future. Other forms of now exploit entanglements of once disparate technical and problematic and potentially dangerous content also social systems to target exposed communities. These proliferate. False and misleading content distributed on exploits pose a challenge to legacy security frameworks Whatsapp in India led to the murders of over two dozen drawn from technical and state-based conceptions of people in 2018 (Goel et al., 2018). The genocide of the referent objects and bounded information systems. In this Rohyinga in Myanmar was partially incited by the military paper we propose a new framework of analysis to meet this through disinformation and false accounts on Facebook challenge, Sociotechnical Security (STsec), which (Mozur, 2018). Facebook usage may also correlate with acknowledges how the interplay between actors produces higher rates of anti-refugee attacks in Germany (Müller and emergent threats to participant communities. This Schwarz 2018). Meanwhile, targeted harassment has been exploratory paper offers an overview of sociotechnical linked to self-censorship and a chilling effect on systems, explains why these threats and vulnerabilities internet-based communications (UN Office of the High require us to expand our understanding of security with Commissioner, 2017). Amnesty International in 2018, for regards to participatory technology, and how sociotechnical example, declared Twitter trolling of women a human rights security can be operationalized as a framework for analysis. -
KEXP Blog » Blog Archive »
Listen Live: WMA : Real : MP3 ...shhhh! Check out the Live At KEXP Vol. 4 presale . Pass it on... KEXP Suggests Fujiya & Miyagi Lykke Li Miles Benjamin Anthony Robinson The Broken West The High Decibels KEXP.ORG KEXP Events KEXP.ORG Live Performances Archive On Demand Audio Podcasting Programming Real Time Playlist Reviews Streaming Archive Support KEXP Upcoming In Studio Guests Previous Posts 33 1/3 Oddyssey Intern(al) Live at CMJ Live in Chicago Live Reviews Midnight Album Spotlight Review Revue Song of the Day Video Roundup Weird at My School Northwest Music Spotlight Altspeak Champagne Champagne Deer City Jaguar Love The Dead Science Music Sites Aversion Idolator La Blogotheque Pampelmoose Pitchfork Spinner The Tripwire Three Imaginary Girls Music Blogs An Aquarium Drunkard Brooklyn Vegan Friction NYC Gorilla vs. Bear Largehearted Boy Music For Robots Muzzle of Bees My Old Kentucky Blog Northwest Music Blog Product Shop NYC Radio Free Chicago Rock Outs Rock Sellout Shelves of Vinyl So Much Silence Sonic Itch Music Sound on the Sound Stereogum The Finest Kiss You Aint No Picasso Archives August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 « Song of the Day: Freshkills - My House : Out This Week 8/19 » Beijing Rocks: Public Image Limited’s Martin Atkins in China by Chris Estey Not to get all “ Weird At My School ” (that’s DJ El Toro’s job here on the KEXP Blog), but my favorite album that seemed to freak everybody out when I was growing up was Public Image Limited’s Flowers of Romance . -
The Philippines Report
PHILIPPINES REPORT INDEX Introduction 01 Methodology 02 Legal Foundations and Fundamental Laws and Freedoms 03 Governance of Online and Networked Spaces 09 Sectoral Laws 15 Curtailment of Freedom of Expression 21 Future Violations Through 38 Draft Laws Summary and Conclusion 40 01 Introduction he Philippines spends more an unprecedented crackdown time in social media than any on their fundamental freedoms.”4 Tother country.1 In the early Commenting on attacks from online days of the coronavirus pandemic, it ‘trolls,’ a former Philippine senator even reported the greatest increase expressed that “we used to say the globally of users spending more internet was a marketplace of ideas, time in social media.2 This does not [but] now it’s a battlefield.”5 mean that the state of its freedom of In the Philippines, social media expression online is at its healthiest. is where freedom of expression is Various governmental restrictions, usually realized. It is also a crime limitations, attacks, and even abuses scene, scoured by law personnel of this freedom exist, keeping the for evidence of utterances which Philippines consistently near the they may find illegal, but may also top of “most dangerous countries be valid expressions of discontent for journalists” lists. (It’s the fifth and dissent. Considering the current worldwide.)3 The Philippines is only political climate—one dominated partly free on the 2019 Freedom on by a president often described as the Net Report and dropped three ‘authoritarian’ and ‘dictatorial’ and a notches from last year. police and military force that takes Globally, social media, which his word as law— the line blurs was once thought to level the and one is usually mistaken for the playing field on civil discussion, other. -
The Internet, Intelligence Agencies, and Neo-Fascism
The Internet, Intelligence Agencies, and Neo-Fascism Sabrina Reguyal INTERFACE 6/2/20 Some Motivation “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings.” - Ursula K. Le Guin Speech at the National Book Awards, 19 Nov 2014 Who/what is fascist? What is fascism? Classical Fascism - Robert O. Paxton, The Anatomy of Fascism Selections from his list of “mobilizing passions”: - a sense of overwhelming crisis beyond the reach of any traditional solutions - the primacy of the group - the belief that one’s group is a victim - dread of the group’s decline under the corrosive effects of individualistic liberalism, class conflict, and alien influences - the need for closer integration of a purer community - the right of the chosen people to dominate others... right being decided by the sole criterion of the group’s prowess within a Darwinian struggle Where was fascism born? - George L. Mosse, The Fascist Revolution Description of fascist aesthetics/rhetoric: Masculine, modern, youthful, violent, soldier-like, all-powerful leader. Emphasis on race purity, martyrdom, cultural traditions, and a mythologized past. - “Birth of Fascism” 23 March 1919 Speech by Mussolini in Piazza San Sepolcro of Milan. Attended by somewhere between 25-500 people, depending on which historian you ask. ← Ceremony in Piazza San Sepolcro the 1930s Where was fascism born? - Charles Darwin, On the Origin of Species Published 24 November 1859. Social Darwinism arises 1870s The term eugenics is invented in 1883 by Francis Galton, Darwin’s half-cousin. - Louis Pasteur’s germ theory, 1860s. -
Anti-Blues Music, Dub and Racial Identity
Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s. -
Lynsey De Paul
2 don’t understand why so many people are angry with the recent iTunes promotion of U2’s new album. Now, don’t get me wrong. I am not saying this because I am a fan of the band, or because I think it is a remarkable record. It’s not, and I’m not. The band have made much better records in the past, and they have made considerably worse ones. That isn’t the issue. There have been times in my life when I have been quite impressed with the band’s output, although I would never have called myself a true blue fan. But that isn’t the issue either. The issue is why are so many people incensed by the fact that iTunes paid the band an undisclosed sum (said to be in the multiple millions) to send a copy of the record to everybody who had an iTunes account on the day in question? Those beneficiaries included Dear Friends, me, by the way – twice. Welcome to another issue of Gonzo Weekly The album can be removed from your playlists magazine. For the first time in quite a few with a couple of clicks of a mouse, and although issues, our own life has quietened down I believe it is slightly more complicated if you somewhat; Weird Weekends have come and have an iPhone, I truly don’t think it is going to gone, grand-daughters have been born, and we be that much of an issue. are back in the relative safety of our own little sanctum in North Devon. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Mass Manslaughter: but Less Than a Felony,Sometimes an Ear Is Just an Ear: Baylies Band Releases Freudian Ears,RIP Andy Gill &Am
Spring Growth: New albums and local shows kick the season off right The Z-Boys – Elwood Here’s (I’m assuming) a Motif exclusive: Elwood, the sophomore album from Newport’s The Z-Boys, hits the streets March 6. They’re a band known for their high-energy performances. With tempos and influences all over the place, it’s like a dump truck careening along the edge of a canyon road. Fans will be pleased that the new album manages to keep much of the mayhem intact. You may be familiar with the brand of “everything overload” the Newport band pours into the cauldron, throwing in blues rock, surf, Latin, country and more. Distilling a dynamic live band into an album format can be difficult. Studio constraints have the Z-Boys a bit more restrained, but without a lot of production fluff. “You Lie” is familiar blues rock territory about lying, cheating, etc, and “Don’t Have to Hang Around” is a folk-Mariachi tune mixed with a pleasant country vibe. “Too Slow” is a Steely Dan-like shuffle with a barrage of drum fills, and “Wanna Be Sure” features chunky, arena rock power chords. The downside with the everything-but-the-kitchen-sink method is there’s no real standout track. Elwood has the expected guitar fireworks present in every song, along with rock solid, tasteful bass playing. The drumming is enthusiastic if not overbearing at times, like Keith Moon on Lite Rock 105. I think the best times are when they just fuckin’ go for it full bore without bothering with a melody. -
Hate and Violent Extremism from an Online Sub-Culture the Yom Kippur Terrorist Attack in Halle, Germany
Website: ohpi.org.au Facebook: facebook.com/onlinehate Twitter: twitter.com/OnlineHate E-mail: [email protected] Hate and Violent Extremism from an Online Sub-Culture The Yom Kippur Terrorist Attack in Halle, Germany DRAFT FOR CONSULTATION NOT FOR FURTHER RELEASE Copyright ©2019 Online Hate Prevention Institute Report: IR19-4 This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Andre Oboler, William Allington and Patrick Scolyer-Gray Consultation Notes This version of the report is a draft for consultation with stakeholders prior to the release of the final report. All content, including findings and recommendations, are subject to further change as a result of the consultation process. • We invite stakeholders with direct knowledge of the facts described in this report to bring any errors or omissions to our attention. • We invite stakeholders and experts who disagree with a finding or recommendation to provide a brief counter argument. We will consider this and decide if the content ought to be revised. In case we decide not to revise our content, please indicate if you would be willing for your counter view to be included, and if so, what attribution you would like (your name, company / organisation name, anonymous etc) • We invite all stakeholders receiving this to provide a brief statement of support for this report. Such statements can: o Express support for specific aspects of the report o Welcome the contribution to the field without specifically endorsing the content o Raise other related ideas or recommendations Examples of such statements can be seen in our report on Islamophobia in 2013: https://ohpi.org.au/islamophobia-on-the-internet-the-growth-of-online-hate-targeting- muslims/ Feedback and statements are requested by December 12th. -
Christidispetros2017.Pdf
ΤΕΧΝΟΛΟΓΙΚΟ ΕΚΠΑΙΔΕΥΤΙΚΟ ΙΔΡΥΜΑ ΚΡΗΤΗΣ Σχολή Εφαρμοσμένων Επιστημών Τμήμα Μηχανικών Μουσικής Τεχνολογίας και Ακουστικής Πτυχιακή Εργασία Dub Μουσική: η ιδέα, η σημασία και η εξέλιξή της έτ ος ηστίδης ΑΜ 1074 Επιβλέποντες Καθηγητές: Κώστας Παπαρρηγόπουλος Δημήτρης Ξενικάκης Ρέθυμνο 2017 2 3 ε ιεχόμενα Περιεχόμενα ...................................................................................................................... 3 Ευχαριστίες ....................................................................................................................... 5 Περίληψη .......................................................................................................................... 7 Abstract ............................................................................................................................. 7 Κεφάλαιο 1 ....................................................................................................................... 9 1.1 Ιστορική Εισαγωγή ................................................................................................. 9 1.1.2 Rastafari ......................................................................................................... 10 1.2 Μουσική ................................................................................................................ 12 1.2.1 mento ............................................................................................................. 12 1.2.2 R'n'B ..............................................................................................................